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Wyświetlanie 1-15 z 179
Tytuł:
John Dickson Carr’s Early Detective Novels and the Gothic Convention.
Autorzy:
Kokot, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/605562.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Carr, John Dickson
detective fiction
Gothic fiction
Grand Guignol
Opis:
Der Artikel enthält Zusammenfassungen nur in Englisch.
Even if the Gothic romance may be considered as one of the predecessors of detective fiction, the world model proposed by the latter seems to exclude what was the essence of the former: the irrational underlying the proposed world model. However, some of detective novel writers deploy Gothic conventions in their texts, thus questioning the rational order of the reality presented there. Such a genological syncretism is typical - among others - of the novels by John Dickson Carr. The paper is an analysis of Gothic conventions and their functions in four earliest novels by Carr, featuring a French detective-protagonist, Henri Bencolin. It concentrates on elements of Gothic horror, on the atmosphere of terror as well as the motif of the past intruding the present.
L'article contient uniquement les résumés en anglais.
Źródło:
Lublin Studies in Modern Languages and Literature; 2019, 43, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafictional potentiality of detective fiction and the metaphysical detective stories
Autorzy:
Izdebska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1068843.pdf
Data publikacji:
2020-11-26
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
popular literature
crime fiction
detective fiction
metaphysical detective story
Opis:
The article examines metatextual devices appearing within texts whose genre affiliation — the implementation of the detective novel convention — is unarguable. Such use of selfreferential strategies is juxtaposed with their applications in texts that in English-language reflection on postmodern and modernist novels are defined as metaphysical detective stories. The article examines the genre aspects of the use of these devices and their consequences for the location of a crime novel within contemporary popular culture.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 2; 107-118
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Access Paths: On Popular Women’s Literature and Criticism
Autorzy:
Nowacki, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/2030645.pdf
Data publikacji:
2021-02-21
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
fiction
women
typology
critics
Opis:
Referring to critical statements that have appeared during the last few years, the author discusses ways of commenting on popular literature penned byfemale authors. One may distinguish five types of comments, 1) Appropriation (Aneksja), employed when a popular novel is included in the socially important literature referring to pressing and alarming problems (e.g. domestic violence). 2) Playing with convention (Gra z konwencją), based on pinpointing both grotesque and ironic elements and, above all, metaliterary signals in popular novels. 3) Adherence to tradition (Zgodnie z tradycją), best represented in the secondary literature, either through a poetologic approach (structural analyses) or approaches inspired by feminist criticism. 4) Exhortation to pay close attention (Dobrze się wschłuchać), focused on the approaches suggested by other fields, e.g. how popular women’s literature is read by sociologists. 5) Focus on emotions and excess (Emocje i zbytek), based on emotional and therapeutic research on the perception styles of popular literature. In this case, one focuses not on popular women’s fiction, but on the way it influences the readers’ emotions.
Źródło:
Tematy i Konteksty; 2020, 1; 395-404
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Pretty Maids All in a Row”: Power and the Female Child in Frances Hodgson Burnett’s The Secret Garden
Autorzy:
Lelekis, Debbie
Powiązania:
https://bibliotekanauki.pl/articles/888964.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
prose fiction
Frances Hodgson Burnett
exploratory fiction
patriarchy
feminism
gender roles
Opis:
This article explores Frances Hodgson Burnett’s The Secret Garden (1911) as a “hybrid” text and an example of “exploratory fiction.” Of primary interest is the parallel between Mary’s growth and the garden’s rehabilitation. Through Mary Lennox, arguably Burnett’s most complex fictional child, the novel challenges traditional patriarchal values with a depiction of female-based power dynamics. The novel makes a significant contribution to the shift in the way the female and the child was stereotypically portrayed in literature before the twentieth century.
Źródło:
Anglica. An International Journal of English Studies; 2014, 23/1; 63-82
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reality in the Margins, Pseudo-Reality in the Main Frame: The Posthuman in Steven Hall’s "The Raw Shark Texts"
Autorzy:
Guenther, Shawna
Powiązania:
https://bibliotekanauki.pl/articles/653531.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
posthumanism
pseudoreality
British fiction
Opis:
I contend that, at its core, Stephen Hall’s The Raw Shark Texts is an allegory of reading that illustrates how composite realities exist in the increasingly electronically-dominated world of posthumanism. Hall succinctly identifies how words act upon readers intellectually and psychologically. Readers take the written words from the page and turn them into actual people, places, things, and events within their minds, bringing their own past narratives to create their versions of the text’s pseudoreality. However, the text’s main character, Eric, is disabled by his repeated episodes of complete amnesia – his reality is constantly being erased and rewritten, just like computer memory, leaving Eric with no past narrative to inform his present and future. Hall, very much aware of the conflict between reality and pseudoreality, conflates the worlds of written and digital text, and of human and computer memory in ways that both celebrate their coexistence and warn of one’s potential to eliminate the other. Thus, the allegory of reading exemplifies the potential destruction of reading and the end of electronic posthumanism. As digital text and the mainframe threaten to destroy the act of reading in the twenty-first century, the death of the reader looms large.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2018, 5, 1; 1-10
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Canvas and the Maze: Deconstructing Wall and Frontier in Contemporary American Science Fiction
Autorzy:
Grilli, Chiara
Powiązania:
https://bibliotekanauki.pl/articles/626160.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Science Fiction
Wall
American frontier
Opis:
Chiara GrilliIndependent scholarItaly The Canvas and the Maze: Deconstructing Wall and Frontier in Contemporary American Science Fiction Abstract: Science Fiction has always been used to analyze society through the construction of parallel worlds. Likewise, Denis Villeneuve’s movie Arrival (2016) and the TV series Westworld (2016) challenge respectively the evocative symbol of the wall and the old myth of the American frontier, thanks to the fruitful possibilities of representation offered by the Sci-Fi  genre. While in Arrival the wall is turned into the first tool of communication between two cultures, in Westworld the myth depicting America as the land of opportunity connects with that of the frontier and the search for new lands, intended here not as outdoor places, but more importantly as inner spaces. Beside their mystifying power, what connects these two works is a more complex concept of time and of identity: thanks to the screen and the maze, and, as a consequence, thanks to interrelation and introspection, the self is allowed to wander through time, through visionary predictions of the future and hallucinatory mirages of the past, which give the individual the chance to re-build his/her own life story.Keywords: Science Fiction, Wall, American frontier
Źródło:
Review of International American Studies; 2018, 11, 2
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Непубликуваните фикционални текстове (Васил Попович и Асен Христофоров)
Autorzy:
Аретов, Николай
Powiązania:
https://bibliotekanauki.pl/articles/1890765.pdf
Data publikacji:
2021-02-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
unpublished
fiction
censorship
personal relations
Opis:
This paper deals with some texts from the archives of two authors from different periods. These texts were not published by the authors in their lifetime. The reason was not some kind of censorship, especially in the case of Vasil Popovich, who probably had some scruples dealing with events from the private life of his opponent Konstantin Jireček. Asen Hristoforov, a writer who was expelled from the University and sent to a labor camp, did not offer texts about his time in the labor camp for publishing. However, in this published texts there are hints about the repressions he suffered and about his disapproval of the communist regime. At the same time, there was a tension between his criticism and his attempt to partially accept the official perspective towards some events and political figures of Bulgarian communist past.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 19; 149-168
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Holocaust – the Border of Pragmatic Language
Holokaust – hranica pragmatického jazyka
Autorzy:
Prušková, Zora
Powiązania:
https://bibliotekanauki.pl/articles/635671.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
language
document
fiction
interpretation
Opis:
The theme of the paper is observing and revealing non-pragmatic language that, when dealing with deliberately chosen texts about acts of violence, leads to productive aesthetic disturbance. In its substance, this language refers to the gulf between intensity of representation and ideological intention towards a reader declared in a complicated manner. The paper discusses five texts with the theme of the Holocaust. Three of them deal with the Holocaust as with a recent experience, namely Curzio Malaparte’s Caput (1944), Žofia Nalkowska’s Medallions (1945), and Leopold Lahola’s Last Thing (1949–1956, published in a book in 1968); whereas two other ones deal with the Holocaust after some time in a form of belles-lettres memoirs or testimony, namely Juraj Špitzer’s I Did Not Want to Be a Jew (1994) and Jerzy Kosiński’s Painted Bird (in English in 1965, Czech translation was published in 2011). All interpreted texts are marked by specific language situated beyond the border of traditional literary representation. This language is either extremely subjective, expressive and periphrastic – in this case it borders on with absurd Realism or nonsense (in case of C. Malaparte, J. Kosiński, and L. Lahola) – or, in its neutral representation (in case of Ž. Nalkowska, and J. Špitzer), it borders on with a melancholic self-referential document on limits of cultural humanism or of normal, common humanity.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 259-270
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Image of Educated Women in Two Interwar Austrian Novels by Female Authors
Autorzy:
Górny, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/601589.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Grete von Urbanitzky
Vicki Baum
Austrian interwar fiction
female student in literature (prose fiction)
Opis:
The article sketches a portrayal of educated women in literature of the interwar period. The ways are shown in which typical experiences of women students are reflected in prose works describing the consecutive stages of scholarly career – from the beginning of one’s university studies to successful independent work. The figure of female student and scientist is shown in the novels concerned as a model example of emancipation, while the influence of a conservative concept of femininity is apparent. The model protagonist is a utopian figure as it harmoniously merges emancipative and conservative elements.
Źródło:
Acta Poloniae Historica; 2018, 117
0001-6829
Pojawia się w:
Acta Poloniae Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy po apokalipsie nadchodzi utopia? "Utopie, nejlepsi verze" Ivana Kmínka
Autorzy:
Hanshew, Kenneth
Powiązania:
https://bibliotekanauki.pl/articles/608013.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
post-apocalypse
Ivan Kmínek
science fiction
utopy
postapokalipsa
Ivan Kminek
science–fiction
utopia
Opis:
In his article, “After the Apocalypse comes Utopia? Ivan Kmínek’s Utopia, the Best Version” Kenneth Hanshew examines the various aspects of one of the three best works of Czech post-apocalyptic science fiction. He focuses on the following: the revelation of the utopian society as problematic, humorous accents regarding the title, exploration of the conflicts in the established utopian society, comparison with the concept of future as presented by other science-fiction authors, departure of Kminek’s world from the notions of utopia’s perfection and eutopian literary conventions, examination of the psychology and siginficance of the narrator and characters, as well as the analysis of the structure, motifs, tropes and themes used in the story itself. It is questioned whether the achieved goals of a utopian society as portrayed in the novel genuinely are foundations for a positive utopia. Hanshew continues to compare and contrast Kminek’s ideas with other authors, as well as reveal the eliterary allusions conveyed within the work. It is explained which science-fiction themes are used in the construction of the presented world and how they depart from the canon. Finally, the author observes and evaluates the non-dystopian aspects of Kminek’s novel (i.e. romance, detective novel, comedy) and the extent to which it is based on allegory.
Autor w swoim artykule zajmuje się różnymi aspektami jednej z najlepszych powieści czeskiego pisarza science fiction Ivana Kminka, koncentrując się na utopijnej wizji społeczeństwa i porównując ją do obrazów innych autorów fantastycznych. Zadaje pytanie o to, czy osiągnięcie celów utopijnej społeczności, jaka została ukazana w powieści, rzeczywiście jest podstawą pozytywnej utopii. Wyjaśnia, jakie motywy fantastyczne są użyte do konstruowania świata przedstawionego, a które są odejściem od kanonu. Autor analizuje także antyutopijne aspekty powieści Kminka (tj. romans, powieść detektywistyczna, komedia) oraz stopień, w jakim jest ona oparta na alegorii.
Źródło:
Annales Universitatis Mariae Curie-Sklodowska, sectio FF – Philologia; 2016, 34, 2
0239-426X
Pojawia się w:
Annales Universitatis Mariae Curie-Sklodowska, sectio FF – Philologia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mr, what’s-his-name, have the goodness to — what-do-ye-call- ‘em, — the, —the thingumbob. Some Remarks on the Sailors Language Terminology and Related Issues in British and American Nautical Fiction
Autorzy:
Blaszak, M.
Powiązania:
https://bibliotekanauki.pl/articles/1008899.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Opolski
Tematy:
BRITISH AND AMERICAN NAUTICAL FICTION
SAILORS' JARGON IN LITERARY FICTION
SEA LANGUAGE TERMINOLOGY
Opis:
The article follows the rise and development of the sea novel on both sides of the Atlantic, and in this context the sailors' language terminology used by prominent nautical writers, among others Capt. Frederick Marryat, J. F. Cooper, Herman Melville, Jack London, Joseph Conrad and Nicholas Monsarrat. Among the terms used for the said language by these writers there are 'sea language', 'marine talk', 'sailors' parlance', 'vernacular', 'dialect', 'nautical jargon', 'lingo', 'seamen's cant' and 'slang'. The article also surveys problems connected with the use of such a language in works of literary fiction addressed to readers 'ashore' who are not familiar with specialized maritime dictionary.
Źródło:
Stylistyka; 2006, 15; 331-350
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hercule Poirot and the Tricky Performers of Stereotypes in Agatha Christie’s Murder on the Orient Express
Autorzy:
Eckert, Kenneth
Powiązania:
https://bibliotekanauki.pl/articles/2032734.pdf
Data publikacji:
2021-11-22
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Agatha Christie
Murder on the Orient Express
Hercule Poirot
detective fiction
British fiction
prejudice
stereotypes
Opis:
Agatha Christie’s Murder on the Orient Express (1934) remains well-read, and its hero Hercule Poirot continues to enjoy popular currency. Yet the text has not aged well due to some of its now clichéd plot developments and dialogue, as well as Christie’s depiction of class, ethnic and national prejudices in it and her other novels. This study hopes to re-energize discussion on Murder by finding defensible reasons for its apparent flaws. Not only do the stereotypical behaviors of the passengers narratively distract Poirot and the reader from a solution, but their flaws serve as foils against which Poirot’s heroic gravitas and cultural values are positively contrasted. Further, criticism often misses the point that the passengers are performing their behaviors, and if so, the deployment of stereotypes as only acted performances destabilizes them as permanent aspects of national or ethnic identity. Can Murder then be read as an anti-racist text?
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 186-203
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Crying of Lot 49 and the Parody of Detective Fiction
Autorzy:
Róg, Borys
Powiązania:
https://bibliotekanauki.pl/articles/601309.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Pynchon, Postmodernism, parody, detective fiction
Opis:
The Crying of Lot 49, recognized as an important example of postmodern fiction, is a novella by an American author Thomas Pynchon. It follows the story of Oedipa Maas, who encounters a possible underground conspiracy related to postal services. Its themes and structural properties suggest affinities with a detective story genre, although there are crucial differences which actually mark the novel as a parody of the genre. In my article I want to analyze two elements which contribute to the parodic nature of The Crying of Lot 49. One is the wide use of various cultural references to the popular culture, history, American society etc.; they are usually satirized by the author as to what contributes to the overall sense of a parody. The second contributes directly to the reversed structure of a detective fiction; the use of entropy as the plot device distorts the unraveling mystery in the novel. Moreover, the reading of the novel as a parody in terms of the characteristics listed above justifies its reputation as a postmodern text. 
Źródło:
New Horizons in English Studies; 2017, 2
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Stick-slip" motion of open manipulators with flexible drives and dry friction in joints
Autorzy:
Harlecki, A.
Powiązania:
https://bibliotekanauki.pl/articles/279545.pdf
Data publikacji:
1999
Wydawca:
Polskie Towarzystwo Mechaniki Teoretycznej i Stosowanej
Tematy:
dynamics
dry fiction
open manipulator
Opis:
An analysis of the phenomenon of "stick-slip" vibrations of arms of open manipulators with flexible drives and dry fiction in joints is carried out in the paper. A method of physical and mathematical modelling of such systems for the purposes of dynamic analysis is presented. An example of dynamic analysis of a manipulator with revolute and prysmatic joints has been carried out. Finally, some results of numerical simulation, illustrating the phenomenon of "stick-slip" motion, are presented.
Tematem artykułu jest analiza zjawiska drgań typu "stick-slip" ramion otwartych manipulatorów. Zaproponowano pewną metodę opracowania fizycznych i matematycznych modeli i manipulatorów w postaci otwartych łańcuchów kinematycznych dla potrzeb analizy dynamicznej, uwzględniającej podatność napędów i tarcie suche w parach kinematycznych. Przeprowadzono przykładową analizę dynamiczną wybranego manipulatora z postępową i obrotowymi parami kinematycznymi. W podsumowaniu zaprezentowano wybrane wyniki obliczeń numerycznych, ilustrujące wpływ suchego tarcia w parach kinematycznych na zjawisko drgań typu "stick-slip", a w konsekwencji stabilność ruchu członków manipulatora.
Źródło:
Journal of Theoretical and Applied Mechanics; 1999, 4; 873-892
1429-2955
Pojawia się w:
Journal of Theoretical and Applied Mechanics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Can fiction and veritism go hand in hand?
Autorzy:
Brandelet, Antoine
Powiązania:
https://bibliotekanauki.pl/articles/31804113.pdf
Data publikacji:
2023
Wydawca:
Copernicus Center Press
Tematy:
fiction
explanations
idealisations
models
veritism
Opis:
The epistemology of models has to face a conundrum: models are often described as highly idealised, and yet they are considered to be vehicles for scientific explanations. Truth-oriented—veritist—conceptions of explanation seem thereby undermined by this contradiction. In this article, I will show how this apparent paradox can be avoided by appealing to the notion of fiction. If fictionalism is often thought to lead to various flavours of instrumentalism, thereby weakening the veritist hopes, the fiction view of models offers a framework much richer than it seems at first sight. To do so, I will call upon the concepts of modality, counterfactual structure and credible worlds. In the end, veritism of explanation and fiction can indeed go hand in hand, but the scope of explanations we can hope to draw from models must be more precisely delineated.
Źródło:
Zagadnienia Filozoficzne w Nauce; 2023, 74; 225-257
0867-8286
2451-0602
Pojawia się w:
Zagadnienia Filozoficzne w Nauce
Dostawca treści:
Biblioteka Nauki
Artykuł
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