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Tytuł:
Gender identity in translation: the impossibility of transposing non-binary characters into Romanian
Autorzy:
Ivan, Alexandra Maria
Powiązania:
https://bibliotekanauki.pl/articles/28407297.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
LGBTQ+
queer
translation
LGBTQ+ translation
gender-neutral in translation
cultural translation
Opis:
The created world of Ada Palmer’s Terra Ignota series depicts a future society where gender identity has undergone a process of uniformisation, resulting in the erasure of gendered language. The novels take the form of a confessional (a recounting of the events of the past) which are published in the future society without the express consent of the other characters taking part in the depicted course of events. The narrator, in a motivated show of re bellion against their society’s current ideology (discussed both at the beginning of the series and as they progress with the narration), reinscribes gendered pronouns onto the unknowing characters; however, this is done on an arbitrary basis, which the narrator does not always discuss. The present paper aims to emphasize the growing number of LGBT+ novels published and the impossibility of transposing them into Romanian due to the lack of a gender-neutral pronoun that does not default to the masculine. The paper analyses Too Like the Lightning by Ada Palmer in order to specify the various nuances that would be lost in the cultural adaptation and translation of the novel into Romanian, a translation which has yet to occur, given the complexity and constraints of the novel and the depicted ideology behind it.  
Źródło:
Forum for Contemporary Issues in Language and Literature; 2023, 4; 27-43
2391-9426
Pojawia się w:
Forum for Contemporary Issues in Language and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bal-kan means penis
Autorzy:
Goworski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/485703.pdf
Data publikacji:
2012
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
gender studies
cultural translation
Oedipus complex
Balkan literature
Opis:
The character of alter ego of Ivana Sajko – croatian playwright – in the text a „Bomb Woman“, sends e-mails with a question “What would you do if you had twelve minutes and thirty seconds more?” to her friends and receives twenty-one replies. Among the answers there are eleven male and ten female voices. In my opinion, the proportion between male and female voices may be a significant interpretational clue. Does not it prove that the author aimed at maintaining political correctness in the text? The aim of this paper is to indicate gender inclinations of the contemporary Balcan authors basing on, among others, the following texts: „Bomb Woman“ by Ivana Sajko, „The other letter from 1920“ by Muharem Bazdulj and „Sahib“ by Nenad Veličković. Is not the protagonist’s detonationreferring again to Sajko’s text – on the symbolic level, an attempt to break with the myths of woman-mother and woman-mistress? Moreover, my goal is to demonstrate that the decisions concerning social interactions taken by the characters of the discussed texts, may be explained in psychoanalysis criteria, e.g. Oedipus complex.
Źródło:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne; 2012, 2(9); 107-111
1898-8431
Pojawia się w:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From the Palace of Ryswick to the Sultan’s Seraglio: The Ottoman Translation and Interpretation of a Christian European Peace Treaty
Autorzy:
Poulios, Konstantinos
Powiązania:
https://bibliotekanauki.pl/articles/31058593.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Treaty of Ryswick
Silāḥdār Fındıklılı Meḥmed Aġa
supra-cultural translation
Alexandros Mavrocordatos
Opis:
The inclusion of peace treaty articles between Christian powers in an Ottoman historical work of the late seventeenth century is unquestionably distinctive. The article presents an Ottoman translation of the Treaty of Ryswick (1697) concluded between the French king and the German emperor. This translation is included by the late seventeenth – early eighteenth-century Ottoman historian and palace official Silāḥdār Fındıklılı Meḥmed Aġa in his historical work called ‘The Book of Victory’ (Nuṣretnāme). With this unique text as its basis, the article will first attempt to place the translation in its historical context and explain the possible reasons for its inclusion by Silahdar in his history. Secondly, to morphologically evaluate the text to bring to the fore the translation strategies adopted and to explore the reception and the degree of understanding by the Ottoman side of the basic terms and linguistic topoi of a Christian European peace treaty. And lastly, to analyse the specific interpretation ascribed to the Ryswick agreement by the Ottoman leadership.
Źródło:
Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2022, 6; 99-124
2545-1685
2545-1693
Pojawia się w:
Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narratives of Arab Anglophone Women and the Articulation of a Major Discourse in a Minor Literature
Autorzy:
Sarnou, Dalal
Powiązania:
https://bibliotekanauki.pl/articles/648342.pdf
Data publikacji:
2014-09-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Arab Anglophone literature
Arab Anglophone women’s narratives
minor literature
de-territorialization
re-territorialization
Diaspora
home
cultural translation
Opis:
“It is important to stress that a variety of positions with respect to feminism, nation, religion and identity are to be found in Anglophone Arab women’s writings. This being the case, it is doubtful whether, in discussing this literary production, much mileage is to be extracted from over emphasis of the notion of its being a conduit of ‘Third World subaltern women.’” (Nash 35) Building on Geoffrey Nash’s statement and reflecting on Deleuze and Guattari’s conceptualization of minor literature and Gloria Anzaldua’s Borderland(s), we will discuss in this paper how the writings of Arab Anglophone women are specific minor and borderland narratives within minor literature(s) through a tentative (re)localization of Arab women’s English literature into distinct and various categories. By referring to various bestselling English works produced by Arab British and Arab American women authors, our aim is to establish a new taxonomy that may fit the specificity of these works
Źródło:
International Studies. Interdisciplinary Political and Cultural Journal; 2014, 16; 65-81
1641-4233
2300-8695
Pojawia się w:
International Studies. Interdisciplinary Political and Cultural Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Sociology of Translation: At the Intersection of Social Sciences and the Humanities. "The Case of The Golden Key, or the Adventures of Buratino"
Socjologia przekładu – na styku nauk społecznych i humanistycznych. Na przykładzie książki pt. „Złoty kluczyk, czyli niezwykłe przygody pajacyka Buratino”
Autorzy:
Kosman, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1371624.pdf
Data publikacji:
2020-05-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
habitus
pole
socjologia przekładu
zwrot kulturowy w badaniach nad przekładem
cultural turn in translation studies
field
sociology of translation
Opis:
The article discusses the relationship between translation studies and sociology. It is argued that the latter can prove valuable in a deepened analysis of a given society. Surprisingly, little research has been done with regard to this issue. In order to justify the point of view that translation studies can consort with social sciences in many ways, The Golden Key, or the Adventures of Buratino – a Soviet adaptation of Collodi’s Pinocchio – is analyzed. The choices of the translator are influenced by the trends and norms in the Soviet society. These norms are further analyzed through the lenses of Pierre Bourdieu’s concepts and the Manipulation School. Thus, combining sociology and translation studies can provide an interdisciplinary perspective on social phenomena.   
Artykuł omawia związek pomiędzy naukami o przekładzie (translation studies) oraz socjologią. Uważa się, iż osiągnięcia przekładoznawstwa mogą okazać się użyteczne w analizie danego społeczeństwa. Powstało jednak relatywnie niewiele opracowań w tej kwestii. W celu uzasadnienia poglądu głoszącego, iż translation studies mogą współgrać z naukami o społeczeństwie, skupiono się na sowieckiej adaptacji „Pinokia” Collodiego: „Złoty kluczyk, czyli niezwykłe przygody pajacyka Buratino” pióra Aleksieja Tołstoja. Wybory tłumacza są zdeterminowane przez trendy i normy panujące w sowieckim społeczeństwie. Te normy zostały również zanalizowane zgodnie z koncepcjami pola i habitusu Pierre’a Bourdieu oraz założeniami szkoły manipulistów. Połączenie socjologii z przekładoznawstwem daje zatem interdyscyplinarną perspektywę na zjawiska społeczne.
Źródło:
Przegląd Socjologii Jakościowej; 2020, 16, 2; 62-78
1733-8069
Pojawia się w:
Przegląd Socjologii Jakościowej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Causes and Sources of Millenarian Messianism of the Brazilian Sertões
Causas y fuentes del milenarismo mesiánico de los sertões de Brasil
Autorzy:
JAGŁOWSKI, Mieczysław
Powiązania:
https://bibliotekanauki.pl/articles/486139.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Brazilian religious movements
messianism
millenarianism
encounter of cultures
cultural translation
new symbolic universse
"confusion of the gods"
movimientos religiosos brasileños
mesianismo
milenarismo
encuentro de culturas
traducción cultural
nuevo universo simbólico
"interpenetracion de los dioses"
Opis:
In the article, we ask about the reasons and sources of the religious-social revival, that appeared on the Brazilian back-lands (sertões) at the turn of the 19th and 20th centuries in the form of numerous millenarian and messianic movements and communities. There were different responses given on the questions of the reasons of phenomenon. In the first para-graph, we follow their evolution. In the next we consider that question from the perspective of the encounter of European culture with the cultures of the New World, understood as the process of the mutual interpenetration and the creation of a new religious mentality. In the final remarks, we make an attempt to determine the nature and extent of the relations in which the contents coming from different sources were constituting the religious and mental groundwork of the phenom-enon discussed.
En el artículo preguntamos sobre las causas y fuentes del renacimiento religioso-social que tuvo lugar en los sertões bra-sileños en el cambio de los siglos XIX y XX, en forma de los numerosos movimientos y comunidades milenaristas y me-siánicas. Sobre la cuestión de las razones de este fenómeno se dieron diferentes respuestas. En el primer párrafo seguimos la evolución de las mismas. En la próxima consideramos esta cuestión en la perspectiva del encuentro de la cultura eu-ropea con las culturas del Nuevo Mundo, entendido como el proceso de la interpenetración mutua y la creación de una nueva mentalidad religiosa. En las observaciones finales tratamos de determinar la naturaleza y extensión de las relaciones entre los contenidos provenientes de las diferentes fuentes, constituidos el fundamento religioso y mental de los fenómenos discutidos.
Źródło:
Revista del CESLA. International Latin American Studies Review; 2017, 20; 225-243
1641-4713
Pojawia się w:
Revista del CESLA. International Latin American Studies Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cultural adaptation in translation of English children’s literature into Polish: the case of Mary Poppins
Autorzy:
Biały, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/577071.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
translation
domestication
foreignization
cultural terms
Opis:
This paper considers two Polish translations of Pamela Travers’ Mary Poppins. I shall analyse the translation procedures applied by the translator Irena Tuwim to render culturally marked words and expressions, the difficulties she encountered during her work, and modifications that occur in the target text. Besides, there are also some discrepancies in two Polish editions which I shall compare.
Źródło:
Linguistica Silesiana; 2012, 33; 105-125
0208-4228
Pojawia się w:
Linguistica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The remains of Kresy: On the Italian, French and English translation of Tadeusz Konwicki’s novel Bohiń
Autorzy:
Prola, Dario
Powiązania:
https://bibliotekanauki.pl/articles/1195791.pdf
Data publikacji:
2020
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Tadeusz Konwicki
Kresy
Cultural Terms
Translation Techniques
Translation Strategies
Opis:
The paper is a comparison of three translations of Tadeusz Konwicki’s novel Bohiń. After an overall evaluation of the specific characteristics of the Polish language spoken in the Vilnius area, the author focuses on its lexical aspects and in particular on words reflecting the complex social, political, and cultural reality of the northern Kresy. The analysis of the strategies adopted to render the novel’s realities, conducted on the basis of a classification of realia proposed by Krzysztof Hejwowski, enables the author to indicate how some of these words play an important role in the creation of Tadeusz Konwicki’s fictional and mythical universe.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2020, 11; 28-45
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(PSEUDO)POLONISMS IN JOSEPH CONRAD’S AMY FOSTER AND PRINCE ROMAN AND THEIR POLISH TRANSLATIONS
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444564.pdf
Data publikacji:
2012-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
literary translation
calques
cultural setting
bilingualism
Conrad
Opis:
Joseph Conrad’s language has been subject to various analyses regarding its uniqueness stemming from the writer’s trilingualism. Scholars have traced diverse influences from the French and Polish languages in this writer’s artistic output. Nevertheless, the effects of such influences are not thoroughly discussed. This article attempts to take a critical look at the outcomes deriving from the appearance of phrases which may be classified as Polonisms or pseudo-Polonisms in two short stories Amy Foster and Prince Roman and their translations into Polish. In the former story, untypical phrasings which may have been calqued from Polish serve to emphasise the alienation of the character of Yanko, in the latter, expressions which are generally common for both English and Polish highlight both the distinctiveness of Polish culture and its affinity with the European cultural setting. Unfortunately, in the translations into the language from which such linguistic or cultural concepts originated, such effects are much less distinctive.
Źródło:
Acta Neophilologica; 2012, XIV/1; 5-17
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Defining Law Terms: A Cross-Cultural Perspective
Autorzy:
Jopek-Bosiacka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/620826.pdf
Data publikacji:
2011-06-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
legal definition
law term
cross-cultural communication
legal translation
Opis:
Legal definitions are vital for effective legal communication. This paper outlines main conventions of formulating definitions in statutes and contracts. Legal definitions are analyzed here from cross-cultural perspective against (legislative) drafting guidelines and theory of law. Their formulation may depend, inter alia, on legal system, branch of law, legal genre, position within the document, and type of legal definition.An attempt is then made to examine how formal aspects of formulating legal definitions may affect the interpretation and thus translation of law terms. This interdisciplinary cross-cultural examination provides a theoretical basis for sketching main approaches to English-Polish (Polish-English) translation of the definition section in ratified international instruments published in Polish Journal of Laws.The translation practice trends towards legal definitions seem to be more and more informed by the globalization and ‘Europeanisation’ processes now constituting a still broader context of legal communication rather than confined to the text of a legal instrument itself.
Źródło:
Research in Language; 2011, 9, 1; 9-29
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings
Autorzy:
Almási, Zsolt
Kujawińska Courtney, Krystyna
Nicolaescu, Mădălina
Škrobánková, Klára
Vyroubalova, Ema
Zaharia, Oana-Alis
Powiązania:
https://bibliotekanauki.pl/articles/39776472.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
race
racism
political theater
William Shakespeare
Jan Kott
adaptation
cultural mobility
cultural transmission
microhistories
translation
Opis:
This essay discusses how productions of Shakespeare’s plays that transcend various geographical, national, and linguistic boundaries have influenced the theatrical-political discourse in East-Central Europe in the twenty-first century. It focuses primarily on the work of four internationally-established directors: Andrei Şerban (Romania), Jan Klata (Poland), David Jařab (Czech Republic), and Matei Vișniec (Romania), whose works have facilitated interregional cultural exchange, promoting artistic innovation and experimentation in the region and beyond. Among the boundary-crossing productions analysed in detail are Vișniec’s Richard III will not Take Place, Jařab’s Macbeth – Too Much Blood, Klata’s Measure for Measure, and Serban’s Richard III. The essay also notes that while there has been a relative scarcity of Shakespearean productions in this region engaging closely with gender and race inequalities, productions such as Klata’s African Tales or Vladimír Morávek’s Othello manage to work with these politically charged topics in subtler but still productive ways. The essay concludes that the region’s shared historical experience of totalitarian regimes followed by the struggles of nascent democracies, provides a fertile ground for a diverse and internationally ambitious Shakespearean theatre.  
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 45-68
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Andalusian View of Death in Translation: ‘Clamor’ by Federico García Lorca and its Polish Translation
Autorzy:
Jamka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1912426.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
linguistic worldview
translation studies
Federico García Lorca
death
cultural concept
Opis:
Death, an essential part of life, is a mesmerizing topic for a number of reasons. Without a shadow of a doubt, it is a universal phenomenon. Nevertheless, the variety of death rites as well as myths and beliefs related to the act of passing, suggest certain differences in its understanding among individuals, communities, and cultures. Are such differences manifested in language? And if so, can they be examined in an analysis of translations of highly artistic, poetic texts?In this study I seek to reconstruct the linguistic view of death in ‘Clamor’ by Federico García Lorca and its latest Polish translation (2019) by Jacek Lyszczyna. Having in mind that language constitutes the raw material of literature (Pajdzińska, 2013), I believe that analyzing poetry in light of the linguistic worldview is crucial for its deeper understanding and, as a consequence, delivering a good translation. What is more, I am convinced that applying the analytical tools developed by cultural linguistics, and in particular, the Ethnolinguistic School of Lublin, in translation studies may be useful not only in an assessment of translation quality, but also as very telling of the role of translated texts in the target language, culture and literary system. Therefore, I intend to analyse Lyszczyna’s translation in view of the linguistic worldview to assess its quality and determine what such an ‘infected’ view of death may tell us about our own (Polish) take on this concept.Firstly, I will analyse García Lorca´s poem to identify the key linguistic exponents of death and reconstruct its non–standard linguistic view (Gicala, 2018) in ‘Clamor’. Secondly, I will capture the key linguistic exponents of death in the form of holistic cognitive definitions following the principles established by Bartmiński et al. (1988, 1996, 2006, 2010, 2013, 2018). Furthermore, I will do the same with their Polish equivalents used in Lyszczyna’s translation. On the basis of the outcomes of the study, I will reconstruct the ‘translated’ linguistic view of death and answer the research questions.
Źródło:
New Horizons in English Studies; 2020, 5; 48-62
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“While my name is remembered, I teach”: Oodgeroo Noonuccal and cross-cultural storytelling for children
Autorzy:
Kwapisz Williams, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/962203.pdf
Data publikacji:
2018
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
Australian Indigenous writing
autobiography
children’s literature
cross-cultural communication
translation
Opis:
Focusing on Stradbroke Dreamtime (1972), the first prose book of an Australian Indigenous poet, activist and educationalist, Oodgeroo Noonuccal (also known as Kath Walker), I reflect on questions which arise around cross-cultural communication and translation. Prompted by the unfinished project aimed at translating Stradbroke Dreamtime into Polish, I deliberate on challenges to respond appropriately to Australian Indigenous writing, particularly if it is influenced by white editing and publishing practices which often privilege Eurocentric views. Situating Stradbroke Dreamtime in the broader context of Noonuccal’s life, political activism and pedagogical efforts, I read her work as an intergenerational, inclusive and transformative project, and an act of solidarity between generations and cultures. In the context of Indigenous Australia, the concept of solidarity is often associated with reconciliation. I explore this nexus, arguing that Stradbroke Dreamtime reflects Walker’s strategy for reconciliation which includes empowering children through storytelling.
Źródło:
Literatura Ludowa; 2018, 62, 3
2544-2872
0024-4708
Pojawia się w:
Literatura Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Quantifying a successful translation: A cognitive frame analysis of (un)translatability
Autorzy:
Zakaria, Ingie
Powiązania:
https://bibliotekanauki.pl/articles/1040210.pdf
Data publikacji:
2017-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Frame Semantics
Cognitive Semantics and Translation
VISUAL Frames
Translating Cultural Elements
Opis:
Assessing the success of a translated text is one of the controversial topics often discussed in the field of translation studies. The definition of a so-called successful translation is itself controversial. Therefore, for the purpose of this study, the success of a given translation may be defined as transmitting a similar, though rarely identical, semantic frame reference in the Target Language (TL) as was intended by the Source Language (SL) and may be quantified by comparing alternate translations and choosing the one with the highest number of equivalent frame references. One of the factors which could be considered detrimental to the production of a successful translation, as defined above, is the (un)translatability of cultural terms. Cultural terms, defined here as expressions referring to concepts or entities that are unique to a certain culture, are believed to be untranslatable. This paper uses Arabic visual frames referencing the Egyptian garment ǧal-labiy-ya (or ǧilbāb) as an example and argues that (un)translatability can be quantified using semantic frames based on the assumption that all SL terms have multiple frame references, some of which, mostly the ones indicating denotative meaning, have parallels in the TL while some others, mostly the ones indicating connotative meaning, do not. The degree of (un)translatability may, therefore, be quantifiable by observing which TL terms possess a higher rate of similar frame references in SL, which aids in the evaluation of translated texts in terms of relative equivalence and the degree to which the Target Text (TT) audience receives similar information to that received by the Source Text (ST) audience.
Źródło:
Linguistics Beyond and Within; 2017, 3; 229-244
2450-5188
Pojawia się w:
Linguistics Beyond and Within
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Domestication and Arabization of the Bard: Towards the Reception of Shakespeare in the Arab World
Autorzy:
Hassoon, Mohammed Naser
Powiązania:
https://bibliotekanauki.pl/articles/1812143.pdf
Data publikacji:
2021-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
adaptation
Arabic
Arabization
cultural transfer
Khazal al-Majidi
repositioning
Shakespeare
translation
Opis:
Since Najib al-Haddad and Tanyusʻ Abdu’s first Arabic versions of Romeo and Juliet and Hamlet at the end of the 19th century, the reception of Shakespeare in the Arab world has gone through a process of adaptation, Arabization, and translation proper. We consider the process of Arabization / domestication of Shakespeare’s plays since Najib al-Haddad’s adaptation of Romeo and Juliet and Tanyusʻ Abdu’s adaptation of Hamlet, to the achievements of Khalīl Mutran and Muhammad Hamdi. We underline, as particular examples of Shakespeare’s appropriation, the literary response of Ali Ahmed Bakathir, Muhammad al-Maghut and Mamduh Udwan, with a particular stress on Khazal al-Majidi and his adaptations of Shakespeare’s plays. All these writers reposition Shakespeare’s plays in an entirely different cultural space.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 43-57
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
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