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Wyszukujesz frazę "Feminism" wg kryterium: Temat


Tytuł:
Stepping from College Classrooms to the Political Front. The Emergence of Feminism in the Norwegian Maoist Movement before 1973
Autorzy:
Gęsiarz, Michał
Powiązania:
https://bibliotekanauki.pl/articles/27314166.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Maoism
student activism
Marxist feminism
second wave feminism
Kvinnefronten
Opis:
The aim of this article is to investigate the origins of the Women’s Front, a women’s movement co-founded by Norwegian Maoists in the 1970s. The analysis seeks to capture the dynamics of women’s activism in relation to the broader political landscape and, concurrently, to understand the Women’s Front in a broader temporal perspective. The sources used were newspapers and publications issued by different branches of the Norwegian Maoist movement. Women’s politics are analysed both as a grassroots phenomenon and a part of agitation which emerged under the 1972 anti-EEC campaign. This makes it possible to show how women’s politics found a place on the agenda of Norwegian Maoism and what kind of obstacles it had to face on its way to gaining autonomy. The patterns of feminist mobilisation demonstrated by this analysis can make a contribution to the broader debate on the role and place of feminism in traditional political structures.
Źródło:
Folia Scandinavica Posnaniensia; 2022, 32; 19-31
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Guerrilla Girls: Invisible Sex in the Field of Art
Autorzy:
Maniak, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/485500.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Guerrilla Girls
art activism
feminism theory
intersectional feminism
sex
discrimination
Opis:
The article focuses on an artist and activist collective Guerrilla Girls, created in 1985 in order to fight discrimination in the art field. It presents the group’s strategies, using selected actions as examples. The article is also a critical analysis of the collective’s achievements in the context of feminist theories, especially one concerning the relations between feminism and issues of race and ethnicity. The author is also interested in the connections between members of the group and the art system, as well as questions on sexism in the contemporary art field, after 30 years of Guerrilla Girls’ existence.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione; 2018, 13; 87-95
2081-3325
2300-5912
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
OLHA KOBYLIANSKA AND ELIZA ORZESZKOWA: TWO WOMEN, ONE IDEA
Autorzy:
Lange, Anja
Powiązania:
https://bibliotekanauki.pl/articles/647121.pdf
Data publikacji:
2013
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
women, work, family, feminism
Opis:
Olha Kobylianska and Eliza Orzeszkowa lived nearly at the same time, at the end of the 19,h century. Both wrote novels about the faith, life and identity of women, especially about the gender roles of men and women, therefore I cali their novels feministic ones. I consider them to be key works of feminism because they show the situation of women in their time. The aim of this article is to compare the novels Tsarivna by Kobylianska and Marta by Orzeszkowa to discuss some aspects of the situation of women in the 191" century in Eastern Europę.
Źródło:
Studia Humanistyczne AGH; 2013, 12, 1
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reclaiming Adolescent Sexuality: Images of Girlhood in Petra Collins’s Babe
Autorzy:
Kamińska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/645325.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
girlhood
femininity
feminism
photography
Opis:
Reclaiming Adolescent Sexuality: Images of Girlhood in Petra Collins’s BabeThis paper examines photographs, drawings, collages and other art forms collected in the book Babe, edited by photographer Petra Collins and published by Prestel in 2015. I read the collected artwork as an attempt to present the image of the girl (including her sexuality) from a young woman’s perspective. Babe, which includes works such as photographs of teenagers with visible period blood on the underwear or a to-do list with the goal of never faking another orgasm, asks who a contemporary girl is and how young artists can challenge traditional images of femininity. In my analysis I focus on the excessive use of the color pink in Babe, characterizing the way artists blend innocence with eroticism. I argue that by playing with artifacts of “girlishness,” artists can both expose the absurdity of the image of the girl in popular culture and reclaim symbols of girlhood. I suggest that Collins – despite her ambitions to create an inclusive platform for female artists – does not present a diverse image of girls, who in Babe is still predominantly white and able-bodied. I introduce the potential reading of Babe as a feminist visual manifesto, in reference to the Riot Grrrl movement and the cultural phenomenon of “girl power.” I suggest that the book offers a possibility of exploring the figure of the girl from the perspective of young female artists. Odzyskując młodzieńczą seksualność: wizerunki dziewczyńskości w „Babe” Petry CollinsArtykuł jest analizą fotografii, rysunków, kolaży i innych prac zebranych przez fotografkę Petrę Collins w albumie „Babe", wydanym w 2015 roku przez Prestel. W artykule odczytuję zebrane prace jako szansę zaprezentowania wizerunku dziewczyny (w tym jej seksualności) z perspektywy młodej kobiety. Babe – w której znajdują się zarówno fotografie nastolatek z widoczną krwią menstruacyjną na bieliźnie, jak i zdjęcie listy zadań, na której artystka umieszcza postanowienie, by nigdy więcej nie udawać orgazmu – zadaje pytanie kim dzisiaj jest dziewczyna i w jaki sposób młode artystki mogą kwestionować utarte obrazy kobiecości. Podczas analizy skupiam się na przewadze różu w warstwie wizualnej albumu, ukazując sposób, w jaki artystki łączą pozorną niewinność z erotyzmem. Twierdzę, że poprzez grę z konwencjami „dziewczyńskości” autorki prac mogą zarówno eksponować sztuczność wizerunku młodej kobiety w kulturze popularnej, jak i odzyskiwać symbole dziewczęcości. Sugeruję, że Collins – mimo próby stworzenia inkluzywnej platformy dla artystek – nie oferuje zróżnicowanego obrazu dziewczyny, która w Babe wciąż jest przeważnie biała i pełnosprawna. W odczytaniu Babe jako feministycznego wizualnego manifestu odwołuję się do ruchu Riot Grrrl i fenomenu kulturowego reprezentowanego przez hasło „girl power”. Sugeruję, że album oferuje zgłębienie postaci dziewczyny z punktu widzenia młodych artystek.
Źródło:
Adeptus; 2017, 9
2300-0783
Pojawia się w:
Adeptus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gendered Figurational Strategies in Norbert Elias’s Sociology
Autorzy:
Bucholc, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1929915.pdf
Data publikacji:
2011-12-14
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
Norbert Elias
figuration
feminism
proxemics
Opis:
Norbert Elias conceptualized social inequality as a result of shift in relative social forces of individuals in figurations, in which framework he also viewed the inequality between men and women. In this paper I examine the main thesis of what could be named Elias’s gender sociology: firstly, men and women use different strategies in their striving for an increase in relative power depending on their social position, and secondly, one of the most effective strategies which may be successfully used by the weaker party in order to change the distribution of power between the sexes is redefining the arsenal of cultural weapons used in this struggle. The antagonism between men and women trying to draw as much power as possible to themselves in the zero-sum social game can become very fierce, especially if the use of physical violence is legitimized on a respective level of civilization. On the other hand, according to Elias’s basic theoretical assumptions all individuals in a figuration are interrelated and interdependent, which restrains direct violence as well as suppresses radical liberation tendencies. This makes it easier for women to engage in strategies of coping with oppression on institutional, symbolic and proxemic level, which are discussed in the final part of the paper.
Źródło:
Polish Sociological Review; 2011, 176, 4; 425-436
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Precarity and Gender: What’s Love Got to Do with it?
Autorzy:
Majewska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1009261.pdf
Data publikacji:
2021-05-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
feminism, precarity, affect, love, neoliberalism
Opis:
This article examines the concept of precarity from a feminist perspective, focused on love and affective labour, critically addressing the gender inequalities of neoliberal capitalism. The romantic, heterosexual model of love, typical for modern Western societies, has been dismantled and criticized in various ways, leading to contradictory solutions, which include its annihilation, sublation and modification, as well as (rather conservative) efforts to preserve it. However, love – in its different versions, both as theory and in practice – still provides models and solutions, not only for the neoliberal labour market and new forms of exploitation and expropriation of care and affective labour, but also for revolutionary ideas and transformations, among both feminists and Marxists. It thus requires a theory focusing on the sublation, rather than annihilation, of love’s past models. In my article I build such a perspective, signalling its potential for resistance and models for revolution in the times of neoliberal capitalism.
Źródło:
Praktyka Teoretyczna; 2020, 38, 4; 19-48
2081-8130
Pojawia się w:
Praktyka Teoretyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Female Food-Induced Dreams in Advertising: A Case Study of Three Polish TV Commercials
Autorzy:
Augustynowicz, Nina
Powiązania:
https://bibliotekanauki.pl/articles/571970.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
advertising
feminism
Susan Bordo
diet
Opis:
Celem artykułu jest analiza reklam telewizyjnych pod kątem występującego w nich przedstawienia kobiety wpadającej w stan marzenia sennego pod wpływem spożyciareklamowanego produktu i zaproponowanie nowego sposobu ich czytania w oparciu o współczesne teorie reklamy oraz prace Susan Bordo dotyczące ideologii głodu w kulturze popularnej. Dzięki zastosowanej metodologii autorka pokazuje, iż pomimo powierzchownego odczucia wyzwolenia, które mogą one wywoływać, te przedstawienia wskazują na istnienie głęboko zakorzenionych restrykcji dotyczących satysfakcji cielesnej u kobiet. Związek łączący kobiety i jedzenie ma dużą wartość emocjonalną, która zmusza do negocjowania delikatnej równowagi pomiędzy przerażającą żarłocznością a bezcielesną transcendencją. Wreszcie, przeprowadzona analiza ukazuje, że reklamy te mocno podkreślająz jednej strony kwestie samokontroli i samoograniczania się, a z drugiej kładą nacisk na występujące zakłócenia percepcji siebie i otoczenia, co stanowi cechy charakterystyczne dyskursu zaburzeń odżywiania.
Źródło:
Acta Philologica; 2014, 45; 85-92
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Refocalization as a Strategy of Apocryphal Rewriting
Autorzy:
Dynkowska, Julia
Powiązania:
https://bibliotekanauki.pl/articles/579332.pdf
Data publikacji:
2016
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
apocryphon
transfocalization
refocalization
rewriting
feminism
Opis:
The paper discusses refocalization as a strategy of rewriting in the literary apocrypha (D. Szajnert). Refocalization, that is based on G. Genette and H. Jenkins’ conclusions, refers to the shift from the perspective and narrative that dominates canonical works into perspective and narrative predominant in the literary apocrypha of the canonical works. As the subject of research I chose the apocrypha of the Homeric epics (M. Atwood’s The Penelopiad and Ch. Wolf’s Cassandra) in which patriarchal, omniscient narrative is replaced by perspective and narrative of women marginalized in the epic.
Źródło:
Zagadnienia Rodzajów Literackich; 2016, 59/117 z.1; 63-79
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paula Meehan’s<i>Cell</i>: The Imprisoned Dialogue of Female Discourses
Autorzy:
Poloczek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/620931.pdf
Data publikacji:
2014-12-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
discourse
feminism
metaphor
Irish studies
Opis:
The paper discusses Paula Mehan’s play Cell with focus on the female discourses present in the context of this literary work and the multifold metaphorisation that both the title of the work and the contents invite. The discourses are analysed against the relevant social background and critical literature. The focal types of discourses under discussion involve imagery from maternal and familiar discourse, the “biological” discourse related to hygiene, the sexual discourse, the mock feminist discourse, the discourse of the military and the propaganda of the common good, and the discourse related to the animal world.
Źródło:
Research in Language; 2014, 12, 4; 401-421
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Christianity and Literature: The Need for Feminism in the Church
Autorzy:
Nwaoga, Chinyere T.
Okoli, Anuli B.
Okwusa, Lawrence
Ibenwa, Christopher
Powiązania:
https://bibliotekanauki.pl/articles/1194124.pdf
Data publikacji:
2016
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Christianity
Religion
feminism
liberation
literature
Opis:
For centuries, women have been victims of social prejudices and discrimination. Literature reveals various ways women have worked to breakthrough from the point(s) where men have relegated them. Their movements are seen as feminist movement. Merging feminism with Christianity, Christian feminism would mean an aspect of feminist theology which seeks to advance and understand the equality of men and women morally, socially, spiritually, and in leadership from a Christian perspective. A few of the 21st century women in Nigeria are seen to be a bit open in terms of sexuality; we see nursing mothers going out to work; women engaged in new industries and professions, and the acceptance that women will work outside the home, have children outside marriage, as well as the right to control their own sexuality. Despite these accomplishments by women, they are still prone to more problems, basically in the Church. Most persons in the Christian religion do not feel that feminism should come in or be exercised by Christian women. From their view of the feminist’s approach to life, these Christians see feminism to preach a woman’s right to have abortion, practice lesbianism as well as marry, be free from traditional roles, and even reject God as the ultimate authority. This is absolutely untrue. Based on the above premise, this paper tried to justify the reason why Christianity as well as the Church desperately needs feminism. The descriptive and the comparative phenomenological methodology were utilised in this paper, with the advantage data so collected to speak for themselves.
Źródło:
World Scientific News; 2016, 57; 48-57
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Femvertising and Its Perception by Polish Female Consumers
Autorzy:
Macias, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/2054347.pdf
Data publikacji:
2021-07-27
Wydawca:
Uniwersytet Warszawski. Wydawnictwo Naukowe Wydziału Zarządzania
Tematy:
advertising
femvertising
feminism
ambivalent sexism
Opis:
The world is constantly undergoing socio-economic and cultural changes, but the existence of patriarchy and the related gender inequality remain unchanged. In response to this state of aff airs, a feminist movement emerged and infl uenced society. Companies recognize the changes taking place in society and decide to include the feminist movement in their cause-related marketing campaigns. This is how a relatively new form of marketing communication, called femvertising, was born. This paper aims to analyze this form of marketing communication and the eff ect of both hostile and benevolent sexism on the perception of advertising. The research method employed in this study was a quantitative survey on a sample of 321 Polish women. The results of the survey showed that women rate advertisements portraying females in an unconventional way higher than traditional advertisements. Moreover, the perception of advertisements is infl uenced by the level of both benevolent and hostile sexism. The higher the level of sexism, the more negative the evaluation of pro-women advertising becomes. This is a suggestion for advertisers that diversifying an advertising message can be an eff ective marketing strategy.
Źródło:
Journal of Marketing and Consumer Behaviour in Emerging Markets; 2021, 1(12); 55-69
2449-6634
Pojawia się w:
Journal of Marketing and Consumer Behaviour in Emerging Markets
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gender in Traditional Music: An Overview of the New Challenges Related to Polish Ethnomusicology in the 21st Century
Autorzy:
Tracz, Angelika
Powiązania:
https://bibliotekanauki.pl/articles/2159095.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
feminism
critical theories
gender
ethnomusicology
Opis:
The subject of the article is to present the feminist trend in Western ethnomusicology and then to compare it with the state of research in Poland. The query included the latest Western musicological and ethnomusicological literature, as well as the known sources about gender in Polish traditional music. The author, based on the experience gained during the field research carried out in recent years, indicates possible changes in conducting and analysing the field in order to obtain more accurate knowledge about gender performativity in Polish folklore.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 2(45) ENG; 105-120
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Parched: An Archetypal and Cinematic Representation of Sisterhood
Autorzy:
Ahmad, Farhan
Kumar, Anil
Khalid, Sadaf
Banu, Sameena
Powiązania:
https://bibliotekanauki.pl/articles/18739564.pdf
Data publikacji:
2023
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
sisterhood
patriarchy
feminism
shared experience
solidarity
Opis:
Thesis. The current paper deals with the idea of sisterhood which has been represented in a Bollywood movie named Parched. The movie manifests sisterhood as a way to find solace and to get rid of confinement from the oppressive and suffocating society that tries to confine women within the four walls of the house. Concept. Sisterhood is an association, group, society, or community of women who are linked by common interests. This alliance became popular during the second wave of feminism. A single woman cannot combat the oppressors. Only necessary solidarity and collective efforts would result in the desired improvements. Results and Conclusion. In our society, the term ‘brotherhood’ is used to designate camaraderie among men, but no term is used to denote companionship among women. In fact, it is assumed that women hate each other and this legacy of ‘women-hating’ is proved to be unfounded. Therefore, necessary solidarity is required to correct the patriarchal assumptions about women, and the idea of sisterhood is one effort in this direction.
Źródło:
Journal of Education Culture and Society; 2023, 14, 2; 414-424
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
#Hashtag: How Selected Texts of Popular Culture Engaged With Sexual Assault In the Context of the Me Too Movement in 2019
Autorzy:
Oleszczuk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1912419.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
MeToo
feminism
gender
abuse
popular culture
Opis:
The paper seeks to explore recent shifts within the popular culture with regard to oppression involving gender, class, race, and ethnicity that can be traced back to the #MeToo movement which was revived as a social media hashtag in October 2017 and has since spread all over the world. The paper starts with a brief overview of Western popular culture that “has recently been seen as a champion for feminism . . . with many high-profile female musicians and actresses visibly promoting the movement in their work” (Woodacre 2018, 21). Next, the paper discusses the origins of the Me Too Movement and the way it approaches the meaning of gendered oppressions as well as individualized and collective experiences of survivors of sexual abuse. This is later explored in the examination of the impact of the hashtag-led movement on three works of popular culture: Amazon’s TV series Lorena (2019), Nancy Schwartzman’s documentary Roll Red Roll (2019), and We Believe: the Best Men Can Be (2019) advertisement by Gillette. The entire case study is informed primarily by feminist theory understood as inseparable from feminist activism, following bell hooks’ Feminist theory from margin to center (1984).
Źródło:
New Horizons in English Studies; 2020, 5; 208-217
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
In the clutches of melancholy. Interpretive analysis of Gilles Renard’s student film “Late Afternoon”
Autorzy:
Drąg, Franciszek
Powiązania:
https://bibliotekanauki.pl/articles/923204.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Gilles Renard
Late Afternoon
melancholy
feminism
Opis:
The aim of the analysis is to present the film (Late Afternoon) by Gilles Renard as a study of melancholy. Both the plot and the cinematographic means used to shape the form of this short film correspond with the theoretical texts by Julia Kristeva and Melanie Klein on depression in women. The author of the text considers Late Afternoon as a feminist and affirmative film, strongly inspired by the aesthetics of Krzysztof Kieślowski’s cinematic output.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 179-184
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł

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