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Wyświetlanie 1-4 z 4
Tytuł:
“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography
Autorzy:
Allen, David
Handley, Agata
Powiązania:
https://bibliotekanauki.pl/articles/641498.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
simulacrum
sublime
DeLillo
Baudrillard
Plato
Opis:
In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simulacrum, so that “no one sees” the actual barn anymore. This implies that there was once a real barn, which has been lost in the “virtual” image. This is in line with Plato’s concept of the simulacrum as a false or “corrupt” copy, which has lost all connection with the “original.” Plotinus, however, offered a different definition: the simulacrum distorts reality in order to reveal the invisible, the Ideal. There is a real building which has been called “the most photographed barn in America”: the Thomas Moulton Barn in the Grand Teton National Park. The location-barn in the foreground, mountain range towering over it-forms a striking visual composition. But the site is not only famous because it is photogenic. Images of the barn in part evoke the heroic struggles of pioneers living on the frontier. They also draw on the tradition of the “American sublime.” Ralph Waldo Emerson defined the sublime as “the influx of the Divine mind into our mind.” He followed Plotinus in valuing art as a means of “revelation”-with the artist as a kind of prophet or “seer.” The photographers who collect at the Moulton Barn are themselves consciously working within this tradition, and turning themselves into do-it-yourself “artist-seers.” They are the creators, not the slaves of the simulacrum.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 365-385
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bemusing Ourselves to Death: Public Discourse in the Age of Social Media
Autorzy:
Merrin, William
Powiązania:
https://bibliotekanauki.pl/articles/2154943.pdf
Data publikacji:
2022-06-30
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
Postman
McLuhan
Baudrillard
reality
hyporeality
social-media
Dick
Opis:
In 1985, Neil Postman published Amusing Ourselves to Death, a McLuhan-inspired critique of the transformation of public discourse from 19th-century print culture, with its depth of reading, thought and debate, to the contemporary era of television ‘show business’. Developments since then, most notably the digital revolution, allow us to update Postman’s thesis, to explore the digital age that succeeds the electric broadcast era and its contemporary transformation of culture and politics. This paper argues that digital personalisation has exploded the mass-media world, bursting its mainstream bubble into a foam of individual life-worlds, empowering everyone as the producer of their own realities. Arguing that the key thinker of this era is Philip K. Dick (with his exploration of fictive, split, and personal realities), the paper explores the cultural impact of this new post-truth era of ‘media’ realities and the ‘bemusement’ it produces.
Źródło:
Studia Humanistyczne AGH; 2022, 21, 2; 17-29
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality
Autorzy:
Yazdizadeh, Abdolali
Powiązania:
https://bibliotekanauki.pl/articles/641494.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
hyperreality
society of spectacle
business of illusion
antihero
Baudrillard
Opis:
Hyperreality is a key term in Jean Baudrillard’s cultural theory, designating a phase in the development of image where it “masks the absence of a profound reality.” The ambiance of Joseph Heller’s Catch-22 (1961) closely corresponds to Baudrillard’s notion of the hyperreal as images persist to precede reality in the fictional world of the novel. Since for Baudrillard each order of simulacra produces a certain mode of ideological discourse that impacts the perception of reality, it is plausible that the characters of this fictional context should be ideologically impacted by the hyperreal discourse. From this vantage point it is possible to have a new critical assessment of Yossarian’s (protagonist) antiheroic stance and study the role of the “business of illusion,” whose ideological edifice is based on the discourse of the hyperreal, on his antiheroic stance and actions. By drawing on Baudrillard’s cultural theory this paper aims to read Heller’s novel as a postmodern allegory of rebellion against the hyperreality of the twentieth-century American life and trace its relevance to modern-day U.S.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 386-410
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Technology of Power in Philip K. Dick’s Do Android Dream of Electric Sheep?
Autorzy:
Mirmobin, Sara
Shabanirad, Ensieh
Powiązania:
https://bibliotekanauki.pl/articles/1178365.pdf
Data publikacji:
2017
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Do Androids Dream
Jean Baudrillard
Michel Foucault
Simulation
Thomas Mathiesen
hyperreality
panopticism
surveillance
synopticism
technology of power
Opis:
The science fiction of Philip Kindred Dick is a manifestation of the unprecedented challenges of man in modern times. This essay is a sociological study of Dick’s Do Androids Dream of Electric sheep? based on Michel Foucault’s concepts as well as Jean Baudrillard, and Thomas Mathiesen’s theories about power and its techniques. The library research method is used to trace some elements of the technology of power and the sociopolitical issues in multiple layers of the novel which reflects implicitly the nineteen sixties’ mood. The high-tech society of it is watched, controlled and conducted through advanced devices, media, consumerism, and pseudo- religion doctrine. The Foucauldian surveillance and panopticism are discussed in this carceral society where the minds of the individuals are routinely inspected in search for deviancy; and where their moods are regulated and their feeling are shared voluntarily. In addition to panopticism, due to the important role of the media in the novel, Mathiesen’s synopticism is discussed. The man’s efforts for compensating what he had destroyed i.e. the devastated nature result in Baudrillard’s concepts of hyperreality and simulation that blur the line between real and unreal. Do Androids Dream illuminates the revolutionary mood of nineteen sixties, the uprising of the youth and marginal groups against the prevalent beliefs and values. It also reflects the anxieties of atomic age, cold war paranoia, and McCarthyism. In the novel, the individuals are ubiquitously surveilled and mercilessly conducted; the truth does not have an existence of its own, and it’s just part of the regime.
Źródło:
World Scientific News; 2017, 77, 2; 226-241
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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