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Wyszukujesz frazę "Canadian" wg kryterium: Temat


Tytuł:
On the Threshold: Haunting Transgressions in Gaétan Soucy’s The Little Girl Who Was Too Fond of Matches
Autorzy:
Szatanik, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/632592.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
Canadian literature
Quebec literature
Canadian Gothic
Gaétan Soucy
transgression.
Opis:
The main aim of this article is to show how Gaétan Soucy’s 1998 bestselling novel The Little Girl Who Was Too Fond of Matches both extends and complicates the Canadian Gothic tradition. The first part focuses onCanada as a “haunted culture,” and attempts to identify the ghosts which hauntCanada and make themselves manifest in the nation’s gothic literature. I ponder the postcolonial character of Canadian Gothic, and reflect on the representations of monstrous nature inCanada’s early fiction. A short section is devoted to the characteristics of French-Canadian Gothic. The second part of my article proposes a reading of Soucy’s novel which concentrates on gothic transgressions the story revolves around. One of my assumptions is that the novel invites ecocritical and ecofeminist interpretations, and that its representations of nature also reveal the subversive character of the text whose narrator, by her own admission, locates herself on the threshold of things.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
POLSKA EMIGRACJA DO KANADY NA PRZEŁOMIE WIEKÓW XX I XXI W KONTEKŚCIE KANADYJSKIEJ POLITYKI IMIGRACYJNEJ
POLISH EMIGRATION TO CANADA AT THE TURN OF THE 20TH INTO THE 21ST CENTURY AND CANADIAN IMMIGRATION POLICY
Autorzy:
Reczyńska, Anna
Soroka, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/579768.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
CANADA
POLISH IMMIGRANTS
CANADIAN IMMIGRATION POLICY
CANADIAN IMMIGRATION LAW
Opis:
The last large wave of Polish immigrants (estimated at around 115,000) came to Canada in the years 1981-1996, mainly due to Canadian preferential immigration laws and family reunification programs. As the democratization of post-communist countries was progressing, emigration to Canada became a far easier venture for Central and Eastern Europeans. Currently they are subject to the same immigration procedures as immigrants from other regions. Acting upon the immigration law introduced in 1967, Canada prefers well-educated immigrants with significant capital, persons in economically productive age (between 21 and 49), professionally qualified, and competent in either of Canada’s official languages. In 2008 Canada abolished visas for Polish tourists. A year later the Canadian government launched a typical work and travel program for Polish young people, enabling them to gain up to one-year of work experience in Canada. Despite all these efforts and due to the fact that EU labor markets opened wide for Poles, immigration from Poland to Canada fell below one thousand people per year. Also, Canadian authorities gradually introduce new restrictions aimed at issuing work permits only to those who have guaranteed jobs and are highly unlikely to be a burden on the Canadian health care system and social services. Therefore, Canada’s government has recently been very actively promoting Canada among the most preferred groups of immigrants, including Poles living and working in the British Isles.
Źródło:
Studia Migracyjne - Przegląd Polonijny; 2013, 39, 3(149); 5-18
2081-4488
2544-4972
Pojawia się w:
Studia Migracyjne - Przegląd Polonijny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Men Without Fingers, Men Without Toes
Autorzy:
Dobson, Kit
Powiązania:
https://bibliotekanauki.pl/articles/641390.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Canadian literature
masculinity
violence
labour
alienation
Opis:
What happens once the rogue rides off into the sunset? This cross-genre essay considers the figure of the rogue’s decline and gradual dismemberment in the face of the pressures of the world. Beginning with the “rogue” digits and other body parts lost by the men who surrounded him in his youth-especially his grandfather-Dobson considers the costs of labour and poverty in rural environments. For him, the rogue is one who falls somehow outside of cultural, social, and political norms- the one who has decided to step outside of the establishment, outside of the corrupt élites and their highfalutin ways. To do so comes at a cost. Turning to the life of writer George Ryga and to the poetry and fiction of Patrick Lane, this essay examines the real, physical, material, and social costs of transgression across multiple works linked to rural environments in Alberta and British Columbia. The essay shows the ways in which very real forms of violence discipline the rogue, pushing the rogue back into submission or out of mind, back into the shadowy past from whence the rogue first came. Resisting nostalgia while evincing sympathy, this essay delves into what is at stake for one who would become a rogue.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2019, 9; 185-196
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les emprunts à l’anglais touchés par la réforme orthographique et leur variation dans la presse canadienne en ligne
The loanwords from English touched by the spelling reform and their variation in the Canadian online press
Autorzy:
Fabrycy, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1789386.pdf
Data publikacji:
2020-12-23
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Anglicism
borrowings
spelling reform
Canadian press
Opis:
This article examines if and how the recommendations of the spelling reform from 1990 are applied and used in practice. We have focused especially on the loanwords namely anglicisms in the Canadian French and their employment in the Canadian press in electronic format. For that purpose, we wanted to depict certain details of the spelling reform concerning words of foreign origin, and more precisely those which are borrowed from British and American English. We have also concentrated our attention on the difficulties of French grammatical system, comparing it with the Italian and Spanish grammatical systems in order to illustrate the level of complexity of the French language. To demonstrate and verify the usage of the rules recommended by the reform of French orthography, we have chosen several online versions of Canadian daily press.
Źródło:
Neophilologica; 2020, 32; 258-279
0208-5550
2353-088X
Pojawia się w:
Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Population structure of three dominant Calanus species in North Water Polynya, Baffin Bay
Autorzy:
Prokopowicz, Anna
Fortier, Louis
Powiązania:
https://bibliotekanauki.pl/articles/2052105.pdf
Data publikacji:
2002
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Canadian Arctic
North Water Polynya
Calanus population
Źródło:
Polish Polar Research; 2002, 23, 3-4; 241-252
0138-0338
2081-8262
Pojawia się w:
Polish Polar Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Vivified Sacrificial Rites as the Site of Conflation of Man and Animal in Adele Wiseman’s "The Sacrifice"
Autorzy:
Tazbir, Jędrzej
Powiązania:
https://bibliotekanauki.pl/articles/653545.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Canadian literature
Jewish literature
religion
ritual
animals
Opis:
The article juxtaposes two explanations of the ancient phenomenon of sacrifice, one of which, formulated by René Girard, emphasizes the aspects of scapegoating and transference of people’s violent inclinations, while the other, developed by Jonathan Klawans and focused on the ancient Israeli sacrificial customs, attributes chief significance to the notions of purity, defilement, and achieving the state of imitatio Dei by the offerer. Though these explanations are at odds in many respects, with Klawans being vocally critical of Girard’s approach, the article seeks to present both of them as applicable to the context of a contemporary sacrifice depicted in Adele Wiseman’s novel, The Sacrifice. Its protagonist, the article argues, finds a way of blending these two orders together largely by the use of the mental figure of the animal, the projection of which onto his victim allows him to perceive her in dualistic manner, as simultaneously sacred and wicked. In the light of this, the ostensibly morally sanctioned practice of ancient Abrahamic sacrifice is shown to contain an unaccounted for potential to instigate ruinous acts, and the figure of the animal, within a situation characterized by the blurring of boundaries and distinctions, with which a sacrificial crisis is unalterably associated, attains an ambiguous, if not sinister, significance.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2018, 5, 1; 43-54
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“[They] would say she was betraying Poland already”: Major Themes in Contemporary Canadian Literature by Writers of Polish Origins
Autorzy:
Drewniak, Dagmara
Powiązania:
https://bibliotekanauki.pl/articles/888808.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Canadian literature
Polish-Canadian authors
diasporic writing
immigration
Eva Stachniak
Andrew Borkowski
Ania Szado
Jowita Bydlowska
Aga Maksimowska
Opis:
In June 2015 The Canadian Polish Research Institute organized a panel discussion chaired by professor Tamara Trojanowska called “Writing Change and Continuity: Culture, Languages, Generations.” The debate featured esteemed writers of Polish descent: Eva Stachniak, Andrew Borkowski, Ania Szado, Jowita Bydlowska and Aga Maksimowska. Although the writers in question do not belong to the same generation and do not share exactly the same emigration experience, nowadays they form a distinguished group of Canadian writers of Polish origins. The aim of this paper is to look at the selection of the latest texts written by authors of the Polish diaspora in Canada such as Eva Stachniak’s The Chosen Maiden (2017), Jowita Bydlowska’s Drunk Mom (2013) and Guy (2016), Ania Szado’s Studio Saint Ex (2013) and Aga Maksimowska’s Giant (2012) among others. This paper does not venture to repeat the conclusions drawn during the panel but rather to extend the exploration of the recent Polish diasporic, multivoiced writing as well as offer a modest supplement to the famous analysis of ethnic writing proposed by Smaro Kamboureli in her Scandalous Bodies: Diasporic Literature in English Canada (2009). Hence, the discussion comprises the authors’ choice of themes, (dis)appearance of immigrant motifs, references to Poland as a country of origin and Canada as the new homeland as well as an analysis of the genres the aforementioned authors use.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 149-164
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Madeleine Blais-Dahlem et sa vision de l’autotraduction
Madeleine Blais-Dahlem and her vision of self-translation
Autorzy:
Czubińska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1053627.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
self-translation
bilingualism
literary translation
French Canadian literature
Opis:
Nowadays self-translation remains a frequent practice in the literary field in Canada. A close reading of the self-translations done by Canadian writers such as Nancy Houston, Marco Micone or Patrice Desbiens allows to discover each author’s own vision of self-translation as a creative process. The aim of the paper is to determine, through a comparative analysis of excerpts from the two language versions of the play La Maculée/sTain (2012) and the latest bilingual novel La voix de mon père / My Father’s Voice (2015) by Fransaskois playwright Madeleine Blais-Dahlem, to what extent her self-translating practice guides the reading of the text. Examiningthe back and forth between the two versions of the same work will allow to delve deeper into the subject of the identity and privileged status of the translator (Tanqueiro 2009: 109, Saint 2018: 120), but also into the role and skills of the receiver of Madeleine Blais-Dahlem’s bilingual writings.
Źródło:
Romanica Silesiana; 2020, 18, 2; 46-60
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Revisiting the Monster Tale: Frankensteinian Tropes in Margaret Atwood’s Speculative Fiction
Autorzy:
Kosa, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1912245.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Frankenstein
speculative fiction
Margaret Atwood
Canadian literature
monstrosity
Opis:
Mary Shelley’s iconic Frankenstein is a pivotal work in the Western canon. Since its publication in 1818, the novel has been re-written and adapted many times. Shelley’s magnum opus sublimely evokes the postlapsarian condition of the fallen, while also capturing the imminent fear of technology, scientific progress and artificial procreation. The paper aims to explore the Frankenstein legacy and the development of Frankensteinian motifs in Atwood’s speculative fiction. More precisely, the paper focuses on The Handmaid’s Tale (1985), The MaddAddam Trilogy – Oryx and Crake (2003), The Year of the Flood (2009), MaddAddam (2013), and The Heart Goes Last (2015), analyzing how postmodern literature recycles and incorporates elements from Frankenstein to reflect (on) contemporary anxieties and to insist on the fluid discursivity of monstrosity.
Źródło:
New Horizons in English Studies; 2020, 5; 125-142
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transcultural Mobility and Contemporary Self-Narratives in Francophone Canada
Autorzy:
Balint, Adina
Powiązania:
https://bibliotekanauki.pl/articles/605902.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
self-narratives
transculturalism
mobility
contemporary francophone Canadian literature
memory
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
How can we measure the evolution of contemporary francophone selfnarratives in Canada? Through the analysis of transcultural fictions and bio-fictions, we show how literature leads us to better understand multiple identities and our pluralistic world.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Non-Consensual Sharing of Sexts
Autorzy:
Moravčíková, Veronika
Powiązania:
https://bibliotekanauki.pl/articles/526569.pdf
Data publikacji:
2018
Wydawca:
Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:
Sexting
Sexts
Canadian youth
Non-consensual sharing of sexts
Opis:
Nowadays it is very simple to abuse someone´s sext or improper photography. The main goal of the research is to reflect behavior of Canadian youth and their reasons for sharing other´s sexts. The study focuses on the issue of non-consensual sharing of sexts.
Źródło:
Media Literacy and Academic Research; 2018, 1, 2; 84-86
2585-8726
2585-9188
Pojawia się w:
Media Literacy and Academic Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Echoes of the Holocaust in Leonard Cohen’s art
Autorzy:
Adamskich, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/1047964.pdf
Data publikacji:
2019-02-07
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Leonard Cohen
the Holocaust
contemporary Canadian literature
postmodern ethics
Opis:
Leonard Cohen is mostly known as a singer-songwriter. Although his poems and novels are not as widely recognized as his music, it has been frequently argued that The Favourite Game (1963) and Beautiful Losers (1966) can be viewed as the most innovative and experimental novels to be published in Canada. They are also among the first representatives of Canadian postmodernism in literature. The main purpose of this article was to explore echoes of the Holocaust in Cohen’s novels, as well as in his book of poetry Flowers for Hitler (1964). Despite the fact that the links and allusions to Judaism made by him have been often stressed by the critics, what is demonstrated here is the fact that for Cohen, his Jewish heritage was not only a source of inspiration but also doubt and anger. This paper, apart from presenting the artist’s cultural and spiritual background, aims at demonstrating ethical ambivalences in Leonard Cohen’s art and examining the reasons behind the ambivalence, as well as discussing his works in the context of postmodern ethical theory.
Źródło:
Scripta Neophilologica Posnaniensia; 2018, 18; 279-291
1509-4146
Pojawia się w:
Scripta Neophilologica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Role of Saudi Universities in Spreading the Culture of Social Responsibility Based on the Experiences of Malaysian and Canadian Universities
Autorzy:
Al-Huwaish, Yousef M.
Powiązania:
https://bibliotekanauki.pl/articles/18789738.pdf
Data publikacji:
2023
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
role
Saudi universities
Malaysian universities
Canadian universities
social responsibility
Opis:
Aim. This research paper aims to identify the role of Saudi universities in spreading the culture of social responsibility based on the experiences of Malaysian and Canadian universities. Methods. The author adopted the descriptive analytical approach based on the literature review and analysing the experiences of Saudi, Malaysian, and Canadian universities. Results. The results showed that the Saudi Ministry of Education should play its role in institutionalising social responsibility in Saudi universities and the higher education sector, e.g., promoting social responsibility practices at universities as a part of the ministry’s strategy. Conclusion. In the light of the results obtained the officials of Saudi universities can benefit from the experience of Malaysian and Canadian universities to spread the culture of social responsibility. This research recommends raising the awareness of university students of the importance of university social responsibility as a strategy to motivate them to participate in various community activities and programmes. Originality. This research is considered one of the fewest studies that analysed the experiences of Saudi, Malaysian, and Canadian universities.
Źródło:
Journal of Education Culture and Society; 2023, 14, 2; 552-570
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Une rhétorique pour faire revivre un monde oublié : de lʼekphrasis à lʼhypotypose dans La Sagouine dʼAntonine Maillet
The Rhetoric which Recreates a Forgotten World: From Ekphrasis to Hypotyposis in La Sagouine by Antonine Maillet
Retoryka, która odtwarza zapomniany świat: od ekfrazy do hypotypozy w La Sagouine Antonine Maillet
Autorzy:
Zacharow, Sebastian
Powiązania:
https://bibliotekanauki.pl/articles/683258.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
retoryka
teatr kanadyjski
Akadianie
Antonine Maillet
rhetoric
canadian theatre
Acadians
Opis:
Sztuka teatralna Antonine Maillet La Sagouine napisana została ponad 200 lat po brutalnym wygnaniu Akadian z Kanady. Bohaterką tego monodramu jest Akadianka nazywana Sagouine, praczka, żona rybaka. Nigdy nie nauczyła się pisać ani czytać. Potrafi natomiast opowiadać, i robi to z dużym wdziękiem. Sztuka pełna jest opisów osób i sytuacji, które silnie działają na wyobraźnię odbiorców przyczyniając się do retorycznego placere. Zabiegi stylistyczne używane przez bohaterkę w celu ożywienia opisów wynikają z kontekstu kulturowego (bohaterka często podkreśla swój brak jakiegokolwiek wykształcenia) oraz określonego widza, a same opisy są przykładem stosowania dwóch figur, ekfrazy i hypotypozy, za pomocą skromnych środków. Tym samym artykuł podkreśla, że hypotypoza nie jest figurą zarezerwowaną dla „wielkich” dzieł klasycznych, ale znaj- duje zastosowanie we współczesnej literaturze, teatrze, czy, jak w przypadku La Sagouine, w audy- cjach radiowych.
The play of Antonine Maillet La Sagouine was written over 200 years after the brutal expulsion of the Akadians from Canada. The heroine of the monodrama is an Akadian called Sagouine, a laundress and a wife of a fisherman. She never learnt to read or write. She can however narrate and does so with a lot of charm. The play is full of descriptions of people and situations, which strongly act on the imagination of the receiver contributing to the rhetorical function of placere. Stylistic treatments used by the heroine to revive descriptions arise from the cultural context (the heroine often emphasizes her lack of any education) and the particular viewer, and the descriptions themselves are an example of the creation of hypotyposis by modest means. Thus the article stresses that hypotyposis is not a figure reserved only for “great” classical works, but is also used in contemporary literature, the theater, or, as in the case of La Sagouine, in radio broadcasting.
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Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2016, 11; 275-286
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł

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