Temat: The Great War - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Why and How Should We ‘Remember’ the Great War?
Autorzy:: Sokołowska-Paryż, Marzena
Powiązania:: https://bibliotekanauki.pl/articles/888703.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: The Great War
historical distance
belatedness
cultural memory
alternate history
the Last Veteran
Opis:: In his alternate history novel After Dachau, Daniel Quinn envisages a chilling dystopian reality two thousand years after the Second World War. The most meaningful scene is set in a history class during which it becomes clear that for both the teacher and the students the battle of Verdun has as little meaning as the battles of Thermopylae and Hastings (120). Despite its ostentatiously implausible plot, Quinn’s novel poses the highly relevant question of the impact of an inevitable and ever-increasing temporal distance on the signifi cance of historical events for contemporary and future generations. In other words, how are societies to ‘remember’ their past if there is no one left who actually remembers it?
Źródło:: Anglica. An International Journal of English Studies; 2018, 27/3; 5-11
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: The Great War Revisited: The Laughter of the Fool and the Shame of the Coward in Paul Bailey’s Old Soldiers
Autorzy:: Sokołowska-Paryż, Marzena
Powiązania:: https://bibliotekanauki.pl/articles/888847.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Paul Bailey
Ted Hughes
literature
the Great War
veteran
crisis of masculinity
laughter
shame
Opis:: The purpose of the paper is an analysis of the representations of the cultural memory of the Great War in Paul Bailey’s novel Old Soldiers. The discussion will focus on the metaphorical representation of the futility myth (laughter) and the psychological representation of the crisis of masculinity (shame). The laughter of the fool has obvious connotations with the Book of Ecclesiastes, yet, as the analysis will prove, the depiction of the memory of the first day of the Somme battle through the prism of laughter has an important predecessor in Ted Hughes’s poetic sequence Crow. The attempts to escape the memory of cowardly conduct will be set in the context of the psychology of shame, which will allow deeper insight into the construction of the antihero in British literature about the Great War.
Źródło:: Anglica. An International Journal of English Studies; 2012, 21/1; 17-30
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

Artykuł

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