Temat: Walter Benjamin - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The Images to Come: On Showing the Future without Losing One’s Head
Autorzy:: Lipszyc, Adam
Powiązania:: https://bibliotekanauki.pl/articles/451529.pdf
Data publikacji:: 2020-04-15
Wydawca:: Uniwersytet Warszawski. Wydział Filozofii
Tematy:: Michael Haneke
image
futurity
Walter Benjamin
psychoanalysis
Opis:: The paper discusses the possibility of a cinematic image which represents future catastrophes, while avoiding ideological entrapments and self-serving fantasies. Taking a Japanese ghost story and a brief note by Walter Benjamin as his dual starting point, the author first attempts to define the possible dangers inherent to the very idea of showing the future, the most important being the danger of the premature, cathartic discharge of the spectator’s anxiety in a sadistic/voyeuristic show. After discussion of the mechanisms of this discharge, the author offers an analysis of a positive example, namely Michael Haneke’s Time of the Wolf. According to the analysis, Haneke manages to avoid the traps by constructing reflective images that make the spectators watch themselves as they are searching in vain for the cathartic images of the catastrophe.
Źródło:: Eidos. A Journal for Philosophy of Culture; 2020, 4, 1; 49-56
2544-302X
Pojawia się w:: Eidos. A Journal for Philosophy of Culture
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Broken Latin, Secret Europe: Benjamin, Celan, Derrida
Autorzy:: Lipszyc, Adam
Powiązania:: https://bibliotekanauki.pl/articles/1930451.pdf
Data publikacji:: 2021-12-31
Wydawca:: Uniwersytet Warszawski. Wydział Filozofii
Tematy:: Jacques Derrida
Paul Celan
Walter Benjamin
secrecy
literature
Opis:: The author begins by analyzing Walter Benjamin’s quarrel with George Kreis and the respective visions of culture advocated by both sides of the debate. Then, he offers a reading of a poem by Paul Celan in which the poet sides with Benjamin, but also makes his position more complex, ultimately offering a paradoxical figure of “the secret openness” or “open/public secrecy” as a remedy against the “mystery” of the Georgians. This idea can be seen as developed in Jacques Derrida’s understanding of secrecy, which the author proceeds to analyze. The secrecy as a deconstructive rift in the public discourse, a split which tears it open, can be seen as opposed both to the undemocratic mystery and to the seeming openness of globalatinization. After considering the formal, political and (post)religious aspects of secrecy, the author ends with showing how literature as such is the most powerful medium of Derridean secret.
Źródło:: Eidos. A Journal for Philosophy of Culture; 2021, 5, 3; 82-91
2544-302X
Pojawia się w:: Eidos. A Journal for Philosophy of Culture
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Häm on the Wall: Hamacher, Celan, and Two Simple Questions
Autorzy:: Lipszyc, Adam
Powiązania:: https://bibliotekanauki.pl/articles/19322641.pdf
Data publikacji:: 2023-09-30
Wydawca:: Uniwersytet Warszawski. Wydział Filozofii
Tematy:: Werner Hamacher
Paul Celan
Walter Benjamin
memory
image
translation
Opis:: The paper is a modest attempt at a careful assessment of Werner Hamacher’s version of deconstruction as a reading strategy which centers upon the idea of the afformative caesura. In order to probe the potential and the possible limits of Hamacher’s strategy, the author presents a Hamacherian reading of one of Paul Celan’s poems, titled “Mauerspruch,” a poem brimming with references to Walter Benjamin’s work. In the first part of the paper the author shows the effectiveness of Hamacherian perspective. In the second part, however, following suggestions of the poem itself, the author shows that the perspective should be extended in order to include two crucial categories: the category of the image and the category of memory. Thus, ultimately, the assessment of Werner Hamacher’s strategy results in a praise and a modest proposal of its amendment.
Źródło:: Eidos. A Journal for Philosophy of Culture; 2023, 7, 2; 93-102
2544-302X
Pojawia się w:: Eidos. A Journal for Philosophy of Culture
Dostawca treści:: Biblioteka Nauki

Artykuł

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