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Wyszukujesz frazę "sculptures" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Ancient and contemporary benin bronze – differences and similarities: the content, context and the journey so far
Autorzy:
Egwali, Franklyn
Powiązania:
https://bibliotekanauki.pl/articles/423181.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
art
sculptures
forms
artistic level
Opis:
In recent times several features have emerged as regards the contemporary sculptures of Benin. These features have either overtly or covertly created the differences between the ancient and contemporary bronze sculptures of Benin. These unfortunate features includes (1) careless finishing, (2) contemporary bronze are heavier, (3) themes are repeated, (4) lack deep storylines, (5) most times, bronze antiques are forged, and (6) most lack sensitive commanding forms. Indeed, these are the traits which made ancient Benin bronze sculptures resonate, reverberate and resound both in ancient and contemporary time. What therefore should be done to move the contemporary Benin bronze sculptures to a higher artistic level is what this paper seeks to appraise and critically establish.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/1; 319-332
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The emphatic wood sculptures at the University of Benin – their cultural and philosophical contributions to Nigerian art space: an articulation of African aesthetics
Autorzy:
Egwali, Franklyn
Ukagba, George
Powiązania:
https://bibliotekanauki.pl/articles/423073.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
art
sculptures
visual expression
African aesthetics
Opis:
Artists worldwide use various means and materials to realize their visual expressions. In the Department of Fine and Applied Arts, University of Benin, different types of materials can be seen used by students and lecturers alike. Some of these materials are fiberglass, bronze, metals, stone, clay and wood. Of all these materials, wood have come up as one of the most outstanding, dependable and striking. Three very evocative wood sculptures attracting attention and critical review are Life in Phases, Shame and Life is a Scuffle. These three ever powering and fascinating sculptures continue to speak volumes of the shamelessness among our greedy political office holders, the struggle to break even in our ever demanding and corrupt society. Is there any solution in sight for mankind’s daunting problems? This and more questions are what this paper seeks to answer and critically establish.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/2; 246-258
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mapping Skeuomorphic Artifacts among Polish Young Adults: A Semantic Differential Study of Sculptures at the Licheń Pilgrimage Centre
Autorzy:
Haładewicz-Grzelak, Małgorzata
Wilson, Andrew
Powiązania:
https://bibliotekanauki.pl/articles/1929998.pdf
Data publikacji:
2013-06-21
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
semantic differential
sacred/profane scale
contemporary pilgrimage centre
skeuopmorphic
sculptures
young adults
Opis:
Surprisingly little is known about the religious attitudes of young adults in Poland. Existing scholarship is usually written from a prescriptive view: how young people should behave or what they should do. Quantitive studies, where the researcher’s voice is not heard, but, rather, young people have a chance ‘to speak’ for themselves, appears to be lacking. This article aims to redress this gap to some extent by quantitatively studying young adults’ attitudes to sculptures erected in Poland’s largest modern pilgrimage venue (Licheń). The paper also aims to contribute to understanding how the sacred is negotiated in a contemporary Catholic pilgrimage venue.We show how respondents actively create the sacrum dimension and how it correlates with the axes of Potency / Activity / Evaluation. We posit a semantically amorphous structure for the sculptural objects at the Licheń centre and use a semantic differential technique to extract affectively oriented dimensions in attitudes towards these skeuomorphic objects. The results highlight important implications for the understanding of religion in post-modernity and of the phenomenon of modern mega-centers of religious worship. They also support the view of secularization and sacralization as two additive concomitant processes, and of ‘sacred’ / ‘profane’ as gradient, rather than binary features. SD has been widely used as an analytical tool in sociological research to measure metaphorical meaning and societal attitudes to brands and particular products (e.g. Osgood 1981; Minato 1983). However, it has rarely been applied to investigate the boundary between the sacred and the secular, or ways of objectifying the sacred (e.g. Muthén 1977). We explore this possibility, drawing on a dataset of 100 questionnaires administered to undergraduate students in a middle-sized town in Poland in October-December 2012.We hope our research will contribute to an understanding of the wider issue of what societal products like material objects can tell us about experiencing the sacred in contemporary society.
Źródło:
Polish Sociological Review; 2013, 181, 1; 103-128
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The cement nude, the (h)ero(tic)ism of the working class – the artistic programme of outdoor sculptures on the Black Sea littoral and the pro-natal, pro-family policies under communism
Autorzy:
Nasui, Cosmin
Powiązania:
https://bibliotekanauki.pl/articles/22399317.pdf
Data publikacji:
2023-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
artistic programme
ideology
communism
sculptures
Black Sea Region
pronatal policies
program artystyczny
ideologia
komunizm
rzeźby
region Morza Czarnego
polityka pronarodzeniowa
Opis:
Controlled eroticization of the proletariat through pro-natal policies was an almost unnoticed facet of the programme of iconographic public works displayed in exceptional locations throughout the newly-built resorts along Romania’s Black Sea shore. Never previously studied on its own merits, this artistic programme of open-air sculptures that begun in the Romanian Popular Republic and continued in the Romanian Socialist Republic needs to be understood and contextualized, by way of interdisciplinary instruments, against a broader post-Eastern approach that goes beyond the established methodologies of art history.
Źródło:
Historia Slavorum Occidentis; 2023, 4(39); 13-32
2084-1213
Pojawia się w:
Historia Slavorum Occidentis
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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