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Wyświetlanie 1-3 z 3
Tytuł:
Znaczenie introspekcyjne: metafizyczne aspekty semantyki
Introspective Meaning: Metaphysical Aspects of Semantics
Autorzy:
Judycki, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/2015850.pdf
Data publikacji:
2003
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
semantyka
znaczenie
umysł
introspekcja
semantics
meaning
mind
introspection
Opis:
Mental meaning (mental contents) is not a particular kind of object, but it is the way a conscious human mind works. By `meaning' the author understands here both the extralinguistic meaning (perceptive, imaginary, etc.) and the so-called linguistic meaning. In both these senses meaning has the following properties: it is translinguistic, general, abstract, regularly interrelated, subject to modifications (extending, complementing and erasing its components), subject to schematization, it may be transferred to various physical foundations, it may be illustrated, it is directly accessible in introspection and accessible for many subjects (intersubjective). When approached negatively, meaning as a way of functioning of a conscious human mind cannot be identified with a physical sign (be it in the sense of specimen, or in the sense of type). It is neither an ideal object, nor a real one. Also, it is no kind of a perception stereotype. It is not an idea associated with a word, if idea is understood as either an image or a visual schema. Mental meaning is not a communication meaning, as the speaker may modify the meanings he found as existing ones, but he cannot create them. The author considers the following theories of meaning as insufficient: the theory, according to which meaning is an idea associated with the word and the theories saying that meaning may be identified with the conditions of truthfulness, the way phrases are used in colloquial language, or with communication meaning. Meaning is also not explained by such theories as semantics of conceptual roles, causal-historical theories, causal and teleological theories. Plato's theory saying that existence of mental meaning in the mind consists in exemplification in the mind of ideally existing properties is considered a correct one that explains mental meaning. The source of meaning in the mind is existence of ideal qualities outside the mind. A correct solution to the problem of the nature and origin of meaning may also be Aristotle's theory of obstraction, according to which the mind, beginning with individual objects and their properties, formulates meantal contents (meaning). Both these theories have to assume that the mind is also capable of performing the operation of transformation that converts properties existing (in a real or ideal way) outside the mind into a peculiarly mental mode of existence. In the case of Aristotle's theory this transformation consists in dematerialization, whereas in the case of Plato's theory transformation is tantamount to converting an ideal being into a mental existence. Additionally, the author suggests that in order to explain the intersubjective character of meaning one has to refer to a form of metaphysical harmonization of particular minds' action. From the semantic way of acting of the human mind one may also make inferences concerning its way of existence. Translinguisticallity, generality, abstraction and other features of human semantic consciousness allow the statement that functioning of human mind does not consist in purely material actions. This immaterial character, however, does not have to be understood as a thesis about the existence of some mysterious `spiritual material' of which human mind is made. It seems that immateriality has to be interpreted as radical extra-materiality.
Źródło:
Roczniki Filozoficzne; 2003, 51, 1; 5-52
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Аповесць “Самасей” Сакрата Яновiча i малая проза Мiхася Стральцова: апавядальнiцкiя стратэгii
Sakrat Yanovich’s “Weed” and Mikhas Straltsov’s small prose: narrative strategies
Powieść „Samosiej” Sokrata Janowicza i mała proza Michasia Stralcowa: strategia narracyjna
Autorzy:
Barouka, Wanda
Powiązania:
https://bibliotekanauki.pl/articles/2117150.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
prose
story
artistic form
narrative strategy
introspection
proza
powieść
opowiadanie
strategie narracji
introspekcja
Opis:
Narrative strategies in the story “Weed” by S. Yanovich and in small prose by M. Straltsov are aimed at revealing the inner world of man. The heroes of the works of both writers are reflective people. The writers paid much attention to introspection.M. Straltsov preferred to modify the plot, the combination of lyricism and epic. S. Yanovich chose secondary artistic convention – satirical image.
Strategie narracyjne w powieści „Samosiej” S. Janowicza i opowiadaniach M. Stralcowa mają na celu badanie artystycznie świata człowieka. Bohaterowie utworów obu pisarzy są ludźmi refleksyjnymi. Pisarze przykładali dużą uwagę do introspekcji. M. Stralcow wolał zmieniać wątki fabularnie, kombinacje liryzmu i epiki podczas gdy S. Janowicz wybierał stosowanie drugorzędnej konwencji artystycznej, obrazu satyrycznego.
Źródło:
Białorutenistyka Białostocka; 2018; 83-92
2081-2515
Pojawia się w:
Białorutenistyka Białostocka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Аўтарскія стратэгіі ў беларускай і італьянскай жаночай паэзіі міжваеннага перыяду (Наталля Арсеннева, Яўгенія Пфляўмбаўм, Антонія Поццы)
Autorskie strategie w białoruskiej i włoskiej poezji kobiecej okresu międzywojennego (Natalla Arsienniewa, Jaugenia Pflaumbaum, Antonia Pozzi)
Authors Strategies in Belarusian and Italian Women’s Poetry of the Interwar Period (Natallia Arsiennieva, Jaughenia Pflaumbaum, Antonia Pozzi)
Autorzy:
Danilchyk, Aksana
Powiązania:
https://bibliotekanauki.pl/articles/32222672.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Italian poetry
authors' strategies
introspection
expressionism
Belarusian poetry
strategie autorskie
introspekcja
ekspresjonizm
poezja białoruska
poezja włoska
аўтарскія стратэгіі
інтраспекцыя
экспрэсіянізм
беларуская паэзія
італьянская паэзія
Opis:
Artykuł podejmuje problem strategii autorskich na przykładzie białoruskiej i włoskiej poezji kobiecej okresu międzywojennego, w szczególności białoruskich poetek Natalii Arsienniewej, Jewgienii Pflaumbaum i włoskiej poetki Antonii Pozzi. W ich twórczości można wyodrębnić kilka wspólnych tematów: piękno/wspaniałość, twórczości/poezji, natury i jej ścisłego związku ze stanem emocjonalnym lirycznej bohaterki, a także dystansowanie się od motywów społecznych. W artykule analizuje się, jak w tym okresie zmieniały się autorskie strategie poetek.
The article deals with the problem of the author’s strategies on the example of Belarusian and Italian women's poetry of the interwar period, in particular, Belarusian poetesses Natallia Arsiennieva, Jaughenia Pflaumbaum and Italian poetess Antonia Pozzi. There are several common themes in their works11: beauty /magnificence, creativity/ of the poetry, nature and its close connection with the emotional state of the lyrical character, as well as distancing from social motives. The article examines how the authorial strategies of poetesses changed during this period.
У артыкуле разглядаецца праблема аўтарскіх стратэгій на прыкладзе беларускай і італьянскай жаночай паэзіі міжваеннага перыяду, у прыватнасці беларускіх паэтак Наталлі Арсенневай, Яўгеніі Пфляўмбаўм і італьянскай паэткі Антоніі Поццы. У іх творчасці можна выдзеліць некалькі агульных тэмаў: красы / хараства, творчасці / паэзіі, прыроды і яе цеснай сувязі з эмацыйным станам лірычнай гераіні, а таксама дыстанцыянаванне ад сацыяльных матываў. У артыкуле даследуецца, якім чынам змяняліся аўтарскія стратэгіі паэтак на працягу дадзенага перыяду.
Źródło:
Studia Białorutenistyczne; 2022, 16; 143-157
1898-0457
Pojawia się w:
Studia Białorutenistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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