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Wyszukujesz frazę "litterature" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
Histoire et littérature: position, disposition, contrefaçon
History and Literature: Position, Arrangement, Counterfeit
Autorzy:
Triaire, Sylvie
Powiązania:
https://bibliotekanauki.pl/chapters/949865.pdf
Data publikacji:
2020-12-07
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
history
literature
prefaces
relations
Flaubert
histoire
littérature
préfaces
disposition
Opis:
The aim of this paper is to analyse the variation of relations between history and literature in the particular case of the French historic novel of the 19th century. It focuses on some works of Vigny, Balzac, Dumas and Flaubert and shows that most of the time, relations between literature and history range, theoretically and practically, from sharing to partition; except when tension is neutralized in the context of a non-rhetorical and non-didactical literature.
Źródło:
Crise de la littérature et partage des disciplines; 90-104
9788323546627
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Comment parler de la littérature du passé ?
How Can We Talk about Literature of the Past?
Autorzy:
Delon, Michel
Powiązania:
https://bibliotekanauki.pl/chapters/967067.pdf
Data publikacji:
2020-03-20
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
littérature
histoire
relativisme
actualisation
anachronisme
literature
history
relativism
updating
anachronism
Opis:
Literature professors, theatre directors and museum curators are faced with two problems: how to arouse the public’s interest in the arts and literature of the past centuries and how to make them intelligible for the present-day audience. For a long time, it was enough to present an interpretation fixed by the academic tradition. Today, the speed at which institutional circumstances evolve allows some to justify resorting to anachronism: starting from the present in order to understand the past. There are not much place left to escape obsolete readings, on the one hand, and to respect historical differences, on the other. That being said, a keen sensitivity to historical and cultural points of contact does not necessarily lead to a purely subjective relativism that runs the risk of sapping any dialogue and destroying the continuity between cultures and ages.
Źródło:
Quand regarder fait lire. Nouveaux défis dans l’enseignement des littératures de langue française. Pluralités européennes, n° 1/27; 18-25
9788323541035
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Et si la Vie de Jésus était vraiment un roman? Renan entre histoire et littérature
What if the Life of Jesus was really a novel? Renan between History and Literature
Autorzy:
Kirschleger, Pierre-Yves
Powiązania:
https://bibliotekanauki.pl/chapters/949859.pdf
Data publikacji:
2020-12-07
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
novel genre
controversy
history
literature
christianism
Ernest Renan
controverse
histoire
littérature
christianisme
genre romanesque
Opis:
Ernest Renan’s Vie de Jésus [Life of Jesus] was an extraordinary scandal, a literary event. The book is often compared to Victor Hugo’s Misérables [The Wretched], one of the greatest novels of the 19th century. Renan’s work seeks to be scientific, but it is frequently considered to be a masterpiece of literature: Renan uses (and abuses) images, poetic imagination, aesthetic reflections, sensitive handwriting… What if the Life of Jesus was really a novel?
Źródło:
Crise de la littérature et partage des disciplines; 105-119
9788323546627
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le Moyen Âge: passés recomposés et (in)disciplines
The Middle Ages: Composed Pasts and the Lack of Discipline(s)
Autorzy:
Blaise, Marie
Powiązania:
https://bibliotekanauki.pl/chapters/949886.pdf
Data publikacji:
2020-12-07
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
19th century
middle ages
orders of knowledge
literature
history
moyen âge
xixe siècle
partage des savoirs
littérature
histoire
Opis:
Between flagrant contradictions and successive denials, scholars and artists, un-equally, have been constructing the idea of the Middle Ages since the 16th century. Generations were derogatory of the Dark Ages, or the “middle age”, and unflattering texts by Enlightenment philosophers are well known. In the dawn of the 19th century, the idea of Middle Ages appears as both a symptom and a privileged locus for the study of the ruptures and concordances between Classical and Romantic conceptions as, in the mist of the French Revolution, the paradigms that governed history no longer hold. During all the 19th century, reconstructing the Middle Ages blurs the borders between the various orders of knowledge and the new academic disciplines, and opens a via regia to the complex reassessment of literature. Focusing on the choice of the Middle Ages as an “historical other”, this article comments on these disputes in order to assert that, if the medieval period has always been the result of an a posteriori construction, it is as a part of the rise of modernity.
Źródło:
Crise de la littérature et partage des disciplines; 16-30
9788323546627
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Du titre à la poétique : les recueils de nouvelles de Benoît Gonon
Autorzy:
Trębska, Marta Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1912405.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
nouvelle exemplaire
histoire
Benoît Gonon
titres
XVIIe siècle
littérature française
short exemplary story
history
titles
17th century
French literature
Opis:
Benoît Gonon, auteur de trois recueils de récits brefs, est aujourd’hui presque complètement inconnu. Étant l’un des épigones de la nouvelle exemplaire au XVIIe siècle, il écrit ses histoires pour moraliser et édifier ses destinataires. Il n’est guère surprenant que, au niveau des thèmes abordés par l’auteur, son œuvre ne révèle pas trop d’originalité. Cependant, on observe chez lui un élément intéressant : les titres qu’il donne à ses recueils de nouvelles et qui contiennent en germe son programme littéraire. Dans chaque volume il se présente comme un compilateur qui cherche l’invention chez d’autres écrivains. Mais, d’un volume à l’autre, Benoît Gonon ajoute aussi d’autres éléments intéressants : il enrichit progressivement la couche thématique de ses recueils, il signale son public visé. Ces amplifications du titre révèlent la préoccupation de notre célestin pour l’efficacité rhétorique des titres de ses recueils.
Benoît Gonon, author of three collections of short stories, is almost completely unknown today. As one of the epigones of the genre of short story in the 17th century, Gonon writes his stories to moralize and edify his readers. It is hardly surprising that, in terms of the themes addressed by the author, his work does not reveal too much originality. However, one observes there an interesting element: the titles given by Gonon to the three volumes of short stories, which contain in germ the literary program of the author. In each volume Gonon introduces himself as a compiler seeking invention from other writers. But, from one volume to another, Benoît Gonon also adds other interesting elements: he gradually enriches the thematic layer of his compilations, he signals his target audience. These amplifications of the title reveal the concern of the author for the rhetorical effectiveness of the titles of his compilations.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2020, 15; 267-279
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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