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Tytuł:
“My Honor is My Life”: Sturm Brightblade of the Dragonlance Saga and Middle English Arthurian Knighthood
Autorzy:
Sell, Carl B.
Powiązania:
https://bibliotekanauki.pl/articles/2085781.pdf
Data publikacji:
2021-12-20
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Arthurian
Dragonlance
appropriation
fantasy
knighthood
Opis:
Arthuriana has a long history of adaptation and appropriation in medieval and contemporary works, and the tradition of such textual borrowing and reworking continues in contemporary “genre” novels, particularly those that invoke associations with knights, honor, and codes of chivalry. One such example are the novels and short stories of the Dragonlance setting. Sturm Brightblade is positioned as a knight who adheres to a code of honor and is given Arthurian character traits, narrative arcs, and a backstory by the various authors that have fleshed out his history. The texts in the Dragonlance setting knowingly use appropriated elements from Middle English Arthurian works and assign them to Sturm Brightblade to give him proper positioning as a knight that would fit in with Arthur’s legendary Round Table.
Źródło:
Romanica Silesiana; 2021, 20, 2; 1-26
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Saussure’s concept of meaning applied to translation from French into English. Igbo and Kalabari languages of Malot’s Sans Famille
Autorzy:
Pearl Ngele, Chimmuanya
Iyalla-Amadi, Priye E.
Powiązania:
https://bibliotekanauki.pl/articles/513837.pdf
Data publikacji:
2019-06-30
Wydawca:
Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:
culture
appropriation
literary text
meaning
structural linguistics
Opis:
Translation can be said to be an exercise based on a tripartite comprehension: that of the text, the original author and the reader of the translated text. In translating therefore, an attempt is often made to create a text that would be comprehensible to the target reader. To effectively do this, several factors are considered, one of which is culture, especially in literary texts where culture is richly presented. A literary translator must therefore reproduce not just language but also culture. An illustration of this can be found in the translation of Hector Malot’s Sans Famille, from French to English, Kalabari and Igbo. To adapt the translated version to the various target audiences, the cultural elements of the original French text have been replaced with those of the target languages but with the semantic content intact. This is known as cultural appropriation, an application of the semio-pragmatic theory. This theory affirms Saussure’s structural linguistics thereby applying structuralism to translation.
Źródło:
Language, Discourse & Society; 2019, 7, 1; 33-42
2239-4192
Pojawia się w:
Language, Discourse & Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The persistence of the American myth: (re)visions in art and visual culture
Autorzy:
Lipiński, Filip
Powiązania:
https://bibliotekanauki.pl/articles/571946.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
American myth
American art
visual culture
appropriation
ideology
Opis:
The paper concerns the condition of selected aspects of American mythology in contemporary (from the 1960s till today) art and visual culture. Using specific examples and referring to theorists of American culture such as Sacvan Bercovitch, I argue that, despite varied strategies of appropriation and deconstructive critique of American ideals of freedom, equality and the country’s special role in the world, epitomized in the notion of American exceptionalism, the basic structure of the myth, due to its inextricable connection with American history, still persists as an important platform of action and a frame of reference. I analyze a selection of works referring to the Stars and Stripes, the Western film genre as well as the architecture of the post-9/11 World Trade Center, which both reveal the underlying structure of the myth, denaturalizing it, and a strong, continued attachment to it in the 20th and 21st century United States.
Źródło:
Acta Philologica; 2016, 49; 321-330
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Agency, Appropriation, Politics: Three Epistemological Keys Towards an Aesthetics of Play
Autorzy:
Ferreira, Emmanoel
Powiązania:
https://bibliotekanauki.pl/articles/41312304.pdf
Data publikacji:
2023
Wydawca:
Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:
aesthetics
agency
appropriation
digital games
epistemology
play
politics
Opis:
Based on a dialogue with authors of pragmatist philosophy, game studies, and communication, this article intends to understand the relationship between aesthetic experience and ludic media, in particular digital games, in what this relationship distinguishes from the aesthetic experiences provided by different media, such as literature, music, film and the arts in general. To better understand this relationship, we propose the presentation and development of three epistemological axes (or keys), namely: i) aesthetics and agency, ii) aesthetics and appropriation, and iii) aesthetics and politics. Furthermore, this article intends to present and comment on selected works of digital games to illustrate the relationship between play and aesthetic experience in each of those respective axes.
Źródło:
Acta Ludologica; 2023, 6, 2; 62-78
2585-8599
Pojawia się w:
Acta Ludologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Looking for Lear in Dennis Kelly’s "The Gods Weep"
Autorzy:
Wieczorek, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/504685.pdf
Data publikacji:
2016
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
The Gods Weep
Dennis Kelly
Shakespeare
adaptation
appropriation
Opis:
First staged by the Royal Shakespeare Company in 2010, Dennis Kelly’s The Gods Weep is an attempt to update the well-known story of King Lear to contemporary times. It focuses on Colm, an aging CEO who decides to divide his company evenly between two of his employees at the price of his only son’s share, a decision that results in escalating a bloody conflict that tears apart the business empire. Despite featuring an all-star cast and having the full support of the RSC, The Gods Weep received mixed to wholly negative reviews and was criticized for being chaotic, lengthy and not faithful enough to the masterpiece of the Bard. The present article addresses the problems raised by the critics and attempts to demonstrate that their responses were largely misguided, as most of them failed to recognize the full complexity of what they were dealing with. Thus the paper first shows that Kelly’s play is not merely a response to King Lear but, rather, a bricolage that recycles Akira Kurosawa’s Ran and Sarah Kane’s Blasted as well as a number of other works. The article then suggests that The Gods Weep is not an adaptation but an appropriation, as it shifts the political thrust of the hypotext and bears a mark of Kelly’s in-yer-face sensibility. Finally, the contribution argues that, given the range of sources that are being recycled, the play should not be viewed as an appropriation of a single text. Building on the concept of the “work” as formulated in Margaret Jane Kidnie’s Shakespeare and the Problem of Adaptation, I suggest that The Gods Weep should be viewed in the context of all texts which may be subsumed under what I call the “Lear type.”
Źródło:
Academic Journal of Modern Philology; 2015, 4; 135-143
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Applying arduino for controlling car parking system
Autorzy:
Al-Tabatabaie, Kusay F.
Abdulameer, Sadeer D.
Powiązania:
https://bibliotekanauki.pl/articles/1395586.pdf
Data publikacji:
2019
Wydawca:
Polskie Towarzystwo Promocji Wiedzy
Tematy:
adoption
appropriation
wireless technology application
przyjęcie
zawłaszczenie
zastosowanie technologii bezprzewodowej
Opis:
With increasing automobiles in the parking space, we could face problems like unplanned parking, lack of discipline, wasting time and fuel while looking for free space around the parking ground. These problems could be solved by applying Arduino for controlling car parking system. The proposed system will detect an available parking slot in short time, saves fuel, offer monitoring car parking system with low consumption, easy to implement and inexpensive.
Źródło:
Applied Computer Science; 2019, 15, 2; 53-62
1895-3735
Pojawia się w:
Applied Computer Science
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inquietações teórico-metodológicas em torno dos conflitos socioterritoriais no Oeste da Bahia
Theoretical-Methodological Concerns Regarding Socio-Territorial Conflicts in the West of Bahia
Autorzy:
dos Santos Araujo, Cloves
Powiązania:
https://bibliotekanauki.pl/articles/485866.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Brasil
espaço
terra
apropriação
conflito
Brazil
space
land
appropriation
conflict
Opis:
In this work, I identify clues for possible answers to the question about the theoretical and social conditions that enable the understanding and treatment of socio-territorial conflicts in the West of Bahia. The region is considered a part of the current agricultural frontier and stands out as the scene of agrarian conflicts in the context of Brazilian and Latin American space formation and, above all, as an area of expansion of rural capitalism with a high concentration of land and a high incidence of rural workers reduced to the condition similar to that of a slave. I try to understand what is meant by space and what place this key concept occupies in the history of geographic thought. In addition, I wonder how the concept of space can contribute to the study of the agrarian issue and the socio-territorial conflicts and how the production of the agrarian space takes place, how these imbrications occur and in what way the movement of history is necessary for the understanding of space. Without any pretensions to being exhaustive, I identify points of contact between the geographic, economic, and political-legal rationalities.
Neste artigo identifico pistas para a construção de possíveis respostas à questão acerca de condições teóricas e sociais que possibilitam a tradução e tratamento dos conflitos socioterritoriais no Oeste da Bahia, região considerada como parte da atual fronteira agrícola e que se destaca no cenário de conflitualidade agrária como marca da formação espacial brasileiro e latino-americana e, sobretudo, pela expansão do capitalismo rural, exibindo alta concentração fundiária e com maior incidência de trabalhadores rurais reduzidos a condição análoga à de escravo no Estado. Busco compreender o que se entende por espaço e qual o lugar que este conceito-chave ocupa na história do pensamento geográfico, assim como indago como o conceito de espaço pode contribuir para o estudo da questão agrária, dos conflitos socioterritoriais, como se dá a produção do espaço agrário, como se dão as imbricações e em que consiste o movimento da história como necessário à compreensão do espaço. Sem pretensões de esgotamento, identifico pontos de contato entre as racionalidades geográfica, econômica e político-jurídica.
Źródło:
Revista del CESLA. International Latin American Studies Review; 2019, 23; 55-88
1641-4713
Pojawia się w:
Revista del CESLA. International Latin American Studies Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The ensemble of death and dance: Songs of The Tiger Lillies in Polish translation by Szymon Jachimek
Autorzy:
Mach, Anna
Powiązania:
https://bibliotekanauki.pl/articles/54177192.pdf
Data publikacji:
2024-10-06
Wydawca:
Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
song translation
appropriation
punk cabaret
Tiger Lillies
Szymon Jachimek
Opis:
This paper analyses the modifications introduced by Szymon Jachimek in his translation of The Tiger Lillies’ songs, used in a Polish theatrical production in 2016. The Tiger Lillies, a British band, represent an alternative genre of punk cabaret, characterised by dark, transgressive humour, inspirations drawn from Weimar-era cabaret, and neo-Victorian aesthetics. Based on selected examples and taking into consideration the intersemiotic elements of music and performance, I discuss the deviations from the source text introduced by the translator: from (self)censorship of religious irreverence to far-reaching domestication shifting the material towards topical political satire. Rather than considering such deviations as precluding the text from being a translation per se and branding it ‘adaptation’, I instead perceive them as expressions of creativity and appropriation, reconstructing the means and aims of making the material “one’s own”. The paper, it is to be hoped, will form an invitation to further study of the creative capacities and the authorial competence of song translators.
Źródło:
Studia Translatorica; 2024, 15; 261-279
2084-3321
2657-4802
Pojawia się w:
Studia Translatorica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries
Autorzy:
Popłońska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/24987870.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Irene Adler
Sherlock Holmes
adaptation
appropriation
reinterpretation
transmedia fandom
fan fiction
Opis:
One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene Adler, the most recognisable female character from the Sherlock Holmes canon. Although we are not given much information on her in the original story and she hardly speaks in her own voice, for the community of readers she has become the most significant woman that Sherlock Holmes had ever encountered. Thus, the creators who adapted her for the screen also treated the heroine of “A Scandal in Bohemia” symbolically, allowing themselves to freely portray her presence in their versions of the story. For certain reasons, Irene Adler has been interpreted in pop-culture differently at various times: as the woman who beat Holmes with her wit, the detective’s romantic interest, his nemesis or a femme fatale figure. This tendency seems to be pushed to the extreme recently and the adaptations of the heroine in question gravitate towards a sexually confident, overtly self-aware, as well as dominant (both sexually and mentally) rival to Holmes. The idea behind this paper is to investigate the transformation of Irene Adler’s character from the originally debatably scandalous adventuress to her modern portrayal as a dominatrix in the BBC miniseries, Sherlock. Hence, I will concentrate on this most recent take on the woman in the episode “A Scandal in Belgravia,” attempting to analyse in what ways the creators of the show go back to the roots and succeed in capturing the essence of Irene Adler’s figure, and conversely – in what measure does this adaptation epitomize the changes done to the character over the years of reinterpreting and diverting from its literary counterpart.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 41-49
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Appropriations of Shakespeare’s King Lear in modern British drama: Edward Bond’s Lear (1971) and Howard Barker’s Seven Lears (1989)
Autorzy:
Pietrzykowska-Motyka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2076889.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
appropriation
Lear
violence
cruelty
insight
Rational Theatre
Theatre of Cruelty
Opis:
The following article is an attempt at looking at the modern appropriations of Shakespeare’s King Lear’s story in two British plays: Edward Bond’s Lear (1971) and Howard Barker’s Seven Lears (1989). Both dates signify the first stage premieres of the plays in question: Bond’s play was first opened at the Royal Court Theatre, London and Barker’s play was opened October at Sheffield Crucible. Both plays explicitly relate to King Lear’s story by their titles and both are recognized as the best-known and most powerful dramatic reworkings of the Lear story. Although both playwrights place themselves within two disparate theatrical traditions: Rational Theatre (Bond) and The Theatre of Cruelty (Barker), they are noted for their political allusions. Yet the primary concern of the following article will be to see to what extent is the “myth” of Lear modified in two modern versions. To achieve this effect the author of the article will closely look at the spatial arrangement, time scheme, plot development, story line, character presentation and values, as well as some major themes. Also Lear as the main character will be shown in its various roles and relations: as a loving father, a king, a leader, a madman and a tragic figure.
Źródło:
Kwartalnik Neofilologiczny; 2016, 4; 446-459
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Using an e-health tool for childhood obesity follow-up care: issues in health care pathway
Autorzy:
Azéma, Delphine
Trocme-Nadal, Léo
Morales, Yves
Terral, Philippe
Powiązania:
https://bibliotekanauki.pl/articles/472632.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
e-health
pediatric obesity
coordination
appropriation
application
health
care pathway
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia ad Didacticam Biologiae Pertinentia; 2018, VIII; 11-19
2083-7267
2450-3487
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia ad Didacticam Biologiae Pertinentia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘CUM PASTORI MEO LUPI PORCOS ERIPERENT’. STATUS PRAWNY ZWIERZĄT PORWANYCH PRZEZ DRAPIEŻNIKI
Autorzy:
Benincasa, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/664021.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
appropriation
property right
wild animals.
zawłaszczenie
prawo własności
dzikie zwierzęta.
Opis:
Summary This paper discusses the case analysed by Pomponius and related in the 19th book of Ulpian’s commentary ad edictum: wolves had snatched somebody’s pigs, but the pigs were saved from the wolves by the courageous intervention of a neighbour, who pursued the predators with his hounds. Thus a controversy arose concerning the ownership of the pigs: they were snatched from the owner in circumstances which would have made them irretrievably lost in the normal course of things, but they were later saved by a farmer from a neighbouring property and his dogs. Pomponius refers to three cases as a possible argument in the discussion: a wild animal, the property of which exists only as long as the owner, who had previously appropriated it, has control over it and which, escaping the guard, became again ownerless and thus subject to appropriation, a thing carried off or snatched by the wild bird and finally a thing lost in a shipwreck. Te analysis of these cases looks interesting from the point of view of continuity of the property right of the thing whose possession and possibility of control was lost in confrontation with nature. Finally Pomponius resolves the case in favour of the original owner, on the grounds of recoverability of the thing (nostrum manere tamdiu, quamdiu reciperari possit). This solution is also approved by Ulpian, who grants in favour to the owner actio furti, actio ad exhibendum and rei vindicatio against the neighbour who refused to return the pigs.
W 19 księdze komentarza do edyktu Ulpian relacjonuje analizowany przez Pomponiusza kazus porwania przez wilki świń, które to świnie następnie zostały odzyskane wskutek interwencji dzierżawcy pobliskiego folwarku, który poszczuł wilki swoimi psami. Kontrowersyjnym zagadnieniem może być w tym kontekście ustalenie, do kogo należą ocalone świnie, bowiem zostały odebrane właścicielowi w okolicznościach, w których ten musiał się liczyć z ich defnitywną utratą, a następnie zostały przy użyciu psów myśliwskich odebrane dzikim zwierzętom przez inną osobę. W rozważaniach nad tym zagadnieniem jako argument przywołane są różne stany faktyczne: schwytanego dzikiego zwierzęcia, które po powrocie do stanu naturalnej wolności przestaje być własnością myśliwego, oraz rzeczy porwanej przez ptaka i przeniesionej w inne miejsce, a także rzeczy utraconej w wyniku katastrofy statku, których analiza w kontekście omawianego kazusu może być interesująca z punktu widzenia zagadnienia kontynuacji prawa własności rzeczy, której posiadanie i możliwość kontroli właściciel utracił w konfrontacji z siłami natury. Ostatecznie Pomponius rozstrzygając sporną kwestię odwołuje się do możliwości odzyskania rzeczy jako gwarancji zachowania [jej prawa własności. W omawianym przypadku uznaje się więc, że świnie pozostały własnością dotychczasowego właściciela i przyznaje się mu prawo do wniesienia skargi z tytułu kradzieży i innych powództw zmierzających do odzyskania posiadania rzeczy przeciwko dzierżawcy, który odzyskawszy świnie, odmówiłby ich zwrotu.
Źródło:
Zeszyty Prawnicze; 2017, 17, 4
2353-8139
Pojawia się w:
Zeszyty Prawnicze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gazing at Eurydice: Authorship and Otherness in Bracha L. Ettinger
Autorzy:
Kisiel, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1394585.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Bracha L. Ettinger
artist
otherness
Eurydice
Holocaust
matrixial theory
appropriation
ready-made
Opis:
A historical photograph of women and children from the Mizocz ghetto taken in 1942 just before their execution constitutes one of the most recurring motifs in Bracha L. Ettinger’s visual art. By means of her artworks, Ettinger endeavours to retrieve these women’s dignity and work through their traumas at a point when they are unable to do it themselves. Yet, one cannot ignore a number of questions that arise in the context of this kind of aesthetic practice; after all, Ettinger uses an archival photograph, taken by an anonymous photographer, and her acts of altering and decontextualising this “ready-made” material are aimed at producing a certain artistic effect. The objective of this article is to reflect on the issue of authorship in Bracha L. Ettinger’s theory and art. Having introduced two Eurydicial artworks, I proceed to unravel the status of a matrixial artist-author. In order to do so, I analyse such notions as ready-made art, matrixial Otherness, trauma of the World, gaze, and appropriation.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2020, 6, 1; 7-17
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries
Autorzy:
Popłońska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/653571.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Irene Adler
Sherlock Holmes
adaptation
appropriation
reinterpretation
transmedia fandom
fan fiction
Opis:
One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene Adler, the most recognisable female character from the Sherlock Holmes canon. Although we are not given much information on her in the original story and she hardly speaks in her own voice, for the community of readers she has become the most significant woman that Sherlock Holmes had ever encountered. Thus, the creators who adapted her for the screen also treated the heroine of “A Scandal in Bohemia” symbolically, allowing themselves to freely portray her presence in their versions of the story. For certain reasons, Irene Adler has been interpreted in pop-culture differently at various times: as the woman who beat Holmes with her wit, the detective’s romantic interest, his nemesis or a femme fatale figure. This tendency seems to be pushed to the extreme recently and the adaptations of the heroine in question gravitate towards a sexually confident, overtly self-aware, as well as dominant (both sexually and mentally) rival to Holmes. The idea behind this paper is to investigate the transformation of Irene Adler’s character from the originally debatably scandalous adventuress to her modern portrayal as a dominatrix in the BBC miniseries, Sherlock. Hence, I will concentrate on this most recent take on the woman in the episode “A Scandal in Belgravia,” attempting to analyse in what ways the creators of the show go back to the roots and succeed in capturing the essence of Irene Adler’s figure, and conversely – in what measure does this adaptation epitomize the changes done to the character over the years of reinterpreting and diverting from its literary counterpart.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
JOSEPH CONRAD AND THE SILVER SCREEN
Joseph Conrad i srebrny ekran
Autorzy:
Weseliński, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/509383.pdf
Data publikacji:
2017
Wydawca:
Akademia Finansów i Biznesu Vistula
Tematy:
adaptation
appropriation
Joseph Conrad
Alfred Hitchcock
Francis F. Coppola
narratology
adaptacja
przyswajanie
narratologia
Opis:
The filmography of films based on the works of Joseph Conrad testifies that since the silent film era numerous filmmakers have turned to Conrad for source material. In most cases, the screen adaptations of his works were artistic and box-office failures. The release of Francis Ford Coppola’s Apocalypse Now in 1979 sparked a revival of creative and commercial interest in Conrad as a source for films. Coppola’s picture, which has achieved the status of a modern classic, and Alfred Hitchcock’s famous adaptation of The Secret Agent (1936), seem to belie the prevailing opinion that Conrad’s works are impossible to adapt for the cinema successfully. This paper seeks to examine the ways in which Conrad’s works have been adapted and appropriated by two major film directors in the twentieth century.
Filmografia adaptacji dzieł Josepha Conrada świadczy o tym, że od czasów filmu niemego liczni filmowcy sięgali po utwory Conrada jako materiał na scenariusze filmowe. W większości przypadków okazało się, że ekranizacje utworów Conrada to porażki artystyczne i fiasko finansowe. Film Francisa Forda Coppoli Czas Apokalipsy (1979) zapoczątkował odrodzenie artystycznego i finansowego zainteresowania środowiska filmowców twórczością Conrada. Obraz Coppoli, który osiągnął status współczesnej klasyki filmowej, oraz słynna adaptacja powieści Tajny agent w reżyserii Alfreda Hitchcocka (1936), wydają się zaprzeczać powszechnej opinii, że ekranizacje dzieł Conrada z góry skazane są na niepowodzenie. Celem artykułu jest zbadanie metod i środków artystycznego wyrazu jakimi posługiwali się dwaj czołowi reżyserzy XX wieku w swoich adaptacjach utworów Conrada.
Źródło:
Zeszyty Naukowe Uczelni Vistula; 2017, 52(1) Filologia; 77-88
2353-2688
Pojawia się w:
Zeszyty Naukowe Uczelni Vistula
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 27

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