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Wyświetlanie 1-2 z 2
Tytuł:
Adaptacja filmowa jako dominujący typ lektury pierwowzoru
Film adaptation as the dominating interpretation of the original reading
Autorzy:
Ślósarz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/520728.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
adaptation
literary original
rhetoric
commodification of reading
secondary sender
dominating discourse
Opis:
According to aesthetic sociologism, film is the result of socio-economic determinants, and its shape is determined by the ideology of the group expressing itself. As addressed to a wide audience, it refers to the stereotypes and ideological matrices more than literature. Its reproduction is made easier by distribution by electronic media and the collective nature of production and reception. According to Industry-centric Adaptation Model, adapted texts represent secondary senders and gain new ideological meanings. The adaptation turns out to be a commodification of reading. It is inscribed in the needs of broadcasters and previously formed viewers’ expectations by the choice of actors dictated by their earlier roles, the use of humor, and the ideological function of colour and lighting. Ideological significance is also shaped by the music and the use, or lack of use of the native language of individual characters. Inscriptions on video copies are adjusted to customers’ expectations within linguistic and cultural circles. Functioning of the film camera determines that each film is deposited in the paradigms of Western civilization. When the reading is preceded by watching, ideological matrices can affect the reception of the book.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2013, 5, 1; 79-93
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Three Translators in Search of an Author: Linguistic Strategies and Language Models in the (Re)translation of Shakespeare’s Plays into Catalan
Autorzy:
Pujol, Dídac
Powiązania:
https://bibliotekanauki.pl/articles/648038.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
translation
retranslation
adaptation
oral discourse
TV3’s oral standard
Catalan-Spanish code-switching and diglossia
Catalan literary language
linguistic strategies
language models
Gaietà Soler
Anfòs Par
Salvador Oliva
Hamlet
Kin
Opis:
This article shows how the language of Shakespeare’s plays has been rendered into Catalan in three especially significant periods: the late 19th century, the early 20th century, and the late 20th and early 21st centuries. The first section centres on the contrast between natural and unnatural language in Hamlet, and considers how this differentiation is carried out (by linguistic techniques that differ substantially from Shakespeare’s) in a late 19th-century Catalan adaptation by Gaietà Soler. The second part of the article investigates the reasons why in an early 20th-century translation of King Lear the translator, Anfòs Par, resorts to medieval instead of present-time language. The last section of the article illustrates how and explores the motivations why Salvador Oliva’s first (1985) version of The Tempest is retranslated in 2006 using a different language model. The ultimate aim of the paper is to put forward the hypothesis that, in the case of Catalan, Shakespearean translations are both a reflection of the current state of the language and a major linguistic experimentation that shapes and creates (sometimes through a via negativa) the Catalan literary language.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2017, 16, 31; 41-59
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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