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Wyszukujesz frazę "Żeromski" wg kryterium: Temat


Tytuł:
Żeromski jako muzealnik.
Żeromski as a museum professional.
Autorzy:
Rosiński, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/560236.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Stefan Żeromski
Opis:
The biography and oeuvre of Stefan Żeromski are the important areas of art historian research. The text refers to the writer’s short period of life between the years 1892-1896, when he was bound to the Polish National Museum in Rapperswil as a librarian. In regard to the preserved correspondence between Żeromski and the milieu of art historians and museum professionals of that time we receive a fragmentary image of the problems of Polish museum science on emigration at the end of the 19th century. The writer fulfilled actively the main goal of the Rapperswil museum activity. He used to collect and describe the souvenirs related to Polish emigration. He also used to design and arrange exposition rooms. His concepts of arranging the Swiss centre took the character, the collection topic and the facilities of the estate into consideration. He was an author of museum catalogues on Adam Mickiewicz or Tadeusz Kościuszko’s collections among others. His activity as a museum professional was highly ranked by splendid art connoisseurs and museologists. Despite numerous obstacles he was emotionally engaged and bound to the Rapperswil museum. He perceived it as a modern institution of scientific and didactic values. He also accentuated this vision in his literary work.
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2010, 1(15); 43-55
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stefan Żeromski. Tożsamości, poetyki, style odbioru
Stefan Żeromski. Identity, poetics and reception styles
Autorzy:
Sobieraj, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1041981.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
reception
works
Opis:
This article is a review of the collective monograph Stefan Żeromski. Kim był? Kim jest? edited by Zdzisław Jerzy Adamczyk. The book contains thirty essays written by experts in their respective fields. Both Stefan Żeromski’s views and many aspects of his writings were here thoroughly examined. It is said that Żeromski, one of the most influential Polish writers at the end of the nineteenth and at the beginning of the twentieth century, strongly affected Polish culture. The contributors of the book undoubtedly proved the thesis.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 275-282
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Wzruszenie trwalsze niż ściany gmachów obróconych w gruz”. Między tradycją a nowoczesnością: Irzykowski wobec Żeromskiego
‘Emotion more lasting than great walls turned to rubble’. Between tradition and the modern: Irzykowski on Żeromski
Autorzy:
Panek, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/1041975.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Karol Irzykowski
Stefan Żeromski
literary criticism
Opis:
This paper shall discuss Karol Irzykowski’s views on the prose work of Stefan Żeromski. The shifting nature of the former towards the latter – author of Ludzie Bezdomni [The Homeless] 1899 – shall be examined; ones that changed from criticism to approval. In this context Irzykowski’s critical concept developed in his collection of essays, Czyn i słowo [Action and the Word] 1913, shall be taken into account and it shall also be argued that Irzykowski’s polemical discourse in respect to Żeromski was an integral part of his literary manifesto.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 283-308
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Routine But Ribald. Intimacy in Stefan Żeromski’s Journals
Autorzy:
Kościewicz, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/648910.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Stefan Żeromski
Dzienniki
censorship
self-censorship
Opis:
Stefan Żeromski’s Journals concern mostly matters of intellectual (book, theatre, and exhibition reviews, writing techniques) and personal character, with the latter including some very intimate material. Żeromski was an exhibitionist in his writing. He described his autoerotic practices, his visits to brothels, details of sexual relationships with his mistresses, as well as some personal problems of his friends and acquaintances. The present analysis of the writer’s Journals focuses on how Żeromski tended to write about his intimate life, what matters and to what extent were treated as taboo by the author himself, by people from his closest circle, by readers of the manuscript version of his Journals, and finally, by editors and publishers of two 20th-century editions of his work. Taking this perspective, the close reading of Żeromski’s Journals will thus concentrate on issues such as private life, taboo, censorship and self-censorship.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 37, 7
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literacki mashup w Polsce. "Przedwiośnie żywych trupów" Stefana Żeromskiego i Kamila Śmiałkowskiego i "Faraon wampirów" Bolesława Prusa i Konrada T. Lewandowskiego jako polskie realizacje gatunku
Autorzy:
Depta, Anna
Powiązania:
https://bibliotekanauki.pl/chapters/2168561.pdf
Data publikacji:
2019
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Przedwiośnie
Stefan Żeromski
Żeromski
Faraon
Bolesław Prus
Konrad T. Lewandowski
Pros
Lewandowski
Faraon wampirów
Przedwiośnie żywych trupów
Źródło:
Rejestry kultury; 595-613
9788394888923
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szaleństwo i literatura. O Dziennikach Stefana Żeromskiego w perspektywie afektywnej
Stefan Żeromski’s Diaries from the Affective Perspective
Autorzy:
Chyła, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2036668.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
madness
creativity
affect theory
private diaries
Opis:
Using the tools offered by affect theory, this article aims to present the theme of madness, its numerous incarnations and transformations in the text of the diaries that Stefan Żeromski left behind. Madness is depicted here as a phenomenon defying any kind of unambiguity; it can be anything from a secret of nature to be deciphered, through a creative frenzy of inspiration, to a state of apathy, sometimes interwoven with sudden ecstasy, triggered by the chronic hunger that Żeromski suffered as a young man, in other words: during his diarist period.
Źródło:
Przestrzenie Teorii; 2021, 35; 155-176
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między Wallenrodem a Irydionem. Rzecz o Rozdzióbią nas kruki, wrony… Stefana Żeromskiego
Between Wallenrod and Irydion. On Stefan Żeromski’s Ravens and Crows Will Peck Us to Pieces…
Autorzy:
Flis-Czerniak, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1042016.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
Romantic tradition
January Uprising
knight
horse
Opis:
In the opinion of the author of this article, Żeromski, showing a tragic picture of the January Uprising in Ravens and Crows Will Peck Us to Pieces, runs very skillfully polemic with the views of Stanislaw Tarnowski, both political and social, which are summarized in the hearing From the experiences and reflections, as well as the aesthetic-literary ones, expressed among other things in the works devoted to Arthur Grottger, Polish romantics or in reviews of Sienkiewicz’s historical novels. Irydion and Konrad Wallenrod play a special role in the intricate network of intertextual references presenting in Żeromski’s story. Count Stanislaw Tarnowski spoke many times about these literary works, occupying a unique position in the minds of Poles living in the 19th century. His writings designate the area of controversy, which is the foundation of imaginative and ideological construction of Żeromski’s story Ravens and Crows Will Peck Us to Pieces.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 139-164
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szkoła totalna i karnawał żakowski. O "Syzyfowych pracach" jeszcze inaczej
Autorzy:
Chyła, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2029477.pdf
Data publikacji:
2021
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Stefan Żeromski
Syzyfowe prace
school
carnival
total institution
Published
Opis:
This paper is an attempt at an untraditional reading of one of Stefan Żeromski’s widely known novels, Syzyfowe prace. In most cases this work is interpreted as a representation of cruel trials which boys and young men in 19th century Poland had to experience inside a tsarist highschool, where they were not permitted to use their mother tongue and fell prey to severe persecution due to their nationality. However, in this article a Russian highschool in a provincial Polish town, so eloquently and vividly portrayed by Żeromski, is recognized as a form of a total institution, one of those described by Erving Goffman. Permanent supervision and systemic violence is simply inherent to that place, any national issues notwithstanding. Despite being so objectified and oppressed, students find some strategies of rebellion that enables them to live through this degrading experience. To analyze these forms of subversive protest, I use Mikhail Bakhtin’s concept of carnival and the culture of laughter.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2021, 8, 2; 151-167
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafizyczne enklawy w prozie Stefana Żeromskiego
Metaphysical enclaves in the prose of Stefan Żeromski
Autorzy:
Kielak, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1042001.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
metaphysics
motiv birch
motiv earth
motiv kiss
Opis:
The articles presents an interpretation of selected topics from the Stefan Żeromski’s novel which form an articulation of the nineteenth century changes taking place within the metaphysics. The scene in which the protagonists from Żeromski’s novels experienced communication with the dead and lived through the inner enlightenment have been analyzed. The article also describes the poetics of articulation of metaphysical experience in the prose of Żeromski paying particular attention to the theme of light equivalentizing the internal initiation of heroes, leading them mainly to cross the barriers of death. From this perspective, the articles interprets such motives as birch, earth and kiss as functionalizing metaphysical experience of the heroes described in the novels. The analysis of these metaphysical enclaves in the prose of Żeromski allowed to put forward the thesis that the metaphysics of the writer is not inspired by philosophy or theology of the late nineteenth and early twentieth century, but by faith in the strength of family and native ties and by the power of human community which leads man into another dimension of reality.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 165-184
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miasto utrapienia, pejzaż pamięci: Żeromski, Singer i żydowska Warszawa
The Dolent City, the Landscape of Memory: Żeromski, Singer and Their Jewish Warsaw
Autorzy:
Chyła, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2015089.pdf
Data publikacji:
2021
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Stefan Żeromski
Isaac Bashevis Singer
Jewish quarter in Warsaw
Opis:
In this article the author analyses Stefan Żeromski’s and Isaac Bashevis Singer’s fiction in search of contrasts and similarities in their images of 19th and early 20th century Jewish Warsaw. Singer portrayed it repeatedly in many of his works, such as In My Father’s Court (1966), Shosha (1978), Love and Exile (1984) and The Certificate (1992). Żeromski depicted it in two of his novels: Ludzie bezdomni [Homeless People] (1899) and Przedwiośnie [The Coming Spring] (1924). One would expect the differences to be huge and numerous and the resemblances rare and superficial. Singer memorialized a world that is no more, which was his own universe and heritage, while Żeromski was an outsider exploring an area that is mysterious, afflicted with severe poverty and in some ways out of bounds. Nevertheless, there are some intriguing analogies, particularly when Singer showed his streets, shops and houses through the eyes of a complete stranger or an incomer who perfectly remembers his childhood spent on Krochmalna Street but revisits to find it profoundly transformed—full of new thoughts, ideas and experiences.
Źródło:
Academic Journal of Modern Philology; 2021, 11; 9-19
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lalka – Ludzie bezdomni. Z zagadnień tragizmu bohaterów
The Doll and The Homeless - The tragedy of the protagonists
Autorzy:
Baudysz, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/460284.pdf
Data publikacji:
2015
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Bolesław Prus
Stefan Żeromski
tragizm
Arystoteles
tragedia antyczna
Lalka
Ludzie bezdomni
Boleslaw Prus
Stefan Zeromski
the Doll
The Homeless
Aristotle
tragedy
Greek tragedy
Opis:
O ile po pobieżnej lekturze Lalki oraz Ludzi bezdomnych można odnieść wrażenie, że autorzy obu powieści stosują zupełnie różne rozwiązania formalne, aby nadać swoim dziełom ostateczny kształt, o tyle wnikliwsza analiza pozwala dostrzec kilka inspiracji kompozycyjnych zastosowanych przez Żeromskiego, czerpiącego bezpośrednio z dokonań warsztatu pisarskiego Prusa. Spójne koncepcje kompozycyjne obu powieści są jednak podszyte regułami ustalonymi na długo przez końcem XIX wieku — obaj pisarze znajdują bowiem wyraźną inspirację w teorii tragedii antycznej Arystotelesa. I choć prawidła Stagiryty dotyczą dramatu, to doskonale sprawdzają się także podczas wydobywania tragicznych rysów bohatera na gruncie dzieł epickich, co — zdaje się — doskonale przeczuwali Prus i Żeromski, swoiście transponując formalne reguły tragedii antycznej do swoich powieści. W artykule autor prześledzi naznaczone tragizmem losy Wokulskiego i Judyma, przykładając do nich wypracowany przez Arystotelesa schemat tragedii greckiej.
Whereas a cursory reading of The Doll and The Homeless may give the impression that the authors of each of these novels use completely different formal solutions to give the final shape of their works, a more thorough analysis reveals several compositional inspirations used by Zeromski, drawing directly on the school of Prus. But the common compositional concept of both novels was established in literary convention long before the end of the 19th century — both writers take a clear inspiration from Aristotle's theory of ancient tragedy. Although Aristotle’s rules related to drama, they are also useful for the construction of epic works. In this paper, the author traces the tragic fate of Wokulski and Judym, using Aristotle’s theory of Greek tragedy.
Źródło:
Ogrody Nauk i Sztuk; 2015, 5; 466-471
2084-1426
Pojawia się w:
Ogrody Nauk i Sztuk
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dzieje grzechu, czyli Protokół zbrodni i nieszczęść
The Story of a Sin, or a protocol of crimes and calamities
Autorzy:
Włodek, Roman
Powiązania:
https://bibliotekanauki.pl/articles/921321.pdf
Data publikacji:
2017-08-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
Sfinks
Polish film
Henryk Szaro
women’s problems
Opis:
Stefan Żeromski’s novel, The Story of a Sin (1908), was controversial and considered scandalous at the beginning of the twentieth century. Żeromski was accused of undermining the significance of the family as the basic unit of society. His book, it was said, promoted “free love,” by disparaging Polish women and vividly portraying the moral degradation of the heroine. Theatrical and film adaptations of the novel met with similar charges (Leon Schiller, Polish Theatrical adaptation, Warsaw, 1926). The first film adaptation appeared in 1911, followed by an Italian version in 1917 (La Storia di unpeccato). In 1933, Sfinks, the most honored Polish film studio, produced yet another adaptation for the studio’s 25th anniversary. Such issues as divorce, abortion, single motherhood, and prostitution (topical issues in society and major themes in the book) took a back seat to the film’s criminal motif.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 85-101
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O Wildze Stefana Żeromskiego
About Stefan Żeromski’s Wilga (The Oriole)
Autorzy:
Obsulewicz, Beata K.
Powiązania:
https://bibliotekanauki.pl/articles/1042019.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
The Oriole
birds
Polish prose XIX/XX
elegy
Opis:
This article is about a short story entitled Wilga (The Oriole) (1925). This work was written shortly before the writer’s death and is his elegiac farewell to his home in Konstancin, an expression of love to his daughter Monica and a kind of his literary summary and a testament. An important part of the discussion is focused on how the writer used his own autobiography in his artistic works and how he is relying on his memory while creating the literary image. This article also focuses on ornithological knowledge of the writer which is an important fact that has not been given enough attention in relation to Żeromski’s works. It was reconstructed on the basis of his Diaries, Memoirs and literary works. The presented findings can serve as an aid in developing a monograph on the birds themes in the works of the author of The Labors of Sisyphus.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 117-137
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak zwyciężyć nie walcząc? Dzienniki Żeromskiego a płeć pisania
How to Win without Combat? Żeromski’s Journals and Gender of Writing
Autorzy:
Chyła, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2011081.pdf
Data publikacji:
2021
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Stefan Żeromski
private journals
writing
anxiety of influence
feminist critique
Opis:
This article presents Stefan Żeromski’s long journal-keeping practice used as a tool of more or less effective autotherapy and a private, self-governed course of creative writing. Making his way to Polish literature, Żeromski is first guided by his zealous and charismatic teacher from Kielce higschool, Antoni Gustaw Bem, who promotes an agonistic, harsh and aggressive vision of the cultural tradition and writing process which, for a modern ear, mirrors Harold Bloom’s anxiety of influence. However, his devoted and loving student finds another, milder perspective, built on enchantment, passion and the literary sense of belonging. Żeromski’s hot, somatic and extremely intimate attitude toward his work is illustrated by strikingly female writing metaphors such as novelist’s labor compared to the experience of pregnancy or to the activity of a spider persistently making its subtle web. In the second part of this article, the author aims to show that the critical discourse surrounding his profoundly involved literature, a discourse burdened with fear and abjection, bears a close resemblance to the methods of hushing and exorcising women’s voices identified as weird and hysterical.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2021, 7, 1; 295-311
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Anna versus Xenia. Pułapki biograficznej lektury Zamieci Stefana Żeromskiego
Anna versus Xenia. Pitfalls of biographical readings of Zamieć (Blizzard) by Stefan Żeromski
Autorzy:
Utkowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1042033.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
Walka z szatanem (Struggles with Satan)
Zamieć (Blizzard)
autobiographism
Opis:
An attempt is undertaken in this paper to demonstrate what traps are inherent in a biographical reading of Stefan Żeromski’s Zamieć (Blizzard). The author traces relations between Anna Zawadzka (the writer’s partner) and Xenia Granowska (the novel’s protagonist) and reconstructs the background to the text. The analysis implies it would be far safer to treat Zamieć as a broadly-defined autobiographical novel than to build straightforward parallels between Anna and Xenia.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 21-36
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł

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