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    Wyświetlanie 1-8 z 8
    Tytuł:
    Lintel decoration types from the Temple of Hatshepsut at Deir el-Bahari and their meaning
    Autorzy:
    Madej, Adrianna
    Powiązania:
    https://bibliotekanauki.pl/articles/2033215.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    lintel
    decoration
    gate
    Hatshepsut temple
    Deir el-Bahari
    Opis:
    Examination of the set of preserved gate lintels from the Temple of Hatshepsut in Deir el-Bahari has revealed two models of the iconographic decoration: one that emphasizes pictorial content in the form of scenes of a cultic or symbolic nature, with inscriptions playing merely a complementary role, and the other based on the textual message alone. The use of a given model of lintel decoration appears to be a measure either of the function of the room or, more broadly, of the space, accessed through the gate, or of the context of the wall decoration around the entrance.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(1); 143-156
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mammals in the iconography of the Temple of Hatshepsut: a project underway
    Autorzy:
    Braulińska, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/1683672.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    animals
    mammals
    Hatshepsut
    temple of Hatshepsut
    Deir el-Bahari
    temple decoration
    Opis:
    The project “Mammals in the iconography of the Temple of Queen Hatshepsut”, initiated by the author in the 2011/2012 season, encompasses a detailed documentation of the animals depicted in various parts of Hatshepsut’s temple in Deir el-Bahari as a prerequisite for in-depth research. The study follows a multi-disciplinary approach within faunal analysis, and is complemented with technological observations on the execution of relief representations from the temple. At this stage of the project, a general taxonomic identification of the animal representations is nearly complete and a further detailed study of each taxon has been undertaken. Both complete animals (mainly mammals for now) and animal raw materials were studied in addition to the contexts and scenes in which they appear.
    Źródło:
    Polish Archaeology in the Mediterranean; 2017, 26(1); 221-228
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Deir el-Bahari. Temple of Tuthmosis III, campaigns 2012–2013
    Autorzy:
    Dolińska, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/1727680.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Tuthmosis III
    Deir el-Bahari
    temple decoration
    temple architecture
    photomontage
    reconstruction
    Opis:
    In 2012 and 2013 the mission continued research and documentation work, concentrating on scenes located in the Hypostyle Hall, the Bark Room, and rooms D, G and H. Dozens of painted stone fragments were cleaned and protected. Photoscanning techniques were used to improve detailed rendering of the temple. New photomontages were produced and subsequent walls were drawn, joining previously separate scenes.
    Źródło:
    Polish Archaeology in the Mediterranean; 2015, 24(1); 257-264
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari: epigraphic work between 2013 and 2016
    Autorzy:
    Kapiec, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1683718.pdf
    Data publikacji:
    2018-07-09
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Southern Room of Amun
    Temple of Hatshepsut
    Deir el-Bahari
    epigraphy
    wall decoration
    Opis:
    The Southern Room of Amun Project is one of the egyptological projects of the PCMA’s Polish–Egyptian Archaeological and Conservation Mission in the Temple of Hatshepsut at Deir el-Bahari. The paper presents epigraphic work carried out in this room between 2014 and 2015, during which almost the entire wall decoration was recorded. The article is a wall-by-wall presentation, paying special attention to the most important transformations of the reliefs over time.
    Źródło:
    Polish Archaeology in the Mediterranean; 2017, 26(1); 207-220
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The gods bestow life. New material for the study of divine processions in the Vestibule of the Chapel of Hatshepsut in Deir el-Bahari
    Autorzy:
    Kopp, Edyta
    Powiązania:
    https://bibliotekanauki.pl/articles/1681550.pdf
    Data publikacji:
    2019-08-05
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Vestibule of the Chapel of Hatshepsut
    Deir el-Bahari
    divine processions
    wall decoration
    architraves
    Opis:
    The decoration of the Vestibule of the Chapel of Hatshepsut in the queen’s temple in Deir el-Bahari resembles the decoration of the square antechamber known from the pyramid temples of the Old and Middle Kingdoms. However, the original decorative program of the vestibule, especially with regard to the processions of divinities, is obscured by changes and damage attributable to different periods. Two new blocks, proposed for the west wall of the vestibule, contribute new information on the relief decoration from the time of Hatshepsut. Egyptological studies of the decoration of the vestibule have also enabled a revision of the suggested architrave arrangement in this chamber.
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(2); 275-289
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The secretarybird dilemma: identifying a bird species from the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Braulińska, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/1681843.pdf
    Data publikacji:
    2019-08-01
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    African animals
    birds in Ancient Egypt
    secretarybird
    temple of Hatshepsut
    Deir el-Bahari
    Hatshepsut Punt expedition
    temple decoration
    Opis:
    Known from a few representations in Predynastic Egyptian art, the secretarybird has otherwise been elusive, in the art of Pharaonic Egypt as well as the scientific discourse on iconographic imagery of birds in ancient Egypt. The author's studies of the animal decoration at the Temple for her doctoral dissertation identified three images of birds belonging most likely to the same species, depicted in the context of the expedition of Hatshepsut shown in the Portico of Punt. The zoological identification of the species as the secretarybird (another possibility is the African harrier-hawk) derives from an in-depth analysis of the bird’s systematics, appearance, distribution and habitat, as well as behavior, which are essential for proper species recognition and instrumental for understanding the rationale behind bringing it from the “God’s Land”. Iconographic features contesting this identification and suggesting a different species, that is, the African harrier-hawk, are discussed based on a combination of theoretical background, material analysis, on-site interviews with experts and the author’s personal experience with the species.
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(2); 83-116
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    What an artist saw. Tracing the local iconographic tradition for the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Stupko-Lubczynska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/2033220.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Asasif
    Hatshepsut
    Mentuhotep II Nebhepetra
    Theban tombs
    visitor’s inscriptions
    artists
    decoration
    friezes of objects
    linen
    Opis:
    An unusual iconographic motif—a fringed piece of linen—depicted in the Chapel of Hatshepsut, part of the queen’s temple at Deir el-Bahari, is examined in this paper as an illustration of the interest, well attested in Hatshepsut’s reign, in past artistic models/sources. The Chapel of Hatshepsut was intended for the mortuary cult of the female pharaoh, while the motif under discussion appears to have been inspired by decoration earlier by 500 years, found inside a burial chamber cut into the rock cliff of North Asasif, which is a natural continuation of the Deir el-Bahari amphitheater. The tomb (TT 311) belonged to Khety, a courtier of the Eleventh Dynasty pharaoh Mentuhotep II Nebhepetra. Assuming the validity of this iconographic link, the question arises concerning the accessibility of decorated burial chambers from the Eleventh-Dynasty in this area and their possible role as “pattern books” in the design of the early Eighteenth Dynasty private and royal mortuary monuments. In addition, the paper addresses the issue of the Chapel of Hatshepsut serving as a monumental “pattern book” for the Late Period Theban tombs.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(1); 187-214
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Stupko-Lubczyńska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/1681587.pdf
    Data publikacji:
    2019-08-05
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Temple of Hatshepsut
    Main Sanctuary of Amun
    relief decoration
    pot-stands
    dedicatory formula
    proscription of Hatshepsut
    Amarna erasures
    Opis:
    On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer. One of the stands preserves traces of an inscription which was erased in ancient times in two phases. The first phase of erasure may be dated to the reign of Tuthmosis III, while the second one was executed during the Amarna period. The paper presents the legible parts of the text, which was a standard dedication formula, along with a reconstruction of the damaged areas
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(2); 365-374
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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