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    Tytuł:
    Kira jako (nie)obcy. O protagoniście mangi Death Note Takeshi Obaty i Tsugumi Ohby
    Kira as a (non-)stranger. On the protagonist of the Death Note manga series created by Takeshi Obata and Tsugumi Ohba
    Autorzy:
    Dobrzycki, Jarosław
    Powiązania:
    https://bibliotekanauki.pl/articles/784490.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    ambivalence
    Baudrillard
    Foucault
    stranger
    Opis:
    The article analyzes the alienation of the main character of the manga series Death Note, who owns the Death Notebook referred to in the title. The said notebook allows to kill any person. Drawing upon the theses of Michel Foucault related to the rights of monarchs of bygone times to condemn individuals to death, and to ritualizing death itself, the author of the article shows Kira as a continuator of the said monarchs. The motif of death from the hands of another person is indicated as a form of revenge for harms suffered by one, based on considerations by Jean Baudrillard. The text also aims to show that comic books are not just entertainment for the masses, but can convey serious content instead.
    Źródło:
    Paidia i Literatura; 2020, 2; 149-160
    2719-4167
    Pojawia się w:
    Paidia i Literatura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography
    Autorzy:
    Allen, David
    Handley, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/641498.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    simulacrum
    sublime
    DeLillo
    Baudrillard
    Plato
    Opis:
    In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simulacrum, so that “no one sees” the actual barn anymore. This implies that there was once a real barn, which has been lost in the “virtual” image. This is in line with Plato’s concept of the simulacrum as a false or “corrupt” copy, which has lost all connection with the “original.” Plotinus, however, offered a different definition: the simulacrum distorts reality in order to reveal the invisible, the Ideal. There is a real building which has been called “the most photographed barn in America”: the Thomas Moulton Barn in the Grand Teton National Park. The location-barn in the foreground, mountain range towering over it-forms a striking visual composition. But the site is not only famous because it is photogenic. Images of the barn in part evoke the heroic struggles of pioneers living on the frontier. They also draw on the tradition of the “American sublime.” Ralph Waldo Emerson defined the sublime as “the influx of the Divine mind into our mind.” He followed Plotinus in valuing art as a means of “revelation”-with the artist as a kind of prophet or “seer.” The photographers who collect at the Moulton Barn are themselves consciously working within this tradition, and turning themselves into do-it-yourself “artist-seers.” They are the creators, not the slaves of the simulacrum.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 365-385
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bemusing Ourselves to Death: Public Discourse in the Age of Social Media
    Autorzy:
    Merrin, William
    Powiązania:
    https://bibliotekanauki.pl/articles/2154943.pdf
    Data publikacji:
    2022-06-30
    Wydawca:
    Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
    Tematy:
    Postman
    McLuhan
    Baudrillard
    reality
    hyporeality
    social-media
    Dick
    Opis:
    In 1985, Neil Postman published Amusing Ourselves to Death, a McLuhan-inspired critique of the transformation of public discourse from 19th-century print culture, with its depth of reading, thought and debate, to the contemporary era of television ‘show business’. Developments since then, most notably the digital revolution, allow us to update Postman’s thesis, to explore the digital age that succeeds the electric broadcast era and its contemporary transformation of culture and politics. This paper argues that digital personalisation has exploded the mass-media world, bursting its mainstream bubble into a foam of individual life-worlds, empowering everyone as the producer of their own realities. Arguing that the key thinker of this era is Philip K. Dick (with his exploration of fictive, split, and personal realities), the paper explores the cultural impact of this new post-truth era of ‘media’ realities and the ‘bemusement’ it produces.
    Źródło:
    Studia Humanistyczne AGH; 2022, 21, 2; 17-29
    2084-3364
    Pojawia się w:
    Studia Humanistyczne AGH
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Antropologia mapy jako nowa metafizyka
    Autorzy:
    Mateusz, Zimnoch,
    Powiązania:
    https://bibliotekanauki.pl/articles/897234.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Baudrillard
    rzeczywistość
    mapa
    granice
    obcość
    postmodernizm
    przestrzeń
    miejsce
    Opis:
    The aim of the research paper is to make use of the map metaphor from Jean Baudrillard’s Simulacra and Simulation as a starting point for the new metaphysics that is congruent with the poetics of postmodernism. The main idea here is to neglect a distinction between epistemology and ontology and to choose a philosophical perspective that breaks through some binary oppositions such as object-subject, fact-fiction, real-virtual etc. The proposed way to do so is to connect the anthropology of map with the philosophy of the other and put them together with the postmodern idea of the sign.
    Źródło:
    Przegląd Humanistyczny; 2015, 59(4 (451)); 175-180
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality
    Autorzy:
    Yazdizadeh, Abdolali
    Powiązania:
    https://bibliotekanauki.pl/articles/641494.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    hyperreality
    society of spectacle
    business of illusion
    antihero
    Baudrillard
    Opis:
    Hyperreality is a key term in Jean Baudrillard’s cultural theory, designating a phase in the development of image where it “masks the absence of a profound reality.” The ambiance of Joseph Heller’s Catch-22 (1961) closely corresponds to Baudrillard’s notion of the hyperreal as images persist to precede reality in the fictional world of the novel. Since for Baudrillard each order of simulacra produces a certain mode of ideological discourse that impacts the perception of reality, it is plausible that the characters of this fictional context should be ideologically impacted by the hyperreal discourse. From this vantage point it is possible to have a new critical assessment of Yossarian’s (protagonist) antiheroic stance and study the role of the “business of illusion,” whose ideological edifice is based on the discourse of the hyperreal, on his antiheroic stance and actions. By drawing on Baudrillard’s cultural theory this paper aims to read Heller’s novel as a postmodern allegory of rebellion against the hyperreality of the twentieth-century American life and trace its relevance to modern-day U.S.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 386-410
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Werbalna i pozawerbalna dyktatura „wrednych ludzi” w procesie komunikacji
    Verbal and extraverbal dictatorship of the ‘nasty people’ in the communication process
    Autorzy:
    Ślósarska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/650058.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    propaganda
    dictatorship
    psychology
    cognitivism
    social communication
    Blumer
    Carter
    Berne
    Baudrillard
    Opis:
    Presented topic includes following issues: 1) hidden dictatorship of the attitudes of ‘nasty people’ (‘diminishers’) and its influence on social relations; 2) strategies of depreciation that are used by ‘nasty people” (sowing incertitude, projections, generalizations, adjudications, psycho manipulations, hidden attacks, conflicting signals, provocations, creating illusory situations without exit); 3) verbal and extraverbal manifestations of the archetypes of ‘tormentor/victim’, ‘hunter/ hunted’, ‘attack/escape’ within the activity of ‘nasty people’; 4) long-term violation of the rules of symbolic interactionism by ‘diminishers’. In terms of methodological contexts there are taken mainly concepts of Jay Carter, Eric Berne, Herbert Blumer and Jean Baudrillard. Among historical contexts there is reference to the concept of neurotic personality (Freud, Horney) within the anthropological framework of seduction attitudes and communication play of evident/hidden. The analysis is proceeded on a set of artifacts that constitute oppressive ‘daily practices’.
    -
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 41, 3
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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