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Tytuł:
Late Baroque Manuscript "Supplicant of the Sinner to the Lord Jesus". Eschatological Reflections
Autorzy:
Panasiuk, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/508740.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Baroque
Catholicism
contemptus mundi
Opis:
Late Baroque Manuscript Supplicant of the Sinner to the Lord Jesus. Eschatological ReflectionsThe scope of observations in this article will be concerned by Supplicant’s Song of the Lord Jesus(inc. "Jesus, my merciful ..."), belonging to the so-called the popular area. This text was found in a handwritten collection dated to 1744, belonging to the Discalced Carmelite Nuns in Krakow. In this song, we can identify - as a result of eschatological reflections - the idea of contemptus mundi (contempt of the world), originating from the middle ages. Późnobarokowy rękopis Supliki grzesznika do Pana Jezusa. Eschatologiczne refleksjeZakres obserwacji wyznaczy tu należąca do nurtu tzw. popularnego pieśń Suplika grzesznika do Pana Jezusa (inc. „Jezu mój litościwy…”). Tekst odnaleziono w rękopiśmiennym zbiorze datowanym na 1744 rok, należącym do biblioteki karmelitanek bosych w Krakowie. W pieśni – na skutek eschatologicznych refleksji - uobecnia się idea contemptus mundi (pogardy świata), wywodząca się z wieków średnich.
Źródło:
Colloquia Humanistica; 2018, 7
2081-6774
2392-2419
Pojawia się w:
Colloquia Humanistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między codziennością a „państwem Platona”. Racjonalistyczne aspekty twórczości Łukasza Opalińskiego
Between Everyday and “Plato’s Republic”: Rationalist Aspects of Łukasz Opaliński’s Work
Autorzy:
Raubo, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1533583.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Łukasz Opaliński
Baroque
literature
rationalism
philosophy.
Opis:
The article specifies the role of rationalism in the work of a distinguished Baroque author, Łukasz Opaliński. The source material for the study consists of: Rozmowa Plebana z Ziemianinem (1641), Polonia defensa contra Ioan[nem] Barclaium (1648), Coś nowego (1652), Pauli Naeoceli de officiis libri tres (1659), Poeta nowy (1661–1662).Łukasz Opaliński stated that reason is the most important cognitive faculty of the human being. Reason makes it possible to understand the rules of natural law, which is the source of ethical action among humans, and brings on understanding of the eschatological aim of human life, that is salvation. The possibilities of rational explanation do not, however, encompass the mysteries of religious faith or the basic concepts of natural philosophy, such as the elements, which are the principal components of matter.Rationalism belongs to the principal ideas of Opaliński’s political philosophy. He opted for a rational organization of the state and for rational ways of solving social problems (he underscored the role of common sense, rational dialogue of citizens and rational responsibility for the common good). The political formation that is best suited for rationalization of social life is monarchy. Seeing it as a model government, the author realised that it could not be introduced in the Poland of the 17th century, and consequently, apart from the eulogy of the monarchy, he proposed improvements in gentry democracy, especially in limiting of the “golden freedom”.An important sphere of externalization of Opaliński’s rationalist ideals was his theoretical thought on literature. He critically evaluated some examples of Baroque art of conceit. He underscored the role of rational sources of creativity and rational discipline in structuring a literary work, and his postulates in this field were close to the concepts of classicist criticism.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 21; 253-270
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Латинська мова як чинник творення особливого культурного порубіжжя
Latin as a Factor in the Creation of a Special Cultural Frontier
Autorzy:
Shevchenko, Lyudmyla
Powiązania:
https://bibliotekanauki.pl/articles/2154614.pdf
Data publikacji:
2019-12-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Baroque
Neo-Latin
Ukrainian-Polish frontier
Opis:
The article analyses the role of Latin as a universal means of communication among intellectuals during the fifteenth to eighteenth centuries. The author argues that the main task of Neo-Latin studies in Ukraine is a comprehensive, interdisciplinary study of literature and the affirmation of the modern concept of the history of Ukrainian culture as an inherently synthetic process. As a result of even a superficial review of the Latin authors of the fifteenth to nineteenth centuries and the imagery of their works, we can learn much about the place and role of bourgeoisie and Polish noblemen in Ukrainian society of that time, as well as look with new eyes at the Cossacks, clergy, and peasants, reaching not only to previously unknown information but also, what is valuable to a philologist, to its refined wording. The representatives of a variety of professional circles, political views, and regions made their contribution to the Latin works in different genres during more than five hundred years – that is why the reader can now afford to choose works for every taste.
Źródło:
Studia Polsko-Ukraińskie; 2019, 6; 137-146
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fortune-telling Predictions in the Light of Faith and Reason. Religious Aspects of Informacya matematyczna by Wojciech Bystrzonowski
Autorzy:
Raubo, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/2030571.pdf
Data publikacji:
2021-02-21
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Baroque
Enlightenment
literature
predictions
prophecies
religion
rationalism
Opis:
This article is focused on the criticism of the prophecies presented by Wojciech Bystrzonowski, an encyclopaedist and populariser of science, in his work Informacya matematyczna [Mathematical Information] (1743, 1749). The author discusses prophecies of sorcerers, physiognomy, palmistry, prophetic dreams and astrological predictions. He examines the cases of magical practices combined with religious beliefs, which he regards as dangerous manifestations of superstition. He also demonstrates that fortune-telling cannot be compatible with faith or the fundamental principles of rational reasoning. Furthermore, he emphasizes that for a critical evaluation of such predictions, the Jesuit rules for the discernment of spirits can be applied. The issues addressed in Bystrzonowski’s work are characteristic of the atmosphere of the intellectual change that took place in late Baroque and early Enlightenment.
Źródło:
Tematy i Konteksty; 2020, 1; 150-165
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz małych polskich miast w literaturze z XVI i XVII wieku
Image of Small Polish Towns in Literary Works of the 16th and 17th Centuries
Autorzy:
Żurek, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1154795.pdf
Data publikacji:
2019-09-30
Wydawca:
Towarzystwo Naukowe w Toruniu
Tematy:
burghers
small towns
craftsmen
literature
Renaissance
Baroque
Opis:
The article deals with the issue of the perception of small Polish towns by authors of literary works from the Renaissance and Baroque periods. Due to the fact that this type of settlements prevailed in the urban landscape of our country, it is interesting whether the authors gave them any attention and, if so, what problems of the towns were raised. The analysis shows that this topic was marginally discussed. Towns in general, even the largest ones, did not enjoy any particular interest of artists. Small towns, however, most often appear as a collective entity. What drew artists’ attention were wooden buildings, which often constitute the towns’ weakness. The authors devote a little more attention to urban craftsmen, having the worst opinion about them. However, these are essentially the views of the nobility, thus show its negative attitude towards towns and townspeople.
Źródło:
Zapiski Historyczne; 2019, 84, 3; 153-167
0044-1791
2449-8637
Pojawia się w:
Zapiski Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Krakowski cech muzyków
Cracow musicians guild
Autorzy:
Karasiński, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/514110.pdf
Data publikacji:
2015-07-01
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Cracow
musicians guild
Renaissance
Baroque
musical culture
Opis:
The article is a contribution to the exploration of history of Polish musical culture of the Renaissance and the Baroque period. Recognition of elementary forms of social organisation leads to understanding of the prevailing social and economical relations in those times. This article is one of the first in this topic, therefore it starts with very basic issues. A musicians guild existed in Cracow from 16th to 18th century. The article presents its history and organisation on the basis of statutes and municipal documents analysis. Simultaneously, it raises questions about circumstances of its creation and termination, welded duties and repertoire. The author questions the character of discussed association, considering to what extent it was a guild and a confraternity. The aim of the publication is to present to the reader a coherent picture of the guild, which could provide a starting point for further research.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2015, 2(25); 28-46
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Barokowy portal w romantycznym pałacu Dzięki – okoliczności transferu XVII-wiecznego detalu do Wiązownicy-Kolonii
Baroque portal in the romanticist Dzięki Palace — circumstances of the transfer of a Seventeenth-Century detail to Wiązownica-Kolonia
Autorzy:
Marcinek, Roman
Powiązania:
https://bibliotekanauki.pl/articles/1841650.pdf
Data publikacji:
2020
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
detal architektoniczny
kamieniarka barokowa
translokacja obiektu
barok
romantyzm
architectural detail
Baroque stonework
object translocation
Baroque
Romanticism
Opis:
Podczas XIX-wiecznej przebudowy dworu starostów w Podzamczu Chęcińskim usunięto m.in. elementy XVII-wiecznej kamieniarki, wykonanej w lokalnych zakładach kamieniarskich; zostały one rozproszone i w znacznej mierze zniszczone. W roku 2019, podczas prac dokumentacyjnych pałacyku Dzięki w Wiązownicy- Kolonii, autor rozpoznał marmurowy portal pochodzący z Podzamcza, wtórnie osadzony w romantycznym obiekcie. Artykuł opisuje okoliczności przeniesienia obiektu, będącego wynikiem porozumienia carskich dygnitarzy, którym Mikołaj II nadał w Królestwie Polskim dobra ziemskie. Inspiratorem przejęcia marmurowego portalu z herbem Gryf oraz innych detali kamieniarskich mógł być Adam Idźkowski, domniemany projektant obiektu. W 1997 zdewastowany pałac Dzięki, opuszczony przez administrację Lasów Państwowych, odkupił Aleksander Pietrow, potomek pierwszego właściciela. W 2005 zespół pałacowo-parkowy wpisano do rejestru zabytków, a w 2008 rozpoczęto remont – trwa on do dziś, ze względu na skalę zaniedbań, do jakich doszło pod państwowym zarządem.
During the nineteenth-century reconstruction of the starosts’ manor house in Podzamcze Chęcińskie, among others, elements of the seventeenth-century stonework, made in local stone factories, were removed; they were scattered and largely destroyed. In 2019, during the documentation work at the Dzięki Palace in Wiązownica - Kolonia, the author recognized a marble portal from Podzamcze, which was re-embedded in this romantic building. The paper describes the circumstances in which the object was transferred, which was the result of an agreement between tsarist dignitaries, who were granted some land in the Kingdom of Poland by Tsar Nicholas II. The person, who initiated the takeover and implementation of the marble portal with the Gryf coat of arms and other stone details, may have been Adam Idźkowski, the alleged designer of the building. In 1997, the devastated Dzięki Palace, abandoned by the administration of the State Forests, was bought by Alexander Pietrov, a descendant of the first owner. In 2005, the palace and park complex were entered into the register of monuments, and in 2008 the renovation began - it has been in progress until today, due to the scale of negligence under state management.
Źródło:
Wiadomości Konserwatorskie; 2020, 63; 125-136
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika obrazu «Alegorii Bożej Opatrzności» z klasztoru Sióstr Wizytek w Krakowie
The symbolism of the painting Allegory of Divine Providence in the convent of the Sisters of the Visitation in Cracow
Autorzy:
Moisan-Jablonski, Christine
Powiązania:
https://bibliotekanauki.pl/articles/450042.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Divine Providence
Painting
Baroque
Seven Archangels
Iconography
Opis:
There is an eighteenth-century painting depicting Allegory of Divine Providence in the convent of the Sisters of the Visitation in Kraków. The iconography is unique. In addition to figures of people and animals abandoning themselves to the care of Divine Providence, it also shows the seven archangels. Although the Catholic Church only recognizes three Archangels (Gabriel, Michael and Raphael), portrayals of seven archangels appeared in European art at the end of sixteenth century and in the seventeenth and eighteenth centuries, which also showed figures representing Uriel, Barachiel, Sealtiel and Jehudiel. The Reverend Ignacy Tłuczyński also mentions them in a book—on to the subject of angels and the care which angels and heavenly spirits provide to people—published in Kraków in 1677. It would be impossible to have a full understanding of the message conveyed in the Kraków painting without having knowledge of Polish eighteenth-century religious songs devoted to Divine Providence. The dominant motif—which also appears on other Polish paintings depicting Divine Providence—is the portrayal of people and animals together, to whom Providence is offering various gifts.
Źródło:
Saeculum Christianum. Pismo Historyczne; 2015, 22; 172-183
1232-1575
Pojawia się w:
Saeculum Christianum. Pismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na styku epok. Porównanie warsztatu twórczego Josepha Riepla i Marcina Józefa Żebrowskiego na przykładzie utworów pro processione
At the turn of the eras. A comparison of the compositional technique of Joseph Riepel and Marcin Józef Żebrowski based on the pro processione pieces
Autorzy:
Karasiński, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/513856.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Baroque
Classicism
Galant
Jasna Gora
Riepel
Żebrowski
Opis:
In this paper, the author compares aesthetic and stylistic attitude of two composers who worked in Jasna Gora Monastery at the turn of Baroque and Classical eras. The aim of this article is to capture the differences and similarities between the creative output of both artists by comparison of their pro processione pieces, which are a local variant of a church symphony. Collating complexive analysis, the author points characteristic solutions implemented by the composers, which gives rise to denotation their output as baroque or classical. In this way both composers were located on a stylistic timeline – Riepel as a baroque composer who already has implemented some classical elements into his style, and Żebrowski as a representant of galant style with baroque remainders. Outline of the compositional technique was depicted, what in the future can be a starting point for the further researches.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2016, 2(29); 70-91
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uwagi na temat nastaw ołtarzowych ufundowanych w XVIII wieku do kościoła pw. śś. Jana Chrzciciela i Jana Ewangelisty w Toruniu
Remarks concerning the retables founded in the 18th century for the Church of SS. John the Baptist and John the Evangelist in Torun
Autorzy:
Łyczak, Bartłomiej
Powiązania:
https://bibliotekanauki.pl/articles/1193669.pdf
Data publikacji:
2015
Wydawca:
Towarzystwo Naukowe w Toruniu
Tematy:
Baroque
founders
the Jesuits
painting
wood carving
art
Opis:
The article concerns the founders of the 18th century retables in the Church of SS. Johns in Torun. The main group of founders came from the clergy connected directly with the church, particularly its parish priest: Seweryn Szczuka and Maciej Aleksander Sołtyk, along with a curate Jan Michał Dutkiewicz. The local Jesuits also contributed to the creation of some of the retables. Some altars in the chapels were founded by religious fraternities: members of the fraternity of skippers paid for the retable of the altar of St. Barbara (after 1724), while members of the German Congregation – the retable of the altar of the Visitation (1755). According to the sources available, the only individual foundation in the 18th century was the altar of Corpus Christi (1753), the creation of which was financed by Torun’s master tailor Andrzej Stachurski. The most recent retable, devoted to the Annunciation to the Blessed Virgin Mary, was created probably in 1761; unfortunately, it is yet to be established who founded it. It was then that the process of replacing the church’s fittings, which had been ongoing for one and a half centuries, finished.
Źródło:
Zapiski Historyczne; 2015, 80, 2; 77-91
0044-1791
2449-8637
Pojawia się w:
Zapiski Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Musical Rhetoric of the Baroque on the Example of Johannes Brahms’ Psalm XIII Op. 27
Autorzy:
Bazelak, Miłosz
Powiązania:
https://bibliotekanauki.pl/articles/513984.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Johannes Brahms
Baroque
Psalm XIII
rhetoric in music
Opis:
The musical style of Johannes Brahms has long been known as influenced by music of the earlier epochs. His references to techniques, forms and genres of the Renaissance and Baroque music and the elaborate use of the counterpoint were frequently analysed by musicologists. Less often, however, the potential relationship between word and music shaped by the Baroque music rhetoric was studied, something which was somewhat forgotten in the Romanticism. Brahms’ fascination with the past, which led the composer to study the 18th-century musical literature and treatises, enabled him to recognise many interesting aspects of the Baroque music. Like Bach and his contemporaries, Brahms used rhetorical figures in his early sacred works, e.g. Psalm XIII Op. 27.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 4(39) Eng; 41-57
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Retoryka muzyczna baroku na przykładzie Psalmu XIII op. 27 Johannesa Brahmsa
The Musical Rhetoric of the Baroque on the Example of Johannes Brahms’ Psalm XIII Op. 27
Autorzy:
Bazelak, Miłosz
Powiązania:
https://bibliotekanauki.pl/articles/514004.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Johannes Brahms
Baroque
Psalm XIII
rhetoric in music
Opis:
The musical style of Johannes Brahms has long been known as influenced by music of the earlier epochs. Its references to techniques, forms and genres of the Renaissance and Baroque music and the elaborate use of the counterpoint were frequently analysed by musicologists. Less often, however, the potential relationship between word and music shaped by the rhetoric in the Baroque music was studied, something which was somewhat forgotten in the Romanticism. Brahms’ fascination with the past, which led the composer to study the 18th-century musical literature and treatises, enabled him to recognise many interesting aspects of the Baroque music. Like Bach and his contemporaries, Brahms used rhetorical figures in his early sacred works, e.g. Psalm XIII Op. 27.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 4(39); 39-54
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nagrobek Łukasza Górnickiego, syna pisarza w katedrze fromborskiej
Autorzy:
Starnawski, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/1048369.pdf
Data publikacji:
1966
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Łukasz Górnicki
Frombork
katedra
barok
nagrobek
cathedral
Baroque
Źródło:
Archiwa, Biblioteki i Muzea Kościelne; 1966, 12; 201-203
0518-3766
2545-3491
Pojawia się w:
Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Барокові проповіді Іоаникія Галятовського
Baroque Sermons by Ioаniki Galytovsky
Autorzy:
Savenko, Oksana
Powiązania:
https://bibliotekanauki.pl/articles/2154615.pdf
Data publikacji:
2019-12-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
sermon
Baroque
allegory
symbol
antithesis
style
gospel plots
Opis:
The article deals with some of the sermons of a Ukrainian writer, preacher, and cultural figure, Ioаnikii Galytovsky, as characteristic Baroque works. The sermon belongs to traditional genres of ancient Ukrainian literature with a set of predominantly medieval style topoi and stereotypes. However, in Galytovsky’s creative practice, the transformation of the genre under the influence of Baroque is noticeable. Belonging to this style has provided not only a change of narrative strategy but above all of stylistic means. Galytovsky creates distinctive allegories, symbols, comparisons, and antitheses which characterise his Baroque style. He resorted to characteristic Baroque amplifications and emblematic images. The writer was able to revive the old form of traditional sermon with the Baroque stylistic technique, as a result of which he managed to dramatise the gospel plots, thus being able to exert the expected impact on recipients with the help of a suggestion.
Źródło:
Studia Polsko-Ukraińskie; 2019, 6; 147-158
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trinitologia picta na przykładzie polichromii w kościele pod wezwaniem Nawiedzenia NMP w Kaliszu. Program badań
Trinitologia picta on the Example of Polychromy in the Church of the Visitation of the Blessed Virgin Mary in Kalisz Research Programme
Autorzy:
Sprutta, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/2038364.pdf
Data publikacji:
2021-12-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Baroque
Bernardines
Kalisz
polychrome
Walenty Żebrowski
barok
bernardyni
polichromia
Opis:
Polichromia kościoła pobernardyńskiego w Kaliszu (obecnie jezuitów) bogata jest w tematykę trynitarną. Motywy i symbole trynitarne najobficiej występują w nawie. Malowidła ścienne prezbiterium i nawy wykonał bernardyn, brat Walenty Żebrowski. Pochodzą z późnego baroku. Kaliska polichromia to ostatnie dzieło tego zakonnika. Poza Kaliszem W. Żebrowski tworzył również dla bernardyńskich kościołów w: Poznaniu, Kadynach, Wschowie, Skępem, Warcie, Ostrołęce, Warszawie oraz przypuszczalnie w Owińskach, Ostrzeszowie i być może też w Łęczycy. Zasłynął zwłaszcza jako pejzażysta. Artykuł, mimo iż poświęcony został trynitarnym motywom w polichromii kościoła pobernardyńskiego w Kaliszu, prezentuje także artystyczną działalność W. Żebrowskiego w wymienionych powyżej wielkich i mniejszych miastach oraz wsiach.
The polychrome of the Bernardine church in Kalisz (now the Jesuit church) is rich in Trinitarianthemes. Trinitarian motifs and symbols are presented most abundantly in the nave. The wall paintings of the presbytery and the nave painted by brother Walenty Żebrowski, Bernardine. These paintings are from the late Baroque. The polychrome of Kalisz is the last work of this Bernardine. W. Żebrowski worked not only in Kalisz, but also for the Bernardine churches in Poznań, Kadyny, Wschowa, Skępe, Warta, Ostrołęka, Warszawa and probably in Owińska, Ostrzeszów and maybe in Łęczyca too. He was particularly famous as a landscapist. Although the article shows Trinitarian motifs and symbols on the wall paintings in the Bernardine church in Kalisz, it also shows the artistic activity of W. Żebrowski in the mentioned big and small towns and villages.
Źródło:
Poznańskie Studia Teologiczne; 2021, 39; 227-244
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 96

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