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    Tytuł:
    Tłumaczenie tłumaczenia (czyli William Blake w powieści Olgi Tokarczuk)
    Translating the translation (O. Tokarczuk v William Blake)
    Autorzy:
    Tanuševska, Lidija
    Powiązania:
    https://bibliotekanauki.pl/articles/511415.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Blake
    Tokarczuk
    translation
    poetry
    Opis:
    The paper discusses the connection between Olga Tokarczuk’s novel Drive Your Plow over the Bones of the Dead and the poetry of William Blake. Blake’s ideology was to show how mankind had come to the end because of its misdeeds, using the animal imagery, which links him to the topic presented by Tokarczuk, criticizing the cruelty of the authorities towards animals. She quoted Blake at the beginning of every chapter and created a character skilled in translating Blake. Since not much of Blake’s oeuvre has been translated in Macedonian, the translator of this novel had to deal with translating Blake too. Consequently, this text also focuses on the translation problems which she had to solve.
    Źródło:
    Postscriptum Polonistyczne; 2020, 25, 1; 45-54
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mit urody a Najbrzydsza kobieta świata Olgi Tokarczuk. Stereotypizacja kobiety autorki vs. kobiety bohaterki
    The beauty myth and The Ugliest Woman of World . [Najbrzydsza kobieta świata] by Olga Tokarczuk
    Autorzy:
    Slivková, Ivana
    Powiązania:
    https://bibliotekanauki.pl/articles/511443.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    woman
    beauty myth
    stereotype
    Tokarczuk
    Opis:
    Gender theory concerns most areas of woman‘s existence in a society and an artistic text is one of many subject manifestations, which may and is likely to influence public opinions. After the period of literature dominated by heroines fighting for the rights, the woman‑provocateurs came to set free not only their bodies, but also their souls. Apart from the male–female relations (gender theory), Olga Tokarczuk’s short story Najbrzydsza kobieta świata (tr. The Ugliest Woman of World) reveals various aspects of women’s writing, in particular – the aesthetics of ugliness. Within this milieu, the ugliness is locked in two stands: 1. the direct characteristics of the ugliest woman in the world and 2. the shocking element of the suffering aesthetics, namely, the exposure of woman by the others.
    Źródło:
    Postscriptum Polonistyczne; 2017, 2 (20) Oblicza kobiecości; 133-140
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Podróżując w głąb człowieczego wnętrza. Na marginesie twórczości Olgi Tokarczuk
    Travelling into the inner human depths. Notes on Olga Tokarczuk’s works
    Autorzy:
    Nęcka, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/511405.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Olga Tokarczuk
    travel
    identity
    history
    Opis:
    The sketch focuses on two novels by Olga Tokarczuk (Flights and The Books of Jacob), seeking to show different ways of using the travel motif. In Tokarczuk’s case, in fact, this is not only about moving in the geographical space, but also about exploring one’s own self. The questions posed by the author of House of Day, House of Night are universal; addressing fundamental aspects, they reveal the 21st century human condition. The writer often uses the motif of time, of the book or of travelling as such, showing literature as a specific language of communication that makes it possible to experience other people’s lives.
    Źródło:
    Postscriptum Polonistyczne; 2020, 25, 1; 23-33
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Cały ten zgiełk. O wczesnych reakcjach na uhonorowanie Olgi Tokarczuk Literacką Nagrodą Nobla
    All that jazz. Early reactions to the Nobel Prize in Literature awarded to Olga Tokarczuk
    Autorzy:
    Nowacki, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/511397.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Olga Tokarczuk
    Nobel Prize in Literature
    comments
    Opis:
    The paper discusses selected reactions to the Nobel Prize for Literature awarded to Olga Tokarczuk. The author focuses on the dispute about the legitimacy and justification of the Swedish Academy’s decision, highlighting the sceptical opinions, in some cases challenging the Academy’s members’ verdict. Referring to a book by James F. English on cultural prizes, the author recalls the role of public controversies as an essential tool of influencing the general public. He also compares the situation of two winners of the Nobel Prize in Literature (Olga Tokarczuk – for 2018, Peter Handke – for 2019), announced on the same day. Concluding, the author seeks to present the most important aspects of the dispute on the position and influence of Tokarczuk’s literary output.
    Źródło:
    Postscriptum Polonistyczne; 2020, 25, 1; 91-110
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Doświadczenie tanatyczne i przezwyciężenie trwogi tanatycznej w powieściach Olgi Tokarczuk Ostatnie historie i Anna In w grobowcach świata
    The thanatic experience and overcoming thanatic fear in Olga Tokarczuk’s novels Final Stories and Anna In in the Tombs of the World
    Autorzy:
    Adelgejm, Irina
    Powiązania:
    https://bibliotekanauki.pl/articles/511409.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    thanatic experience
    thanatic fear
    self-psychotherapy
    Olga Tokarczuk
    Opis:
    The author of the paper examines two novels by Olga Tokarczuk – Final Stories and Anna In in the Tombs of the World in terms of self-psychotherapeutic functions of these texts in the process of overcoming the thanatic fear in the contemporary civilisation, characterised by the lack of effective rites of passage. It analyses the link between artistic devices and specific self-psychotherapeutic processes (desensitization, mythodrama) which they serve.
    Źródło:
    Postscriptum Polonistyczne; 2020, 25, 1; 11-22
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zamieszkiwać w bezdomności, czyli motyw domu w powieści Olgi Tokarczuk Dom dzienny, dom nocny
    Living in homelessness: the theme of home in Olga Tokarczuk’s novel House of Day, House of Night
    Autorzy:
    Vas, Viktória
    Powiązania:
    https://bibliotekanauki.pl/articles/511413.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Olga Tokarczuk
    theme of home
    archetypes
    mythography
    otherness
    roots
    Opis:
    Archetypal figures and themes inspired by myths have been present in Olga Tokarczuk’s prose from the beginning. The paper contains an interpretation of her early novel, House of Day, House of Night, and analyses the central theme of the text, that of home, to show the role of narrative creation in identity development.
    Źródło:
    Postscriptum Polonistyczne; 2020, 25, 1; 55-68
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Podróż między dwoma językami O pracy nad przekładem tekstów Olgi Tokarczuk z Esterą Czoj – tłumaczką literatury polskiej na język koreański – rozmawia Wioletta Hajduk-Gawron
    Journey between two languages. Interview with Estera Czoj, translator of Polish literature into Korean, on translating Olga Tokarczuk’s texts – by Wioletta Hajduk-Gawron
    Autorzy:
    Choi, Sungeun
    Hajduk-Gawron, Wioletta
    Powiązania:
    https://bibliotekanauki.pl/articles/511357.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Olga Tokarczuk
    Estera Czoj
    translations of Polish literature into Korean
    Opis:
    The interview is dedicated to translations of Olga Tokarczuk’s texts into Korean. Korean translator Estera Czoj shares the inside story on her work on the Nobel Prize winner’s books, recalls fragments of novels that turned out to be real translation challenges, her first meeting with Olga Tokarczuk, and the writer’s visit to South Korea. The interview also addresses the aspect of the publishing strategies of Korean publishing houses, as well as the reception of Polish literature in South Korea.
    Źródło:
    Postscriptum Polonistyczne; 2020, 25, 1; 177-196
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Captive Minds. Norms, Normativities and the Forms of Tragic Protest in Literature and Cultural Practice
    Autorzy:
    Poks, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/625935.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    protest
    captive mind
    Czesław Miłosz
    Olga Tokarczuk
    introduction
    article summaries
    Opis:
    As a foundation and product of grand narratives, norms apply to any and every aspect of individual, communal, and social life. They regulate our behaviors, determine directions in the evolution of arts and philosophies, condition intra- and cross cultural understanding, organize hierarchies. Yet – when transformed into laws – norms become appropriated by dominant discourses and become “truths.” Those in control of language always construe them as “universal” and, as such, “transparent.” The usefulness of norms stems from the fact that they facilitate our orientation in the world. In the long run, however, they are bound to block our imaginative access to alternative ways of living and thinking about reality, thus enslaving our minds in a construction of reality believed to be natural. In a world so determined, dissenting perspectives and pluralities of views threaten to disrupt norms and normativities, along with the order (patriarchal, racist, sexist, ableist, speciesist, etc.) build into them. Benefactors of a normative worldview and average individuals busily trying to fit in police the perimeters of the accepted, disciplining nonconformists, rebels, and nonnormative individualists of every stripe. “Assent - and you are sane,” quipped Emily Dickinson in her well-known poem, “Demur - you’re straightway dangerous - And handled with a Chain -” (209).  Notorious for their inimical attitude to repressive majorities, artists, philosophers, academics, and other “marginal” persons have always challenged deified norms. Opening up liberatory perspectives, they have tried to escape mental captivities and imagine the world otherwise: as a place where difference is cherished and where justice reigns. Polish writer Olga Tokarczuk, winner of the 2018 Nobel Prize in literature, imagines an alternative reality whose inhabitants, Heterotopians, constantly suspend commonly held beliefs in order to examine their validity. Passive perception, argues Tokarczuk, “has moral significance. It allows evil to take root” (43). Without a periodical suspension of belief in truths so deeply naturalized that they look like Truth Itself, we become perpetrators of the evil glossed over by narratives whose veracity we take for granted.
    Źródło:
    Review of International American Studies; 2020, 13, 1; 19-26
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Głos Olgi Tokarczuk w Bułgarii, czyli jak odnaleźć zgubioną duszę
    Olga Tokarczuk’s voice in Bulgaria, or how to find our lost soul
    Autorzy:
    Grigorova, Margreta
    Powiązania:
    https://bibliotekanauki.pl/articles/511359.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Olga Tokarczuk
    Bulgarian reception
    Nobel
    The Lost Soul
    Nobel Lecture: The Tender Narrator
    Opis:
    The text presents aspects of Olga Tokarczuk’s Bulgarian reception: translations, interviews, Bulgarian contacts, and an overview of her visit to Bulgaria in 2014. Special attention was paid to her creative friendship with Georgi Gospodinov. The Bulgarian initiatives related to Tokarczuk’s Nobel Year are presented, including the publication of the wonderful book The Lost Soul, the second edition of the novel Flights and a series of publications in the press.
    Źródło:
    Postscriptum Polonistyczne; 2020, 25, 1; 163-173
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Recepcja twórczości Olgi Tokarczuk w Bułgarii
    The Reception of Olga Tokarczuk’s Works in Bulgaria
    Рецепцията на творчеството на Олга Токарчук в България
    Autorzy:
    Gołek-Sepetliewa, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1373599.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Polish literature in Bulgaria
    Olga Tokarczuk
    reception
    translation
    литература в България
    Олга Токарчук
    рецепция
    превод
    Opis:
    This article discusses Olga Tokarczuk’s presence in Bulgaria, drawing on R. Cudak’s theory of reception while presenting translations, strategies of publication and promotion, literary and critical reflection, and non-literary forms of reception. Widescale, effective, and multi-dimensional promotion, reliable translation (S. Borisova, D. Hamze, H. Simeonova-Mitova, G. Krastev), as well as the openness and interest of readers, have created possibilities for an increase in the popularity of Olga Tokarczuk’s works in Bulgaria within the last two decades. The development in Bulgarian culture of critical and literary thought surrounding Tokarczuk’s works (M. Grigorova) is accompanied by the presence of book translations and other selected texts in leading newspapers and magazines („Literaturen vestnik”, „Panorama”, „Kultura”), constituting a significant platform for the popularization of Polish literature.
    Предмет на анализ на статията е приемането на творчеството на Олга Токарчук в България. През призмата на теорията на рецепцията (Р. Цудак) са описани публикувани преводи, представени са преводачи, стратегии за публи-куване и популяризиране, начини на интерпретация. Литературно-критическото размишление (М. Григорова) е важно за приемането на текстовете на Токарчук, тъй като дава възможност за поставяне на произведенията и в широк исторически, литературен и културен контекст. Ефективното и многоизмерно популяризира- не, солидната преводаческа дейност (С. Борисова, Д. Хамзе, Х. Симеонова-Ми- това, Г. Кръстев), отвореността и интересът на читателите отварят възможности за засилено приемане на творчеството на авторката в България през последни-те две десетилетия. Издадените преводни книги и текстове на Токарчук, които се появяват редовно във водещи вестници и списания („Литературен вестник“, „Панорама“, „Култура“), представляват важна платформа за популяризиране на полската литература в България. Споменаха се и извънлитературни форми на присъствието на Токарчук в България, наред с други авторските срещи в София и Пловдив (2014).
    Źródło:
    Przekłady Literatur Słowiańskich; 2020, 10, 2; 47-58
    1899-9417
    2353-9763
    Pojawia się w:
    Przekłady Literatur Słowiańskich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Recepcja twórczości Georgiego Gospodinowa w Polsce (2003—2020)
    Reception of Georgi Gospodinovs work in Poland (2003-2020)
    Рецепция на творчеството на Георги Господинов в Полша (2013—2020)
    Autorzy:
    Grigorova, Margreta
    Nowosad, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/25181235.pdf
    Data publikacji:
    2022
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Георги Господинов
    рецепция в Полша
    Олга Токарчук
    Marдаленa Питляк
    Georgi Gospodinow
    recepcja w Polsce
    Olga Tokarczuk
    Magdalena Pytlak
    Georgi Gospodinov
    recepcion in Poland
    Opis:
    Georgi Gospodinow to jeden z najczęściej tłumaczonych pisarzy bułgarskich po 1989 roku. Magda Pytlak wskazuje zmianę polskiej recepcji literatury bułgarskiej poprzez dwa ze wskaźników jego sukcesu - to nagrody literackie i renomowane wydawnictwo, w którym wychodzi „Fizyka smutku” w 2018 r. W artykule przedstawia się recepcję twórczości Georgiego Gospodinowa w Polsce w ujęciu chronologicznym i bierze pod uwagę różne gatunki twórczości Gospodinowa (publikowane w prasie, w antologiach i wydania książkowe), rolę tłumaczy, spotkania autorskie z pisarzem, ich odbicia w prasie. Jednym z elementów jego wizytówki w Polsce jest przyjaźń z Olgą Tokarczuk, komentowana jako pozycja do Literackiej Nagrody Nobla.
    Георги Господинов е един от найчесто превежданите български писатели след 1989 г. Рецепцията му в Полша бележи успех, който според неговата преводачка и изследователка Магда Питляк показва промяна в полската рецепция на българската литература. Два от посочените показатели на успеха са литературните награди и реномираното издателство, в което излиза “Физика на тъгата” през 2018 г. Настоящата статия проследява в хронологичен ред развоя на полската рецепция на творчеството на Георги Господинов, като взема под внимание различните видове публикации на творчеството на Господинов (в пресата, в антологии и в книжни издания), ролята на преводачите и интерпретаторите, на срещите с писателя и медийните отражения. Един от елементите в неговата визитна картичка е приятелството с Олга Токарчук, този факт се коментира в контекста на възможността авторът да получи Нобелова награда за литература.
    Georgi Gospodinov is one of the most translated Bulgarian writers after 1989. Magda Pytlak points to the change in the reception of Bulgarian literature in Poland using two indicators of his success — literary awards and a renowned publishing house which published The Physics of Sorrow in 2018. The article presents the reception of Georgi Gospodinov’s work in Poland in chronological order and takes into account various genres of Gospodinov’s work (in the press, in anthologies, and as separate books), the role of his translators, the writer’s public appearances and their press reception. One of the elements of his showcase in Poland is his friendship with Olga Tokarczuk, regarded as an aspiration for the Nobel Prize in Literature.
    Źródło:
    Przekłady Literatur Słowiańskich; 2022, 12; 1-21
    1899-9417
    2353-9763
    Pojawia się w:
    Przekłady Literatur Słowiańskich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tri dekády poľskej literatúry na Slovensku v prekladoch Karola Chmela
    Three Decades of Polish Literature in Slovakia in Karol Chmel’s Translations
    Trzy dekady literatury polskiej na Słowacji w przekładach Karola Chmela
    Autorzy:
    Obertová, Zuzana
    Powiązania:
    https://bibliotekanauki.pl/articles/25188559.pdf
    Data publikacji:
    2022
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Karol Chmel
    poľská literatúra na Slovensku
    Olga Tokarczuk
    Tadeusz Różewicz
    Andrzej Sapkowski
    Zaklínač
    literatura polska w Słowacji
    Wiedźmin
    Polish Literature in Slovakia
    The Witcher
    Opis:
    Karol Chmel je najproduktívnejším prekladateľom poľskej literatúry na Slovensku po roku 1989. V 90. rokoch a začiatkom nového tisícročia stáli v centre jeho pozornosti poetické generácie Nová vlna a brulion, ktoré boli na Slovensku dovtedy celkom neznáme. Okrem poézie patrí do Chmelovho prekladateľského portfólia aj próza, esej a literárna reportáž. K. Chmel je výlučným prekladateľom diel Olgy Tokarczuk či Andrzeja Sapkowského. V článku je analyzovaný preklad mien slovanských démonov v knižnom cykle Zaklínač od A. Sapkowského.  
    After 1989, the most productive translator of Polish literature in Slovakia is Karol Chmel. This article shows the variety of Chmel’s translations. In the 1990’s and early 2000’s he focused on poetic generations “Nowa Fala” (New Wave) and “brulion” which were unknown in Slovakia until his translations were published. Apart from poetry, his translation portfolio includes prose, essays and literary journalism. K. Chmel is the exclusive Slovak translator of Olga Tokarczuk’s and Andrzej Sapkowski’s works. The translation of Slavic demons names in The Witcher by A. Sapkowski is analyzed in this article.
    Źródło:
    Przekłady Literatur Słowiańskich; 2022, 12; 1-17
    1899-9417
    2353-9763
    Pojawia się w:
    Przekłady Literatur Słowiańskich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-12 z 12

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