Temat: smell - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Smaki i zapachy dzieciństwa z perspektywy językowo-kulturowej (na podstawie wybranych polskich blogów kulinarnych)
Tastes of Childhood from a Linguistic and Cultural Perspective (Based on Culinary Blogs)
Autorzy:: Jóźwiak, Natalia
Powiązania:: https://bibliotekanauki.pl/articles/1044312.pdf
Data publikacji:: 2020-09-23
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: linguistic and cultural picture
childhood
values
food
taste
smell
apple pie
broth
Opis:: The article attempts to reconstruct the linguistic and cultural image of childhood tastes in selected culinary blogs. The reconstruction is based on entries referring to two dishes most frequently mentioned in the context of childhood: broth and apple pie.
Źródło:: Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2020, 27, 1; 115-128
1233-8672
2450-4939
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Zapach i kolor słów, czyli o próbach intersemiotycznego przekładu i synestezji w utworach Damira Miloša „Smetlar” i „Bijeli klaun”
The smell and colour of words. Attempts at intersemiotic translation and synaesthesia in Damir Miloš’s works Smetlar and Bijeli klaun
Autorzy:: Szperlik, Ewa
Powiązania:: https://bibliotekanauki.pl/articles/635573.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: intersemiotic translation
synaesthesia
conceptual prose
intersemiotics
sensuality in literature
the theme of smell in the novel
cognitive relativism
Opis:: The aim of the intersemiotic and conceptual prose of Damir Miloš is to overcome the limitations of language and literary description, especially when presenting reality through the prism of sensual experience, both visual and olfactory. In Miloš’s prose the interconnectedness of art forms, often perceived today as a symptom of a literary crisis or a trend towards intermediality, becomes a special and convenient pretext to use intersemiotic translation, visuality and synaesthesia as a means of presenting sensuality in literature. The Croatian author creates a world in which his protagonists, marked with certain incapacities or hypersensitivity of senses (an absolute sense of smell, colour-blindness or blindness), conjure up their own individual and subjective reality. Thus, Miloš stresses the postmodern aspect of the multiplicity of truths and perspectives.
The aim of the intersemiotic and conceptual prose of Damir Miloš is to overcome the limitations of language and literary description, especially when presenting reality through the prism of sensual experience, both visual and olfactory. In Miloš’s prose the interconnectedness of art forms, often perceived today as a symptom of a literary crisis or a trend towards intermediality, becomes a special and convenient pretext to use intersemiotic translation, visuality and synaesthesia as a means of presenting sensuality in literature. The Croatian author creates a world in which his protagonists, marked with certain incapacities or hypersensitivity of senses (an absolute sense of smell, colour-blindness or blindness), conjure up their own individual and subjective reality. Thus, Miloš stresses the postmodern aspect of the multiplicity of truths and perspectives.
Źródło:: Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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