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    Tytuł:
    Romantičarski kodovi u romanima Miodraga Bulatovića
    Romantic codes in the novels written by Miodrag Bulatović
    Autorzy:
    Bečanović, Tatjana
    Powiązania:
    https://bibliotekanauki.pl/articles/636171.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    romantic codes
    lyrical principle
    hyperbolisation
    fiction
    fragmentation
    hybridity of the genre theory
    irrational motivation
    Opis:
    The paper identifies the romantic codes that are activated in the organization of the novels of Miodrag Bulatovic, relying on the theoretical assumptions of Aleksandar Flaker about the stylistic formation of romanticism, whose postulates occur even outside the periods, mainly as peripheral poetic codes within different systems. The disintegrative energy of this period and its preference for the destruction of the canon came to full expression in the narrative process of Miodrag Bulatovic. Romanticism as a supra-historical and anthropological category is generally based on the maximal postulates that involve the destruction of the existing world, as well as an aggressive attitude towards reality, which is built into the writer’s universe and reaches its climax in his last novel, entitled Gullo Gullo and his eschatological mythemes. The irrational and fantastic images in the narrative process have been equated with real events co-existing as a narrative element completely equal to reality, and what is fantastic, unnatural and unusual reveals itself as very ordinary and realistic, erasing the boundaries between reality and fiction, belonging to one and the same, a diabolical universe, which substantially regulates romantic codes.
    Źródło:
    Poznańskie Studia Slawistyczne; 2011, 1
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gatunki autorskie – niedostrzeżony problem genologii?
    Invented Genres – An Overlooked Problem in Genre Theory?
    Autorzy:
    Kalin, Arkadiusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1363272.pdf
    Data publikacji:
    2016-02-10
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish literature
    genre theory
    inventive genres
    poetics of moment
    genre
    Maria Peszek
    literatura polska
    genologia
    gatunki autorskie
    poetyka momentalna
    gatunek
    Opis:
    W artykule autor rozważa genologiczną możliwość wyróżnienia kategorii gatunku momentalnego – gatunku autorskiego. Przytoczone zostały teoretyczne próby polskiej genologii rozważające kwestię genologicznej akceptacji autorskich „wynalazków” – utworów, które manifestują nowatorskość i wyjątkowość gatunkową na poziomie pojedynczego dzieła lub grupy utworów tego samego autora, możliwych do zidentyfikowania jako specyficzny gatunek autorski. A zatem chodzi o przypadek „gatunków jednorazowych” – gdy licentia poetica obejmuje genologię, o sytuację przeniesienia literackiego inventio na poziom paradygmatu, widoczną szczególnie w literaturze ostatniego stulecia. Rozważania tego typu najlepiej widoczne były w oglądzie konkretnej twórczości – szczególnie awangardowej i neoawangardowej: m.in. futurystów, Juliana Tuwima, Mirona Białoszewskiego, Witolda Wirpszy czy w żartobliwej poezji Wisławy Szymborskiej i Stanisława Barańczaka. Najnowszą egzemplifikacją gatunku autorskiego w artykule stały się utwory zebrane w tomie poetyckim Marii Peszek pt. bezwstydnik, który stanowi też ciekawy przykład funkcjonowania tego typu specyfikacji gatunkowej w kontekście medialnym i performatywnym.
    In this article, the author considers the possibility of creating in genre studies a separate category of a genre of the moment – the inventive genre (gatunek autorski). He cites theoretical attempts within Polish genre studies to analyze the problem of how to accommodate authorial “inventions” within the study of genres – referring to works that manifest innovation and are exceptional with respect to genre, whether at the level of an individual work or a group of works by the same author, capable of being identified as a specific inventive genre. The point of the inquiry is thus to address instances of “one-time genres,” cases in which poetic license extends to the category of genre, situations where literary inventio is transferred to the paradigmatic level, particularly visible in the literature of the last century. Such analyses have been most evident in surveys of a particular author’s work – especially avant-garde and neo-avant-garde authors, including the Futurists, Julian Tuwim, Miron Białoszewski, Witold Wirpsza, and in humorous poetry by Wisława Szymborska and Stanisław Barańczak. The newest examples of inventive genres in the article are works collected in Maria Peszek’s book of poetry entitled bezwstydnik (scandal sheet), which also represents an intriguing example of how this kind of innovative genre specification can function in media and performative contexts.
    Źródło:
    Forum Poetyki; 2016, 3; 18-31
    2451-1404
    Pojawia się w:
    Forum Poetyki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Интердискурзивни варијации: односот книжевност – теорија
    Interdiscursive variations: the literature – theory relation
    Autorzy:
    Ѓорѓиева Димова, Марија
    Powiązania:
    https://bibliotekanauki.pl/articles/635887.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    interdiscursivity
    novel
    genre hybridization
    fiction-theory
    Opis:
    The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the  constitutive features  of  the  theoretical  fiction  genre;  and  secondly,  these  features  are interpretatively confirmed through the novel  Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski.
    The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the  constitutive features  of  the  theoretical  fiction  genre;  and  secondly,  these  features  are interpretatively confirmed through the novel  Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 2
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A critical (and interdisciplinary) survey of popular music genre theories
    Autorzy:
    Merlini, Mattia
    Powiązania:
    https://bibliotekanauki.pl/articles/1797348.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    genre
    theory
    style
    popular music
    discourse
    interdisciplinarity
    community
    Opis:
    Genres are among the most discussed topics in popular music studies. The attempt to explain issues as complex and layered as how musical genres are born, how they work and what they ontologically are cannot avoid opening a box full of theoretical problems, questions and tools that need to be understood and used in order to say something significant on genre today. Despite the long story of this theoretical debate (roots of which can be traced back to ancient Greece) and the variety of disciplines involved (e.g. literature, music and film studies, but also philosophy, sociology, cultural studies and semiotics), it is difficult to find survey papers that can give an overview of such a rich research environment. This paper attempts to fill that void by trying to systematize the main (contemporary) perspectives on musical genre, in particular non-essentialist theories coming from the overlapping fields of musicology and sociology. Most importantly, its overview stresses the necessity of an interdisciplinary study of musical genre, which – as an exemplum of extraordinarily layered phenomenon of the human production of culture – intertwines technical, social, discursive, commercial, historical and other elements, thus requiring an approach capable of accounting for as much of its many layers of meaning as possible.
    Źródło:
    Interdisciplinary Studies in Musicology; 2020, 20; 79-94
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Joanna the Wife of Chuza by Lesya Ukrainka as a New Model of Communication in Modern Ukrainian Literature
    Joanna, żona Chuzy Lesi Ukrainki jako nowy model komunikacji w modernistycznej literaturze ukraińskiej
    Autorzy:
    Haleta, Olena
    Powiązania:
    https://bibliotekanauki.pl/articles/2036452.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Lesya Ukrainka
    reader-response theory
    literary communication
    open work
    drama
    genre
    Opis:
    This article examines the drama Joanna the Wife of Chuza (1909) by Lesya Ukrainka, who is one of the defining figures in the history of modern Ukrainian literature. This work is considered an example  of creating a new communicative model, introducing the poetics of an open work in the Ukrainian literature and establishing a new relationship between writer and audience. The incompleteness of the central image of this work, and therefore of the corresponding behavioral model and worldview, leads to the absence of a plot ending which would be the final solution to the conflict. In this way, Ukrainka establishes a new reading practice, not limited to experiencing the ‘life world’ of the author’s work. As reference to the history of thetext shows, it corresponds to the author’s conscious instruction, with which the composition of the work agrees: the events take place in a special period of time, when the previous story has already ended and the new one has not yet begun (after the crucifixion of Christ, but not after the resurrection). At the same time, the spatial organization of the work emphasizes the position of readers, turning them from interested witnesses to active searchers. The example of Joanna is all the more telling because it undermines the hegemony of the novel in twentieth-century literature and draws attention to literary forms that correspond to a particular literary situation, especially that of ‘submerged population groups’ (Frank O’Connor). The change introduced by Lesya Ukrainka at the level of a separate work is also a change within the genre as a way of communicating between an author and a reader; it is also a change in the very notion of literature as a certain type of aesthetic experience and as a culturally established way of cognitive and rhetorical response to a certain type of situation.
    Źródło:
    Przestrzenie Teorii; 2021, 36; 291-309
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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