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    Tytuł:
    Furiosa libido. Ovid on love and madness
    Autorzy:
    Bielecka, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1046801.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    madness
    love
    Ovid
    women
    Ars amatoria
    Opis:
    This paper presents Ovid’s views on the concept of love madness. Taking Ars amatoria, in particular the distich (1.281–282) in which the poet blames woman’s love fury on her lust as its research material, the paper investigates how the notion in question has been realized in this “textbook for lovers.” There, Ovid uses the mythological figures of women who committed crimes against social rules to illustrate the said concept; the paper, in turn, juxtaposes it with the narratives in Metamorphoses (the stories of Byblis and Myrrha). Additionally, it makes use of the tale of Iphis, a story not included in Ars amatoria which can nevertheless be also treated as illustrative of how madness can overcome enamored women. The paper both contrasts the above mentioned stories with the narratives showing men’s inclinations to insanity caused by passion and examines the notion of love madness in the context and with regard to the style of Ovid’s works.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 141-151
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Luctus est istic tuus,/ crimen novercae. Boskie i ludzkie szaleństwo Heraklesa na podstawie tragedii Eurypidesa i Seneki
    Luctus est istic tuus,/ crimen novercae. Divine and human madness of Heracles according to the dramas by Euripides and Seneca
    Autorzy:
    Karamucka, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1046805.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Heracles
    Euripides
    Seneca
    Madness
    Suicide
    Anger
    Opis:
    The article aims to examine the tragedies: Ήρακλής μαινόμενος by Euripides and Hercules Furens by Seneca and exactly the different types of the madness, by which the main character is overcome in the above mentioned dramas. Although the article touches also on the issue of the insanity sent to the hero by Hera/ Juno, concentrates especially on the fit of madness, that is here defined as a human madness.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 113-128
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Szalony protagonista Eurypidesowego „Orestesa” w komentarzach scholiastów
    Mad protagonist of Eurypidean Orestes in scholiasts’ commentaries
    Autorzy:
    Czerwińska, Jadwiga
    Chiżyńska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1806888.pdf
    Data publikacji:
    2021-10-12
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Euripides
    Orestes
    tragedy
    madness
    mania
    scholia
    Opis:
    Madness is a constant motif in ancient literature. It was often used by playwrights, including the three greatest tragedians of the Classical Greece: Aeschylus, Sophocles and Euripides. One of the most interesting plays dealing with issues of madness is Euripidean Orestes. This play has received numerous commentaries written by scholiasts, who described all aspects of the state of mania. The article is devoted to the analysis of madness and the corpus of texts are scholia describing Orestes’ disease. Commentaries allow us to establish a definition of mania, show its sources and describe its various physical and mental symptoms. The material presented in the article shows how interesting the phenomenon of madness was for the scholiasts.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 63-78
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Psychotic phenomena in Euripides’ Heracles
    Autorzy:
    Stróżyński, Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1045948.pdf
    Data publikacji:
    2017-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Greek tragedy
    Euripides
    Heracles
    Kleinian psychoanalysis
    madness
    psychosis
    Opis:
    The article is an attempt at the psychoanalytic interpretation of the Euripidean Heracles. The theory used to explain psychological phenomena of the play is Melanie Klein’s concepts of the paranoid-schizoid and depressive position, as well as contributions to the understanding of psychotic thinking made by her followers: Hanna Segal, Wilfred Bion, Herbert Rosenfeld, and John Steiner. Characters in the play, in their speech and behaviour, as well as in the chorus’ songs, reveal a significant number of primitive psychological mechanisms, such as splitting, denial, idealisation and projective identification. The analysis of those mechanisms expressed in literary material allows to see the much argued continuity of Euripides’ extraordinary play.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 103-137
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Szaleństwo i literatura. O Dziennikach Stefana Żeromskiego w perspektywie afektywnej
    Stefan Żeromski’s Diaries from the Affective Perspective
    Autorzy:
    Chyła, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/2036668.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Stefan Żeromski
    madness
    creativity
    affect theory
    private diaries
    Opis:
    Using the tools offered by affect theory, this article aims to present the theme of madness, its numerous incarnations and transformations in the text of the diaries that Stefan Żeromski left behind. Madness is depicted here as a phenomenon defying any kind of unambiguity; it can be anything from a secret of nature to be deciphered, through a creative frenzy of inspiration, to a state of apathy, sometimes interwoven with sudden ecstasy, triggered by the chronic hunger that Żeromski suffered as a young man, in other words: during his diarist period.
    Źródło:
    Przestrzenie Teorii; 2021, 35; 155-176
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La visione di mania umana e divina in Platone
    The concept of divine and human “mania” in the Platonic dialogues
    Autorzy:
    Głodowska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1046809.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Platonic dialogues
    poetic inspiration
    philosophic love
    prophecy
    madness
    Opis:
    In this article will be discussed the passages of the Platonic dialogues that give information about the way in which the philosopher understood the term “mania”. Particularly important is the reflection on this subject contained in Phaedrus in which different kinds of madness were distinguished and briefly characterized. Especially the essential is the concept of poetic inspiration because it takes an important place in Plato’s theoretical and literary thought. It had also a significant influence on shaping his opinions on the subject of poets and their work. The Plato’s term of poetic inspiration and connected with it the issues of literary output and its reception make the fundamental part of this article.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 97-111
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Motyw szaleństwa w opowiadaniach Brunona Schulza. Studium psychologiczno-literackie
    Motive of Madenss in Schulz’s Short Stories. A Psychological-Literary Study
    Autorzy:
    Sienkiewicz, Barbara
    Sienkiewicz-Wilowska, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/1533372.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Dionysus
    modernity
    life drive
    premodernity
    organic society
    madness
    Opis:
    Representation of various modes, forms, symptoms and degrees of mental illnesses, frequent in The Street of Crocodiles, are analysed in two perspectives: psychological and literary-cultural. Using the tools of modern psychology, the article interprets the pathological symptoms of Touya, Maria, aunt Agatha, and various other characters, most importantly the advancing illness of father Joseph, who displays symptoms of schizophrenia. Schulz uses a language filled with metaphors, blurring the border between symptoms of illness and metaphors, between the imaginary and the real, and between health and illness, norm and pathology, between the human and the animal. Schulz’s representation of madness opposes the modern understanding, which is dominated by analytical, rationalist identification of an illness, related to a socially determined norm of mental health. It brings back the premodern quality to madness, which becomes a divine phenomenon, related to the pagan rite of fertility, to the “orgy of life” and Dionysian element, and to Freudian life drive. Dionysius and Freud meet in an area independent from the rules of culture and reason: the return to nature, including the nature in a human being. Here, madness becomes a “basic figure” and “the ultimate ur-schema”, as they belong to the unintellectual, basic, ecstatic sphere. This is related to the imperative of penetration of areas that threaten the “balance of the soul”, to address the topic that shows “the scar of removal”, and forces us to ask the question of limits of humanity.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 175-196
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    L’ambiente psichiatrico nell’opera di Franco Basaglia e Mario Tobino: verso un’ecologia delle idee (sulla follia)
    The psychiatric environment in the work of Franco Basaglia and Mario Tobino: towards an ecology of ideas (on madness)
    Autorzy:
    Redaelli, Stefano
    Powiązania:
    https://bibliotekanauki.pl/articles/43665625.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    madness
    asylum
    ecology of ideas
    Franco Basaglia
    Mario Tobino
    Opis:
    The aim of the article is to compare the reform and the narration of the psychiatric environment in the work of Franco Basaglia and Mario Tobino from an ecological perspective. Both psychiatrists worked to reform the asylum spaces and the therapeutic relationships within it. Their actions and their narrations were both ecological but had an opposite ending. While Tobino defended until the end the idea of a safe psychiatric environment, protected by society, considered dangerous, Franco Basaglia strongly affirmed the repressiveness of the asylum space, the need to dismantle it and return the madness to society.
    Źródło:
    Studia Romanica Posnaniensia; 2022, 49, 3; 121-134
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Medea’s Inner Voice
    Autorzy:
    Menzi̇lci̇oğlu, Çi̇ğdem
    Powiązania:
    https://bibliotekanauki.pl/articles/1046803.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Seneca
    passions
    amor (love)
    furor (madness / insanity)
    inner conflict
    ira (anger)
    Opis:
    The story of Medea provides a wide range of themes to be explored and passion emerges as a frequent one. This article is based on the text Medea by the Stoic Seneca, yet in some parts comparisons will be drawn with Euripides’ tragedy of the same name as well. They treat the same theme in remarkably different ways: In the Senecan tragedy, Medea’s long soliloquies or monologues differ from Euripides’ version in that they reveal the protagonist’s inner conflict between the voices of passions and reason. This tragedy particularly focuses on the passions amor (love), ira (anger), furor (madness, insanity) and the consequent self-division. Therefore it can be analyzed from both psychological and philosophical aspects.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 129-140
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Siwicka Małgorzata, Peregrinos Lukiana z Samosat – szaleństwo w krzywym zwierciadle satyry
    Peregrinus of Lucian of Samosata – madness in the distorting satire
    Autorzy:
    Siwicka, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/1046800.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the passing of Peregrinus
    Cynic asceticism
    madness
    pathological desire for fame
    suicide
    theatrical behaviour
    self-deception
    histrionic and narcissistic personality disorders
    Opis:
    The work The Passing of Peregrinus by Lucian of Samosata presents a picture of a pseudo-philosopher , who under the disguise of Cynic asceticism and courageous death, hid such an extraordinary desire for fame and publicity that it took on a pathological size. This morbid craving for popularity that he acquired by any possible means finally brought Peregrinus to suicidal death, although, in fact, he did not really want it. What Lucian did not approve of his conduct was falseness, cheap theatrical claptrap, using human simplicity and warm-heartedness. Lucian damasks in a brutal way the unbound craving for publicity from which all actins of Peregrinus stemmed. By removing a tragic mask from his face Lucian pinpoints his ridiculousness and ugliness. It was the pursuit of popularity that brought Peregrinus to destruction. His self-immolation, however, was not viewed upon by Lucian as an act of heroism, but merely as a grotesque and miserable ending of an equally grotesque and deplorable life.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 153-170
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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