Temat: Jakobson - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Być w mówieniu i być mówionym – o teorii języka Jacques’a Lacana i jej konsekwencjach dla podmiotowości
Being in Speech and to be Spoken – Jacques Lacan’s Theory of Language and its Consequences for Subjectivity
Autorzy:: Michalik, Grzegorz
Powiązania:: https://bibliotekanauki.pl/articles/1038714.pdf
Data publikacji:: 2020-06-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Lacan
psychoanalysis
de Saussure
Jakobson
language
Opis:: It seems rather obvious that Jacques Lacan’s theory is Freudian psychoanalysis combined with structural linguistics. But it is not so conclusive: in Lacan’s work we can find many elements with different origins to linguistics. Moreover, Lacan’s subversion of structuralist theses makes any unambiguous assignment impossible. In the article, the author describes the evolution of Lacan’s theory of language and its consequences for the issue of subjectivity in psychoanalysis resulting from the use of linguistic tools.
Źródło:: Przestrzenie Teorii; 2020, 33; 103-125
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Back to structures and signs – remarks on the possibilities of structural aesthetics of music
Autorzy:: Krupińska, Eliza
Powiązania:: https://bibliotekanauki.pl/articles/1797352.pdf
Data publikacji:: 2020-12-31
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: aesthetics
structuralism
culture
semiotics
Mukařovský
Jakobson
Plato
Aristotle
Descartes
impressionism
symbolism
Opis:: Is it possible to talk of mental patterns underlying aesthetic reflections, and has the constant recurrence of particular ideas in the area of aesthetics some deeper explanation? Structural aesthetics of music is an authorial research conception which enables interpretation of phenomena from the area of history of music aesthetics, and in this way provides its systematised picture. The conception uses the ideas of structural linguistics: binary phonological opposition and the historicalliterary process in the approach of Jan Mukařovský. The article also contains an example of using this conception in relation to the aesthetics of antiquity (sophists, Plato, Aristotle), Descartes and impressionism.
Źródło:: Interdisciplinary Studies in Musicology; 2020, 20; 33-40
1734-2406
Pojawia się w:: Interdisciplinary Studies in Musicology
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: On Ruwet’s semiotically oriented theory of music
Autorzy:: Krupińska, Eliza
Powiązania:: https://bibliotekanauki.pl/articles/780327.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: semiotics
Nicolas Ruwet
Roman Jakobson
paradigmatic analysis
sign
introversive semiosis
Jean-Jacques Nattiez
Opis:: The article deals with Nicolas Ruwet’s semiotically oriented theory of music, which constitutes the canvas of his taxonomic analysis. Ruwet adopts from Jakobson’s semiotic structuralism the binary model of the sign, together with its key concepts of equivalence and introversive semiosis. Structural understanding of art began with the poetic function of language distinguished by Jakobson, which is defined as the projection of the principle of equivalence from the axis of selection to the axis of combination. The principle of equivalence, regarded by Ruwet as the regulating principle of musical syntax was, in Jakobson’s view, the answer to the question about what kind of semiosis was involved in music. The latter, described by Jakobson as introversive, deserves attention not only in view of its association with taxonomic analysis, but also because of its conceptual convergence with Leonard B. Meyer’s theory of meaning and formal iconisms of David Osmond-Smith.
Źródło:: Interdisciplinary Studies in Musicology; 2015, 14; 249-258
1734-2406
Pojawia się w:: Interdisciplinary Studies in Musicology
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: “Formalituri te salutant!” 100 lat formalizmu rosyjskiego (1913–2013)
Formalituri te salutant! 100 years of Russian Formalism (1913–2013)
Autorzy:: Berkieta, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/1391758.pdf
Data publikacji:: 2015-11-24
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Russian Formalism
Roman Jakobson
OPOYAZ
Victor Shklovsky
ostranenie
formalizm rosyjski
rosyjska szkoła formalna
OPOJAZ
Wiktor Szkłowski
udziwnienie
Opis:: This paper focuses on reconstructing the history of the so-called Russian Formalism and the avantgarde context of OPOYAZ’s inception in Petersburg in 1914. Victor Shklovsky’s lecture-manifesto titled “The resurrection of the word”, which he presented in the café “Brodyacha Sobaka” (“The Stray Dog”) in Petersburg, marked the symbolic beginning of this movement. The anniversary of the foundation of the Russian Formal School as well as the international congress commemorating this anniversary, which was organized in Moscow in 2013 (titled “The 100th Anniversary of Russian Formalism: 1913–2013”) provide a starting point for discussing the legacy and topicality of the Russian Formalism in contemporary literary studies.
Źródło:: Przestrzenie Teorii; 2015, 23; 137-150
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

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