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Wyszukujesz frazę "Israeli cinema" wg kryterium: Temat

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    Tytuł:
    Odwrót bohaterów. Śmierć syjonistycznego mitu Masady w filmie Twierdza Beaufort Josepha Cedara
    Withdrawal of Heroes: Death of the Zionist Myth of Masada in Joseph Cedar’s Beaufort
    Autorzy:
    Pietrzak, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/920895.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Beaufort
    Zionism
    Israeli cinema
    national myths
    Opis:
    Masada is an ancient fortress, which during The First Jewish–Roman War (66–73 CE) served as a refuge for the last bastion of Jewish resistance. In the first half of the twentieth century, the history of the Masada’s defenders was absorbed by the Zionist movement and transformed into a vital national myth, which became an important element of the identity and culture of future Israelis. The main purpose of this article is to show the deconstruction of the Masada mythical narrative made by Israeli director Joseph Cedar in his movie Beaufort.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 151-159
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bohater o wielu twarzach. Ewolucja syjonistycznego mitu Sabry we współczesnym izraelskim kinie wojennym
    The many-faced hero. The evolution of the Zionist myth of Sabra in the contemporary Israeli war films
    Autorzy:
    PIETRZAK, MACIEJ
    Powiązania:
    https://bibliotekanauki.pl/articles/921090.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zionism
    Israeli cinema
    national myths
    Sabra
    Opis:
    The concept of the New Jew was one of the most important founding myths of Zionism. During the construction of a Jewish state in Palestine, the New Jew was hailed Sabra (with reference to the kind of prickly pear popular in this region). In the twentieth century, the figure of Sabra became an important element of the identity and culture of Israelis. The main purpose of this article is to show the evolution of the mythical narrative typical for the cinematic incarnations of Sabra, which in recent decades has taken place in Israeli war films.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 346-353
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The national and the popular in Israeli cinema
    Autorzy:
    Avisar, Ilan
    Powiązania:
    https://bibliotekanauki.pl/articles/923281.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Nationalism
    Zionism
    Israeli cinema
    national cinema
    popular culture
    Opis:
    The article examines Israeli cinema as a critical participant in the local drama of national ideology and national identity. Israeli filmmakers have engaged in enunciating the national culture, in the context of the medium’s history, political ideologies, and the tension between high art and popular culture. The historical review of Israeli films shows dramatic changes over the years from nationalistic propaganda to radical critique and post-Zionism. Israeli cinema appears now to seek a constructive and fruitful dialogue with the viewers. In the recent wave of popular films, the national ideology is more conscious of its past mistakes and inherent deficiencies; its presentation of national identity is less narrow and more open to alternative types, thereby suggesting new vistas of national culture.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Terror films: The socio-cultural reconstruction of trauma in contemporary Israeli cinema
    Autorzy:
    Ben-Moshe, Yael
    Ebbrecht-Hartmann, Tobias
    Powiązania:
    https://bibliotekanauki.pl/articles/923272.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    trauma
    terror
    terrorism
    Israeli cinema
    war
    Second Intifada
    Opis:
    The public discourse in Israel regarding events such as the Holocaust, war, or terror attacks mostly failed to embrace the trauma caused by such events, and to integrate their effects in the collective memory. According to trauma theoreticians, the location of trauma in the discourse is related to the character of trauma as a non-narratable memory, since personal trauma exist in the void, thus marking a missing memory. This paper explores the notion of trauma in contemporary Israeli cinema as it was reconstructed during and after the Second Intifada (2000–2008). The paper focuses on feature films reflecting on experiences of terrorist violence, among them Avanim (2004), Distortion (2004), Frozen Days (2006), The Bubble (2006), 7 Minutes in Heaven (2009). These films embrace parallel elements structuring a worldview, in the private as well as the collective sphere, thus shaping the surroundings as a mirror of the self and the subjective traumatic experience as a reflection of a complex social reality.A particular focus of our analysis will also be on aesthetic strategies that cinematically express rupture and distortion of terrorist violence and trauma, especially moments of suddenness and disruption in contrast to duration and circular repetition, elements of a specific temporality of trauma that also shaped the narration and style of recent Israeli war films, such as Waltz with Bashir (2008) or Beaufort (2007).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    David Avidan’s Message from the Future. Nuclear fantasies of the galactic poet
    Autorzy:
    Pietrzak, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/1047435.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    David Avidan
    science fiction
    Israeli cinema
    Israeli poetry
    Cold War
    nuclear weapon
    Opis:
    David Avidan’s Message from the Future (1981) is one of few Israeli science fiction films ever made. This ambitious project of the well-known avant-garde poet has been forgotten for many years, as a result of a financial and artistic failure of the movie. The paper shows Avidan’s doomed film as an interesting cultural text that can be read as the director’s commentary on the Israeli reality of his time. Contrary to the artist’s claims about the global ambitions of the picture, Message from the Future is immersed in the local, exploring it under the guise of narrative structures borrowed from Hollywood. The text analyzes a precise deconstruction of the plot patterns characteristic for the classic American SF films from the 1950s, which Avidan adjusted to the Israeli sociopolitical landscape at the turn of the seventies and eighties.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 127-139
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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