Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Inspiration" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-8 z 8
    Tytuł:
    Inspiracja artystyczna, forma znacząca i zaangażowanie
    Autorzy:
    Obidzińska, Bogna J.
    Powiązania:
    https://bibliotekanauki.pl/articles/644721.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    aesthetic experience
    disinterestedness
    engagement
    form
    inspiration
    Opis:
    Contemporary aesthetic thought, especially that rooted in the pragmatist tradition and apologetic for the environmental experience, tends to situate form oriented aesthetics in juxtaposition to the concept of the aesthetic engagement. In particular the notion of disinterestedness is often brought to the forefront as connected to the concept of psychic distance and disdain for the surrounding reality. This essay attempts to revise two theories strongly promoting the importance of the physical form of the objects inspiring the aesthetic experience of the artist, namely that of Clive Bell and that of Maurice Merleau-Ponty, in order to respond to the aforementioned criticisms of formalism. In particular, the concept of the perception of the form as an end-in-itself rather than as a means to a heterogenous end is analyzed with reference to its engaging character.
    Źródło:
    Kultura-Społeczeństwo-Edukacja; 2015, 8, 2; 47-58
    2300-0422
    Pojawia się w:
    Kultura-Społeczeństwo-Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Po co fantastyka? Kilka uwag na marginesie lektur dawnych i współczesnych
    Why speculative fiction? A few side notes on former and contemporary readings
    Autorzy:
    Gemra, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1041864.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    speculative fiction
    inspiration
    stereotype
    imagination
    metaphor of reality
    Opis:
    Works of speculative fiction are among the most often chosen cultural texts. Article indicates several possible reasons of their popularity, such as breaking stereotypes and thinking patterns, inspirations for new solutions, tales of traditional values, chances to immerse in the world of imagination. Dressing an attractive “costume” and speaking an understandable “language”, speculative fiction tells about matters important to the audience. It helps not only to “get away” from reality, but also to reconcile to it and to shape it.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 139-153
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La visione di mania umana e divina in Platone
    The concept of divine and human “mania” in the Platonic dialogues
    Autorzy:
    Głodowska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1046809.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Platonic dialogues
    poetic inspiration
    philosophic love
    prophecy
    madness
    Opis:
    In this article will be discussed the passages of the Platonic dialogues that give information about the way in which the philosopher understood the term “mania”. Particularly important is the reflection on this subject contained in Phaedrus in which different kinds of madness were distinguished and briefly characterized. Especially the essential is the concept of poetic inspiration because it takes an important place in Plato’s theoretical and literary thought. It had also a significant influence on shaping his opinions on the subject of poets and their work. The Plato’s term of poetic inspiration and connected with it the issues of literary output and its reception make the fundamental part of this article.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 97-111
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “In our region…”, or Haupt’s “Letychiv district”
    „U nas…”, czyli o „powiecie latyczowskim” Haupta
    Autorzy:
    Sucharski, Tadeusz
    Powiązania:
    https://bibliotekanauki.pl/articles/27312327.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Haupt
    space of inspiration
    native region
    przestrzeń inspiracji
    mała ojczyzna
    Opis:
    W artykule podejmuję refleksję nad przestrzeniami inspiracji, „praiłami” twórczości Zygmunta Haupta. Dostrzegam specyficzną, „zaimkową” orientację przestrzenną w jego tekstach, wykorzystywanie przez pisarza wyrażenia przyimkowego „u nas”, kontrastowych zestawień „tam” – „tu” i szukam odpowiedzi, jaką przestrzeń „ukrywały” owe zaimki. Odrzucam prostą tezę, iż była to Ukraina, ponieważ świat przedstawiony w tekstach Haupta obejmuje tylko jej zachodni skrawek. Pisarz z jednej strony poetyzował przestrzeń „swojego kraju”, z drugiej zaś wpisywał ją, często nieprecyzyjnie, w geograficzny konkret. Najlepszym określeniem owej przestrzeni, które rozrosło się do metafory „miejsc pochodzenia”, wydaje się „powiat latyczowski”, gdzie natchnień mogą szukać twórcy oderwani od swoich „praiłów”. Zmienne granice owego „powiatu” wytycza za każdym razem tylko wyobraźnia konkretnego artysty.
    In the article, I reflect on the spaces of inspiration, the “praił” [primordial clay] of Zygmunt Haupt’s works. I examine a unique “pronominal” spatial orientation found in his texts, his use of the prepositional phrase “u nas” [in our region], and the juxtapositions of “tam” [there] and “tu” [here], trying to establish what spaces are “hidden” behind these pronouns. I do not think that it was Ukraine, because Haupt’s texts present only its western part. On the one hand, the writer poeticized the space of “his land” and, on the other hand, he rooted it, often imprecisely, in geography. The best concretization of this space seems to be the “Letychiv district,” which transformed into a metaphor of a “place of origin,” where artists who are detached from their “praił” can look for inspiration. The changing borders of this “district” are determined only by the artist’s imagination.
    Źródło:
    Forum Poetyki; 2023, 32; 154-173 (eng); 148-165 (pol)
    2451-1404
    Pojawia się w:
    Forum Poetyki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fryderyk Chopin in popular instrumental music
    Autorzy:
    Kasperski, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/780379.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Fryderyk Chopin
    popular culture
    popular music
    instrumental music
    rock music
    electronic music
    inspiration
    reception
    Opis:
    The author considers whether Fryderyk Chopin and his oeuvre may be regarded as part of popular culture - and if so, to what extent. However, the text is mostly taken up with analysis of popular instrumental music inspired by Chopin’s works in various ways: from simple quotation, adaptation and transcription to more sophisticated instrumentation and arrangement, free improvisation or even the creation of a completely new work derived from a single motif or sample from Chopin. Consequently, the author deals with the problem of reception, but also with the issue of transculturation and the relationship between high and popular culture. The article shows and describes the variety of Chopin inspiration in a wide range of styles and genres of popular music, such as rock music, easy-listening, electronic music, dance music and disco.
    Źródło:
    Interdisciplinary Studies in Musicology; 2010, 9; 357-370
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Artysta jako nieświadomy neurobiolog. Filmoznawczo-neurokognitywistyczna analiza myśli Hugo Münsterberga i Lwa Kuleszowa
    Autorzy:
    Przybysz, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/923253.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Kuleszow
    Münsterberg
    film
    art
    brain
    mind
    artist
    creativity
    inspiration
    cognitive science
    neurobiology
    Kuleszow effect
    editing
    scientific experiments
    perception
    consciousness
    attention
    cognitive sciences
    nauroscience
    Opis:
    The history and theory of art have often shown, before the era of neurobiology, cognitive psychology and cognitive science, that great artists are unconscious neurobiologists, activating with their art the areas of the brain of recipients that cause aesthetic experience, and using in their works the principles of perception or optical illusions, unknown to ordinary mortals, and sometimes also to creators at the level of consciousness. The following considerations are intended to approximate and, to some extent, to rehabilitate and save film creators and theoreticians who are being forgotten, the ones who, long before the discoveries of the cognitive sciences, considered theoretically and carried out empirical experiments aimed at showing and explaining the mysteries of human perception and the influence of the film on the viewer. I will present the profiles of the two pioneers of pre-cognitive thought on the basis of film studies: Hugo Münsterberg and Lew Kuleszow. I will show that half a century before neuroscientific research, they dealt with the cognitive processes of human cognition. I will present the contemporary state of cognitive sciences to illustrate the pioneering and legitimacy of visions, intuitions and achievements of the above creators, who are underestimated and forgotten by time and the achievements of “cold” science, although neuroesthetics researchers who have been involved in the problem of perception of works of art and rehabilitation of the merits of the past in the area of neuroscience for some time cannot be denied their achievements. Ignoring their contribution and achievements in the science of cognition, especially as to this day they are continued in research laboratories, in my subjective opinion, equals the potential underestimation of Leonardo da Vinci’s contribution to medical science or Darwin’s to research emotions.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34; 137-147
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Scenariusz filmowy jako inspiracja
    The film script as an inspiration
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/917830.pdf
    Data publikacji:
    2014-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    theory of practice
    novel
    treatment
    scenario
    screenwriter
    script
    inspiration
    project
    literary version
    narrative
    narration
    poetics
    standard
    rhetoric of film
    art of film
    author
    authorship
    collectif work
    rewriting
    storyboard
    shooting script
    producer
    cereative producer
    director
    remodeling
    re-vision
    preproduction
    transition
    metamorphosis
    synergy
    shooting
    film production
    crash-test
    due diligence
    virtual viewer
    audience
    spectatorship
    film reception
    Opis:
    Screenplay is a multifunctional project written by screenwriter or screenwriters for preparing next phases of film production. Changing and many times transformed forms of screenplay belong to the nature of screenwriting. Literary vision of film changes several times being result of synergy and typical work in progress: from general idea and high concept, through story, treatment, scalette, first draft and certain number of drafts, to final draft, director’s draft and shooting script. Marek Hendrykowski’s study describes and explains these terms as forms of literary film creation in three complementary aspects: creative re-vision, rewriting and remodeling. 
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 211-218
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Revelation as the Thou of Jesus Christ Joseph Ratzinger’s/Pope Benedict XVI’s Contribution to a deeper Understanding of Revelation
    Autorzy:
    de Gaál, Emery
    Powiązania:
    https://bibliotekanauki.pl/articles/1375682.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Benedict XVI
    Joseph Ratzinger
    Jesus Christ
    revelation
    personalism
    thou
    Bonaventure
    II. Vatican Council
    Inspiration
    Scripture
    tradition
    Christocentric
    Old Testament
    New Testament
    Dionysius the Pseudo-Areopagite
    Deus Caritas Est
    Spe Salvi
    C
    Benedykt XVI
    Józef Ratzinger
    Jezus Chrystus
    objawienie
    personalizm
    Bonawentura
    Sobór Watykański II
    natchnienie
    Pisma
    Tradycja
    chrystocentryzm
    Stary Testament
    Nowy testament
    Pseudo-Dionizy Areopagita
    Deus caritas est
    Spe salvi
    Caritas in ver
    Opis:
    The article discusses Pope Benedict XVI’s / Joseph Ratzinger’s understanding of revelation. It shows the bases for his understanding to be found in the theology of St. Bonaventure, more specifically in the Doctor Seraphicus’ Hexaëmeron. It is on the theology of history in Bonaventure that Ratzinger had written his terminal paper. This will allow him to impact Vatican II in an original way. The essay describes how the young peritus Joseph Ratzinger contributed in a most decisive way to the dogmatic constitution on divine revelation Dei Verbum’s recalibration of the nature of revelation. It also discusses hope Pope Benedict‘s teaching office thematized revelation. Revelation is ultimately neither Scripture nor tradition, but the self-disclosure of the Triune God in the Thou of Jesus Christ.
    Źródło:
    Poznańskie Studia Teologiczne; 2016, 30; 7-55
    0209-3472
    Pojawia się w:
    Poznańskie Studia Teologiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies