Temat: Film Studies - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Questioning Slumdog Millionaire: Ambivalent Practices and Imaginary Truths
Autorzy:: Valančiūnas, Deimantas
Powiązania:: https://bibliotekanauki.pl/articles/888923.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Slumdog Millionaire
film
postcolonial studies
representation
popular culture
India
Opis:: This article analyses the British fi lm Slumdog Millionaire, directed by Danny Boyle. The film has created hype all over the world by supposedly showing a “true India,” thus generating a number of negative responses, mainly from India. The article employs postcolonial criticism in analysing particular visual and narrative aspects of the fi lm. As the research revealed, despite Slumdog Millionaire’s attempts to recreate the authentic voice of India by employing hybrid cinematic aesthetics, the film remains an ambiguous project whose certain visual and narrative strategies contribute to the construction, exploitation and dissemination of exotic discourses and (neo)colonial relics.
Źródło:: Anglica. An International Journal of English Studies; 2017, 26/1; 235-249
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Kobiety w Róży i Wołyniu jako medium kina historycznego Wojciecha Smarzowskiego
Autorzy:: Brzuzy, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/46128814.pdf
Data publikacji:: 2022-12-01
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Wojciech Smarzowski
Volhynia
Rose
World War II
Masurians
historical film
gender studies
Opis:: After 1989, a new trend in historical films appeared in Polish cinema, with a settlement character. The female perspective interested, among others, Wojciech Smarzowski, the creator of such period pieces as Rose (2011) and Volhynia (2016). In the first film, the director refers to the tragic history of Masuria, while Volhynia deals with a complicated Polish-Ukrainian relationship. For Smarzowski, the story of a man, an individual thrown into the vortex of war, becomes the core of the films discussed in this article. Using the example of the title character Rose and Zosia Głowacka from Volhynia, the director focuses on the hardships of femininity and motherhood during the geopolitical turmoil. This time, it is not the well-known heroes who constitute the plot axis but the “nameless” women who have been called upon by history after more than half a century.
Źródło:: Studia Interkulturowe Europy Środkowo-Wschodniej; 2022, 15; 205-213
1898-4215
Pojawia się w:: Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:: Biblioteka Nauki

Artykuł

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