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Wyszukujesz frazę "Waligórska-Olejniczak, Beata" wg kryterium: Autor


Wyświetlanie 1-2 z 2
Tytuł:
„Czadowy” życiorys bohatera drogi, czyli komparatystyczne spojrzenie na Mo skwę -Pietuszk i Wieniedikta Jerofiejewa i J a k zostałem pisarzem Andrzeja Stasiuka
"Rocking” Life of Hero on the Road, or Comparative View of "Moscow-Petushki ” of Venedict Yerofeyev and "How I Became a Writer” of Andrzej Stasiuk
Autorzy:
Waligórska-Olejniczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/481608.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
"Moscow-Petushki
Andrzej Stasiuk
"How I Became a Writer”
Opis:
In the context of postmodern culture J. Lotman’s notion of the hero on the road seems to bethe most adequate and up-to-date representation of the contemporary human being. Moscow--Petushki of V. Yerofeyev and How I Became a Writer of A. Stasiuk constitute the examples ofnovels whose plot is built up around travel, adventures and protagonist’s movement between thepoints in the topography of a city or country. However, the hero’s peregrination in both text ismeant to be just background and inspiration for the core element of the works, which is metaphysicalreflection on life. The article tries to present the characters of the above mentioned works asthe complementary variations of the nomadic hero which results in treating them as the creativecommentary to understanding Polish and Russian mentality. The discussion focuses on suchanalogies in the texts as social and intellectual background of the protagonists, their attitute to thecommunist reality revealed in their showing disrespect to the system, independence manifestedthrough the body language or indifference towards the government. Both texts can amuse thereader with sophisticated recipies for alcoholic coctails which have to be consumed to surviveeveryday reality. The space in Yerofeyev’s text, apart from the mythical Petushki, seems to bemore neutral or sometimes even hostile, the landscape in Stasiuk’s novel is shaped by the memoriesof the hero, his experiences make it more local, easy to recognize and familiarize.
Źródło:
Acta Polono-Ruthenica; 2011, 1, XVI; 265-275
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Anioł, geniusz, boski tancerz. Taniec Wacława Niżyńskiego jako tekst o artystycznym przełomie i przełomowym artyście
Angel, genius, divine dancer Dance of V. Nijinsky as text about artistic breakthrough and groundbreaking artist
Autorzy:
Waligórska-Olejniczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/481775.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Vaslav Nijinsky
Russian ballet
choreography
Opis:
The dance of Vaclav Nijinsky, Polish artist, whose accomplishments changed the kinetic language of Russian ballet, can be treated as a groundbreaking phenomenon in the field of choreography. The artist revolutionised not only the ballet dancing technique but also had influence on changing the meaning of the role of a ballet master in the process of designing a dance performance. He abandoned the automatic routine of ballet dance leading it towards abstraction, which might be comparable with the first pictures of Pablo Picasso preparing audience for cubism and breaking with figurative art. His ideas situate him also in the context of the Great Theatre Reform which focused on the problem of rhythm, the process of audience and artist’s participation in the creation of multi-level work of art as well as on the aspect of the unity of different disciplines aimed at continuous discovery of the sacrum.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 299-308
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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