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    Wyświetlanie 1-15 z 15
    Tytuł:
    THE BLACK VEIL: 19TH-CENTURY POLISH TRANSLATIONS OF CHARLES DICKENS’S SHORT STORY
    Autorzy:
    Kujawska-Lis, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/444652.pdf
    Data publikacji:
    2018-06-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    The Black Veil
    Charles Dickens
    19th-century Polish translations
    gothic tale
    Opis:
    This paper sets to analyze and compare three anonymous translations of Charles Dickens’s gothic short story The Black Veil that appeared in the 19th-century, the first one serving as an introduction of Dickens on the Polish literary scene. The analysis focuses on selected issues, such as the reconstruction of the suspense, treatment of culture, translators’ linguistic competence and completeness of the text.
    Źródło:
    Acta Neophilologica; 2018, XX/1; 123-144
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Twórczość literacka Iwana Franki w przekładach polskich
    LITERARY WORKS OF IVAN FRANKO IN POLISH TRANSLATIONS
    Autorzy:
    Czetyrba-Piszczako, Mirosława
    Powiązania:
    https://bibliotekanauki.pl/articles/444534.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Polish language translations
    literature
    Polish-Ukrainian cooperation
    Opis:
    The figure of Ivan Franko is a unique phenomenon in Ukrainian literature and culture due to the diversity of his interests, erudition and rich literary, academic and journalistic legacy. His impressive output comprises six thousand publications, including poetry (ten volumes published in the years 1876-1914), prose (nine novels and more than one hundred prosaic forms: short stories, novellas and fables), drama, philosophical and folklore writings as well as critical works concerning literature and history. This vast bibliography encompasses over one thousand texts in Polish (ten poems and forty prosaic texts). The present paper constitutes a review and analysis of the Polish language translations of Franko’s texts, which include self-translations published during his lifetime as well as translations made by other authors.
    Źródło:
    Acta Neophilologica; 2016, XVIII/2; 235-247
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    (PSEUDO)POLONISMS IN JOSEPH CONRAD’S AMY FOSTER AND PRINCE ROMAN AND THEIR POLISH TRANSLATIONS
    Autorzy:
    Kujawska-Lis, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/444564.pdf
    Data publikacji:
    2012-06-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    literary translation
    calques
    cultural setting
    bilingualism
    Conrad
    Opis:
    Joseph Conrad’s language has been subject to various analyses regarding its uniqueness stemming from the writer’s trilingualism. Scholars have traced diverse influences from the French and Polish languages in this writer’s artistic output. Nevertheless, the effects of such influences are not thoroughly discussed. This article attempts to take a critical look at the outcomes deriving from the appearance of phrases which may be classified as Polonisms or pseudo-Polonisms in two short stories Amy Foster and Prince Roman and their translations into Polish. In the former story, untypical phrasings which may have been calqued from Polish serve to emphasise the alienation of the character of Yanko, in the latter, expressions which are generally common for both English and Polish highlight both the distinctiveness of Polish culture and its affinity with the European cultural setting. Unfortunately, in the translations into the language from which such linguistic or cultural concepts originated, such effects are much less distinctive.
    Źródło:
    Acta Neophilologica; 2012, XIV/1; 5-17
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    CLARIFICATION AS THE TEXT KILLER. ANALYSIS OF SELECTED POLISH TRANSLATIONS OF EDGAR ALLAN POE’S THE FALL OF THE HOUSE OF USHER
    Autorzy:
    Kujawska-Lis, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/444728.pdf
    Data publikacji:
    2010-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    literary translation,
    clarifi cation,
    indefi nite,
    interpretation,
    Edgar Allan Poe
    Opis:
    Clarification is one of the textual phenomena enumerated by Antoine Berman as deforming tendencies in translation. It is best observable when the target text turns what was ambiguous in the original into more specific. This need to clarify the original often stems from systemic differences between languages. However, on numerous occasions the movement from the original ‘indefinite’ into the definite in the translation results from a subjective decision taken by the translator, who in fact has proper linguistic means at his disposal to retain the original level of indeterminacy. In the case of a literary work such a tendency may influence all its levels, especially the interpretative possibilities, as seen in two Polish translations of E.A. Poe’s The Fall of the House of Usher, by Bolesław Leśmian and Stanisław Wyrzykowski. By discussing descriptions of the fictional space and the references to the Usher siblings, this article indicates to what extent clarifying lexical choices impact on the atmosphere of the work, consistency of the fictional world, suspense and the stance of the narrator.
    Źródło:
    Acta Neophilologica; 2010, XII; 41-54
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Recepcja językowego obrazu rzeczywistości postradzieckiej w polskich tłumaczeniach ukraińskiej prozy postmodernistycznej
    Reception of linguistic picture of postsovietical reality in Polish translations of Ukrainian postmodernism prose
    Autorzy:
    Bracki, Artur
    Powiązania:
    https://bibliotekanauki.pl/articles/481801.pdf
    Data publikacji:
    2009-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    postsovietical reality
    Ukrainian postmodernism prose
    translatio
    Opis:
    The article is grouped on the problem of complication in that, to read and transposition of literarycode at the use of linguistic supplies of other area of social and culture. On the basis of row of worksfrom the flow of Ukrainian postmodernism prose and also their translating into the Polish language anessay is presented of most neuralgic areas in a narrative and dialog layer, which draw of verycomplication at creation of literary translation. The article is bandaged by the row of bibliographicnotes, tangent to newest works which interpret about the titled problem.
    Źródło:
    Acta Polono-Ruthenica; 2009, 1, XIV; 353-365
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    PIĘĆ ŻYWOTÓW KRUKA, CZYLI O POLSKICH PRZEKŁADACH WIERSZA THE RAVEN EDGARA ALLANA POEGO
    Five Lives of Raven, or about Polish Translations of The Raven by Edgar Allan Poe
    Autorzy:
    Studniarz, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/444395.pdf
    Data publikacji:
    2011-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Młoda Polska,
    strategy of domestication, ennoblement,
    clarification,
    literary translation,
    Edgar Allan Poe
    Opis:
    The article examines five Polish translations of the famous ballad The Raven written by Edgar Allan Poe. The translations come from different periods; the efforts by Przesmycki and Beaupre belong to the period of “Młoda Polska”, and date roughly from the tum of the nineteenth and twentieth century. The translation by Kasiński, although it was created a few decades later, still shows a clear influence of the specific aesthetics of the “Młoda Polska” movement. These three translations, in spite of numerous differences, form quite a uniform set, with the dominant underlying strategy of domestication, which manifests itself in “ennoblement” and “clarification”. By contrast, the two contemporary translations, by Barańczak and by Kozak, lack the stylistic homogeneity of their predecessors. They are also characterized by the various departures from the original, motivated by the different subjective approaches taken by each translator. None of the five examined Polish translations has attained the satisfactory degree of equivalence with respect to the original text.
    Źródło:
    Acta Neophilologica; 2011, XIII; 281-302
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Problemy z konstrukcją odbiorcy w polskich przekładach poematu Song of Myself Walta Whitmana
    The Question of Rendering the Addressee in the Polish Translations of Song of Myself by Walt Whitman
    Autorzy:
    Studniarz, Sławomir
    Powiązania:
    https://bibliotekanauki.pl/articles/444979.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    literary translation
    epic poem
    intratextual addressee
    extratextual addressee
    horizontal address
    vertical address
    Opis:
    The subject of the article is the question of rendering the addressee in the Polish translations of Song of Myself by Walt Whitman, in which a certain indeterminacy in the shaping of the recipient can be observed. The crucial distinction between the intratextual addressee and the extratextual addressee projected by the text, based on the typology proposed by David Herman, allows taking into consideration the personal reader as the communicative partner of the speaker in the poem. Initially, the Polish translation of the poem by Andrzej Szuba projects a community as the addressee, whereas from the translation by Ludmiła Marjańska the image of the individual recipient emerges. However, further on in the translation by Szuba the collective addressee changes into the single one, whereas in the translation by Marjańska the opposite process takes place because in the final section the individual addressee turns into the collective one. But it is not an unspecified community that is the participant of the communicative situation projected by the text; it is an individual, it is each personal reader. It is the individual extratextual addressee that is the beneficiary of the poetic undertaking. Unfortunately, the existing Polish translations are not conducive to the understanding of the role assigned to the extratextual addressee by the text, and make it hard for the Polish reader to form a proper mental image of the recipient projected by the poem.
    Źródło:
    Acta Neophilologica; 2013, XV/2; 191-202
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Авторская модальность как средство репрезентации концепта „любовь” в поэтических текстах Сергея Есенина и их польских переводах*
    The authorial modality as a mean of representation o f the concept "love " in Sergey Esenin’spoetry and its Polish translations
    Autorzy:
    Alimpijewa, Roza
    Babulewicz, Swietlana
    Powiązania:
    https://bibliotekanauki.pl/articles/481819.pdf
    Data publikacji:
    2011-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    the concept of “love”
    the authorial modality
    Opis:
    The textual importance of means of expressing authorial modality in one of the key conceptsof the poet’s poetic system - the concept of “love” - is established in Sergey Esenin’s poems andtheir Polish translations. The content structure of the concept reflects the hero’s aspiration to truelove as the highest value of life.
    Źródło:
    Acta Polono-Ruthenica; 2011, 1, XVI; 297-307
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O translokacji nomina propria w dziele literackim (na przykładzie polskiсh tłumaczeń powieści Doktor Żywago Borisa Pasternaka)
    On Translocation of Nomina Propria in a Literary Translation (Based on Polish Translations of Doctor Zhivago by Boris Pasternak)
    Autorzy:
    Ndiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/444650.pdf
    Data publikacji:
    2019-12-01
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Boris Pasternak
    Doctor Zhivago
    proper names
    translation strategies
    patronymics
    Opis:
    This paper analyzes problems involved in the Polish translation of proper names contained in Boris Pasternak’s novel Doctor Zhivago. Empirical material was collected from two Polish translations published in book form: by Jerzy Stempowski (Paris: Instytut Literacki 1959) and by Ewa Rojewska-Olejarczuk (Warsaw: PIW 1990). The study aimed to analyze translatorial equivalents taking into account the following criteria: consistency with the named object, informativeness of the name, and retaining the cultural ambience. The following research methods were applied: descriptive, com-parative analysis as well as functional and stylistic analysis. The comparative analysis focused on the adequacy of the applied translation methods.
    Źródło:
    Acta Neophilologica; 2019, XXI/2; 187-200
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wariantywność przekładu w ujęciu diachronicznym na podstawie wybranych tłumaczeń Mistrza i Małgorzaty Michaiła Bułhakowa na język polski
    (Varieties in Translation from a Diachronic Perspective on the Basis of Polish Translations of The Master and Margarita by Mikhail Bulgakov
    Autorzy:
    Sadowska, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/481074.pdf
    Data publikacji:
    2018-06-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    translation
    translation series
    diachronic perspective
    The Master and Margarita
    linguistic norms
    Opis:
    The first edition of one of the most important and mysterious novels of the 20th century appeared more than fifty years ago. Despite the passage of time The Master and Margarita still enjoys popularity; it also intrigues and inspires. Until now five Polish translations of Bulgakov’s novel have appeared. It is known that the interpretation of the original might be expressed in the form of many potential texts that are communicatively equivalent. There is no doubt that it is the translator who plays a vital role in any translation; her/his personality, life experience, knowledge, skills, and also the times s/he lives in regulate the target text. That is why, no matter how many times a text is translated, the final product will always be different. Taking this into consideration, the author will compare the three Polish translations of Bulgakov’s Master and Margarita, paying attention to the diachronic perspective as far as linguistic norms are concerned, the modernity of language, and the way the anthroponyms are expressed.
    Źródło:
    Acta Polono-Ruthenica; 2018, 2, XXIII; 107-117
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przekład realiów kulturowych w rosyjskiej powieści kryminalnej (na materiale utworów Aleksandry Marininy w tłumaczeniu Elżbiety Rawskiej i Aleksandry Stronki)
    Translation of the cultural elements in the Russian detective novel (based on detective novels of Alexandra Marinina and its Polish translations by Elzbieta Rawska and Aleksandra Stronka)
    Autorzy:
    Letka-Spychała, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/1199068.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Alexandra Marinina
    criminal novel
    translation
    cultural elements
    Opis:
    The aim of the paper is to show the main procedures used in a translation of the specific cultural elements encrypted in Alexandra Marinina’s criminal novels. The material of the present analysis was taken from three books: Мужские игры, Убийца поневоле, Чужая маска translated by Elzbieta Rawska and Aleksandra Stronka.
    Źródło:
    Acta Polono-Ruthenica; 2017, 3, XXII; 123-132
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Польша в жизни и творчестве Наталии Горбаневской
    Poland in Natalya Gorbanevskaya’s life and literary output
    Autorzy:
    Rudziewicz, Irena
    Powiązania:
    https://bibliotekanauki.pl/articles/481196.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Russian poetess
    connections with Polish culture and literature
    translations of Polish poets’ output
    work in editorial boards of magazines
    Opis:
    In the text presented were various forms of the Russian poetess Natalya Gorbanevskaya’s connections with Polish culture and literature, political and civil right activists, editorial boards of magazines in emigration and in Poland. Attention was also paid to Gorbanevskaya’s translations of Polish poets representing various age groups into the Russian language.
    Źródło:
    Acta Polono-Ruthenica; 2014, 1, XIX; 145-154
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konceptualizacja wspomnień w polskim i rosyjskim przekładzie autobiografii Vladimira Nabokova Speak, memory. An Autobiography Revisited
    The conceptualization of memories in the Polish and Russian translations of Vladimir Nabokov’s autobiography Speak, memory: An Autobiography Revisited
    Autorzy:
    Letka-Spychała, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/482025.pdf
    Data publikacji:
    2018-03-30
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    memories
    conceptualization
    translation
    Polish
    Russian
    Vladimir Nabokov
    Opis:
    The main aim of this article is to analyze the conceptualization of memories in VladimirNabokov’s memoir, Speak memory: An Autobiography Revisited and its Polish and Russian translations.The article uses the devices of cognitive linguistics. Nabokov’s text contains three types of conceptual metaphors based on visual effect: MEMORIES ARE A SERIES OF FLASHES,MEMORIES ARE PERSONAL GLIMMERS and TO RECOLLECT IS TO JOURNEY BACK.Such metaphorical images are conveyed in translations in which many semantic shifts and transformations occur.
    Źródło:
    Acta Polono-Ruthenica; 2018, 1, XXIII; 113-122
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Twórczość pisarzy pierwszej fali emigracji rosyjskiej w przekładach Juliana Tuwima
    The writers creativeness of the first wave’s Russian emigration in Julian Tuwim’s translations
    Autorzy:
    NDiaye, Iwona Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/481580.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    Y. Tuwim0
    Russian emigration in Poland Polish-Russian literary relations emigration essays
    literary translation
    Opis:
    The author pays attention to the Polish-Russian literary contacts after 1917. The subject of critical analysis is the translation heritage of Y. Tuvim – polish poet, writer and translator, participant of the literary club “Little Lodge in Kolomna”, founded in Warsaw by D. Filosofov. Y. Tuwim is better known as the translator of A. Pushkin, V. Mayakovsky by todays readers However, in his rich heritagethere are also works of Russian emigrants: L. Gomolitsky, N. Evreinov, V. Khodasevich.
    Źródło:
    Acta Polono-Ruthenica; 2017, 3, XXII; 133-143
    1427-549X
    Pojawia się w:
    Acta Polono-Ruthenica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Б. Шульц в переводах И. Клеха, Г. Комского, А. Эппеля, Л. Цивьяна: польский орнаментализм в зеркале русской традиции
    B. SCHULZ IN TRANSLATIONS BY I. KLEKH, G. KOMSKIJ, A. EPPEL’, L. TSIVYAN: POLISH ORNAMENTALISM IN THE MIRROR OF RUSSIAN TRADITION
    Autorzy:
    Преображенский, Сергей
    Powiązania:
    https://bibliotekanauki.pl/articles/444989.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    B. Schulz
    metric prose
    ornamentalism
    translation
    Russian tradition
    Opis:
    Russian tradition treats ornamental prose as a kind of prose employing additional semantic and rhythmical codes. B. Schulz’s works correspond to this definition, although signals of the secondary coding are not always correlated to their Russian equivalents (both rhythmical formulas and devices of narration). The chosen translation strategies are determined by the translator’s proximity to the aesthetics of Russian ornamentalism and the tradition of Russian ornamental prose.
    Źródło:
    Acta Neophilologica; 2016, XVIII/2; 179-185
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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