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Wyświetlanie 1-15 z 17
Tytuł:
Der (un)menschliche Wissenschaftler. Jean Pauls "Dr. Katzenbergers Badereise" (1809) und die Frage nach dem Menschen
The (un)human scientist. "Dr Katzenbergers Badereise" (1809) and the question of man
Autorzy:
Kita-Huber, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/1195783.pdf
Data publikacji:
2019-12-22
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
In seiner späten Erzählung Dr. Katzenbergers Badereise konstruiert Jean Paul die Figur eines zynisch-nüchternen und von seinem Sujet besessenen Wissenschaftlers, der – ergriffen von besonderer Liebe für Abweichungen, Anomalien und Querulantentum – stets Grenzen überschreitet. Das Werk entstand in Auseinandersetzung mit zeitgenössischen naturwissenschaftlichen Streitfragen und anthropologischen Entwürfen und wurde sowohl von Schriftstellern (Goethe, E. T. A. Hoffmann, Tieck, Platen, J. Grimm) als auch Naturwissenschaftlern stark rezipiert. Der Anatomie-Professor Johann Friedrich Meckel widmete Jean Paul – als Reaktion auf dieses Werk – die Abhandlung De duplicitate monstrosa und bedankte sich in seinem Widmungsbrief explizit für Dr. Katzenberger. Im Beitrag soll geprüft werden, inwieweit Jean Pauls Text die Frage nach dem (Un-) Menschlichen im Menschen problematisiert und so das anthropologische Wissen seiner Epoche erweitert.
In his late story, Dr Katzenbergers Badereise Jean Paul sketches a figure of a modern scientist who is cynical, rational and possessed by his work. He permanently transcends various barriers by having a particular liking to deviations, anomalies and strange behaviour. The story emerged amidst the fruitful discussion with contemporary scientific disputes and anthropological concepts hence it was recognized by writers (Goethe, E. T. A. Hoffmann, Tieck, Platen, J. Grimm) as well as by scientists. Johann Friedrich Meckel, a professor of anatomy, dedicated to Jean Paul his treatise De duplicitate monstrosa, where he expressed his appreciation for Dr Katzenberger. The paper will examine in what sense Jean Paul’s text reflects the question of (un)humanity in a human being and the extent to which it contributed to the anthropological knowledge of the period.
Źródło:
Studia Germanica Gedanensia; 2019, 40; 207-217
1230-6045
Pojawia się w:
Studia Germanica Gedanensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Eine zweideutige Mischung der Gottheit und der Tierheit“. Das (Un-)Menschliche bei Friedrich Schlegel
“A suggestive Mix of Divinity and Bestiality”. Friedrich Schlegel’s Concept of the (Un)Human
Autorzy:
Devidi, Mirta
Powiązania:
https://bibliotekanauki.pl/articles/1195752.pdf
Data publikacji:
2019-12-22
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Im Vergleich zu seinen rüheren Ausätzen versucht Friedrich Schlegel in seinem Roman Lucinde (1799) das, was zuvor als „unendlich Entgegengesetztes“ konzipiert wurde – d. h. die in der Menschheit aundbare Mischung von „Gottheit“ und „Tierheit“ – als „harmonische Zusammensetzung“ darzustellen (KFSA 1: 230). Der vorliegende Beitrag geht der Frage nach, inwiefern sich Friedrich Schlegels narrative ransponierung der „Gottheit“ und der „Tierheit“ als relevant für die Reflexion anthropologischer Konzepte von 1800 bis heute erweist.
The mix of “divinity” and “bestiality” as the embodiment of mankind conceived as “innitely opposed” in Friedrich Schlegel’s (1772–1829) earlier essays has eventually been represented as a “harmonious composition” (KFSA 1: 230) in his novel Lucinde (1799). The present paper investigates the extent to which Friedrich Schlegel’s narrative transposition of “divinity” and “bestiality” proves itself as relevant for the reflection upon anthropological concepts around 1800 as well as its continuities.
Źródło:
Studia Germanica Gedanensia; 2019, 40; 64-73
1230-6045
Pojawia się w:
Studia Germanica Gedanensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
S’autofictionnaliser à la manière de la madeleine à l’envers dans Un amour de soi de Serge Doubrovsky
If autofictionnaliser to how the madeleine upside down in Un amour de soi of Serge Doubrovsky
Autorzy:
Bouhadid, Nadia
Powiązania:
https://bibliotekanauki.pl/articles/1627869.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
After Fils (1977) Doubrovsky continued his autofictional adventure with a production always rooted in "fiction, events and strictly real facts". S’autofictionnaliser à la manière de la madeleine à l’envers dans Un amour de soi de Serge Doubrovsky 145 This study attempts to discover the autofictional techniques used in his novel Un amour de soi. In a thematic perspective, our exploration of the Doubrovskian work is based on two axes, the first will shed light on the events of the couple Rachel / Serge, a relationship that will reveal various information about the author and his relationship with oneself -even with the other, then we will examine how does the autofictional ego convene and exploit the other in order to get a self fragmentary representation. The second will be the rewriting of Un amour de Swann of Proust, a process that will allow us to capture the specificity of Doubrovskian writing which is inspired from a revered model that could even push him away. Our interest is mainly about how does the process of "madeleine upside down" take action within Un amour de soi.
Źródło:
Cahiers ERTA; 2015, 7; 123-145
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Un homme de passage" de Serge Doubrovsky : la tentation de l’Odyssée
'Un homme de Passage' by Serge Doubrovsky : the Temptation of the Odyssey
Autorzy:
Hanania, Cécile
Powiązania:
https://bibliotekanauki.pl/articles/1628013.pdf
Data publikacji:
2019-03-30
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
In his last novel, Un homme de passage (2011), Serge Doubrovsky evokes the main points of his life in seven parts which lead him from New York to Paris. Meditation on the many eras and areas crossed by a declining man, the novel is built on two antithetical modes of return. The first, literal and spatial, is triggered by his retirement which forces him to go back to his Parisian home. The second, temporal, is a resurgence of his past throughout reminiscences that thwart the linearity of his trip. This double movement creates a dialectic between fiction and history. While his journey back to his native land is staged like an Odyssey, it also constitutes a tragic backwards path for the narrator who associates the fatal issue of his final trip to the fate of the Jews during the Holocaust, from which he had barely escaped.
Źródło:
Cahiers ERTA; 2019, 17; 53-68
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’éventail au XVIII e siècle : un masque féminin avec tout un éventail de fonctions
Fans of the 18th century: a feminine mask with many functions
Autorzy:
Vázquez, Lydia
Ibeas-Altamira, Juan Manuel
Powiązania:
https://bibliotekanauki.pl/articles/1628007.pdf
Data publikacji:
2018-12-29
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
In the chapter entitled “Des différentes manières de se servir de l’éventail”, included in hisLivre des quatre couleurs, Caraccioli explains the Oriental origins of the fan. Such interest in the fan on the part of one of the leading analysts of French customs reflects the increasing fascination amongst French women and men in the eighteenth century with such sartorial gadget. Addison in a “satire of the coquettes”, published by The Spectator, describes it as the main weapon of high society women. From its primary use as a flyswatter, he will draw further purposes. But mostly, to encourage love affairs, for the fan aids the lady who is not allowed to engage in a conversation with a stranger but who, thanks to such object, will explore a body language enriched with a myriad of gallant significations. The pictorial and literary imagination that translates this social phenomenon in thus unveiled.
Źródło:
Cahiers ERTA; 2018, 16; 9-27
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« La chimère d’un âge perdu ». Présence du passé dans la poésie de René Char
« La chimère d’un âge perdu ». Presence of the past in René Char’s "Fureur et mystère"
Autorzy:
Ergenekon, Gökçe
Powiązania:
https://bibliotekanauki.pl/articles/1628023.pdf
Data publikacji:
2019-06-28
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
This article explores the motif of return as a poetics of the past René Char’s most famous collection of poems : Fureur et mystère. This constant movement of return reveals the thematic importance of the past for Char. If the presence of the past can first be seen through the themes and the formal structure of the poetic writing – verbal tenses, figures of speech, images – the originality of the return in Char’s poetry lies in his revolutionary conception of time. The poet deconstructs the chronological vision of time in order to make the past present. In other words, the motif of return appears to establish the past as a mobile temporal frame which calls celebration rather than nostalgia.
Źródło:
Cahiers ERTA; 2019, 18; 75-90
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Traduire Cioran, un défi pour le traducteur : le cas polonais
Translating Cioran, a challenge to the translator: the Polish case
Autorzy:
Swoboda, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1627881.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
The article analyzes the Polish translation of the texts of the Franco-Romanian writer and philosopher Emil Cioran. The author presents different traditions that Cioran’s work follows in order to show the stylistic complexity of his oeuvre as well as that of his passage from Romanian into French. He analyzes various problems related to the translation of Cioran into Polish: fragmentation, archaisms, prophetic tone, playing with rhetoric.
Źródło:
Cahiers ERTA; 2015, 8; 203-225
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le Roi vierge – ou quelques insignifiantes remarques sur le duel d’un poète… et d’un monarque
Le Roi vierge – or a few insignificant remarks on the duel of a poet and a monarch
Autorzy:
Mrozowicki, Michał Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1627861.pdf
Data publikacji:
2014-12-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Catulle Mendès was a nineteenth century French poet, novelist, librettist, literary and music critic, very famous at his times but unjustly depreciated by the next generations. The paper reminds the sphere of his activity that should never be forgotten: Mendès appears first of all as one of the main figures of the early French Wagnerism. Born in Bordeaux on the 22nd May 1841 (twenty eight years to the day after the German Master!), he got to know Richard Wagner in Paris in 1860 where the composer was giving his three famous concerts at the Italian Theatre (Théâtre-Italien) and obtained, thanks to Princess Pauline Metternich, the chance to perform his opera Tannhäuser at the Paris Opera. Twentyyear- old Mendès invited Richard Wagner to cooperate with the periodical that he had just founded, La Revue fantaisiste. However Wagner hasn’t published any text in La Revue fantaisiste. Disgusted by his Tannhäuser’s failure in Paris, he left the French capital soon. Catulle Mendès missed the good occasion to create the first French « revue wagnérienne ». Firstly, his journal’s reaction to the scandal at the Paris Opera was very terse. Secondly, Auguste de Gasperini’s study of Wagner’s operas, announced by Mendès, was going to be published not in La Revue fantaisiste, but in Le Ménestrel, the most antiwagnerian French journal of these times. Thirdly, the number of texts on music in general and on Wagner in particular published by the journal founded by Catulle Mendès was extremely small and didn’t reflect in any way his musical or Wagnerian fascinations. A few years later, in summer 1869, Catulle Mendès with his wife Judith Mendès, née Gautier, and their friend Auguste Villiers de l’Isle-Adam paid a visit to Richard Wagner in Tribschen. It was a crucial moment for the development of their wagnerism. In September 1869 they observed in Munich the conflict between the composer and his patron, the king Ludwig II of Bavaria who wanted the first part of Wagner’s Tetralogy The Ring of the Nibelung, The Rhine Gold, to be performed then in Munich, despite the opposition of the author who preferred to keep all the parts of his monumental cycle for the new opera house that he was intending to construct as soon as possible somewhere in Bavaria. In 1879 Catulle Mendès wrote un roman à clef, a novel with a key, entitled Le Roi vierge – The Virgin king portraying the king Ludwig II of Bavaria and his complex relationship with Richard Wagner. This novel’s distribution in Bavaria was formally prohibited by the King who hadn’t appreciated its literary quality and his own portrait « painted » by the French writer. Responding to the King’s resolution, Catulle Mendès in 1886, a few months before Ludwig’s mysterious death, published another text à clef on Ludwig II of Bavaria and Richard Wagner. The short text entitled L’Épître au roi de Thuringe (The Epistle to the king of Thuringia) reflects their conflict of 1869 and enhances the role of a group of French Wagner’s admirers supporting the German composer in his struggle against his patron’s despotism. These two texts, Le Roi vierge and L’Épître au roi de Thuringe, are thoroughly analyzed by the author of the paper as literary expressions of Catulle Mendès’s Wagnerism.
Źródło:
Cahiers ERTA; 2014, 6; 177-226
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
D’une mise en récit d’un monde apocalyptique à la drama
An apocalyptic narrative and a dramatic art of the end
Autorzy:
Patrie, Emilie
Powiązania:
https://bibliotekanauki.pl/articles/1627832.pdf
Data publikacji:
2013-09-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
We notice an impact, an influence of the French History on the literature. For example, we find the theme of the death in novels due to the modern wars: the World War I and the World War II. Indeed, the narrative's creation respects the transformation of the society. We can ask the question whether the literature doesn’t want to put into the narrative's form its own death. To illustrate our argumentation, we chose testimonies of Holocaust and absurd theater plays. This corpus is representati ve of the depression and the pessimism of France afer the war. In reality, an apocalyptic narrative, a dramatic  art of the end, is the mirror of a society, and a constantly evolving literature, which was born, dies and will be reborn.
Źródło:
Cahiers ERTA; 2013, 4; 53-64
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La pièce climatique d’Henri-René Lenormand ou un désarroi ontologique
The Climatic Play by Henri-René Lenormand or an Ontological Disarray
Autorzy:
Ziółkowski, Sebastian
Powiązania:
https://bibliotekanauki.pl/articles/1628054.pdf
Data publikacji:
2019-12-29
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
The aim of this paper is to analyse the climatic plays by Henri‐René Lenormand (1882‐1951), and to show how difficult climatic conditions shown in his plays influence the behaviour and the attitude of the characters. In the paper different motifs are taken into consideration : fog (and, therefore, the humidity of the climate), the tropical climate in general and the tropical wind called lesimoun. In Lenormand’s plays climate is not just a secondary motif, devoid of significance, but an element which conditions the atmosphere of those plays, engenders a deep melancholy or awakens hidden and repressed instincts of the characters. The climate emphasises thus a deep existential pessimism and the tragic of an individual lost in a hostile and incomprehensible world.
Źródło:
Cahiers ERTA; 2019, 20; 125-140
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pleurer le paradis perdu : Barbey d’Aurevilly ou la hantise d’un siècle d’or
Mourning a paradise lost : Barbey d’Aurevilly or the obsession of the golden age
Autorzy:
Sadkowska-Fidala, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1627831.pdf
Data publikacji:
2013-09-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Barbey d’Aurevilly didn’t like his century, judging it as a distress time. This period personifies for him all possible vices, opposed to the happy time before the Revolution and the XVIIIth century. His novels express his enormous nostalgia for the past. This nostalgia is visible on all the levels of his literary technique, as character construction, configurations of time and space, the plot. All these elements are inevitably leading to the conclusion that everything is over, history is irrevocable, future is hopeless and the Christ hasn’t come yet on the Earth to give us the chance of the resurrection.
Źródło:
Cahiers ERTA; 2013, 4; 39-52
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ada : Un graffiti mural du sang dans Histoire d’Awu de Justine Mintsa
A Wall Graffiti of the Blood in Justine Mintsa’s Histoire d’Awu
Autorzy:
Mbala-Nkanga, Honorine B.
Powiązania:
https://bibliotekanauki.pl/articles/1627984.pdf
Data publikacji:
2018-06-30
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Ada is a 12 year‐old girl who has been impregnated by her teacher in a Middle School where corruption and debauchery are normalized. Mintsa’s esthetics condenses a social criticism of phallocentric discourse through Ada’s grandfather, Afane Obame, a high priest of the Ancestor’s rite called Melan, whose primary focus is to further establish his power. He normalizes Ada’s pregnancy, as tradition dictates, and serves as a receptacle through which Mintsa’s narrative displays a shocking picture of discarded and decomposing placentae along outside walls of the Maternity Ward like graffiti. An allegorical reading of Plato’s Chora, as it relates to Ada’s parturition, opens up a narrative that actualizes the fluidity of a symbiosis between traditional and modern cultural practices. The overlapping imagery of the repulsive wall of decomposing placentae and the symbiotic cultural practices end in a mirror within a mirror graphism with colorful disjunctive syntheses.
Źródło:
Cahiers ERTA; 2018, 14; 37-54
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Achtung Zelig ! : deux monstres et un clown au carrefour de l’histoire et de la mémoire médiatique
Achtung Zelig!: Two Monsters and a Clown at the Crossroads of History and Media Memories
Autorzy:
Ahmed, Maaheen
Powiązania:
https://bibliotekanauki.pl/articles/1627975.pdf
Data publikacji:
2017-12-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Unfolding during the Second World War Achtung Zelig! adopts a mode of narration that is both fantastic and absurd. The comic not only reflects the issues surrounding the representation of the unimaginable and real horrors of the Holocaust but it also exemplifies the presence and functioning of ‘media memories’ or memories of specific cultural productions as well as media and the performing arts (circus, theatre). This article examines the functioning, particularly the generation of connotations, of the key media memories of the carnivalesque, Art. Spiegelman's Maus, Horst Rosenthal's Mickey au camp de Gurs and Charlie Chaplin's The Great Dictator in Achtung Zelig!
Źródło:
Cahiers ERTA; 2017, 12; 29-48
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Espace sonore, espace social. Analyse d’un extrait de "Notre-Dame de Paris" de Victor Hugo
The construction of social space through sound. An analysis of a passage from Victor Hugo’s "Notre-Dame de Paris"
Autorzy:
Goulet, Alizée
Powiązania:
https://bibliotekanauki.pl/articles/1628089.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Notre-Dame de Paris is a novel marked by the people’s clamor, the bells’ music and the sounds of battle. In an effort to understand how sounds play a crucial part in the creative process of Hugo’s work, we will analyze chapters of Notre-Dame de Paris relating to “la grand’salle”. During the play and the election of the Pope of Fools (taking place in “la grand’salle”), people originating from all social spheres are gathered in the same space, which is favorable for verbal exchanges that underline the struggles between them – established by the particulars of their speech. In this space, different sounds (rumors, shouts, noises) destroy and reinforce social distances at the same time, creating an evershifting space of boundaries, both physical and social.
Źródło:
Cahiers ERTA; 2021, 25; 33-56
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le récit à la deuxième personne dans l’écriture du malaise. Analyse comparative d’Un homme qui dort de Georges Perec et de L’Inconsolable d’Anne Godard (IIe partie)
The secondperson narration in the writing of malaise. The comparative analysis of A Man Asleep by Georges Perec and L’Inconsolable by Anne Godard (Part Two)
Autorzy:
Zapolnik, Martyna
Powiązania:
https://bibliotekanauki.pl/articles/1628067.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Suspension between life and death is not the only one that heroes of Gerorges Perec and Anne Godard, accompanied by a reader, have to undergo. The grammatical second person applied in order to represent the characters implies actually a particular plurality of voices which creates in a paradoxical way these two silent heroes. Moreover, devoid of anchor point unlike other grammatical persons, it makes them constantly suspended in time and space. Therethrough, A Man Asleep and L’Inconsolable cannot be treated just like rewritings of common myths: they represent a new quality in the history of literature, very dynamic and rich in interpretations.
Źródło:
Cahiers ERTA; 2020, 22; 35-52
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
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