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    Wyświetlanie 1-3 z 3
    Tytuł:
    Диалог культур в поэтике Вероники Долиной
    Dialogue of Cultures in the Poetics of Veronika Dolina
    Autorzy:
    Mnich, Ludmiła
    Powiązania:
    https://bibliotekanauki.pl/articles/968764.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    dialogue of cultures
    Veronika Dolina
    intertextuality
    author song
    Opis:
    The article deals with various types of dialogue of cultures in the songs by Veronika Dolina. The genre of “author song” (Russian and Soviet singer-songwriters’ works) is analysed as a special kind of dialogue with listeners as well as with history and culture. In particular, the author interprets and places in intertextual context three songs by Dolina: ‘The Aunt Told Me’, ‘On the Death of A. D. S.’ and ,The Cardinal Is Still Young’.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 201-210
    1427-9681
    2353-4834
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Диалог культур и идей в прозе Ивана Рукавишникова
    Dialogue of Cultures and Ideas in Ivan Rukavishnikov’s Prose
    Autorzy:
    Szymonik, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/968776.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    dialogue of cultures
    Ivan Rukavishnikov
    Silver Age
    Russian literature
    Opis:
    The article deals with the problems of dialogue of cultures and ideas in prose pieces by Ivan Rukavishnikov (1877–1930), a Russian poet of the Silver Age, writer, cultural activist and translator. Rukavishnikov’s works are characterized by ideological and aesthetic tendencies typical of the Russian culture at the turn of the 20th century. In contemporary research parallels have been drawn between the prose of Rukavishnikov and that of Fyodor Dostoyevski, Fyodor Sologub, Valery Bryusov, Andrei Bely, Mikhail Albov and Vladimir Nabokov, among others. Rukavishnikov’s early verse is marked by the motifs of death, illness and loneliness. The majority of Rukavishnikov’s poems describe the poet’s feelings and emotions through images of weakness, disappointment, sorrow, suffering, fatigue and weariness, typical of the ‘lost generation’ poets. The same motifs are characteristic of his prose. The autobiographical persona from the lyrical poetry has a correspondent in the novel “The Damned Family” – the autobiographical figure of Viktor Makarovich, an artist and a typical individualist, focused on his personal feelings. As the author’s “porte parole”, Makarovich discusses art topics with other characters in the novel, and sometimes with himself. These artistic and intellectual discussions reflect the essence of actual Silver Age literary polemics. In the article the author also analyzes Rukavishnikov’s interest in Hindu ideas and culture, expressing the human longing for truth and perfection (manifest in the second part of the collection “The Close and the Distant”). By referring to the ancient philosophy the writer raises universal and timeless questions. These questions do not belong only to the spiritual and physical world of Rukavishnikov as a representative of the Russian Silver Age, but remain topical nowadays as well.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 133-141
    1427-9681
    2353-4834
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Парижский миф в русской литературе XVIII века
    The Myth of Paris in the Russian Literature of the 18th Century
    Autorzy:
    Колбасин, Вадим
    Powiązania:
    https://bibliotekanauki.pl/articles/968754.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    mythological consciousness
    dialogue of cultures
    myth-making
    Russian literature of the 18th – 19th centuries
    Opis:
    The myth of Paris, formed in the Russian literature of the 18th – early 19th centuries, is an expression of the mythological consciousness in which the ‘space – time’ dichotomy is cyclical: it is a myth of eternal return. This Parisian myth was based on a set of oppositions between the cultural and intellectual orientations in the two countries. The Russian consciousness was characterized by a sense of lack of liberty and by inclination for reflection and hesitation, whereas the enlightened France prided itself on the clarity and concreteness of its thinking and was highly aware of its pioneering role in the political and cultural world of its time. Therefore, the Russian Parisian myth was accompanied by the motifs of travel, escape, release – an ‘eternal return’ to a dream. Several generations of Russian writers, from Trediakovsky to Pushkin, impressed it on the mythological consciousness of their readers by establishing an image of Paris as a feast of life, as a city of exceptional power of expression.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 9-17
    1427-9681
    2353-4834
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Rossica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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