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Wyświetlanie 1-15 z 15
Tytuł:
The Question of Identity in Polish American Fiction of the Early 21st Century
Autorzy:
Kozaczka, Grażyna J.
Powiązania:
https://bibliotekanauki.pl/articles/579952.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
LITERATURE
POLISH
IMMIGRANTS
SOLIDARITY EMIGRATION
FICTION
IDENTITY
Opis:
Compared to other Polish emigrant cohorts, the broadly understood Solidarity emigration to the USA and Canada of the early 1980s occupies a distinctive place. Their literary output produced for the most part in English came quickly and entered the mainstream book market already at the turn of the century. Even though their fiction deployed fairly typical themes of dislocation, emigrant experience and construction of immigrant identity in the receiving country, its uniqueness rests in the two-fold vision of two very closely related generations: the first generation emigrants who left Poland as adults, as well as their children, classified as the generation 1.5, who experienced growing up in two countries. In their semi autobiographical fiction, writers representing the older generation such as Eva Stachniak and Czesław Karkowski, devote much of their work to justifying the decision to emigrate and attempt to position their successful characters within the narrative of the American dream. In contrast, younger generation authors such as Karolina Waclawiak and Dagmara Dominczyk, construct a much darker vision of the fragmented immigrant identity that leaves their fictional characters psychologically fragile. In their struggle, they identify the cause of this suffering in their parents’ choice to leave the home country.
Źródło:
Studia Migracyjne - Przegląd Polonijny; 2015, 41, 4 (158); 257-270
2081-4488
2544-4972
Pojawia się w:
Studia Migracyjne - Przegląd Polonijny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Four catastrophes and two evolutions: The place of „The Invincible” in Stanisław Lem’s work
Cztery katastrofy i dwie ewolucje. O miejscu „Niezwyciężonego” w twórczości Stanisława Lema
Autorzy:
Kukulak, Szymon Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2090032.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
science fiction
space exploration
Stanisław Lem (1921–2006)
Stanisław Lem
"Niezwyciężony"
fantastyka naukowa
ewolucja
astronomia
astrofizyka
Opis:
This article questions the consensus view of The Invincible (Niezwyciężony) as one of Lem’s classical sci-fi fi ctions. The author contends that in this novel the familiar conventions (later rejected in His Master’s Voice) coexist with a structural design characteristic of his late novels. An analysis of two pieces of the world of The Invincible, usually disregarded by the critics because of their sketchiness, i.e. the story of the extinct Lyrans and the account of the ancient biosphere of Regis III, reveals that in either case Lem no longer cares for the realist credentials of his fi ction and does not put the two planets on the astronomical map (which is no doubt deliberate choice). Moreover, in contrast to his earlier novels, his outline histories of the two biospheres contain hidden (but nonetheless unmistakable) parallels to the prehistory of the biosphere of the Earth (though he was no believer in evolutionary repeatability). As this article tries to demonstrate the two peripheral facets of the world depicted in the novel are clearly related and subordinated to the central story line (concerned with the ‘necrosphere’ and humanity). This structural dependence as well as the way in which key aspects of the world depicted in the novel seem to illustrate the theses articulated in Lem’s essays justifi es the conclusion that The Invincible should be treated as the fi rst novel of his late phase, represented – on account of its form – by His Master’s Voice.
Źródło:
Ruch Literacki; 2018, 3; 281-304
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Walery Przyborowski’s crime novels: Rewriting the genre
Powieści kryminalne Walerego Przyborowskiego. W poszukiwaniu gatunku
Autorzy:
Ruszczyńska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2090006.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
crime fiction
popular novel
structural analysis of narrative
Walery Przyborowski (1845–1913)
kryminał
historia
literatura popularna
Opis:
This article combines a general introduction to the crime fi ction of Walery Przyborowski with a study of the structure of the plot of his novels. The analyses of ten of his novels conclude with a typology of their narrative schemes, shown in the context of certain invariant patterns and the conventions of related literary genres. While the main objective of this study is to outline the structure of crime story and the social issues depicted in Przyborowski’s crime fi ction, it also pays some attention to the ways in which it refl ects his concerns about contemporary life and the condition of Poland under foreign rule. Basically, Przyborowski’s formula is to make use of the staples of the genre – mystery, adventure, romance – and the techniques of the popular novel. Moreover, his novels, like all of the 19th-century crime fi ctions, are clearly indebted to the conventions of the historical novel.
Źródło:
Ruch Literacki; 2018, 4; 409-428
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Life after the end of the world: Post-apocalypse in Marek Baraniecki's “Cassandra's Head” and Jacek Dukaj's “The Old Axolotl”
Życie po śmierci świata. Postapokalipsa w „Głowie Kasandry” Marka Baranieckiego i „Starości aksolotla” Jacka Dukaja
Autorzy:
Błaszkowska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2087807.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the late 20th century
science fiction and fantasy
dystopia
post-Apocalypse
Lacanian orders of perception
Jacques Lacan (1901–1981)
Jacek Dukaj (b. 1974)
Marek Baraniecki (b. 1954)
Jacek Dukaj
Marek Baraniecki
science fiction
katastrofizm
fantastyka
apokalipsa
Opis:
This is a critical reading of two Polish science-fiction novels of the post-Apocalypse subgenre, Cassandra’s Head by Marek Baraniecki and The Old Axolotl by Jacek Dukaj, with the help of concepts borrowed from the philosophical toolkit of Jacques Lacan. Each of the two books envisages an apocalyptic catastrophe and its consequences as well as the subsequent attempts to rebuild human civilization. The action in either novel is shaped by tensions between the Symbolic and the Real. The latter, though suppressed and shut out, keeps resurfacing, usually when it is least expected, leaving an indelible marks in the life of the survivors. An analysis of the handling of this conflict in the two novels offers a number of insights into the way these two fundamental modes (or, Lacanian orders) of human perception are integrated into the worlds of post-Apocalyptic fiction.
Źródło:
Ruch Literacki; 2020, 2; 149-163
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Anti)romances of Waleria Marrené-Morzkowska
(Anty)romanse Walerii Marrené-Morzkowskiej
Autorzy:
Banot, Aleksandra E.
Powiązania:
https://bibliotekanauki.pl/articles/2088451.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
popular romances
feminist fiction
Waleria Marrené-Morzkowska (1832–1903)
Waleria Marrené-Morzkowska
literatura polska XIX wieku
pisarstwo kobiet
romans
Opis:
Twentieth-century historians of Polish literature (e.g. Henryk Markiewicz and Grażyna Borkowska) unanimously agree that Waleria Marrené-Morzkowska was at best a second-rank writer. It seems that such negative opinions are founded, fi rst of all, on the critics’ low view of her favourite genre, the popular romance; and secondly on a critical survey of her work written in 1966 by Irena Wyczańska for a multivolume Guide to Polish Literature of the 19th and 20th Century (Obraz literatury polskiej XIX i XX wieku). This article attempts to revise the established view of her fi ction by analyzing some of works, i.e. two novels, Leonora’s Husband (Mąż Leonory, 1883) and The Little Blue Book (Błękitna książeczka, 1876), and the short story A Duplex Woman (Dwoista, 1889). This reappraisal draws on the favourable assessments of her work of the fi rst generation of her readers, among them writer Teodor Jeske-Choiński, literary historian Henryk Galle and Piotr Chmielowski, a leading literary scholar of the late 19th century. In their view her work rose above the level of run-of-the-mill romances and didactic fi ction thanks to her skill in combining the conventions of the realist novel with plots of popular romance.
Źródło:
Ruch Literacki; 2019, 3; 301-314
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Nachleben” and the Holocaust topos
„Nachleben” a topika Zagłady
Autorzy:
Tomczok, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2089364.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Literary and cultural criticism
topos
remembrance
Aby Warburg’s "Nachleben"
the Holocaust topos
Contemporary Polish literature
popular fiction
pop culture
topika Zagłady
"Nachleben"
powieść popularna
popkultura
posthumanizm
Opis:
This article is built on the premise that the topos has become a potent unit of cultural memory, an image that stores a wealth of often vague, buried or forgotten ideas. Its contents, like those of literature, tend to become extraordinarily condensed and confl ated; in consequence, some topoi (in particular the Holocaust topos) defy conventional tools of understanding and analysis. A solution to this problem can be found in an approach which broadens the scope of the sources of the Holocaust to include pop culture; gives up the rigid classifi cation of topoi, based on ‘hard’, documentary evidence; and, draws on a conceptual frame that connects the topos with the mechanisms of remembrance. A practical application of this approach is offered here in a series of readings of selected passages from Marcin Pilis’s novel The Meadow of the Dead (Łąka umarłych), Zygmunt Miłoszewski’s crime story A Grain of Truth (Ziarno prawdy), Marcin Wolski’s alternate history novel Wallenrod, Justyna Wydra’s war romance The SS-man and a Jewess (Esesman i Żydówka), Krzysztof Zajas’s thriller Oszpicyn [local Yiddish: Auschwitz] as well as some poems by Jacek Podsiadło from his volume The Breguet Overcoil (Włos Bregueta).
Źródło:
Ruch Literacki; 2019, 4; 389-401
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Affect – defect – rage: Writing mania and writing about mania – narratives of female rage in the fiction of Aleksandra Zielińska
Afekt – defekt – szał. Narracje o kobiecym szaleństwie w prozie Aleksandry Zielińskiej
Autorzy:
Szewczyk, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2087940.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 21st century
women's fiction
pathography
mental disorders
affect
female rage
Aleksandra Zielińska (b. 1989)
Aleksandra Zielińska
maniografia
szaleństwo
choroba
kobieta
afekt
patografia
Opis:
This article deals with literary pathography, i.e. texts which purport to project rage or a mental disorder, and use narrative strategies adopted specifically for that purpose. The analysis is focused on two novels by Aleksandra Zielińska, Przypadek Alicji (Alicja’s Case) and Bura i szał (Bura and Rage) treated as literary representations of the protagonists' mental condition. The literary character of these 'records' is revealed by multiple intertextual tropes and poetic devices that deconstruct the cultural stereotype of female rage. Consequently, Aleksandra Zielińska's novels should be seen as projections of a fractured female subject (un sujet divisé) fixed on her somatic vulnerability, driven by an urge to cry out her affliction, trauma and rage, unease about woman-to-woman relations, and the pressure of erratic affective impulses.
Źródło:
Ruch Literacki; 2020, 2; 165-180
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Janusz Makarczyk’s “Jafar of Baghdad” – an important source of information about the history and literature of the Abbasid Golden Age
„Dżafar z Bagdadu” Janusza Makarczyka jako cenne źródło wiedzy o historii i literaturze arabskiej epoki Abbasydów
Autorzy:
Olkusz, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/2089441.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
historical romance
the Orient and Islam in popular fiction
Abbasid Empire
Harun al-Rashid
Jafar ibn Yahya
intertextuality
Janusz Makarczyk (1901–1960)
Opis:
This article deals with Janusz Makarczyk’s bestselling historical romance Jafar of Baghdad, fi rst published in 1950. Makarczyk had a varied career as a journalist, travel writer of the ‘globtrotter school’, military offi cer, diplomat and academic; his deep involvement with the Middle East and Arab history began in the 1926 when he was sent to the Polish consulate in Jerusalem. The life of Jafar ibn Yahya provided him not only with enough material for a gripping story of love and romance but also a pretext for painting a broad canvas of historical events and personages. Addressed to younger readers, the book is didactic in the sense that it offers them basic information about Islam (e.g. the division between the sunni and the shia) as well as lots of facts about the Arab world at the peak of the Abbasid Age (e.g. Harun al-Rashid and the struggle for his succession; rise and fall of the powerful Barmakid family, Harun al-Rashid’s half-sister Abassa; the great Islamic jurists Malik ibn Anas, Muhammad al-Shaybani and Al-Shafi ‘i; an assortment of poets and scholars, including the translator Ibn al-Muqaffa). In addition to countless allusions to the Book of the Thousand Nights and One Night, the narrative is encrusted with explicit and covert quotes from the Qur’an, Arabic adages and proverbs (32), the poems of Abu-l-’Atahiya and Abu Nuwas. The writer is aware that the allusions and learned references need to be contextualized in a way that is functional and that their incorporation into the main text must be handled with maximum fl exibility. The great popularity of Jafar of Baghdad in its time can be taken as proof that Makarczyk did succeed in bringing the two functions of his novel, the cognitive and the aesthetic – to instruct and to please – into a harmonious whole.
Źródło:
Ruch Literacki; 2018, 5; 545-569
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Retelling myths and legends in Slavic fantasy
Retelling mitów i legend w słowiańskiej fantastyce
Autorzy:
Mikinka, Aleksandra Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/2087701.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 21st century
Poland's early history
Slavic fantasy
mythic history
Slavic mythology and religion
Young Adult Fiction
Maria Janion (1926–2020)
fantastyka
slavic books
retelling
rodzimowierstwo słowiańskie
mitologia słowiańska
Opis:
In 2006 Maria Janion wrote in The Uncanny Slavdom that “the new narrative of the humanities can tell the story of our culture differentlyˮ. Since that time such 'new narratives' have multiplied literally right in front of our eyes. While in the late 2000s the existence of a distinct Slavic fantasy subgenre was a matter of controversy, hotly debated by both authors and academics, today its presence and popularity is too conspicuous to leave any room for doubt. Each year the market is flooded with dozens of new Slavic fantasy books, which are then discussed in countless blogs, vlogs, discussion groups, and podcasts. The growth of interest in Slavic fantasy is phenomenal and seems to be part of a larger trend gaining ground not just in Poland but also in other Slavic nations. This gives rise to a number of questions which this article tries to address: What is Slavic fantasy? What place does it occupy in modern popular culture? What effects, beneficial or less so, will it have?
Źródło:
Ruch Literacki; 2020, 5; 545-558
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between literature and journalism: Jacek Podsiadło’s columns
Między literaturą. O felietonopisarstwie Jacka Podsiadły
Autorzy:
Idzik, Michalina
Powiązania:
https://bibliotekanauki.pl/articles/2087430.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literary journalism in the 21st century
feuilleton
the column and poetic fiction
child's point of view
Tygodnik Powszechny
Jacek Podsiadło (b. 1964)
Jacek Podsiadło
felieton
„Tygodnik Powszechny”
literatura
poezja
dziecko
prywatność
Opis:
Jacek Podsiadło, an acclaimed poet and essayist, is the author of a series of weekly columns published in Tygodnik Powszechny between 2000 and 2007, and later reprinted in two books, A mój syn [And My Son] and Pippi, dziwne dziecko [Pippi, A Strange Child] (both published in 2006). This article attempts to define the genre of these texts, which, in Polish, are classified as feuilletons, i.e. short essays in which a topical event is used as trigger to present the author's personal reflections, usually written in a light, ironic tone. As it hovers between journalism and art, or fact and literary fiction, the feuilleton is notoriously difficult to define. So are Podsiadło's feuilletons, which are distinguished by their poetic quality an original style and their themes, especially when they are presented from the point of view of 'a strange child'. That child, a quixotic character in its own rights, becomes the true focus of attention in the second series of his feuilletons.
Źródło:
Ruch Literacki; 2021, 3; 367-389
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Up for anything: “Cwaniary” by Sylwia Chutnik
Gotowe na wszystko. O „Cwaniarach” Sylwii Chutnik
Autorzy:
Piechota, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/2087798.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 21st century
feminist urban crime fiction
patriarchy
domestic violence
the modern subject
cultural change
Sylwia Chutnik (b. 1979)
współczesna powieść
kobiety
wzorce normatywne walka
patriarchat
przemoc domowa
Opis:
Cwaniary (Female Wanglers) is not only a metatextual novel with numerous references to popular culture, but above all an important contribution to the discussion about the place and role of women in contemporary society. The author breaks with the nineteenth-century image of matka Polka, the Polish Mother, whose existence is confined to family and home. The creations and actions of the female wanglers in Cwaniary, outsiders who defy popular stereotypes by pursuing outré lifestyles, are underpinned with allusions to a nascent rebellion against patriarchy, systemic suppression of women's rights, and the resulting marginalization of women in society. Unfortunately, Poles still have great problems with openness to other cultures, nations, and non-heteronormative sexual orientations. The Poles, it seems, are caught between an irrational fear of disintegration of the structures of their relatively homogeneous society and the need to move on and reinvent themselves as the 'modern subjects' of critical theory. It is a choice between holding on to an anachronistic model of Polish culture founded on suppression or catching up with the 21st-century world of openness, diversity and multiculturalism.
Źródło:
Ruch Literacki; 2020, 3; 283-293
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Swedish trail of the Polish translation of „Anne of Green Gables” by Rozalia Bernsteinowa
Na szwedzkim tropie „Ani z Zielonego Wzgórza”. O przekładzie Rozalii Bernsteinowej
Autorzy:
Oczko, Piotr
Nastulczyk, Tomasz
Powieśnik, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2090043.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
20th century Canadian literature
juvenile fiction
English literature in Polish translation
Rozalia Bernsteinowa
L.M. Montgomery (1874–1942)
Anne of Green Gables
Ania z Zielonego Wzgórza
studia przekładoznawcze
literatura dla dzieci i młodzieży
Opis:
Anne of Green Gables by L.M. Montgomery (1908) enjoys unprecedented popularity in Poland and has played a considerable role in the shaping of modern Polish culture. As many as fourteen different translations of the fi rst volume of the series have been published; moreover, there exists an active Polish fandom of Montgomery’s oeuvre. The authors of this article briefl y discuss the cultural and social aspects of this phenomenon which was triggered off in 1911 by Rozalia Bernsteinowa’s Polish translation of Anne of Green Gables. Her translation, still regarded as the canonical text, greatly altered the realities of the original novel. As a result, in Poland Anne of Green Gables has the status of a children’s classic, whereas readers in the English-speaking world have always treated it as an example of the sub-genre of juvenile college (school) girls’ literature. The identity of the Polish translator of L.M. Montgomery’s book remains a mystery, and even the name on the cover may well be pen name (though, at any rate, it strongly suggests that she must have belonged to the Jewish intelligentsia of the early 20th century). What we do know about her for fact is that she was a translator of German, Danish, Swedish, Norwegian and English literature. Comparing Rozalia Bernsteinowa’s Polish text to its English original has been a subject of many Polish B.A. and M.A. theses. The argument of this article is that her key reference for was not the English text, but that of the fi rst Swedish translation by Karin Jensen named Anne på Grönkulla (1909).
Źródło:
Ruch Literacki; 2018, 3; 261-280
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A forgotten novel by Jolanta Fuchsówna and Jan Brzękowski, or two type scripts of an interwar thriller „The Black Paris”
Zapomniana powieść Joli Fuchsówny i Jana Brzękowskiego albo o dwóch maszynopisach międzywojennej powieści kryminalnej „Czarny Paryż”
Autorzy:
Boruszkowska, Iwona
Wójtowicz, Aleksander
Powiązania:
https://bibliotekanauki.pl/articles/2089727.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
crime novel
novel published in serial form
sensation fiction and modernism
genetic criticism
Jolanta Fuchsówna (1899–1944)
Jan Brzękowski (1903–1983)
"Czarny Paryż"
powieść kryminalna
Jolanta Fuchsówna
Jan Brzękowski
edycja genetyczna
Opis:
Czarny Paryż [The Back Paris] is a crime novel written by Jolanta Fuchsówna, journalist and writer, and Jan Brzękowski, leading poet of the Cracow Avant-garde who lived in Paris, and serialized in the Cracow daily Ilustrowany Kurier Codzienny in 1932, but not published as a book.In this article two typescripts of the novel are analyzed and compared with the printed text, taking note of all the corrections and amendments introduced by the authors. An integral supplement to this textual study is an extract from Chapter XIII ‘A Party in the Studio of the Japanese Man’ reproduced in two versions, 1) with footnotes and modernized spelling, and 2) the original text from the typescript with all annotations.
Źródło:
Ruch Literacki; 2018, 5; 597-614
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Exhausted’ realism and problematic identity: Biographical narratives of a new generation, or the ‘New’ Polish fiction of the1970s
„Wyczerpany” realizm i problematyczna tożsamość. Pokoleniowo-biograficzne narracje „nowej” prozy lat siedemdziesiątych
Autorzy:
Kaliszuk, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/2088400.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
20th-century Polish literature
‘New fiction’ of the 1970s Generation
generational identity
biographical narrative
late-modern exhaustion
disillusionment
Bohdan Zadura (b. 1945)
Julian Kornhauser (b. 1945)
Adam Zagajewski (b. 1945)
Henryk Lothamer (1945–1979)
Stanisław Piskor (b. 1944)
Donat Kirsch (b. 1953)
biografia
tożsamość
nowoczesność
modernizm
pokolenie
Opis:
This article deals with the rise in the Polish literature of 1970s of a new type of biographical novel, associated with the fi rst post-war generation of writers like Bohdan Zadura, Julian Kornhauser, Adam Zagajewski, Henryk Lothamer, Stanisław Piskor and Donat Kirsch. Their work is subsumed here under the label ‘new fi ction’ primarily because of its literary context, i.e. the late-modern fears and uncertainties culminating in the assumption that literature reached the state of exhaustion. The article argues that the ‘new fi ction’ acquired its distinctive character from a preoccupation with the biographical narrative and a sense of generational identity. The writers who defi ned themselves in these generational terms saw their prospect of following their aspirations and building up authentic lives weighed down by the constricting realities, and, as the article claims, resigned themselves – at best not entirely – to this sad conclusion.
Źródło:
Ruch Literacki; 2019, 1; 27-41
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“I beg for one thing only, the great good gift – oblivion”: Maria Hagen-Schwerin, a Galician woman poet and author
„O jedno ja proszę, o ten dar wielki, cenny: zapomnienie…”. Maria Hagen-Schwerin, galicyjska pisarka i poetka
Autorzy:
Kardas, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/2087802.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the late 19th century
artists and literati in Galicia
Cracow
women writers
popular romances of high life
aristocrats in fiction and in real life
Gabriela Zapolska (1857–1921)
Maria Hagen-Schwerin (1859–1918)
Maria Hagen-Schwerin
Maria Hagen
Maria Hagenowa
Alces
arystokracja
wyższe sfery
literatura XIX wieku
pozytywizm
Galicja
Opis:
Maria Hagen-Schwerin was a 19th-century novelist and poet. She was a prolific author of popular romances with aristocratic heroes and plots that revolve around love and marriage in high society. However, what kept Mrs Hagen in the public eye was her unconventional life style, her debts and an unending string of affairs whose sensational twists eclipsed anything that could be found her polite fiction. Her feuds, especially with another controversial woman of the fin-de- siècle Cracow, the playwright and novelist Gabriela Zapolska, were the talk of the town. Maria Hagen descended, on her father's side from a long line of nobles (Łoś) and on her mother's side from one of Cracow's wealthiest merchant families (Kirchmayer). Her elder brother Wincenty Łoś was an acclaimed writer and art collector. It is no exaggeration to say that Maria Hagen was heir to a family legacy of great achievements and of great scandals, too, in politics as well as in economic and social life. Some of her ancestors also ventured into literature thus building a family tradition which continued for three centuries. Maria Hagen picked up that thread and became a successful writer in her day. Now she belongs to that large category of writers once famous, but quickly forgotten. The problem lies not in the fact that nobody reads her books, but that her work has attracted virtually no attention from students of nineteenth-century literature and culture, and, astonishingly enough, no critical study of her work has been written for over 150 years since her death.
Źródło:
Ruch Literacki; 2020, 3; 313-330
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
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