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    Wyświetlanie 1-4 z 4
    Tytuł:
    Nowe w starym – o dosłownej interpretacji Karty Weneckiej na przykładzie wybranych aranżacji malowideł ściennych w zabytkach architektury
    New in the old – about literal interpretation of the Venice Charter on the example of selected arrangements of wall paintings in historic architecture
    Autorzy:
    Korpała, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/539453.pdf
    Data publikacji:
    2016
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    konserwacja malarstwa ściennego
    Karta Wenecka
    wall painting conservation
    Venice Charter
    Opis:
    Od początku XX w. toczyły się dyskusje wokół konserwacji malowideł ściennych. Karta Wenecka wskazywała reguły postępowania i inspirowała w ustalaniu zakresu ingerencji podczas prac konserwatorskich. W latach powojennych podejmowane prace konserwatorskie wobec zniszczonych malowideł ściennych zmierzały do uzupełnienia dekoracji malarskich. Było to przywracanie kompozycji, kształtu czy kolorystyki zgodnie z wiedzą o tym, jak wyglądały w przeszłości. Uzupełnienia rozumiano jako odtworzenie lub rekonstrukcję dzieła oraz jako jego współczesną aranżację, której celem było uzyskanie spójności estetycznej wnętrza. Nowoczesne polichromie stanowiły zwrot od wiernej odbudowy lub stylizacji historycznej zniszczonych zabytkowych wnętrz. Formy współczesne kontrastujące z historyczną strukturą odbudowywanych i poddawanych konserwacji zabytków spełniały postulat odróżnialności substancji dawnej-autentycznej od uzupełnień noszących „znamiona naszych czasów”, który jest zawarty w Karcie Weneckiej.
    Debates centred around the conservation of wall paintings have continued since the early 20th century. The Venice Charter indicated the rules of conduct and was an inspiration in setting the scope of interference during conservation work. In the post-war period, conservation work of destroyed wall paintings was aimed at replacing the missing elements of painted decorations. This involved restoring their composition, shape or colours in accordance with knowledge of how they had looked like in the past. This activity was understood as the restoring or reconstructing of a work of art and as its contemporary arrangement that was aimed to achieve aesthetic consistency of the interior. Modern painted decorations constituted a departure from the faithful reconstruction or restoring the historical look of destroyed historic interiors. Contemporary forms that contrasted with the historic structure of monuments under reconstruction or conservation met the postulate of distinctness between the old-authentic substance from replacements that “bear a contemporary stamp”, as stated in the Venice Charter.
    Źródło:
    Ochrona Zabytków; 2016, 2; 129-143
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Karta Wenecka czy Karta Konserwacji Zabytków?
    THE CHARTER OF VENICE, OR A CHARTER OF HISTORICAL MONUMENTS CONSERVATION?
    Autorzy:
    Krzyżanowski, Lech
    Powiązania:
    https://bibliotekanauki.pl/articles/535209.pdf
    Data publikacji:
    1975
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Karta Wenecka
    Karta Ateńska
    restauracja zabytku
    Opis:
    In reference to the discussion that is being led in this country with concern to application of provisions contained in the Charter of Venice the author expressed a view th at the art of conservation can be considered as the interpretative humanist activity which is by no means in conflict with the main rule of conservation. The rules of conservation tre atments formulated in various times, though ranging over the national levels and progressive in their nature, while gathered to form a collection grew to an expression of views typical of a certain defined stage of historical development. Thus there arises a need of permanent confronting the present views of conservators with the relevant regulations in force and with documents declaratory as to their character. The Charter of Venice, a document that was not subjected to discussion in Poland until 1974 may be considered such an act. It did not also have any essential rank of a document governing the practice of conservation. On the other hand a legal act that makes the sign of equality between the rebuilding and reconstruction which, however, is in contradiction with rules of the Venice Charter. According to the author the Charter of Venice does not constitute a document covering the problems of both conservation and restoration of all historical monuments, but it relates to part of them only. So it seems quite easy to arrive at a reflection th a t the Charter of Venice has been confined in its coverage to architectural objects alone. But a definition of historical monuments is considered inadequate, for the material succession of the past forms a certain contained entity to which the passing years has been making their contributions and which is being also lessened with elapsing time. Each of its components is a document of the past. The appropriate formulations made by conservators relating to one area of art do not, however, exclude the integrated approach to the problem. In the case of conservation of architecture and te movable historical monuments the common undertaking of the problem of authenticity and of original matter of a historical monument will prove profitable for conservation of architecture where the primple of respect for an original object too often gives to place in favour of the object’s function and of technology. There is an urgent need to prepare a document on conservation having national character that could ' give a rise for international discussion.
    Źródło:
    Ochrona Zabytków; 1975, 3-4; 217-221
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Karta Wenecka i restaurowanie zabytków na Węgrzech
    THE CHARTER VENICE AND RESTORATION OF MONUMENTS IN HUNGARY
    Autorzy:
    Horler, Miklós
    Powiązania:
    https://bibliotekanauki.pl/articles/537311.pdf
    Data publikacji:
    1976
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Karta Wenecka
    zabytki użyteczne społecznie
    modernizacja Domu Cezara w Sopron
    restauracja węgierskich zabytków
    trwała ruina
    Opis:
    The author starts his article with the explanation o f . historical significance of the Charter of Venice which was passed in 1964. He also describes some possibilities of its application in reconstruction of Hungerian monuments. As far as recoinstruction of historical buildings in concerner, Hungerian restorers and architects tend to adjut them to the needs of modern life. Their primary principle is to arrange luxurious apartments, which is the only way to find lodgers who will respect their historical character. The author gives some examples of such adaptation of historical houses in Sopron and Budapest. He also discusses various ways of exploitation of monuments of other kinds (such as churches, castles and palaces) in Hungary. Then he deals with monuments which have suffered partial destruction. In such cases it is very important for conservators to establish to what extent reconstruction can be done. The example which may be quoted here is the bastion of the Diósgyor castle, where for the reconstruction of isome time — worn fragment ferro — concrete has been used to mark the border line of the original walls. Gun hatches have also been made in this material. Now they enable to see the construction’s interior, to define the degree of destruction and to recognize technics and materials used for the reconstruction purpose. In other cases (e.g. in the Romanesque church in Varaszó) bricks and original stone material which came from derudition of the outbuilding have been used for reconstruction. Artificial stone is also employed to supplement missing parts (e.g. in the Simontornya castle). The author presents achievements of Hungerian conservators in the field of restoration of ruins, e.g. Roman amphitheaters or temples and medieval castles and palaces. Iu such cases the anastylosis method in applicable, e.g. in the restoration of the Esztergom castle or the ruins of the Visegrâd palace where time — worn fragments af vaults and w alls have been supplemented with modern material and original stone details have been put in their primary places. Then the author proceeds to discuss the restoration works at the Royal Castle in Buda. They have been performed in two ways: — by means of the anastylosis method in case of buildings occupying an opôn area, — on the basis of hypothetic data and annalogies as far as reconstruction of fortifications in concerned. Hungerian medieval monuments of greatest importance can be examined only by means of the excavatory method. This has resulted in the necessity to work out the way of reconstructing these monuments. Therefore the model of an object is made on the basis of its preserved parts and possibly — some written sources. Then places for some fragments recovered in the course of archeological investigations are found out. Finally, on the grounds of this discovery the object is reconstructed through supplement of missing elements with artificial material. Reconstructions of buildings composed of various elements which can be derived from various ages is the other problem that is being solved by Hungerian conservators. In this case the principle of the eldest relicts’ exposition is accepted (e.g. Gothico-Baroque tenement-houses of Sopron). In frequently happens, however, that a structure was remodeled in the 19th century in the course of present restoration the alternations are taken into account as manifestations of the epoch. At the end of the article the author postulates the necessity to begin international exchange of opinions on the subject of the idea and priciples of monuments’ preservation in various countries.
    Źródło:
    Ochrona Zabytków; 1976, 1; 33-42
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Karta Wenecka a realizacja postanowień Konwencji w sprawie ochrony światowego dziedzictwa kulturalnego i naturalnego z 1972 roku – o pojęciu autentyczności
    A Venice Charter and the implementation of the provisions of the UNESCO Convention concerning the Protection of the World Cultural and Natural Heritage of 1972 – on authenticity
    Autorzy:
    Lipska, Dąbrówka
    Powiązania:
    https://bibliotekanauki.pl/articles/536347.pdf
    Data publikacji:
    2015
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Karta Wenecka
    światowe dziedzictwo
    UNESCO
    Konwencja w sprawie ochrony światowego dziedzictwa kulturalnego
    i naturalnego z 1972 roku
    autentyczność
    rekonstrukcja
    Venice Charter
    world heritage
    Convention concerning the Protection of the World Cultural and Natural Heritage of 1972
    authenticity
    reconstruction
    Opis:
    This article is devoted to the analysis of links between the Venice Charter and the Convention concerning the Protection of the World Cultural and Natural Heritage of 1972, along with the presentation of evolution of certain ideas exemplified by the term of authenticity, which constitutes one of the foundations of the Venice Charter. Some issues, currently well recognised, which constitute the basis of a modern conservation doctrine, are included in the very Venice Charter. Over years, they became reinforced in the international community’s awareness, which directly reflects the contents of the World Heritage Convention and its execution – starting from the term “heritage of mankind” found in the Charter and popularised by the Convention, through the establishment of ICOMOS, which became an advisory organisation to the World Heritage Committee, to the concept of authenticity and respect to historic substance. A historic substance is the basic carrier of the outstanding universal value of World Heritage Sites. However, the meaning of authenticity of the substance has changed within the last forty years. One of the most significant phases in this process, which influenced, among others, the UNESCO World Heritage List, was the adoption of the Nara Document concerning authenticity (1994), broadening and supplementing the provisions of the Venice Charter mainly in the context of authenticity. However, a high degree of arbitrariness in interpreting international doctrinal documents, resulting from their universal character, has led to blurring of importance of values underlying the World Heritage Convention, valuing intangible values over tangible ones, which derives from the Venice Charter. The concept of authenticity, although linked to the provisions of the Venice Charter, began to be defined only in Operating Guidelines to the execution of the World Heritage Convention. Since 1976 it has evolved, reflecting changes in attitude towards heritage. In this article the process has been illustrated by three entries to the World Heritage List: a historical centre of Warsaw, an Old Bridge within the Old Town in Mostar and a historical and archaeological complex in Bolgar.
    Źródło:
    Ochrona Zabytków; 2015, 2; 185-197
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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