In reference to the discussion that is being led in
this country with concern to application of provisions
contained in the Charter of Venice the author
expressed a view th at the art of conservation can
be considered as the interpretative humanist activity
which is by no means in conflict with the main
rule of conservation. The rules of conservation tre atments
formulated in various times, though ranging
over the national levels and progressive in their nature,
while gathered to form a collection grew to
an expression of views typical of a certain defined
stage of historical development. Thus there arises
a need of permanent confronting the present views
of conservators with the relevant regulations in force
and with documents declaratory as to their character.
The Charter of Venice, a document that was
not subjected to discussion in Poland until 1974 may
be considered such an act. It did not also have any
essential rank of a document governing the practice
of conservation. On the other hand a legal act
that makes the sign of equality between the rebuilding
and reconstruction which, however, is in contradiction
with rules of the Venice Charter. According
to the author the Charter of Venice does not
constitute a document covering the problems of
both conservation and restoration of all historical
monuments, but it relates to part of them only. So
it seems quite easy to arrive at a reflection th a t the
Charter of Venice has been confined in its coverage
to architectural objects alone. But a definition of
historical monuments is considered inadequate, for
the material succession of the past forms a certain
contained entity to which the passing years has
been making their contributions and which is being
also lessened with elapsing time. Each of its components
is a document of the past. The appropriate
formulations made by conservators relating to one
area of art do not, however, exclude the integrated
approach to the problem. In the case of conservation
of architecture and te movable historical monuments
the common undertaking of the problem of
authenticity and of original matter of a historical
monument will prove profitable for conservation of
architecture where the primple of respect for an
original object too often gives to place in favour of
the object’s function and of technology. There is an
urgent need to prepare a document on conservation
having national character that could ' give a rise for
international discussion.
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