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Wyświetlanie 1-15 z 19
Tytuł:
Cakes and Breads in Oribasius’ Collectiones medicae
Autorzy:
Jagusiak, Krzysztof
Kokoszko, Maciej
Rzeźnicka, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/1046680.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient Greek medicine
the Works of Oribasius
ancient gastronomy
ancient Greek dietetics
Opis:
Oribasius (4th century A.D.), Greek doctor, created at least four medical works. The most important of them is Collectiones medicae. We are going to present two foods described there: cakes and breads based on cereal products, described in the beginning of the 1st book. For ancient Mediterranean societies cereals were food which constituted the staple of the diet for the overwhelming majority of the population.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 1; 127-140
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A peach (Prunus persica [L.] Batsch.) in Ancient and Early Byzantine Medicine According to Selected Sources (1st – 7th c. AD.)
Brzoskwinia (Prunus persica [L.] Batsch) w antycznym i wczesnobizantyńskim lecznictwie według wybranych źródeł [I–VII w. n.e.]
Autorzy:
Jagusiak, Krzysztof
Kokoszko, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1045896.pdf
Data publikacji:
2019-03-21
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
peach
ancient medicine
Byzantine medicine
Opis:
The peach (Prunus persica [L.] Batsch) is a tree native to the region known today as Northwest China, where its fruits were known around 2000 BC. Inhabitants of the Mediterranean Area came into contact with the peach probably between the 6th and 4th century BC thanks to the contacts with Persian Empire. In the western part of the Mediterranean Region the peach appeared later (ca. 1st c. AD). In the period under study there were many varieties of the peach, and they were eaten in many different ways – e.g. raw, dried, boiled etc. They could be consumed without any other ingredients, or as an element of more complicated dishes. Ancient and early Byzantine authors, who wrote their treatises between the 1st and 7th c. AD, and dealt with medicine (Dioscorides, Pliny the Elder, Galen, Oribasius, Aetius of Amida, Paul of Aegina, Athimus and others), described dietetic properties of a peach with details. Moreover, they left some information about a medical use of this fruit. This aspect of their works is an element of a wider and well-known phenomenon, i.e. an important role of all groups of aliments in the ancient art of healing.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2018, 28, 2; 27-41
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tłumacz – uczony. Oblicza przekładów literatury antycznej w XXI wieku
The scholar as a Translator. Types of Polish translations of ancient literature in the 21st century
Autorzy:
Skwara, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1806857.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient literature
translation
commentary
notes
Opis:
The article is an attempt to outline the tendencies in translations of ancient literature appearing in the new millennium. It introduces answers to the question of who is the new translator of ancient literature, what competences does he/she bring, and what impact this shift has on the selection of translatable texts, strategies of translation and the paratext.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 235-248
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Barley flour (áleuron kríthinon) in ancient and early Byzantine medicine (I – VII c. AD)
Mąka jęczmienna [áleuron kríthinon] w medycynie antycznej i wczesnobizantyńskiej [I – VII w. n.e.]
Autorzy:
Jagusiak, Krzysztof
Kokoszko, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1046830.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient medicine
Byzantine medicine
common barley
Opis:
The following article attempts to address two issues. The first one concerns dietetic characteristic of barley flour, which was a very popular product used both in Graeco-Roman and Byzantine culinary art and medicine. The second one deals with the therapeutic role of this product: different forms of remedies made from it, its effects on the human body, and various health problems cured by an application of medicines containing aleuron krithinon. To address these questions we study ancient and Byzantine Greek medical sources written between the 1st and 7th century AD by Dioscurides, Galen, Oribasius, Aetius of Amida, Alexander of Tralles, Paul of Aegina, and the anonymous author of the treatise entitled De cibis.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 1; 41-51
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Najważniejsze funkcje i gatunkowe wyznaczniki anegdoty w biografii antycznej
The most important functions and genre indicators of anectode in ancient biography
Autorzy:
Chudzik, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/1046755.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
anecdote
ancient biography
rhetoric
progymnasmata
historiography
Opis:
The ancient biographical literature is full of anecdotes. Though anecdote as literary form was readily applied in antiquity, it was not distinguished and didn’t have its own name. The term ‘anecdote’ appeared in the 17th century but it hasn’t been described insightfully so far. We have a few modern definitions but they are unsatisfactory. In the beginning of this article author presents shortly the origin of the term ‘anecdote’, showing similarities and differences between Procopios’ Secret History (
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 1; 203-226
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Old Age before the Court: Monnica and Socrates in Book Nine of Augustine’s Confessions
Autorzy:
Stróżyński, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1046782.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
old age
Augustine
Saint Monnica
Socrates
ancient ethics
Opis:
Even though the character of Augustine’s mother, Monnica, has been studied from different angles, the students of the Confessions have not paid much attention to a curious image of her standing before the tribunal of God, which appears in Augustine’s prayer after her death. This short scene, which could be called the “trial of Monnica” is a carefully created passage, in which Augustine juxtaposes Pagan and Christian ethical ideas, probably alluding to Socrates’ trial and confronting the Christian attitude of his mother to that of the greatest of ancient sages. Augustine argues that Monnica should not respond to the Devil’s accusations and should not try to defend herself, because that would make her salvation impossible. On the contrary, abandoning of defense and loving trust in God’s mercy can save her soul from eternal damnation. This attitude is contrary to the proud self-defense of Socrates, who emphasized his innocence and moral perfection. Augustine’s image of Monnica before the court of God is an  expression of his idea of original sin and of human inability to achieve virtue without God’s grace, which is a significant break with the Pagan ethical tradition. The end of Book Nine is also an intriguing combination of such elements as the traditional idea of old age as the time of assessing one’s life, Roman rhetorical and judicial tradition, and integration of Biblical and philosophical truths into an original, influential Augustinian synthesis.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 2; 119-134
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Plethon wobec tradycji teologicznej Greków
Pletho and tradition of ancient Greek theology
Autorzy:
Kujawa, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1806884.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Plethon
Laws
Byzantine philosophy
ancient tradition
Greek theology
Opis:
Byzantine philosopher Georgios Gemistos Pletho (1355–1452) is regarded as the first Philhellene who rejected Christianity and attempted to restore the pogan religion of Hellenic gods. In his last work Books of Laws (Νόμων συγγραφή) he presents his own system of theology based on ancient philosophy and Greek mythology. The aim of the paper is to outline some main features of Plethon’s theology and to show the influence of Greek tradition on it.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 107-127
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Klaudiusz Elian o nazwach cykad
Claudius Aelian on Words for Cicadas
Autorzy:
Kaczyńska, Elwira
Witczak, Krzysztof Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1046580.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ancient Greek
animal terminology
etymology
insects
word-formation
Opis:
In his work Περὶ ζῴων ἰδιότητος (De natura animalium X 44) Claudius Aelian describes cicadas’ names in the following way: „There are, it seems, many species of cicada (τέττιξ), and those who are skilled in these matters enumerate them and report their names. Thus, the Ashen one (τεφράς) is so called from its colour; whence the Membrax (μέμβραξ) got its name I do not know; and Chirper (λακέτας), it appears, is the name for a cicada; and I have heard tell of the Long-tail (κερκώπη) and the Shriller (ἀχέτας) and the Prickly one (ἀκάνθιος). Well, these are all the kinds of Cicada of which I remember having heard the names, but if anyone has got to know more than those that I have mentioned, he must tell them” (translated by Scholfield 1959: 339–341). It is necessary to follow Aelian’s suggestion and explain all the mentioned cicadas’ names from the point of view of the Greek etymology and word-formation.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 2; 41-53
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Portret idealnej królowej w antycznej powieści greckiej – w stronę modelu
An Image of the Ideal Queen in the Ancient Greek Novel – Model Approaching
Autorzy:
Cieśluk, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1806891.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient Greek novel
the ideal queen
Chariton
Heliodorus
Opis:
This article line of reasoning follows the assumption that in the period in which the ancient Greek novel was developing there already existed fixed cultural norms which thus provided for the frames of the then literary presentations of women in power. In Callirhoe by Chariton or Aethiopica by Heliodorus the reader comes across three images of queens and can consequently ponder over the most significant elements of the model of an ideal female ruler. The comparative analysis of the three heroines in question as well as the juxtaposition of their images with the remaining female characters of Greek novels thus constitutes the core of the article.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 43-61
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pure Propaganda or Great Art, Patriotism and Civic Engagement? How Aeschylus and Euripides Used Their Plots to Support Athenian Politics towards the Allies
Czysta propaganda, czy wielka sztuka, patriotyzm i obywatelskie zaangażowanie – jak Ajschylos oraz Eurypides używali swoich fabuł, by wspomóc Ateńską politykę wobec sojuszników
Autorzy:
Śmiechowicz, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1045766.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient theatre
propaganda
allies
tragedy
Aeschylus
Euripides
international politics
Opis:
In this article I would like to focus on one research topic: how ancient tragedians manipulated their drama plots (based on Greek mythology) so as to use them for influencing Athenian “international policies.” Those were not any mistakes or airs of nonchalance on the part of the Athenian tragedians; it was just their carefully premeditated strategy of creating persuasive messages to function as pure propaganda. I am chiefly directing my attention to the topic of how the Athenians established their relations with the allies. Meaning the closest neighbours as well as some of those who did not belong in the circle of the Hellenic civilization. I have decided to devote all of my attention to Aeschylus’ and Euripides’ works, as both of them were obvious supporters of the democratic faction. I focused my attention on the texts: Aeschylus: The Suppliants, Oresteia; Euripides: Heracleidae, Andromache, Archelaus,Temenos.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 5-16
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opera – Oratorio Oedipus Rex by Stravinsky and the Greek Original (SPhP XI, 1996)
Opera – Oratorio Oedipus Rex by Stravinsky and the Greek Original
Autorzy:
Skwara, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1046566.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek tragedy
Sophocles
Oedipus Rex
ancient performances
Igor Stravinsky
opera
Opis:
This article is a voice in the discussion on the methods of stage implementation of Greek tragedy. The discussed staging of “Oedipus Rex” opera by Stravinsky (Tokyo ‚94) is dominated by non-verbal means of expression (music, set design, costume, stage movement), thus setting a supporting role for the libretto. Nevertheless, the performance arouses similar feelings and emotions as Sophocles’ drama.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 7-12
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hamlet Szekspira a tragedie Seneki
Shakespeare’s ‘Hamlet’ and Seneca’s Tragedies
Autorzy:
Hajduk, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/1046681.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
William Shakespeare
Seneca the Younger
Ancient tragedy
Elizabethan drama/theatre
Hamlet
Opis:
In this paper I am discussing some crucial resamblences between ancient tragedy of Seneca the Younger and Hamlet by William Shakespeare. I want to show how important is to have in mind Seneca’s efforts while trying to understand „philosophy” and structure of Hamlet.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 1; 109-125
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lekarz Hermiasz z Kos w świetle źródeł epigraficznych
Hermias of Kos, the physician, in the light of epigraphic sources
Autorzy:
Kaczyńska, Elwira
Powiązania:
https://bibliotekanauki.pl/articles/2143554.pdf
Data publikacji:
2022-08-18
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek epigraphy
honorary inscriptions
ancient medicine
the Hippocratic school
Lyttian war
Opis:
The aim of my article is to discuss six Hellenistic inscriptions which mention Hermias, son of Emmenidas, a distinguished physician from Kos. Two longer honorary inscriptions are connected with Hermias’ five-year stay on the island of Crete as a public doctor. The epigraphic sources in question will be carefully reviewed, translated into Polish and commented on the article.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2022, 32, 1; 7-39
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Why Ovid? Postmodern Alternative Biographies of the Great Poet
Dlaczego Owidiusz? Postmodernistyczne biografie alternatywne wielkiego poety
Autorzy:
Gawarecka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1045694.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
exile of Ovid
historical metafiction
intertextuality
actualization of ancient tradition
counterfactual fiction
Opis:
Article analyses a literary portrait of Publius Ovidius Naso in the novels Naso the Poet (1969) by Jacek Bocheński, An Inexplicable Story or the Narrative of Questus Firmus Siculus by Josef Škvorecky (1998) and The Last World. A Novel with an Ovidian Repertory by Christoph Ransmayr (1988). 
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 2; 119-133
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sposoby czytania rzymskich portretów starców z okresu republiki
How to Read Roman Republican Portraits of the Old Men
Autorzy:
Bugaj, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1046766.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient art
ancient portraiture
Roman Republican portraiture
veristic portraiture
Roman funerary reliefs and monuments
Roman portraits in a public and private context
political uses of images in Rome
Opis:
The portrait sculpture from the Republican era, better recognisable since the second century BC, although gaining in popularity particularly in the first century, constitutes one of the most unique portrait collections ever created. Variability of the portraits reveals combination of abstract features, expressed in an appropriate visual language, with definite physiognomic features and characteristics of persons being portrayed. A new type of portraiture was created at the time, different from the traditional Hellenistic one. Although it was the latter that was a source of the idea itself, and a provider of formal tools used to implement the idea. With this new concept the portraiture obtained an unprecedented capacity to articulate and project the interior processes of human experience. The Roman concept of portraying was most distinctive in so called veristic portraits, usually assumed to represent the essence of what was socially Roman. The collection consists mainly of the portraits of old men, frequently bold and toothless, with wry faces, full of wrinkles and scars – depicted in a stern manner, the manner that was not limited only to a persistent portraying of irregularities in physiognomies. Also emotional states were shown – almost with no exception these emaciated faces were gloomy and graceless. Looking at them might mislead viewers into assumption that they represented uncompromising images of their models. However, according to some studies, they were often just conventional types of representations, with features resulting from ideological motivation. And manipulating particular elements of physiognomy and character, these portrayed people – public images – were supposed to carry a particular message, to play desired and expected political and propaganda roles. What the role was remains a disputable issue, depending on various interpreting approaches. The papers dealing with the history of ancient art have been revealing, for the several years, various attempts made to extend interpretative interest beyond formal and stylistic interpretations of antique pieces of art and to look at these visual representations in a wider cultural and political context of their times. The study of the Republican portrait – traditionally explaining the origin of so called verism of these images in terms of the influence of the preceding realistic Hellenistic or Egyptian portraiture and images of ancestors – has been replaced by the approach promoting interpretation of these portraits as the signs existing in particular historical and political context which helps to explain their special visual expression. Such new interpretative perspectives significantly improved our understanding of forms and meanings of the portraits, although there are still several unclear issues, such as the social functioning of art. What is more, various researchers represent significantly different approaches. Thus, the portraits of the old men, especially popular towards the end of the republican era, on the one hand were interpreted as signs of protest against the contemporary reality, with which they argued, not allowing for what was approaching. While emphasising their age, the portrayed persons were supposed to emphasise their long-lasting service for the Republic, as well as the values they were devoted to, which were virtues, such as gravitas, dignitas, fides. On the other hand, these Republican portraits of old men are sometimes interpreted as efficient medium of social and cultural activities, and more precisely, as a result of relationships with authorities, and even as a tool used to build these relationships, especially if there was a patronage system functioning. In my paper, I confront various attitudes towards the portraits of old men and present the most convincing, in my opinion, interpretations, also trying to extend them.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 1; 33-60
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 19

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