Autor: Fitzpatrick, Daniel - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: St. Thomas and the Bard: On Beauty in the Tempest and the Limits of Aesthetic Experience
Autorzy:: Fitzpatrick, Daniel
Powiązania:: https://bibliotekanauki.pl/articles/2057092.pdf
Data publikacji:: 2021-12-20
Wydawca:: International Étienne Gilson Society
Tematy:: Thomas Aquinas
Aristotle
William Shakespeare
genus
aesthetics
virtual quantity
substance
beauty
perception
taste
Opis:: The paper addresses the matter of differences of aesthetic judgment by examining Shake-speare’s Tempest through the Thomistic understanding of substance and of beauty. It seeks principally to explore three elements of aesthetic inquiry: (1) what characterizes the subject who perceives beauty? (2) what characterizes the object of aesthetic experi-ence? and (3) how do aesthetic judgments differ from sensual perceptions? The Tem-pest serves as particularly fruitful territory for such exploration in virtue of the persons of Miranda and Caliban, who by the limitations of their experience delineate the generic borders, the degrees of virtual quantum excellence, which characterize the beautiful object. Their education at the hand of Prospero likewise elucidates somewhat the proc-ess of aesthetic training.
Źródło:: Studia Gilsoniana; 2021, 10, 4; 789-812
2300-0066
Pojawia się w:: Studia Gilsoniana
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: The Hidden God. Achilles, Aquinas, and Moral Action in an Ordered World
Autorzy:: Fitzpatrick, Daniel
Powiązania:: https://bibliotekanauki.pl/articles/507544.pdf
Data publikacji:: 2017-06-30
Wydawca:: International Étienne Gilson Society
Tematy:: St. Thomas Aquinas
Homer
Achilles
moral psychology
virtual quantity
anger
Opis:: The central goals of this essay are three: (1) to situate St. Thomas’s moral psychology within his cosmology, with special emphasis on the notion of virtual quantity; (2) to illuminate and confirm that moral psychology through an examination of Achilles as Homer present him in the Iliad; (3) to suggest that if St. Thomas’s picture of the psychological landscape can be validated by reference to Homer, then so, too, might his metaphysical portraiture bear more credence than it is typically awarded. Particular attention will be given to Achilles’ anger and the psychological distinctions by which St. Thomas makes such anger and its attendant acts intelligible.
Źródło:: Studia Gilsoniana; 2017, 6, 2; 197-220
2300-0066
Pojawia się w:: Studia Gilsoniana
Dostawca treści:: Biblioteka Nauki

Artykuł

Informacja