Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "the 19th century" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 40
Tytuł:
Futurology and utopia in Bolesław Pruss short story “Phantoms”
Futurologia i utopia w „Widziadłach” Bolesława Prusa
Autorzy:
Barski, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/2087929.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature at the turn of the 19th century
realism
futurology
utopia
Bolesław Prus (1847–1912)
futurologia
pozytywizm
Bolesław Prus
fantastyka
Opis:
This article examines Bolesław Prus's use of futurology and utopia in his short story Phantoms (Widziadła). A closer look at the story's images and their sequence not only gives us an insight into the author's philosophy of history but also reveals a utopian vision which can hardly be squared with the realism of his previous work. Thus ‘Widziadła’, written in 1911, can be seen as an important piece of evidence of a change in the writer's beliefs and worldview. It was at that late stage of his life that Prus, a hard-nosed realist and critic of the Romantics, turned into an impassioned idealist who, disillusioned with the world around him, sought refuge in literature. It was to be, however, a fiction like ‘Widziadła’, looking beyond the conventions of realism, unashamedly eclectic and visionary.
Źródło:
Ruch Literacki; 2020, 2; 115-128
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maria Konopnicka: Flowers, flower shows, travel writing. (Bibliographical and thematical annexes)
Konopnicka – kwiaty, wystawy, reportaże. (Uzupełnienia bibliograficzne i tematyczne)
Autorzy:
Budrewicz, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/2087675.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
the flower motif
travel writing
Maria Konopnicka's journalism
Maria Konopnicka (1842–1910)
bibliografie
pierwodruki
reportaże
kwiaty
Opis:
This article presents the results of a search aimed at identifying the original publication details of Maria Konopnicka's reportages included in Ludzie i rzeczy (People and Things), a book of her short stories and journalism published in 1898. It has been found that “Na kwiatowej giełdzie” (The Flower Festival [in Nice]) was published in Kurier Warszawski, 1893, No. 103–104; “Akwileja” (Aquileia [Italy]) in Kurier Warszawski, 1895, No. 103, pp. 5–6, while “Po drodze” (On the way [Admont Abbey, Austria]) was originally published in Wędrowiec, 1892 (No. 46–50), and “Chryzantemy” (Chrysanthe-mums) in Kurier Warszawski, 1894, No. 1. A discussion of the motif of flowers and flower shows is based on these and Konopnicka's other texts. In her work flowers functioned as a visual representation of thought, which enabled her to establish a connection between nature, human beings and culture (whose development was conditioned by the economy).
Źródło:
Ruch Literacki; 2021, 5; 723-736
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stanisław Przybyszewski’s Vigils
O Wigiliach Stanisława Przybyszewskiego
Autorzy:
Matuszek-Stec, Gabriela
Powiązania:
https://bibliotekanauki.pl/articles/2087392.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the turn of the 19th century
symbolism
Polish-German literary connections
Stanisław Przybyszewski (1868–1927)
Stanisław Przybyszewski
"Z cyklu Wigilii"
Vigilien
Opis:
Stanisław Przybyszewski’s Vigils is a prose poem written originally in German; its publication in 1895 was followed by a revised edition in 1901. A Polish translation, by Przybyszewski himself, entitled Z cyklu Wigilii was published in 1899. This interpretation of the Vigils not only takes a closer look at its origins and history, but also analyzes the differences between the two German versions and makes a comparison of the German and Polish texts. The comparison reveals that the most flagrant and blasphemous passages have been left out of the Polish version. Moreover, the omission of the original conclusion changes the meaning of the story. The article quotes the opinions of the first readers of the Vigils, the German and Polish reviewers, and goes on to present its own interpretation of the poem. What it actually dramatizes is the failure to find a formula that would integrate the protean, irrational and entropic reality the story. In effect, the project of establishing a connection between the act of creation and transcendental knowledge through a total, mystical union of male and female, soul and soma, turns out to be an illusion.
Źródło:
Ruch Literacki; 2021, 2; 159-174
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Though we set out under a humble name, our goal is the ocean”: The weekly Strumień, or the heady days of Warsaw modernism
„Pod skromną wprawdzie wyruszamy nazwą, ale dążymy do oceanu”… „Strumień” – młodość warszawskiego modernizmu
Autorzy:
Sadlik, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2087389.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish press at the turn of the 19th century
Warsaw cultural periodicals
Modernism
aesteticism
Wacław Gąsiorowski (1869–1939)
Młoda Polska
modernizm
dekadentyzm
czasopiśmiennictwo
estetyzm
Opis:
This article deals with the ephemeral magazine Strumień [The Stream], which represents an all but forgotten chapters in the history of Warsaw modernism. Launched by Wacław Gąsiorowski in 1900, this artistic and literary periodical was inspired by the success of the illustrated weekly Życie [Life], published since 1897 in Cracow. Aimed primarily at a small elite readership, Strumień was plagued from its inception by financial difficulties. As a result, it had to close down after a few months and made its mark primarily as a target of jokes in Warsaw satirical press.
Źródło:
Ruch Literacki; 2021, 2; 217-235
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bex: Juliusz Słowackis journey to the underworld
Bex. Słowackiego wyprawa w podziemia
Autorzy:
Tomasik, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2087776.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romantic biography
tour of Switzerland
travel writing
Juliusz Słowacki (1809-1849)
romantyzm
podróżopisarstwo
turystyka
przewodniki turystyczne
Opis:
On 31 July 1834 Juliusz Słowacki in the company of the Wodziński family set off from Geneva on a tour of Switzerland. He completed the first leg of journey on the same day in Bex, a village to the south‑east of Lac Leman. The following day the party visited Bex's famous salt mine and Słowacki wrote a laconic account of their excursion to the bowels of the earth in a letter to his mother. With the help of contemporary travel guides and the accounts of other travelers it is possible to fill the details of that trip. After exiting the mine, the party made their way south to Martigny.
Źródło:
Ruch Literacki; 2020, 4; 381-396
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
What is the androgyne? The androgynous character and Kazimierz Lewandowski ‘morbid modernity’
Kim jest androgyne? Figura androgyne – o „chorobliwym modernizmie” Kazimierza Lewandowskiego
Autorzy:
Ejzak, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/2087624.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the turn of the 19th century
Young Poland movement
modernist poetry
androgyne
Mephistophelian personality
Kazimierz Lewandowski (1869– 1938)
Kazimierz Lewandowski
Lais
Szella
Androgyne
Opis:
On the basis of a close reading of the poetry of Kazimierz Lewandowski (Lais and the poems in Szella) this article presents a revised view of the androgyne in the perception of the Young Poland modernism. The article examines the symbolism and the spaces with which the androgyne is associated, the androgyne’s destructive influence on men and demonic, Mephistophelian personality traits.
Źródło:
Ruch Literacki; 2021, 4; 479-492
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adam Mickiewicz’s „Pan Tadeusz” and the culture of remembrance
Kultura pamięci: Pan Tadeusz Adama Mickiewicza
Autorzy:
Speičytė, Brigita
Powiązania:
https://bibliotekanauki.pl/articles/2087171.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Lithuania
epic poetry and Romanticism
historical narrative
the culture of remembrance
Adam Mickiewicz (1798–1855)
kultura pamięci
epopeja
nowoczesność
tożsamość
recepcja
Opis:
Adam Mickiewicz's epic poem Pan Tadeusz, published in Paris in 1834, can be seen as an expression of a romantic culture of remembrance which emerged in Poland and Lithuania in the aftermath of a traumatic political event, the January Uprising of 1830–1831. This article discusses the poet's transformation of the devices and generic model of heroic epic for the double purpose of expressing a notion of historical time which holds out an open future for both the individual and the national community, and of promoting the acceptance of a complicated past through the resolution of its conflicts. Both in Poland and in Lithuania, Pan Tadeusz was regarded as a monumental tribute to the culture of the Polish-Lithuanian Commonwealth and a major influence on the modern national literatures in Lithuanian, Belarusian and Yiddish, sprouting on the territory of the former Grand Duchy of Lithuania.
Źródło:
Ruch Literacki; 2020, 6; 585-602
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jakub vs. Jakób Szela: The ghoul’s comeback
Jakub vs. Jakób. Szela – powroty Upiora
Autorzy:
Węgrzyn, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/2087406.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Poland in the 19th century
Polish peasantry
Galicia
the Peasant Uprising of 1846
Jakub Szela (1787–1860)
Rabacja galicyjska 1846 rok
Jakub Szela
historia chłopów polskich
Nauki Humanistyczne i Społeczne
Opis:
This article is intended as an updated addendum to the history of the reception of Jakub Szela, leader of the peasant uprising in Galicia in 1846, in Franciszek Ziejka’s Złota legenda chłopów polskich [The Golden Legend of Polish Peasants], published in 1984. It seems that practically all of the accounts of the bloody events of 1846 follow either of two master narratives distinguished by their characteristic patterns of sidetracking and omissions. The two narratives also differ in their contrarian ideological leanings and aesthetic sensitivity. Another important observation concerns the congruence of the narrative written by the gentry and the traditional national history, and a similar congruence of the peasant narrative with the approach of social history.
Źródło:
Ruch Literacki; 2021, 2; 237-255
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Juliusz Słowacki’s problems with eroticism
Juliusza Słowackiego kłopoty z erotyzmem
Autorzy:
Ciechańska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2088453.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
sexuality and eroticism
the French language and the articulation of intimate desire
Leonard Niedźwiecki (1810–1892)
Juliusz Słowacki (1809–1849)
Leonard Niedźwiecki
romantyzm
erotyzm
seksualność
Opis:
This article examines Słowacki’s preoccupation with eroticism in some of his works and in his correspondence. The first part focuses on his poem ‘In Switzerland’ in which the relationship between the characters is shrouded in ambiguity and the sexual theme is treated in an elliptical manner. Beatrix Cenci, a Romantic drama showing the fi lthy, predatory aspects of sexuality and eroticism, is analysed in the second part of the article. It is followed by a discussion of Słowacki’s correspondence with Leonard Niedźwiecki, conducted in French. The article examines the ways in which the choice of the French language appears to have infl uenced the poet’s articulation of his intimate experiences and desires.
Źródło:
Ruch Literacki; 2019, 3; 315-331
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Anti)romances of Waleria Marrené-Morzkowska
(Anty)romanse Walerii Marrené-Morzkowskiej
Autorzy:
Banot, Aleksandra E.
Powiązania:
https://bibliotekanauki.pl/articles/2088451.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
popular romances
feminist fiction
Waleria Marrené-Morzkowska (1832–1903)
Waleria Marrené-Morzkowska
literatura polska XIX wieku
pisarstwo kobiet
romans
Opis:
Twentieth-century historians of Polish literature (e.g. Henryk Markiewicz and Grażyna Borkowska) unanimously agree that Waleria Marrené-Morzkowska was at best a second-rank writer. It seems that such negative opinions are founded, fi rst of all, on the critics’ low view of her favourite genre, the popular romance; and secondly on a critical survey of her work written in 1966 by Irena Wyczańska for a multivolume Guide to Polish Literature of the 19th and 20th Century (Obraz literatury polskiej XIX i XX wieku). This article attempts to revise the established view of her fi ction by analyzing some of works, i.e. two novels, Leonora’s Husband (Mąż Leonory, 1883) and The Little Blue Book (Błękitna książeczka, 1876), and the short story A Duplex Woman (Dwoista, 1889). This reappraisal draws on the favourable assessments of her work of the fi rst generation of her readers, among them writer Teodor Jeske-Choiński, literary historian Henryk Galle and Piotr Chmielowski, a leading literary scholar of the late 19th century. In their view her work rose above the level of run-of-the-mill romances and didactic fi ction thanks to her skill in combining the conventions of the realist novel with plots of popular romance.
Źródło:
Ruch Literacki; 2019, 3; 301-314
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Imagined geography in Wincenty Pol’s “A Song of Our Land”
Geografia wyobrażona Wincentego Pola (wokół „Pieśni o ziemi naszej”)
Autorzy:
Bagłajewski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2089995.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romantic poetry
topographical verse
postcolonial and geopoetical criticism
imagined geography
Wincenty Pol (1807–1872)
Wincenty Pol
romantyzm
geopoetyka
postkolonializm
geografia wyobrażona
Opis:
Whereas Wincenty Pol’s topographical verse has usually been viewed as an expression of a ‘sentimental geography’, this article proposes a new reading of a well-known poem A Song about Our Land by Wincenty Pol in terms of ‘imagined geography’, a key term of an approach inspired by geopoetics and postcolonial studies. ‘Imagined geography’ refers to a poetic map, i.e. travelogue laced with motifs from the repository of national heritage. Its images, reshaped by the writer’s imagination, form an ideologically charged whole in which an emotive sense of place or scenery (‘touching the heart’) uncovers a complex cultural stratigraphy of the ‘imagined geography’. In the light of this approach, based on the insights of geopoetics, Wincenty Pol’s poem can be treated as textual representation of a map of the real and the symbolic territory of Poland.
Źródło:
Ruch Literacki; 2018, 4; 373-390
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Maria Manteuffel née von Ryck and her recently discovered letters to her son Gustaw Manteuffel
Maria z Ryków Manteufflowa i jej nieznana korespondencja do syna – Gustawa Manteuffla
Autorzy:
Budzyński, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/2090012.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Poland in the 19th century
Inflanty Polskie (Polish Livonia) / Latvia
biography
Polish aristocracy
Maria Manteuffel née von Ryck (1811–1874)
epistolografia
Inflanty
literatura dziewiętnastowieczna
Maria Manteufflowa
okres międzypowstaniowy
Opis:
Maria Manteuffel letters from the period 1844–1859 offer invaluable insights into the life of Polish gentry in the former Polish Livonia (Infl anty Polskie), incorporated into the Vitebsk Governorate of the Russian Empire. These letters of mother to her son Gustaw Manteuffel, student at the University of Dorpat (now Tartu, Estonia) who was to become one of great Polish historiographers of late 19th century, are an important historical source. Although they deal mainly with family matters, the mundane is interspersed with notes and comments which throw light on the Russian tax burdens and the social life of the aristocracy and the local gentry. An eye-catching feature of that correspondence is a string of Latvian (Latgalian) words and phrases which are interspersed into Maria Manteuffel’s sentences. There is not much we know about her life. Born in Wielony in 1811, she was heiress to the Drycany estate. In 1828 she married baron Jakub Manteuffel. Of their children only four sons survived to adulthood. Born into a Polish-Livonian family, Maria Manteuffel became a Polish patriot, patroness and sponsor of various patriotic initiatives. When the Drycany estate was sequestrated by the Russian authorities after the 1863 January Uprising, she moved to Lesno and later to Riga where she died in 1874. She was buried at Drycany beside her husband; in 1916 her son was buried in the same family vault.
Źródło:
Ruch Literacki; 2018, 4; 457-477
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sacrum i błoto. Uświęcenie materii w wierszu [ Snycerz był zatrudniony Dyjanny lepieniem…] Juliusza Słowackiego
The sacred and mud: Sacralization of matter in Juliusz Słowacki's poem ‘The carver was busy shaping Diana's statue’
Autorzy:
Rzepniewska-Kosińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2170188.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
philosophy of art
spirit and matter
Genesis from the Spirit
Juliusz Słowacki (1809–1849)
Snycerz był zatrudniony Dyjanny lepieniem…
sakralizacja
materia
materia sztuki
myśl genezyjska
Opis:
In this interpretation of Juliusz Słowacki's ‘Snycerz był zatrudniony Dyjanny lepieniem…’ [The carver was busy shaping Diana's statue] the discussion focuses on his attitude to matter, especially as the material of art. The article argues that Słowacki elevates and even sacralises mud, the most lowly of raw materials, and thus exposes the falseness of the popular view that he despises matter, the base opposite of the spirit. However, it would be more accurate to say that in his vision, which is part of his Genesis from the Spirit philosophy, the path to salvation leads through the reconciliation of spirit and matter rather than a triumph of one over the other.
Źródło:
Ruch Literacki; 2021, 6; 787-801
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genesis from the Spirit, or subjectivity and nature in Juliusz Słowacki
Genezis z Ducha, czyli o podmiotowości i naturze u Juliusza Słowackiego
Autorzy:
Kutrzeba, Kacper
Powiązania:
https://bibliotekanauki.pl/articles/2087688.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
literature and philosophy
discourse of modernity
German Idealism
critique of ideology
Juliusz Słowacki (1809–1849)
romantyzm
nowoczesność
mistycyzm
krytyka ideologii
rewizja romantyczna
Opis:
This article presents a new approach to the interpretation of Juliusz Słowacki's Genesis from the Spirit (1844) from the perspective of the groundbreaking philosophical discourse of modernity. What it actually suggests is that the mystical Form of Słowacki's cosmic vision, believed to be an emanation of the Absolute or a vestige of Creation, has a historical and materialist core. This claim is based on a series of comparisons with passages from Hegel and the premises of the philosophy of Friedrich Schlegel. By following closely the spontaneous movement of inner tensions in Słowacki's poetic discourse this study demonstrates that it is driven his own philosophical project and less so by the discourse of mysticism.
Źródło:
Ruch Literacki; 2021, 5; 631-656
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adam Mickiewiczs ‘Forty and Four’: A conjecture
„Czterdzieści i cztery”. Hipoteza
Autorzy:
Szargot, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/2087762.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
prophetic symbolism
number 44
tyrannicide
Brutus
Reign of Terror
Adam Mickiewicz (1798‑1855)
'Dziady' (Forefathers' Eve)
Mickiewicz
"Dziady"
44
tyranobójstwo
antyczny Rzym
Wielka Rewolucja Francuska
Opis:
This article attempts to formulate a new interpretation of the mysterious messianic character marked "Forty and Four" from the Vision of Priest Piotr in Adam Mickiewicz's poetic drama Dziady (Forefathers' Eve), Part III. After a review of earlier readings of this crux and its symbolism, the author of the article presents his own proposal, which contextualizes the enigmatic number in three historical frameworks. The first of them is ancient history, and, more specifically, 'Forty four' is seen as a reference to the Ides of March in 44 B.C., the date on which Julius Caesar was assassinated by a group of conspirators led by Brutus. The other two relevant contexts are the Reign of Terror during the French Revolution, and the high tides of modern history culminating in tyrannicide. In effect, the 'Forty four' passage is seen as an affirmation or even a sacralization of tyrannicide, symbolized by not only by inexplicit references to Brutus and the Israelite heroine Judith. It is a theme which reverberates not only in Dziady but also throughout Adam Mickiewicz's work.
Źródło:
Ruch Literacki; 2020, 4; 359-379
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 40

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies