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Wyświetlanie 1-15 z 37
Tytuł:
Udział polskich konserwatorów w ratowaniu zabytków Florencji
Autorzy:
Bursze, Juliusz
Lipkowa, Gabriela
Powiązania:
https://bibliotekanauki.pl/articles/536478.pdf
Data publikacji:
1968
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
powodzie we Florencji
ratowanie zabytków we Florencji
polscy konserwatorzy we Florencji
Źródło:
Ochrona Zabytków; 1968, 3; 77-88
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wykopaliska na terenie lewobrzeżnego zamku Piastów we Wrocławiu
Autorzy:
Morelowski, Marian
Powiązania:
https://bibliotekanauki.pl/articles/535082.pdf
Data publikacji:
1955
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Piastowie śląscy
zamek Piastów we Wrocławiu
Kurt Bimler
wykopaliska we Wrocławiu
badania zamku Piastów
kościół uniwersytecki we Wrocławiu
Źródło:
Ochrona Zabytków; 1955, 1; 10-16
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polonica we Francji
THE POLISH RELICS OF THE PAST IN FRANCE
Autorzy:
Kwilecki, Stefan
Powiązania:
https://bibliotekanauki.pl/articles/535502.pdf
Data publikacji:
1973
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
zasoby dóbr kultury polskiej we Francji
inwentaryzacja polskich grobów we Francji
miejsca związane z polską emigracją zarobkową we Francji
Opis:
During his sch o la rsh ip jo u rn ey to F ra n c e th e a u th o r has g a th e red a good d eal of m a te ria ls , i.e. de sc rip tiv e an d p h o to g rap h ic , concerning th e stay an d lives of th e Polish people in th a t co u n try . As Po lan d an d F ra n c e a re fo r man y c e n tu rie s lin k ed by th e close tie s of th e ir m u tu a l frien d sh ip in th e F re n ch tow n s can be en co u n te red lots of in te re s tin g relics re la tin g to th e Po lish history. While living tw o m o n th s in P a ris an d a few o th e r tow n s a fa irly a c c u ra te m a te ria ls h av e b e en collected by th e a u th o r w ith concern to g rav e s of Poles, th e ir s ta tu e s, comm emo ra tiv e desks a n d a rc h ite c tu ra l objects. Rich collections of th e Polish relics a re also to be fo u n d in m u n ic ip a l a n d p riv a te a rch iv e s a s w e ll as in museums. A t th e en d of his a rtic le th e a u th o r p u ts fo rw a rd a p ro p o sa l th a t an a p p ro p ria te a ction should be s ta rte d to p re p a r e as fu ll as possible d o cum en ta tio n of th e Polish relics in Fran c e .
Źródło:
Ochrona Zabytków; 1973, 1; 65-68
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dwie restauracje romańskiego portalu z opactwa św. Wincentego na Ołbinie we Wrocławiu i jego akutalna problematyka konserwatorska
TWO RESTORATIONS OF THE ROMANESQUE DOORWAY FROM THE ST. VINCENT ABBEY AT OŁBIN IN WROCŁAW AND THE ACTUAL PROBLEMS OF ITS PRESERVATION
Autorzy:
Świechowski, Zygmunt
Powiązania:
https://bibliotekanauki.pl/articles/537305.pdf
Data publikacji:
1970
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
kościół Marii Magdaleny we Wrocławiu
romański portal we Wrocławiu
portal z Ołbina
archiwolty
Opis:
The recent preservation treatment of the Romanesque doorway of St. Magdalene at Wrocław seeming to represent an entirely new stage within the series of works aimed at fixating of stone sculptures endangered with disintegration has been preceded by preservation operations in centuries that passed, the most important among them being those undertaken in the 16-th and the 19-th centuries. The works carried out in the period of' Renaissance were remarkable by their quite unusual character, for in 1529 the Abbey Church at Ołbin, then sited w ithin the „extra muros” area of the Wrocław fortificational system, has been totally demolished to prevent hostile forces from making use of it for their protection. In those days one of the church’s magnificent doorways was dismantled in the most careful manner and then mounted again at the south wall of the St. Magdalene parish church, located on the actual* town area, The date of that operation, quite extraordinary in its epoch, namely 1546, was evidenced in the records of the time and also in form of an inscription that could be read on the extrados of the doorway archivolt up to the third quarter of the 19-th century. Both the preservation and removal arose from the unquestionably positive appraisal of sculptural and ornamental values present in the doorway’s arrangement. This, though a rare but not sole viewpoint has led to the appearance of a peculiar phenomenon of revival of the Romanesque forms in architecture and plastic arts in the sixteenth-century Wroclaw. The soil for this phenomenon was prepared by the deep interest shown by the local historiographical circles for the twelfth-century monuments closely related to the early stages of the town’s history. The restoration carried out in 1888 appears to be extremely awkward one as compared with that careful behaviour of the sixteenth-century „conservators”. Due to puristic assumptions adopted in the course of restoration were removed all the Renaissance supplementations and additions resulting from altered functions of the doorway. They have been replaced by the nineteenth-century architect with odd details of the neoromanesque ornamentation. As result of an arbitrary approach to motives not complying with his own fairly inadequate knowledge of the Romanesque sculpture, he removed the lions united with bases of the outer flanking columns. It was exactly then that the inscriptions disappeared from the doorway, both the original Romanesque ones and that dating from the Renaissance period, incised to commemorate the removal operation. Actual works on the Wrocław doorway represent only the first from the planned stages within a complete range of works to be undertaken, As one of the next operations it is expected to obtain the castings that could become an excellent way to reintegrate the components of this remarkable masterpiece of Romanesque sculpture which at present are divided between the St. Magdalene church and the two Wrocław museums.
Źródło:
Ochrona Zabytków; 1970, 1; 3-10
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ochrona dóbr kultury we Włoszech, Umbria i Wenecja - wystawa w Warszawie
Autorzy:
Krzyżanowski, Lech
Powiązania:
https://bibliotekanauki.pl/articles/536601.pdf
Data publikacji:
1981
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Ochrona dóbr kultury we Włoszech, Umbria i Wenecja
wystawa konserwatorska
Konserwacja zabytków we Włoszech
Źródło:
Ochrona Zabytków; 1981, 3-4; 230
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wieża Kopernika we Fromborku
Autorzy:
Szymański, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/535553.pdf
Data publikacji:
1953
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
wieża Kopernika we Fromborku
„castrum”
Frombork
„Curia Copernicana”
kościół katedralny we Fromborku
rekonstrukcja wieży Kopernika
Źródło:
Ochrona Zabytków; 1953, 1; 57-63
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rewaloryzacja kamienic czynszowych z początku XX w. na przykładzie ulicy Piastowskiej we Wrocławiu
THE RENEWAL OF TENEMENT HOUSES FROM THE EARLY 20TH CENTURY AS EXEMPLIFIED BY PIASTOWSKA STREET IN WROCŁAW
Autorzy:
Michajłowicz, Lesław
Powiązania:
https://bibliotekanauki.pl/articles/538619.pdf
Data publikacji:
1982
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
modernizacja kamienic ulicy Piastowskiej we Wrocławiu
Opis:
Although problems of the renewal enjoy an ever bigger appreciation of the society, in most cases they are, as a rule, limited to historic old-town centres and mainly cover structures of high historic merit. The same holds true of the problem of conservation, modernization and adaptation of housing resources from the 19th century. The problems are dealt with by various research centres in, i.a., Warsaw, Cracow, Gdańsk, Łódź and Wroclaw. The most interesting and worth restoring part of Wroclaw is the complex at Piastowska Street. Its most valuable part with high architectural values comprises 21 houses in eastern and western frontages as well as a small rectangular square jutting out onto the western elevation. Despite formal differences in the façades of individual buildings, on the whole they represent a stylistically uniform entity. War destruction as well as post-war repair works have only slightly affected a technical condition and functional arrangement of the buildings, while the standard of apartments that are found there does not satisfy to-day’s requirements. A similar situation prevails in the entire region of Grunwaldzki Square in Wroclaw. All lived-in apartments have to be renewed and their renewal must be based on thorough studies comprising all aspects of the whole complex phenomenon. Decisions on reconstruction should be related to a strategy of rebuilding which must determine spatial transformation in the entire town; of course, historic and cultural values of individual structures must be taken into consideration. When analyzing in such a way Piastowska street and the 19th century buildings in Wroclaw the conclusion may be reached that its most interesting and worth preserving elements are factors associated mainly with the architectural form. Functional factors, inconsistent with present requirements, decide of the necessity to modernize. Due to limited possibilities of the transformation of old constructional and functional systems, repair and modernization works aimed to restore original technical and aesthetic values and to improve functional values make impossible the achievement in full of the necessary standard. Therefore it seems necessary to renounce traditional forms of repairing and to introduce new bold methods of constructional and building transformations, carried out in a somewhat industrialized way. Actions aimed at a full restoration of the 19th century housing resources should be concentrated on undertakings in the field of organizational, legal and methodological changes in renewal processes.
Źródło:
Ochrona Zabytków; 1982, 3-4; 193-201
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konserwacja we Włoszech (uwagi na podstawie podróży)
Autorzy:
Dąbrowski, K.
Powiązania:
https://bibliotekanauki.pl/articles/536820.pdf
Data publikacji:
1956
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
konserwacja zabytków we Włoszech
Cesare Brandi
konserwacja malowideł ściennych we Włoszech
włoska konserwacja malarstwa sztalugowego
osiągnięcia włoskiej konserwacji
Źródło:
Ochrona Zabytków; 1956, 3; 194-198
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uwagi o portalu ołbińskim
Autorzy:
Koziński, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/535276.pdf
Data publikacji:
1958
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
kościół Marii Magdaleny we Wrocławiu
portal ołbiński
zburzenie opactwa na Ołbinie
portal kościoła Marii Magdaleny we Wrocławiu
konserwacja chemiczna
Źródło:
Ochrona Zabytków; 1958, 3-4; 177-191
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badania chemiczne, fizyczne i biologiczne dla celów konserwacji dóbr kultury - ogólnopolska konferencja we Wrocławiu
Autorzy:
Hauke, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/535622.pdf
Data publikacji:
1981
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
ogólnopolska konferencja we Wrocławiu
konferencja: Badania chemiczne, fizyczne i biologiczne dla celów konserwacji dóbr kultury
konferencja we Wrocławiu
wrocławski Oddział PKZ
Źródło:
Ochrona Zabytków; 1981, 1-2; 110-111
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ochrona i konserwacja zabytkowych witryn sklepowych we Wrocławiu
PROBLEMS OF THE PROTECTION AND CONSERVATION OF OLD SHOP WINDOWS IN WROCŁAW
Autorzy:
Kirschke, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/535912.pdf
Data publikacji:
1982
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
zabytkowe witryny sklepowe we Wrocławiu
Wrocław
architektura parterów usługowych
sklepy w kamienicach mieszczańskich Wrocławia
przemiany parteru kamienicy mieszczańskiej Rynek 4 we Wrocławiu
rozwój witryn sklepowych
Opis:
In hitherto conservation activities the problem of the architecture of service ground floors and their windows has been either omitted or treated freely and their architectural value denied. Still, shop windows have always constituted an integral part of tenement houses and as such, ranking with them, deserve to be covered by conservation care. Some of the shops in tenement houses appeared in the Middle Ages but trade, as a rule, was concentrated on market squares and on town markets. It was at that time that attributes of shops came into sight: trade marks, signboards and wooden hoods protecting goods sold in front of shops as well as front entrances to cellars. Along with the development of the town and industry, in the second half of the 18th centruy shops began to appear in tenement houses more and often. After that fact had become legalized in the early 19th century ground floors were adapted for trading functions. At first only the door leading from the street to the shop was pierced and accentuated with a wooden hood or with shelves. At the end of the first half of the 19th century the grilles on the ground floors were removed and replaced with shutters. At the same time shop windows got enlarged at the expense of entrances to cellars and glazed with small panes. In the fifties there appeared case-like shop windows — wooden, self-bearing constructions fixed into the elevation. A development of glass manufacture and construction materials made it possible to glaze bigger surfaces and to enlarge windows of the ground floor. Two storeyed and wooden shop windows, folded-up shutters and markees appeared. In the secession period, architecture of interiors became particularly spectacular and formed a uniform entity with buildings. A department store, which came into existence at the end of the 19th century, adopted and developed shop windows with enlarged window oriffices. A characteristic feature of modernism were big simple shop windows corresponding to the needs of display and satisfying tastes. On the other hand this led to the reconstruction and removal of older types of shop windows. A danger of chaos in architecture of shop windows was noticed in the twenties of this century. Works were undertaken during which a big number of advertisments and signboards was removed from the elevations and ground floors were restored to their old forms and details. At present, in conservation works carried out in Wroclaw on buildings of historic merit one can notice a tendency to enlarge to a maximum extent windows found on ground floors and to remove completely all details. Such methods do not meet the requirements, as indirect stages of the development of shop windows had also their value and now they just disappear at a disquieting rate. It is thus necessary to have a stock-taking and to include this problem into the process of the town revival.
Źródło:
Ochrona Zabytków; 1982, 1-2; 36-44
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Późnogotyckie hełmy wież wrocławskich i problem odbudowy hełmów wież katedry
THE LATE-GOTIC SPIRES ON THE TOWERS OF WROCŁAW HISTORIC BUILDINGS AND THE PROBLEM OF THEIR REBUILDING IN THE CATHEDRAL
Autorzy:
Małachowicz, Edmund
Powiązania:
https://bibliotekanauki.pl/articles/536627.pdf
Data publikacji:
1974
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
hełmy wież wrocławskich
rekonstrukcja hełmów wież
wieża katedry wrocławskiej
kościół św. Wojciecha we Wrocławiu
rysunki Schendla
hełm przy kościele św. Macieja we Wrocławiu
konstrukcja hełmu gotyckiego
Opis:
The skyline of Wroclaw’s historic centre in which the tower spires played a dominating role has su ffe r ed considerable losses as a result of great battle that was fougth here in spring of 1945. From among a total of nineteen spires shooting prior to 1945 only three medieval spires fu lly survived and the two others preserved in parts. After the World War II was preserved only one spire, namely that on the tower of the Holy Cross Collegiate Church. The restoration of the Old Town panorama although running slowly is being carried out very carefully and systematically. As one of its most important steps is to be considered the rebuilding of spires crowning the towers of the Wroclaw Cathedral. Tending to its completion the restoration of façades requires that also this architectural element be solved. The scarcely available illustrative materials did not until now allow to prepare a satisfactory version of design for reconstruction of its Gothic spire, whereas that later, i.e. coming from the Renaissance period, had never been taken into consideration at all. As the unique and at the same time most important illustrative source presenting the spire on the Cathedral’s northern tower can be handled the panoramic v iew of the town of Wroclaw shown in the „Chronicle” by Hartmann Schedel that was printed in 1493. However, the right interpretation of the above illustration made requirable a series of more comprehensive studies with which was covered an entire group of medieval spires of the Wroclaw towers. In the mid-fourteen century the erection of the most representative buildings of that town was nearly completed. During the early years of that century were erected the spired towers of Dominican Church and of City Hall. The erection of the remaining towers lasted throughout the entire fourteenth century and in some instances prolonged up to the eighties of the fifteenth century. In that particular case of Cathedral Church it has finally been completed in the second half of the 16th century and in addition already in Renaissance forms. Within his present study the author, basing on illu strative sources, data coming from written records and from investigations of relics and traces preserved in situ, has reconstructed the silhouettes of the seven late-Gothic spires, namely those on towers of St. Albert’s, St. Magdalene, St. Elizabeth, St. James’s, St. Matthew’s, of City Hall and of St. John’s Cathedral. This allowed to consider the drawing by Schedel more realistically and to utilize it as a fully reliable historic source. The spires crowning the Wroclaw towers represented a few kinds of pyramidal shapes characteristically situated on the tower terrace surrounded by a stone parapet. These structures having enormous heights, in some instances amounting to 25 and even to 60 m e tres, formed the final stage of the late Gothic architectural features clearly pointing to predominance of form over the then available constructional and material possibilities. During their lifetimes, oscillating between this of 47 and 124 years all they, except l'or that in Holy Cross Church, suffered destruction as a consequence of loosening of their joints and deterioration of material. In light of the present study the reconstructed silhouette of the Cathedral spire erected in 1416 had the shape of a square-based pyramid rising above the tower terrace surrounded by a stone parapet. The dimensions of the spire base corresponded to those of the tower’s interior. The heights of spires varied within a range from 26 (Holy Cross Church) to 59 metres (St. Elizabeth) counting from the level of terrace up to the sphere supporting the cross. The sloping angle of the spire sides, amounting to 82—86°, that is usually observed in the other surveyed Gothic spires of the Wroclaw towers in the case under discussion determined the height of 39 to 40 metres. The only doubt may arise as to the height at which was situated the upper floor gallery and thus as to the size of the latter. Of secondary importance seem to be the details of both gallery and crowning as it is well known that the gallery was decorated with eight gilded balls while the top ended with a gilded sphere and a cross. The previously planned restoration of the destructed in 1759 spires of Wroclaw Cathedral had as its sole objective the rebuilding of Gothic shapes and such plans were continued until the end of the nineteenth century. The designs presented by architect J. Ebers, in 1905, and by E. von Rechenberg, in 1907, did not gain an approval and in 1911 that of II. Hartung was adopted for execution. However, already in the course of its realization it has been partly altered. All the above designs were based on illustration in Schedel’s „Chronicle”, but all they interpreted it in different ways and let be said here — in general, quite unsatisfactorily. At present, in addition to reconstruction of historical forms, it is suggested to shape the spires in modern forms or to leave the towers without spires and with their crowning formed of terraces and parapets only. The reconstruction of the medieval architectural forms is suggested by both possibilities to recover them and the changes in architecture of neo-Gothic façades that have been introduced in the nineteenth and early in the twentieth century. However, with a Gothic spire was covered only the northern tower and at present a pair of spires is required. Thus the building of two spires would be something more than a pure reconstruction. It would be some kind of continuation of medieval idea whose realization has been broken by the style changes. It would not be the first undertaking of that kind in Europe and it seems that several views expressed here are speaking in favour of its starting.
Źródło:
Ochrona Zabytków; 1974, 4; 268-284
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Monumenti di Bologna. Distruzioni e restauri", Alfredo Barbacci, Bologna 1977 : [recenzja]
Autorzy:
Paździor, Marian
Powiązania:
https://bibliotekanauki.pl/articles/537567.pdf
Data publikacji:
1978
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
„Monumenti di Bologna” 1977
Zabytki Bolonii
Alfredo Barbacci
ochrona zabytków we Włoszech
Źródło:
Ochrona Zabytków; 1978, 3; 201-202
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problemy estetyczne konserwacji malarstwa ściennego we Włoszech
PROBLÈMES ESTHÉTIQUES DE LA CONSERVATION DES PEINTURES MURALES EN ITALIE
Autorzy:
Pieńkowska, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/538643.pdf
Data publikacji:
1966
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
konserwacja malarstwa ściennego we Włoszech
CesareBrandi
estetyka zabytku
freski Mantegni
Muzeum kościoła SantaCroce we Florencji
integracja estetyczna
freski Pierodella Francesca
fresk Giotto
freski w Bazylice św. Franciszka w Asyżu
Opis:
En procédant à l’analyse des problèmes esthétiques choisis parmi ceux que soulève la conservation des peintures murales en Italie, l’auteur se base sur la méthode adoptée p a r C. Brandi dans ses réflexions théoriques, concernant l’analyse d’une oeuvre d ’art par la méthode historique et esthétique. En outre, il emploie cette méthode non seulement dans les problèmes liés à la ruine de l’oeuvre d ’a rt mais aussi dans le cas des monuments historiques en partie endommagés. Le matériel présenté est formulé dans trois groupes fondamentaux: 1) conservation de la ruine d’une oeuvre d ’art, 2) consolidation1 de la matière des oeuvres d’art, 3) intégration esthétique des oeuvres d ’a rt endommagées. Dans le premier groupe l ’auteur décrit les deux principales positions prises par les conservateurs dont le but commun consiste à donner de nouvelles valeurs esthétiques aux monuments ruinés, par un essai de créer une oeuvre d ’art nouvelle, où les éléments historiques (fresques de Mantegna à Padoue) jouent un rôle prépondérant, ou p ar l’intégration des restes des peintures murales dans une composition artistique nouvelle (Bologne, Pinacothèque, fresques de Mezzarata, Musée de l’église S. Croce de Florence, la basse- église de la basilique St. Clement à Rome). L’auteur souligne en outre le caractère innovateur de ces essais, la force d ’expression suggestive dans les cas où la nouvelle composition comprend des éléments vraiment créateurs d ’une grande valeur artistique. En considérant le deuxième groupe des peintures endommagées non reconstruites, mais seulement renforcées et consolidées p a r des moyens techniques, l’auteur attire l ’attention sur le traitement 'individuel de chaque oeuvre d’art e t sur les déviations e t divergences des méthodes employées qui en découlent Elle souligne de même le résultat positif au point de vue esthétique dans les cas où la couche picturale des oeuvres de grande valeur artistique n ’est pas complétée. Ce problème est discuté en détails sur l’exemple des fresques de Giotto dans la chapelle Bard'i de l ’eglise IS. -Croce à Florence, de Lorenzo Monaco de l ’eglise iS. Trinita et Ucello à S. Maria Novella de Florence, et la série de fresques de P. délia Francesca à Arezzo et de Cimabue dans la basilique supérieure de St. François d’Assise. Pa r contre, envisageant les exemples de l’intégration esthétique appliquée d ’une façon particulièrement nette dans les problèmes compliqués de conservation des peintures (par ex. les fresques de Giotto à Padoue, les fresques de Masolin et de Massacio dans la basilique S. Clement à Rome, les fresques d ’Ambrogio Lorenzetti à Sienne), l’auteur souligne leur influence esthétique souvent défavorable, malgré les réalisations révélatrices et scientifiques. Un exemple de l ’application de diverses méthodes esthétiques dans la conservation des peintures incluses dans la composition d ’un intérieur compact peut être selon l’opinion de l ’auteur, l’ensemble des fresques de Campo Santo à Pise où, à coté des traitements appliqués avec la plus grande réserve (fresque de Traini) apparait une /intégration qui entraine un changement de la facture et de l’esthétique du style original (fresques de Benozzo Goazoli). L’observation visuelle des résultats de la conservation des peintures murales en Italie confirme la conviction de l'auteur qu’ils dépendent des relations mutuelles de trois éléments: de la technologie sur le plan de la matière, de l ’histoire de l’a rt dans la compréhension historique et esthétique ainsi que des capacités plastiques dans le cas de l'intégration ou de la composition des peintures dans un nouveau milieu. Dans cet enchevêtrement des problèmes, la question primordiale et fortement soulignée par Brandi est le caractère unique de l’oeuvre d ’art. De la réalité de cette notion découle rimpassibilité d’établir des principes généraux e t des schémas qui pourraient être appliqués comme règle dans les travaux de conservation. Pour cela chaque recherche d ’une voie nouvelle est précieuse, chaque experiment, s’il (possède la marque d ’une activité contemporaine, d’une activité créatrice de l ’homme ayant pleine conscience e t considération envers l’oeuvre d’a rt soumise aux traitements de conservation. De ce fait une discussion sur l’admission d’une forme appropriée dans la conservation, l ’intégration ou le complètement de la surface doit être menée sur chaque objet séparément et à nouveau. La généralisation peut concerner seulement la reconstruction ou le remaniement de l’oeuvre d’a rt sans la différencier de l ’original. Un tel procédé qui est une falsification du .document historique, de l’activité créatrice de l ’auteur de l’oeuvre originale, ne devrait jamais trouver place dans le domaine des traitements de conservation envisagés sérieusement et avec responsabilité.
Źródło:
Ochrona Zabytków; 1966, 2; 23-36
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 37

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