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Wyświetlanie 1-14 z 14
Tytuł:
Konserwacja gremiale haftowanego z XVII w.
RESTORATION OF THE EMBROIDERED GREMIAL DATING FROM THE 17TH CENTURY
Autorzy:
Faust, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/535084.pdf
Data publikacji:
1975
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
gremiale
gremiale z Muzeum Narodowego w Krakowie
gremiale haftowane
dublowanie tkaniny
Opis:
The gremial, or a square-shaped piece of cloth placed on a bishop’s lap when he was seated at Mass, has been made from the bright green coloured silk satin and decorated with the slightly raised floral ornaments. The border is filled with an ornament composed of irregular runners with flowers. In the style of decorative motifs clearly apparent are the Turkish influences. The embroidered gremial was in 1973 sent to Laboratory for Restoration of Old Textiles, National Museum, Cracow exhibiting a far advanced deterioration as e.g. rotted satin warp, decayed embroidery threads, worn out yarn in ornaments, etc. The restoration was carried out by the author of the present report who prior to restoration proper subjected a number of dyes to trials aimed at establishing of their fastness. As the first step the old mends were removed and the whole cloth sewn onto a cotton gauze. The cleaning was carried out in a bath prepared from the fuller’s herb (Radix Saponariae officinalis) and distilled water. The cotton gauze underlay has been removed from the dried cloth which in turn was relined on a thin cotton cloth layer thus providing reinforcement to the original cloth background. The restoration was completed by securing the cloth with a new lining and then prepared for hanging.
Źródło:
Ochrona Zabytków; 1975, 2; 125-129
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badania technologiczne trzech nagrobnych stel egipskich na podłożu drewnianym z Muzeum Narodowego w Krakowie : część II
TECHNOLOGICAL INVESTIGATIONS OF THE THREE EGYPTIAN EPITAPHIAL STELAE ON WOOD SUPPORTS NOW PRESERVED IN NATIONAL MUSEUM, CRACOW — PART II
Autorzy:
Szyszko, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/539569.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
nagrobne stele egipskie z Muzeum Narodowego w Krakowie
barwniki
aurypigment
badanie barwników
Opis:
This is the second part of work dealing with technological investigations of the three Egyptian epitaphial stelae painted on wood supports which are at present forming a part of collection in National Museum, Cracow (cf. “Ochrona Zabytków”, vol. XXV, 1972, iss. 3, pp. 170—182). The basic part of the present article is devoted to presentation of results of analyses carried out on pigment samples taken from the separate objects. The following pigments were subjected to analyses: white, yellow, red, green, blue, brown, orange and black. From the analyses it follows that except for bone black that was encountered in two objects the other pigments are those mineral characteristic of their prevalence of ferrous compounds. 1 In addition to reagent dyeing analyses in technological investigations under discussion were applied the methods of emission spectrography, non-dispersive X-ray fluorescence and also microcrystalloscopic reactions. The investigations of pigments carried out by the author have, in each instance, been preceded by a short survey of the present-day knowledge relating to a given pigment. Within this article are summarized the results of investigations of wood supports, primers, binders and pigments. In conclusion the author suggests that the stelae should be left without any complementary treatments as, for instance, filling with putties or retouching. It would be rather difficult to approve such measures in a case where we have to do with archaeological monuments. Nonetheless, it will be necessary to carry out the disinfection of objects. As the most appropriate for this purpose seems the use of ethylene oxide, CH2CH2O which is expected to protect them against the growth of microorganisms. The traces of their action have been found on surfaces of two objects. Although a number of losses has been observed on one of the stelae the state of preservation of those remaining may be regarded as one satisfactory. They are now kept in Restoration Department of the National Museum, Cracow where the most analyses were carried out.
Źródło:
Ochrona Zabytków; 1972, 4; 253-263
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W tysiąclecie
MILLENAIRE
Autorzy:
Ptaśnik, Mieczysław
Powiązania:
https://bibliotekanauki.pl/articles/535683.pdf
Data publikacji:
1966
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Tysiąclecie Państwa Polskiego
100-lecie Muzeum Narodowego w Warszawie
obchody tysiąclecia Państwa Polskiego
Opis:
L’année 1966 marque la fin du Millénaire de la fondation de l’Etat Polonais, année de l’appréciation rétrospective de l’histoire de notre pays en même temps qu’une appréciation de tout ce qui fut réalisé dans la période de quelques années au cours desquelles se déroulaient les célébrations de l’anniversaire historique de l’Etat polonais. Il convient de souligner également l’apport des conservateurs et des muséologues polonais dans les célébrations millénaires. Au cours de cette période on a remis au service de la société nombre de monuments reconstruits qui possèdent non seulement de grandes valeurs historiques et enrichissent notre patrimoine culturel au service de la société socialiste, mais ils constituent en plus d ’importantes valeurs économiques. Les célébrations centrales du Millénaire, de voïvodies et locales furent illustrées encore par de nombreuses expositions organisées par les musées. Ce n’était pas uniquement des expositions archéologiques illustrant les débuts du processus historique de l ’Etat polonais, mais également — ce qui est caractéristique — des expositions représentant les réalisations durant la période de vingt ans de la République Populaire de Pologne, e t par ce seul fait, jettant une plateforme entre le passé et la contemporanéité. Les recherches archéologiques en Pologne au cours des dernières années ont révélé les cartes blanches de la genèse de notre système d ’Etat et ont fait re monté les origines de notre histoire à une période beaucoup plus reculée que la date officiellement reconnue. Aux efforts de nos archéologues prirent une part très active les conservateurs, les musées archéologiques et les sections archéologiques des musées régionaux et de districts. Les fouilles apportèrent un riche butin qui amena cm changement d’opinion sur la culture matérielle et spirituelle de la Pologne du haut moyen-âge à l’époque de la formation de l’Etat, mettant en lumière les procès économiques et sociaux intervenant quelques centaines d ’années avant que la Pologne ne se manifesta sur la scène de l’histoire. Les recherches architectoniques effectuées en raison des travaux de conservation, apportèrent beaucoup de révélations précieuses concernant l’histoire de l’architecture en Pologne, devenant l ’objet de l’in térêt général. Les résultats de ces travaux devinrent non seulement des facteurs impartants dans les célébrations millénaires, mais aussi dans une certaine mesure ils constituaient le point de départ pour le 500-e anniversaire — qui tombe en 1973 — de la naissance de Nicolas Copernic, le plus grand astronome polonais. En plus des monuments historiques les plus importants tels que le Château de Wawel de Cracovie, les châteaux des iPiasts à Słupsk et à Szczecin, le palais de Wilanów, le palais de Łazienki à Varsovie, l’hôtel de ville de Toruń, les travaux de conservation portent sur les monuments plus modestes qui tous sont inclus dans le courant de la vie contemporaine ralliant l’époque nouvelle de la République Populaire de Pologne aux siècles écoulés de notre passé. Dans la période des célébrations millénaires, l'intérêt de la société pour l’archéologie et l’histoire s ’accrut très sensiblement ce qui donna un nouvel essor à la fondation de nouveaux musées et à l’organisation de nombreuses expositions. iSiimultanément, sur le te rritoire de tout le pays, des expositions archéologiques et commémoratives très intéressantes ont été organisées. Au cours des célébrations millénaires une attention particulière fu t portée à la fondation de réserveis, où les monuments archéologiques sont exposés „(in situ ”. Diverses expositions ont illustré l’année de la Science Polonaise en 1964, liée au 600-e anniversaire ide l’Université de Cracovie. Pour célébrer le XX-e anniversaire de la République Populaire de Pologne les musées ont organisé plus de 50 expositions consacrées aux réalisations de cette période présentées sur le fond de l ’histoire millénaire de la Pologne. L’année qui termine le Millénaire de l ’Etat Polonais nous apportera d’autres expositions et la mise en service d ’autres monuments. Les fouilles archéologiques, les recherches scientifiques et les travaux de conservation, les expositions muséales et le rétablissement des précieux monuments de notre architecture millénaire, constituent le résultat durable des efforts de nos conservateurs et de nos muséologues dans la période consacrée à la commémoration du Millénaire de l’Etat Polonais. Grâce à la protection dont l’Etat populaire a entouré les monuments e t les musées, l ’on a restitué à la société nombre monuments de la culture nationale d ’une inestimable valeur témoignant du millénaire de notre système d’Etat. Notre connaissance du passé proche et lointain fut enrichie considérablement, ce qui donna un grand apport à la propagation de la culture nationale. Malgré les destructions résultant de la guerre et du pillage des occupants, nous avons réussi à conserver рюиг les prochaines générations des monuments de la plus haute valeur, témoins de notre passé et de nos traditions scientifiques. L’octroi à ces objectifs de nouvelles fonctions dans le régime socialiste, nous permettra non seulement de les mettre à la portée de la société contemporaine, mais aussi de les transmettre au millénaire futur.
Źródło:
Ochrona Zabytków; 1966, 2; 3-7
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
OCHRONA DZIEDZICTWA KULTURY WE FRANCJI
THE PROTECTION OF CULTURAL HERITAGE IN FRANCE
Autorzy:
Dobrzyn, Anna
Powiązania:
https://bibliotekanauki.pl/articles/538759.pdf
Data publikacji:
2007
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
PROTECTION OF CULTURAL HERITAGE (FRANCE)
kodeks dziedzictwa Francji
Codedupatrimoine
francuski Kodeks środowiska
francuska ochrona dziedzictwa kultury
Fundacja Dziedzictwa Narodowego
Opis:
A suitable conception of the legal aspects of protecting cultural heritage poses a considerable challenge. While discussing pertinent Polish legislation, it is worth referring to the examples of solutions applied in other countries. On 20 February 2004 France introduced 'Code du patrimoine' - a new regulation relating to the protection of cultural property. The code replaced six previously binding regulations, with the legislator recognising the protection of national heritage as a fundamental state task. The resultant complex regulation can be considered an example for other European countries, including Poland. Regardless of particular regulations, the most important achievement appears to be the endowment of supreme rank to the protection of culture by including it within the code. This choice not only produced the complex character of the legal act, but predominantly placed cultural heritage at the pinnacle of tasks pursued by the state, thus confirming the fulfilment of the latter's mission associated with the protection of the titular heritage.
Źródło:
Ochrona Zabytków; 2007, 3; 79-86
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przykład Sukiennic
Autorzy:
Dutkiewicz, Józef E.
Powiązania:
https://bibliotekanauki.pl/articles/536488.pdf
Data publikacji:
1955
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Sukiennice w Krakowie
stan krakowskich Sukiennic
Galeria Malarstwa Muzeum Narodowego
pierwsze kramy sukiennicze
zabezpieczenie Sukiennic
odbudowa Sukiennic
Tomasz Pryliński
przebudowa Prylińskiego
Źródło:
Ochrona Zabytków; 1955, 3; 178-186
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kronika ICOMOS : VI Zgromadzenie Generalne ICOMOS w Rzymie
Autorzy:
Żaryn, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/537253.pdf
Data publikacji:
1982
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Kronika ICOMOS
VI Zgromadzenie Generalne ICOMOS w Rzymie
działalność Polskiego Komitetu Narodowego ICOMOS
wiadomości z kwartalnika ICOMOS „Nouvelles de l’ICOMOS”
Źródło:
Ochrona Zabytków; 1982, 3-4; 232-234
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konferencja Polskiego Komitetu Narodowego ICOMOS w Warszawie
Autorzy:
Żaryn, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/535614.pdf
Data publikacji:
1982
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
konferencja Polskiego Komitetu Narodowego ICOMOS w Warszawie
Polski Komitet Narodowy ICOMOS
Partycypacja społeczeństwa w rewaloryzacji i ochronie zabytków
uczestnictwo społeczeństwa w rewaloryzacji zespołów zabytkowych
Źródło:
Ochrona Zabytków; 1982, 3-4; 234-236
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
I Kongres Konserwacji Zabytków i Ochrony Dziedzictwa
THE FIRST CONGRESS OF HISTORICAL MONUMENTS AND THE PROTECTION OF NATIONAL HERITAGE
Autorzy:
Szmygin, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/537792.pdf
Data publikacji:
2002
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Kongres Konserwacji Zabytków i Ochrony Dziedzictwa
polski system ochrony zabytków
reforma systemu ochrony zabytków
Komitet Porozumiewawczy Stowarzyszeń i Instytucji Działających na Rzecz Ochrony Dziedzictwa
Narodowego
Opis:
Polish conservators are anxious about the functioning of the system of the protection of historical monuments, especially within the context of Poland’s access to the European Union, and believe that integration should be accompanied by support for national and regional culture, both material and non-material. Meanwhile, institutions dealing with the protection of historical monuments are experiencing a dramatic lack of sufficient funds. A reform of the system of the protection of historical monuments in Poland appears to be a necessity. With this purpose in mind, in 2002 the Polish National ICOMOS Committee founded a Coordinating Committee of Associations and Institutions for the Protection of National Heritage, which is to prepare the First Congress of Historical Monuments and the Protection of National Heritage (proposed title), a gathering of representatives of assorted professional milieus and groups. Their tasks will entail a survey of foremost problems connected with the conservation and protection of the national heritage. The Congress will be preceded by an extensive discussion to which the organisers invite all those interested in the protection of historical monuments.
Źródło:
Ochrona Zabytków; 2002, 3-4; 418-419
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zakaz wywozu dóbr kultury i jego praktyczne konsekwencje
THE PROHIBITION OF EXPORTING CULTURAL PROPERTY AND ITS PRACTICAL CONSEQUENCES
Autorzy:
Zeidler, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/538739.pdf
Data publikacji:
2002
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
zakaz wywozu dóbr kultury
wywóz dóbr kultury
ochrona dóbr kultury
nielegalny wywóz dóbr kultury
ustawa o ochronie dóbr kultury
nowe projekty ustaw o ochronie dziedzictwa narodowego
Opis:
Among assorted legal institutions foreseen in the statute of 15 February 1962 on the protection of cultural property an extremely prominent role is played by a prohibition relating to the export of cultural goods. This is by no means a new regulation, since it had been enforced already upon the basis of a decree from 1946 on the registration and prohibition of the export of works of art and objects of artistic, historical or cultural value. The protected cultural property encompasses portable or stationary objects, old or contemporary, and of significance for cultural heritage and development owing to their historical, scientific or artistic value. The prohibition was established by the legislator primarily owing to the immense devastation of Polish cultural legacy during the second world war. Doubts concerning the retention of the prohibition in its present-day form are voiced mainly in view of the regulation of this problem by the law of the European Communities. On the other hand, it remains indubitable that owing to obligatory international agreements prohibition of this sort must pertain to cultural goods obtained by means of crime (theft, fencing). This issue is regulated by two international conventions: the convention signed on in Paris on 17 November 1970, and dealing with measures intent on banning and preventing the illegal export, import and transference of the ownership of cultural goods, and the convention on co-operation and mutual assistance in intercepting and returning cultural property illegally transported across state frontiers, signed in Plovdiv on 22 April 1986. The legal situation of the import of cultural property is different, since such transportation is supported by the legislator. At present, the Parliament of the Republic of Poland is examining two competing projects of statutes (on the protection of national legacy and on the protection of historical monuments), both regulating the titular subject.
Źródło:
Ochrona Zabytków; 2002, 3-4; 410-412
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZAŁOŻENIA I PROBLEMY REALIZACJI PROJEKTU OCHRONY ZABYTKÓW STAREGO KAIRU
THE PREMISES AND PROBLEMS OF A PROJECT FOR THE PROTECTION OF THE MONUMENTS OF HISTORICAL CAIRO
Autorzy:
Rogal, Robert
Filip, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/538506.pdf
Data publikacji:
2004
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
ochrona zabytków starego Kairu
zabytki Kairu
historia Kairu
„Historyczny Kair”
zabytkowa architektura arabska
Abu Az-Zahab
ochrona dziedzictwa narodowego
egipska szkoła konserwacji zabytków
sztuka arabska
sztuka koptyjska
Opis:
In 1998 an Egyptian government organisation known as the Supreme Council of Antiquities devised a “Project for the Development of Historical Cairo”. The objective of this most extensive programme in the history of Egyptian conservation consists of preserving the Old Town historical complex, included onto the UNESCO World Heritage List. The project envisages pertinent research and documentation as well as the conservation of Arabian and Coptic monuments, their adaptation for contemporary purposes together with a regulation of town planning development within Historical Cairo. The work is to be carried out by eight Egyptian conservation firms co-working with their more experienced European counterparts. Despite multiple obstacles, it has been possible to perform even such difficult and challenging tasks as the conservation of transfers of murals from the Sitt Wasilli Hous.
Źródło:
Ochrona Zabytków; 2004, 3-4; 29-41
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Popiersie cesarza Hadriana ze zbiorów antycznych Muzeum Narodowego w Poznaniu - problematyka badawcza i konserwatorska
A Bust of Emperor Hadrian from the Antique Art. Collections of the National Museum in Poznań — Research and Conservation
Autorzy:
Wiatr, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/535710.pdf
Data publikacji:
2001
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
antyczne popiersie
zbiory antyczne Muzeum Narodowego w Poznaniu
Muzeum Narodowe w Poznaniu
popiersie cesarza Hadriana
cesarz Hadrian
rzeźba antyczna
rekonstrukcja rzeźby
konserwacja marmurowej rzeźby
konserwatorska analiza stanu zachowania
zabytki sztuki starożytnej
Opis:
The sculpture depicting the bust of emperor Hadrian owes its present-day appearance to eighteenth-century restoration. The object is composed of 27 fragments, both classical and modern. Only the upper part of the face comes from the bust of H adrian; the rest including parts originating from other classical sculptures, was added. Each part represents a different iconographie type; hence, the numerous redesigns. The shape of the parts was adapted in such a manner so as to render the sculpted form a certain logical form. The elements w ere connected by means of rosin and steel, cast dowels. The whole sculpture was impregnated by means of a resin-wax mass. The object has survived in an unsatisfactory state, with the classical parts representing the worst condition. Their surface, apart from numerous mechanical damage, disclosed a considerable loosening of cohesion between minerals and in certain places a disintegration of the stone (saccharation).
Źródło:
Ochrona Zabytków; 2001, 3; 309-316
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konserwacja obiektów sztuki sakralnej Kresów Wschodnich Rzeczypospolitej
Conservation of objects of sacred art in the eastern borderlands
Autorzy:
Smaza, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/539302.pdf
Data publikacji:
2010
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
sztuka sakralna
budowle sakralne
kresy
kresy wschodnie
wschodnia Rzeczypospolita
niewłaściwa adaptacja
dzieje powojenne
profesjonalne prace konserwatorskie
prace restauratorskie
światowej klasy wartości artystyczne
kolegiata żółkiewska
Żółkiew
Dziedzictwo Kulturowe
Ochrona Dziedzictwa Narodowego poza Granicami Kraju
materialne dziedzictwo Kresów
Opis:
The tumultuous history of World War II along with its political outcomes have not only lead to moving borders of the Republic of Poland, but also to losing a considerable part of its territory. The lands which were the source and the breeding ground for multicultural tangible and intangible values remained beyond the eastern border. While direct military activities did not lead to the destruction of many temples, the period of fratricidal combat, particularly in Volhynia, fuelled chiefly with hatred and anger, caused vast destruction. Another period was the rule of the Soviet authorities, whose main goals included fighting religion, as well as its entire tangible heritage. The forms and the intensity of fighting varied: temples were being closed, blown up or transformed into factories, power stations, prisons, bakeries, warehouses (usually for artificial fertilizers, oftentimes stored loose), mills, stables, department stores, gymnasiums, offices, apartments, concert halls, or museums of atheism and religion; this was connected with the removal of crosses, towers and domes. Frequently, reconstructions were so extensive that today it is very difficult to recognise that they were once sacred buildings. The furnishing of temples, which often was at the highest artistic level in the world, suffered the cruellest fate. Usually, it was barbarically removed and burnt. Immense geopolitical changes in East-Central Europe in the early 1990’s brought independence to many countries, which undertook a number of regulations enabling the return of temples to their rightful owners. This process, very vigorous in the first period, has almost ceased in recent years. Restoring fairly original appearance to the recovered temples required a huge sacrifice, and oftentimes heroism. First of all, protective, repair, and construction works had to be conducted, in many instances without adequate knowledge. The restoration of the sacred interior designs of the temples was done on a random basis. While the way of proceeding with the restorations was somewhat justified at the time, the activities in recent years, including among others, the inappropriate reconstruction of furnishing, have resulted in a loss of the last remaining values. They have been replaced with mediocrity and tackiness. Professional restoration works have been carried out only in few cases. The reasons for this are varied, on the one hand, among others, the lack of funds, the lack of adequate identification and the preparation of objects in such a vast territory, and on the other hand, the lack of partners. Presently, works on the appropriate professional level are being conducted almost in every scope and discipline at several dozen temples. They are carried out by highly experienced specialists from Polish schools. The works which have been conducted for the last 22 years in the 17th century collegiate church in Zhovkva, Ukraine, constitute one of such exceptions. They have been carried out by students and graduates of Polish schools: the Academy of Fine Arts in Warsaw and the Academy of Fine Arts in Kraków, as well as the Nicolaus Copernicus University in Toruń at the faculty of conservation and restoration of sculpture and architectural structure, and occasionally conservation and restoration of painting, or historic textiles. The works have been conducted in various forms: as holiday internships (month long) or MA theses (in case of the Academy in Warsaw), and the most difficult conservation issues are solved by international committees of specialists and are rendered by certified conservators and restorers of works of art based on the contract for specific task (it has only been several years that this form has contributed to a significant acceleration of the state of completing the restoration of the temple), and also as a form of volunteer work. This last form of activity (increasingly popular) requires highly qualified specialists who undertake full responsibility for the conducted works. Moreover, specific regulations exist which pertain to carrying out restoration works on historical monuments. The assistance, especially financial, of the Department of National Heritage, existing as a part of the Ministry of Culture and National Heritage, or the Centre of Polish Cultural Heritage Abroad at the Association “Polish Community”, as well as the Senate of the Republic of Poland and various foundations, has decidedly increased the number of works rendered on the highest professional level in the world serving the preservation of heritage of the eastern borderlands. It is, regrettably, still “a drop in the ocean”.
Źródło:
Ochrona Zabytków; 2010, 1-4; 85-94
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badania technologiczne sześciu italskich malowideł ściennych z Muzeum Narodowego w Krakowie : część II
TECHNOLOGICAL INVESTIGATIONS OF THE SIX ITALIC MURAL PAINTINGS NOW IN COLLECTION OF NATIONAL MUSEUM, CRACOW — PART II
Autorzy:
Korpal, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/538222.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
italskie malowidła ścienne ze zbiorów Muzeum Narodowego w Krakowie
Muzeum Narodowe w Krakowie
malowidło Pejzaż
malowidło Głowa
malowidło Maska
malowidło Kwiat
malowidło Postać
malowidło Postać kobieca
analiza petrograficzna
mikrokrystaloskopia
spektografia emisyjna
niedyspersyjna fluorescencja rentgenowska
spektrofotogrametria w podczerwieni
Opis:
The above is the second part of an article discussing the results of technological investigations carried out on six fragments of Italic mural paintings (viz. “Ochrona Zabytków”, vol. XXV, 1972, iss. 3, pp. 160—169). Results are reported with a detailed discussion of numerous chemical and physical analyses. In view of quite specific value of objects under investigations every effort has been made to carry them out by the use of methods requiring only minute quantities of samples taken or those assuring the full protection against any damage whatsoever to objects investigated. The investigations of mortars, pigments and binders were conducted with application of such methods as the pétrographie microscopic observations, emission spectrography, non-dispersive X-ray fluorescence, spectrophotometry in infra-red light, reagent dyeing analyses, microcrystallography and chromatography. The above set of analyses allowed to describe the composition of mortars and pigments used by an ancient painter. Unfortunately, no fully satisfactory answer could be arrived at with respect to problem of binder since a considerable difficulty arised owing to the lack of adequate quantity of material for investigation. However, as a result of investigations conducted it has proved possible to state a considerable quantity of СаСОз and that quite negligible of wax which the facts could point to applying of a sui generis tempera paint. Also not excluded might be the presence of some additions of hardly identifiable organic matter. In addition to the above investigations a series of mycological analyses was carried out that pointed to the presence of active microorganisms who may cause the decay of polychromies. Preventive disinfection of objects investigated was undertaken. As complex investigations of mural paintings as those described here were made for the first time in this country.
Źródło:
Ochrona Zabytków; 1972, 4; 241-252
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Popiersie Rzymianki ze zbiorów antycznych Muzeum Narodowego w Poznaniu - problematyka badawcza i konserwatorska
A Bust of a Roman Woman from the Antique Art Collections of the National Museum in Poznań — Research and Conservation
Autorzy:
Żegnałek, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/539160.pdf
Data publikacji:
2001
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
antyczne popiersie Rzymianki
zbiory antyczne Muzeum Narodowego w Poznaniu
Muzeum Narodowe w Poznaniu
portrety kobiece z czasów Trajana
portrety Trajana
cechy starożytnych popiersi
konserwacja marmurowej rzeźby
niewłaściwe metody konserwatorskie
konserwatorska analiza stanu zachowania
rzeźba antyczna
rekonstrukcja rzeźby
Opis:
The discussed bust of a Roman woman is composed of three parts: the head made of white fine-crystalline metamorphic marble, a bust made of volcanic tuff with a facing of colourful plates of limestone (breccia), imitating the folds of the gown and a base made of grey-blue fine-crystalline metamorphic marble. An iconographie analysis undermines the classical origin of the head and the bust. Formally, the head refers to female portraits from the era of Traianus. The bust has no analogy in that period and is regarded as modern. The micro- and macroscopic observation of the damage displayed by the object, observation in UV light, and the outcome of the examination of primary and secondary material cast additional light on studies on the object in question, conducted within the range of the history of art and the history of conservation. Former renovation of the head (probably chemical cleaning followed by polishing the surface) changed the sculpted form of the face. The range and type of damage of the head have no counterparts in the bust, which means that we are dealing with totally distinct and subsequently matched parts of the bust, differing as regards the time of their origin and history. Research based on iconographie analysis, studies concerning material as well as the range and type of damage mean that we should not exclude the possibility that the head is classical and could have originated in second century A. D. The bust is certainly later and, by referring to the history of the object, should be dated as eighteenth-century. The interesting and untypical conservation problem consisted of considerable gaps in the coloured facing imitating the folds of the gown. A reconstruction of the arrangement of the missing folds called for becoming acquainted with copious illustrations and devising a typology of the design of folds in the costumes of classical female busts. The emuing reconstruction was based on a multi-strata technique, based on epoxide resins; the outer layer was reconstructed with the help of HXTAL NYL-1 optically durable resin together with fillers. The appearance of the structure of the mssing facings was achieved by mixing suitable coloured putty, depending on the imitated breccia, and by using painting techniques on the surface of the putty after its binding.
Źródło:
Ochrona Zabytków; 2001, 3; 299-308
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
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