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Wyszukujesz frazę "Krakow;" wg kryterium: Temat


Tytuł:
Charakterystyka i przejawy zniszczeń kamieni budowlanych i dekoracyjnych zastosowanych w kościele pw. Świętego Krzyża w Krakowie
Characteristics and signs of destruction of the building stones in the Holy Cross Church in Kraków
Autorzy:
Rusek, Beata
Smoleńska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/537662.pdf
Data publikacji:
2013
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Kraków
kościół Świętego Krzyża
kamienie
destrukcja
Opis:
The Gothic church of the Holy Cross with a characteristic, single-pillar construction is one of the most interesting and, at the same time, oldest buildings of Kraków. It is localised in the town centre, neighbouring the Planty, i.e., the park founded on the place of old city fortifications. The church was built in two stages. The first structure, representing probably the Romanesque style, was erected around the turn of 11th century. It was followed by a Gothic church, whose constructing started from the eastern side of the chancel not later than in the early years of the 14th century. The stone used in the Holy Cross Church proves that in the Gothic times it was not only one of the essential building, but also decorative materials. Two main rock types: the finedetrital, Jurassic limestone with cherts from the Kraków region and the Istebna sandstone from a vicinity of Dobczyce were used for constructing purposes, while the fine-detrital Tertiary limestone from the Pińczów area was the material of minor significance. The northern and eastern walls of the chancel were erected of the broken stones. Stone elements are also present in plinths, wall pillars and window frames. The pillar supporting the palm vault of the nave is made of the Jurassic limestone and a medium-grained sandstone, while the Gothic ribs and the vault itself of the Tertiary limestone. Other rock types play the decorative role. The Dębnik limestone is seen in epitaph tablets and – in combination with the Sławniowice marble – in the church floor. The stones, both occurring outside and inside the church, show the signs of deterioration in the form of soiling, colour changes, efflorescences and chippings. Their intensity differs and depends on various factors. The most pronounced and dominating alterations that belong to the group no. II of stone deteriorations (i.e., colour changes / surface accumulations) affect the material used outside. The stone elements inside the church, thus unexposed to external factors, show lesser alterations. These changes belong mainly to the group no. I of deterioration (i.e., pit losses), being frequent in places but of low depth. The assessment of stone preservation is of particular importance in selecting proper methods of conservation that are focused on restoring the former appearance of stone elements of the church. For this reason, the authors described in details and classified into respective groups of changes all types of stone deterioration identified in the rocks used outside and inside the church. A geological report of this kind may help specialists establish a program of church conservation in the future. Identification of the most probable place of quarrying the rocks involved will also help in substituting damaged stone elements with new ones, if such an action is required.
Źródło:
Ochrona Zabytków; 2013, 1-4; 99-112
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Charakterystyka i stan zachowania kamienia użytego do budowy oraz dekoracji kościoła kolegiackiego pw. św. Anny w Krakowie
Characteristics and preservation of the building and decorative stone of the St. Anne’s collegiate church in Kraków
Autorzy:
Smoleńska, Anna
Florczyk, Monika
Powiązania:
https://bibliotekanauki.pl/articles/539500.pdf
Data publikacji:
2012
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Kraków
kolegiata pw. św. Anny
kamień
stan zachowania
Opis:
One of the most beautiful churches in Kraków is the St. Anne’s collegiate, situated in the city centre. This localisation has a significant impact on destruction of the structure and decorative stones of the church. The sandstones and limestones of the structure outer part are exposed mostly to seasonal climate changes and anthropogenic pollution. The stone alterations are expressed mainly as surface build-ups with grey colours. Disintegration of the surface stone layers as a result of mechanical weathering, biodeterioration, efflorescence processes, exfoliation and scaling off sandstones due to hydration and dehydration of secondary salt minerals are other signs of stone damage. Green coloration of sandstone entrance stairs due to precipitation of copper carbonate (malachite) negatively affects the aesthetics of the church front. The interior stone decoration is represented essentially by limestones used mainly as the floor tiles. These are varieties of compact limestones, whose attractiveness results from their diverse colours, the presence of fossil fragments and calcite veins, and good cutting and polishing properties. The preservation of the limestone masonry depends on the rock type and the place it is used in. Considering the historic and architectonic values of this church, the most splendid example of the Baroque sacral architecture in Kraków, a special care in the selection of appropriate conservation methods must be taken to preserve to posterity the appearance and beauty of the collegiate.
Źródło:
Ochrona Zabytków; 2012, 3-4; 27-35
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zagadnienia projektowe zespołu ulicy Kanoniczej w Krakowie
PROBLEMS OF DESIGNING INVOLVED IN ARCHITECTURAL COMPLEX OF KANONICZA STREET, CRACOW
Autorzy:
Stachowski, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/535155.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Kraków
ul. Kanonicza
ul. Kanonicza w Krakowie
program zagospodarowania ul. Kanoniczej
Opis:
The stage of preparing a design was preceded by that of inventorying survey of the separate houses and a series of thorough studies and investigations which made it possible to work out a detailed set of outlines for each object. While preparing general conception for rearrangement of the entire complex the principle has been adopted th a t architectural solutions applied in designing of individual houses should provide a possibility to meet in the best possible manner all requirements set forth by conservators and as a result to subdue to them the fu tu re functions and technical solutions as well. To avoid difficulties in the process of designing th a t might arise from improper programmes this time a procedure has been adopted differing considerably from that usually applied. There was namely prepared a series of preliminary designs complying to the outlines given by conservators, according to which housing accommodations have been foreseen only in houses having no architectural decorations of historical character, and then suitable functions were chosen for portions characteristic of their historical and decorative values from which the housing functions have been excluded.
Źródło:
Ochrona Zabytków; 1972, 1; 23-25
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Studium Konserwacji Dzieł Sztuki Akademii Sztuk Pięknych w Krakowie
THE COURSES IN CONSERVATION OF WORKS OF ART AT THE HIGH SCHOOL OF ARTS, CRACOW
Autorzy:
Medwecka, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/535215.pdf
Data publikacji:
1971
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
nauczanie konserwacji dzieł sztuki
Studium Konserwacji Dzieł Sztuki ASP
ASP Kraków
Opis:
In the article is given a short history of creation and development ,of the Courses of Conservation at the High School of Arts, Cracow the tradition of which can foe traced as far back as to the il'9th century. The actually existing Courses were called into being in 1'9'50 after integration of the two teaching institutions, namely the Academy ,of Fine Arts and the Higher School of Arts, Cracow. Within actual organizational structure of Courses the re are th re e chairs, two of them having an additional division, teaching the students in two specialized lines — conservation of easel and mural paintings as well as conservation of indoor and architectural sculpture. To the Chair of Conservation of Mural Paintings and Architectural Sculpture headed by Docent Władysław Zalewski are subordinated the atelier of conservation of mural paiintings, that of conservation of architectural sculpture, the atelier of inventorying and copies, and the division of documentation and inventorying. To the Chair of Conservation of Easel Paintings and Wood Sculpture, headed by Docent Zofia Medwecka, are subdued the following: ateliler of easel pa'mting conservation, atelier of wood sculpture conservation, division of physics and applied chemistry, headed by R. Biliński, chem. eng., and the two laboratories — of applied physics and th a t of applied chemistry. The Chair of Technology and Painting Techniques, headed by Docent Dr. Władysław Slesiński, comprises the atelier of painting technology, th a t of painting techniques, technological laboratory, documentation a r chive and a specialized library. Among the members of teaching staff can be listed monument conservators, a rt historians, a physist, the chemists, a microbiologist, and also the practicizing painters and sculptors. In the furthe r parts of the article an information is given by the author regarding the duration of studies supplemented by practices as well as that concerning the course and programmes of studies or capacities required from candidates. Short characteristics have been given by the author of facilities and apparatus used in ateliers f,or conservation purposes and already ranging to the world standards normally found in equipment of th a t kind. It is this standard which allows to undertake the complex tasks in the field of conservation, among them those connected with practical purposes, research, technical works or with preparing of documentation. The Courses in their actual form and functions may to some extent be compared with a research institute furnished with both suitable equipment and materials, the sufficient atelier conditions and the scientific staff. Much more exhaustive information has been given by the author with regard to th e scope and character of activities conducted in three lines, namely th a t instructive, scientific research and conservation se rvices. Discussing the first of the above lines the author characterized the qualities of a student and g ra duate, the curriculum, materials used during exercises, subjects of diploma works, achievements in the scientific and research work and also gave information on admission of research students and r e - educational courses for conservators. Dealing with matters connected with the second line of activities she gave a comprehensive explanation of programme of scientific and research works undertaken and carried out by particular Chairs and Divisions and also the publishing and publicity actions for the sake of conservation and protection of cultural property. Finally, commenting the activities in the field of conservation services 1 she explained the forms of co-operation with field conservators, museums, galleries, artists and a r t historians and manufacturers of painting materials and those applied in conservation as well.
Źródło:
Ochrona Zabytków; 1971, 2; 115-119
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przeniesienie malowidła ściennego z kamienicy przy ul. Kanoniczej 23 w Krakowie na ruchome podobrazie
Autorzy:
Schuster-Gawłowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/539246.pdf
Data publikacji:
1963
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
św. Iwo Hélory
Kanonicza 23 w Krakowie
przeniesienie malowidła
technika przeniesienia malowidła
Kraków
Źródło:
Ochrona Zabytków; 1963, 3; 44-49
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Późnogotycki obraz tablicowy w typie Madonny Apokaliptycznej z klasztoru Bernardynów w Alwerni. Technika i technologia wykonania
The Late Gothic Panel Painting in the Type of the Apocalyptic Madonna from the Bernardine Monastery in the Town of Alwernia. Technique and Technology of the Creation
Autorzy:
Zarębski, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/21151078.pdf
Data publikacji:
2021
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Małopolska
Spisz
gotyckie malarstwo tablicowe
techniki i technologie malarstwa tablicowego
Kraków
Alwernia
Bernardyni
Małopolska region
Spiš region
Gothic panel painting
techniques and technologies of panel painting
Krakow
Bernardine friars
Opis:
Późnogotycki obraz tablicowy z przedstawieniem Madonny Apokaliptycznej z Alwerni cechuje wyjątkowo ciekawa historia, a także dość oryginalna technika i technologia wykonania. Jak wynika z archiwaliów, obraz ten został namalowany przed 1491 rokiem przez malarza zakonnego Franciszka z Węgier do ołtarza głównego kościoła Bernardynów w Krakowie, a w XVII wieku przeniesiono go do świeżo ufundowanego klasztoru tego samego zakonu w Alwerni. Analiza techniki i technologii jego wykonania prowadzi do wniosku, że nie są one charakterystyczne dla regionu Małopolski. Z tego powodu – a także ponieważ twórca dzieła pochodził najprawdopodobniej ze Spisza i nie należał do żadnego z krakowskich cechów – wydaje się, że obraz powinien być pod wspomnianymi względami bliższy dziełom spiskim. Jednak zestawienie metod pracy Franciszka z obiektami powstałymi na Spiszu również nie ujawnia wielu wspólnych cech. Wyjątek stanowi w pewnym zakresie ołtarz ze Strażek, datowany na lata 50. bądź 60. XV wieku, na którym ornamenty z szat postaci pod względem formalnym i technicznym przypominają znacząco analogiczne elementy obrazu z Alwerni. Podobieństwa są na tyle duże, że można wnioskować, iż Franciszek był twórcą niektórych partii spiskiego ołtarza. Ponieważ omawiane dzieła powstały w odstępie 20-30 lat, interesujący nas malarz był zapewne jeszcze czeladnikiem w okresie wykonywania pracy przy ołtarzu ze Strażek. Osobną kwestię stanowi podobrazie, na którym wykonany został obraz z Alwerni. Powstało ono najprawdopodobniej w samodzielnie funkcjonującej pracowni stolarskiej w Małopolsce i wykazuje dużo podobieństw do innych tego typu obiektów z regionu.
The late Gothic panel painting with a representation of the Apocalyptic Madonna from Alwernia is characterised by an exceptionally interesting history as well as quite original technique and technology of creation. According to the archival materials, the picture was painted before 1491 by a monastic painter, Francis of Hungary, for the main altar of the Bernardine church in Krakow, and in the 17th century it was moved to the newly founded monastery of the same order in the town of Alwernia. Analysis of the technique and technology of its creation leads to the conclusion that they are not typical for the Małopolska region (Lesser Poland). For this reason – and also because the artist was most probably from Spiš region, and did not belong to any of the Krakow guilds – it seems that in the mentioned respects the painting should be closer to works from Spiš region. However, the juxtaposition of Francis’ working methods with the objects created in Spiš does not reveal many common features either. To some extent, the exception is the Strážky altarpiece, dated back to the 1550s or 1560s on which the ornaments from the robes of figures resemble formally and technically similar elements of the Alwernia painting. The similarities are so great that we can conclude that Francis was the creator of some parts of the Spiš altarpiece. Since the works in question were created 20-30 years apart from each other, the painter in question was probably still an apprentice, at the time when he was working on the Strážky altarpiece. The painting support on which the Alwernia picture was created is a separate issue. It was probably made at an independent carpenter’s workshop in the Małopolska region and shows many similarities to other artefacts of this type from the region.
Źródło:
Ochrona Zabytków; 2021, 1; 105-129
0029-8247
2956-6606
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tak zwany Zajazd Kościuszkowski w Krakowie. Burzliwe dzieje jednego zabytku
So-called Kosciuszko Inn in Krakow. The turbulent history of a historical site
Autorzy:
Dettloff, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/536551.pdf
Data publikacji:
2013
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Kraków
Prądnik Biały
Zajazd Kościuszkowski
zniszczenie zabytku
odbudowa
rekonstrukcja
wywłaszczenie
adaptacja
autentyzm
substancja zabytkowa
Opis:
The theme of this article is the history of the inn known as the Kosciuszko Inn - the former country inn now located within the boundaries of Krakow. Built in 1752, it used to belong to the historical complex of Krakow bishops’ mansion buildings in Bialy Pradnik. Together with the opposite building, it is one of the few remaining elements of the impressive Late Baroque mansion project. The building survived until the 20th century without any major alterations, preserving its 18th-century-style architectural shape. After World War II, its fate was typical of historical sites in the People’s Republic of Poland. Confiscated from private owners, it was used for residential purposes and gradually fell into decline. The building’s condition temporarily improved after the major restoration that took place between 1951 and 1953. Some of the elements and details of the original style, lost over the centuries, were restored. Since 1970s, it had been planned to once again overhaul the building and adapt it to new functions, but the plans never materialised. In 2000, the vacated and devastated building burnt down. Before the fire, the building’s new owner had obtained approval for the concept of the overhaul and adaptation, but he failed to take any further actions. Neither did he comply with the order to secure the building after the fire. Given the situation, at the initiative of the Historic Preservation Unit of the Krakow City Office, the site was expropriated by the gmina. The legal basis for administrative actions was Article 37.1 of the Cultural Heritage Protection Act of 15 February 1962. Expropriation by the gmina enabled reconstruction of the destroyed historical building in 2006. Unfortunately, due to the high degree of destruction of the stone walls, it was decided to dismantle them almost entirely and reconstruct using new materials (only the middle part of the front wall was left). The site, even though devoid of most of its original substance, was restored to the landscape and, what is important, still plays the role of a vital component of the historical complex of palace buildings. The exterior architectural shape and details were reconstructed to resemble those of the original 18th century building. Inside, a part of the former layout was preserved, while the rest of the building was adapted to suit the new functions. Currently, the building is used by the District Cultural Centre.
Źródło:
Ochrona Zabytków; 2013, 1-4; 5-22
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz „Matka Boska z Dzieciątkiem z różą w ramie relikwiarzowej” z XV wieku ze skarbca bazyliki Mariackiej w Krakowie. Nowe spojrzenie na proweniencje warsztatowe na podstawie techniki i technologii wykonania dzieła
The fifteenth century painting of the „Virgin and Child with a Rose in a Reliquary Frame” from the treasury of St Mary’s Basilica in Kraków. A new look at its provenance based on the techniques and technology used in its execution
Autorzy:
Zając, Maria
Goryl, Maria
Rodzik-Czałka, Łucja
Mikołajska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/21151086.pdf
Data publikacji:
2023
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Małopolska
Kraków
bazylika Mariacka w Krakowie
gotyckie malarstwo tablicowe
technika i technologia
badania konserwatorskie
konserwacja malarstwa
St Mary’s Basilica in Kraków
Gothic panel painting
conservation research
conservation of paintings
techniques and technology
Opis:
Celem opracowania jest przedstawienie wyników badań i przeprowadzonych prac konserwatorskich obrazu pt. Matka Boska z Dzieciątkiem z różą w ramie relikwiarzowej datowanego na XV wiek, wchodzącego w skład kolekcji sztuki bazyliki Mariackiej w Krakowie. Ze względu na znikome informacje o obrazie, jego historii i pochodzeniu przystąpiono do przeprowadzenia badań konserwatorskich, korzystając z zasobów nauk humanistycznych, paleografii, badań fizyko-chemicznych czy analizy procesu projektowego (porównanie z innymi obrazami pochodzącymi z warsztatów krakowskich datowanych na mniej więcej XV wiek). Badania udowodniły przynależność obrazu do warsztatu Mistrza retabulum z Maciejowic. Przynależność warsztatową udowadnia analiza porównawcza stosowanych w malarstwie gotyckim szablonów twarzy i poznanie składu pierwiastkowego pigmentów tzw. ziemnych. Ponadto badania przyczyniły się do określenia stanu zachowania, wskazania czynników niszczących, przekształceń i nawarstwień. Miało to wpływ na przemyślane i dostosowane do obrazu postępowanie konserwatorskie, z troską o to, co oryginalne i stanowiące o wysokiej wartości artystycznej omawianego dzieła zabytkowego.
The aim of this study is to present the results of the research and conservation work carried out on the painting Virgin and Child with a Rose in a Reliquary Frame dated to the fifteenth century, which is part of the art collection of St Mary’s Basilica in Kraków.Given the paucity of information about the painting, its history and origin, conservation research was undertaken using the resources of studies undertaken in various fields: the humanities, palaeography, physico-chemistry, as well as an analysis of the painting process (a comparison with other paintings from workshops in Kraków dating to around the fifteenth century). The research has confirmed that the painting came from the workshop of the Master of the Retabulum of Maciejowice. A comparative analysis of the facial models used in Gothic painting and knowledge of the composition of the so-called earth pigments has proven its connection to this workshop. In addition, the research contributed to determining the state of preservation, identifying destructive influences, transformations and overpaintings. This has contributed to a well-considered conservation procedure adapted to the painting, with careful attention paid to what is original and constitutes the high artistic value of the monumental work in question.
Źródło:
Ochrona Zabytków; 2023, 1; 229-253
0029-8247
2956-6606
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pałac Biskupów Krakowskich w Kielcach – budowla pełna sprzeczności
The Palace of the Kraków Bishops in Kielce – building full of contradictions
Autorzy:
Łagocka, Karolina Inga
Powiązania:
https://bibliotekanauki.pl/articles/1927181.pdf
Data publikacji:
2018
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
pałac
Kielce
architektura
Pałac Biskupów Krakowskich
Jakub Zadzik
palace
architecture
Palace of Kraków Bishops
Opis:
Autorka artykułu przedstawia stan badań nad Pałacem Biskupów Krakowskich w Kielcach. Prezentacja ta stanowi podsumowanie wiadomości dotyczących pałacu zaczerpniętych głównie z inwentarzy i publikacji. W artykule jest mowa o nieścisłościach dotyczących m.in. daty powstania obiektu, głównego architekta, a także tematyki plafonów i zdobień. Podstawową jednak kwestią sporną w historiografii polskiej jest sprawa fundacji pałacu. Analiza stanu badań nad Pałacem Biskupów Krakowskich w Kielcach wykazuje luki, które do dnia dzisiejszego nie zostały dostatecznie zbadane i uzupełnione.
The author of the article describes the state of research on the Palace of the Kraków Bishops in Kielce. This presentation is a summary of information about the palace obtained primarily from inventories and publications. The article discusses inaccuracies concerning, among others, the date of the creation of the building, its main architect, as well as the subject of plafonds and other decorations. However, the most contentious issue in Polish historiography is the question of the palace’s foundation. The analysis of the state of research on the Palace of the Kraków Bishops in Kielce shows gaps which to this day have not been sufficiently researched and filled.
Źródło:
Ochrona Zabytków; 2018, 1; 65-78
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cztery pytania Józefa Dutkiewicza, czyli o restauracjach malowideł autorstwa Stanisława Wyspiańskiego w kościele oo. Franciszkanów w Krakowie
Józef Dutkiewicz’s four questions, or about the restoration of paintings by Stanisław Wyspiański in the Church of St Francis of Assisi in Kraków
Autorzy:
Bogdanowska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/21150983.pdf
Data publikacji:
2022
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Stanisław Wyspiański
Józef Dutkiewicz
malowidła ścienne
restauracja
franciszkanie
Kraków
wall paintings
restoration
Franciscans
Cracow
Opis:
Od czasu powstania w 1895 roku polichromie Stanisława Wyspiańskiego w kościele oo. Franciszkanów w Krakowie były trzykrotnie poddawane pracom restauratorskim. Ostateczny efekt zawsze budził uznanie specjalistów, a dzieło było przedmiotem podziwu wiernych. Jednak wygląd czterech scen figuralnych po ostatniej restauracji prowadzonej w roku 2021 spotkał się ze zmasowaną krytyką. Budzące kontrowersje sceny na filarach międzyokiennych prezbiterium przedstawiają św. Michała Archanioła i Upadek zbuntowanych aniołów (ściana północna) oraz Caritas i Matkę Boską z Dzieciątkiem (ściana południowa). Niniejszy artykuł koncentruje się na wyjaśnieniu, kiedy i dlaczego malowidła ulegały przekształceniom. Podstawą opracowania są dokumentacje konserwatorskie, ale przede wszystkim szczegółowa analiza historycznych zdjęć.
Since their completion in 1895, Stanisław Wyspiański’s polychrome decoration in the Church of St Francis Assisi has undergone restoration work three times. The final result has always been acclaimed by specialists, and the work itself has been an object of admiration by the faithful. However the appearance of the four figural scenes following the latest restoration work conducted in 2021 was met with a great deal of criticism from everyone. The scenes on the pillars between the windows in the chancel depicting St Michael the Archangel and Fall of the Angels (north wall) and Caritas and Virgin and Child (south wall) gave rise to much controversy. This article focuses on explaining – basing on conservation documentation, and above all, on a detail analysis of historical photographs – when and why the paintings underwent transformations.
Źródło:
Ochrona Zabytków; 2022, 2; 39-55
0029-8247
2956-6606
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak Miasto Kraków opiekuje się zabytkami
How the City of Kraków takes care of monuments
Autorzy:
GLIŃSKA-HOLCER, EWA
BIESIADA, DOMINIKA
Powiązania:
https://bibliotekanauki.pl/articles/1927204.pdf
Data publikacji:
2017
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Kraków
opieka nad zabytkami Krakowa
zabytki Krakowa
Park Kulturowy Stare Miasto
ochrona dziedzictwa kulturowego w Krakowie
Opis:
Due to its historical role and numerous monuments, Kraków has become a symbol of Polish identity. The Kraków City Council takes care of the appearance and condition of its monuments — the most valuable treasures of Kraków — by co-financing renovation and conservation works. Over the last 10 years, the amount of funds provided reached a total of nearly PLN 25 million. The historic city centre features many old bourgeois tenement buildings and palaces, numerous churches and monasteries (St. Mary’s Church, Church of saints Peter and Paul, Church of St. Andrew, Dominican and Franciscan monasteries), public buildings, both official and commercial in nature (Town Hall Tower, Wielopolski Palace housing the Kraków City Council Offices, and Cloth Hall), and old university buildings (Collegium Maius, Collegium Iuridicum). The architecture of Kraków is characterised by extraordinary diversity — each artistic epoch left its traces in this city. In order to take care of the City’s image and seek to ensure the preservation and proper maintenance of its numerous historic monuments, Kraków City Council adopted a resolution proposed by Mayor under which the city budget has been used to fund targeted grants for works on historic monuments every year since 2006. Kraków was one of the first cities in Poland to undertake to co-finance conservation, restoration or construction works on historic monuments. The purpose of the subsidies is to support and complement activities enabling owners or holders of historic monuments to take proper care of their valuable elements, in particular their front façades, which undoubtedly have an influence on Kraków’s image. In the years 2006-2016, subsidies for a total of PLN 24,910,000 were granted from the city budget to over 230 applicants. The fact that works on many old buildings that were co-financed by the Municipality of Kraków were also supported financially by the National Fund for the Renovation of Kraków Monuments is of immense importance. The operator of this Fund in the Civic Committee for Restoration of Kraków Heritage is a civic forum. The Committee introduced mechanisms and principles governing the co-financing of the renovation of Kraków’s monuments from national and local government funds and the private funds of the owners. Based on these well-established mechanisms and financing rules, the owners of historic buildings contribute funds at least equal in value to the subsidies. It is an example of effective cooperation for the sake of the culture and image of Kraków. Thanks to such large-scale restoration works, financed jointly by the National Kraków Monument Renovation Fund, the City, and the building owners, Kraków is regaining its original splendour. Additionally, in order to protect the material and landscape cultural heritage more effectively and in order to enhance the beauty of Kraków, the City Mayor has undertaken activities aimed at establishing a specific form of protection, i.e. a cultural park. In accordance with the Act on the Protection of Monuments and the Guardianship of Monuments, the Kraków City Council, on a proposal from the City Mayor, adopted a resolution on the establishment of the Old Town Cultural Park, covering the entire area of the Old Town. The resolution, which is an act of local law, places particular emphasis on the preservation and presentation of heritage and the landscape of the historic urban layout; the protection of its historic buildings and the size of its architectural forms; the functional and compositional protection of Planty Park and other green areas, in particular gardens and garden squares; the protection of visual corridors and scenic overlooks; the protection of the cultural landscape through counteracting the domination of commercial activities, advertising, and services which interfere with the historic space and disturb its aesthetics; and the principles of desirable display. The effects of these actions, which are not easy to perform on a daily basis, have been noticed by the local governments of several cities, as well as smaller communities. Observing the positive effects that have been achieved through the introduction of the Old Town Cultural Park and in response to the numerous initiatives of city residents, the Mayor of the Royal Capital City of Kraków has taken steps towards establishing culture parks in other parts of the city. In June 2014, on a proposal from the City Mayor, the Kraków City Council adopted a resolution concerning plans to establish culture parks within the area of North Kraków: “Nowa Huta Cultural Park” and “Stare Podgórze and Krzemionki Cultural Park”. It needs to be emphasised that these activities have a very beneficial effect on the appearance of Kraków, which is very important both for its inhabitants and its large numbers of tourists, not only from Europe, but also from all over the world. In recent years, Kraków has been visited by over 10 million tourists a year, and in 2016, due to the fact that the city hosted the World Youth Day, the number of visitors exceeded 12 million. Taking care of the historic City of Kraków is a special mission that we should carry out both for us — the contemporary inhabitants — and generations to come. This mission is fully reflected in the development strategy of the City, in the close links between its economy, its historic heritage, and its creative and scientific potential.
Źródło:
Ochrona Zabytków; 2017, Dodatek Specjalny. Dziedzictwo w Polsce.; 169-171
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Późnoromański portal kościoła sióstr norbertanek na Zwierzyńcu w Krakowie. Badania archeologiczno-architektoniczne – próba interpretacji
Late Romanesque portal of the church of the Norbertine Sisters in Zwierzyniec in Kraków. Archaeological and architectural research – an attempt at an interpretation
Autorzy:
Bojęś-Białasik, Anna
Łyczak, Monika
Powiązania:
https://bibliotekanauki.pl/articles/31343029.pdf
Data publikacji:
2024
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
norbertanki
Kraków
portal
badania architektoniczne
badania archeologiczne
architektura
archeologia
Norbertines
architectural research
archaeological research
architecture
archaeology
Opis:
W latach 2018–2023 przeprowadzono badania archeologiczno-architektoniczne oraz prace konserwatorskie przy późnoromańskim kamiennym portalu kościoła klasztornego sióstr norbertanek na Zwierzyńcu w Krakowie. Ten unikatowy zabytek architektury XIII wieku był w katastrofalnym stanie technicznym ze względu na mocne zawilgocenie i zasolenie oraz długotrwałe zasypanie do połowy wysokości ziemnymi warstwami kulturowymi, które kumulowały się w otoczeniu portalu przez wiele stuleci. Interdyscyplinarne badania diagnostyczne pozwoliły zidentyfikować przyczyny i źródła zawilgoceń oraz opracować procedury prac konserwatorskich, dzięki którym doszło do zahamowania zniszczeń i ustabilizowania struktury kamienia. W rezultacie badań archeologiczno-architektonicznych odsłonięto zasypane dotychczas partie portalu i wyeksponowano jego pełną formę. Badania te były okazją do szczegółowych obserwacji budowy architektonicznej portalu, analizy form detalu typowych dla sztuki XIII wieku i oceny jego stanu zachowania. Synteza wyników interdyscyplinarnych badań pozwoliła sformułować wstępne wnioski dotyczące historii budowy portalu jako obramienia głównego wejścia do XIII- -wiecznego kościoła oraz jego późniejszych przekształceń, pozostających w ścisłym związku z podnoszącym się poziomem użytkowym otaczającego terenu.
In the years 2018–2023, archaeological and architectural research and conservation work was carried out on the late Romanesque stone portal of the convent church of the Norbertine Sisters in Zwierzyniec in Kraków. This unique thirteenth-century architectural relic was in a very dilapidated condition due to extensive damp and salinity, as well as the long-term backfilling with earthen cultural layers – to up to half of its height – that had accumulated around the portal over many centuries. Interdisciplinary diagnostic tests made it possible to identify the causes and sources of the damp and establish procedures for conservation work, thanks to which the damage was contained and the structure of the stone stabilized. As a result of archaeological and architectural research, the hitherto buried parts of the portal were uncovered and its full form was revealed. These studies provided an opportunity to make detailed observations of the architectural structure of the portal, analyse the forms of details typical of thirteenth century art and assess its state of preservation. A summary of the results of interdisciplinary research made it possible to draw preliminary conclusions regarding the history of the portal’s construction as a setting for the main entrance to the thirteenth-century church and its subsequent transformations, which are closely related to the increasing rate of usability of the surrounding area.
Źródło:
Ochrona Zabytków; 2024, 1; 51-72
0029-8247
2956-6606
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inwestycyjne, organizacyjne i prawne uwarunkowania restauracji krakowskich Sukiennic w XIX w.
The Investment, Organisational and Legal Conditions for the Restoration of the Cracow Cloth Halls during the Nineteenth Century
Autorzy:
Dobosz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/537767.pdf
Data publikacji:
2001
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
restauracja krakowskich Sukiennic w XIX w.
Kraków
Sukiennice
odbudowa Sukiennic
Komisja Sukiennicza
Tomasz Pryliński
Rynek Główny w Krakowie
Opis:
The conservation of immobile monuments is perceived predominantly from the viewpoint of sciences about art and the technical sciences. Nonetheless, it possesses an organisational- legal dimension, which has been gaining increasing importance especially in the last decades; this holds true also for the Polish democratic state of the law as conceived by the Constitution of the Republic of Poland. The aspect in question was significant for many historical conservation undertakings, today regarded as classical and concerning historical monuments in Polish lands. This was the type of conservation which during the nineteenth century involved the Cracow Cloth Halls (Sukiennice), performed according to a project by T. Pryliñski and supervised by him. Heretofore literature has not analysed more extensively the legal–organisational aspects of the investment connected with the aforementioned project, which has been characterised only marginally. The presented article deals with an analysis of assorted legal and organisational aspects, with reference to the contemporary legal system. It is characteristic that the typical feature of the conservation-investment efforts of the period, despite the absence of regulations concerning public commissions which would have corresponded to the legal standards of the time, was the attention paid to a proper administration of public means. The extremely important principle of the openness of public activity and expenses was realised in practice. Apart from the fundamental literature on the subject the text is based also on archival documents, including the resolutions of the Cracow Town Council, numerous reports and other archival material, supplemented with archival photographs, of which three, showing the end stages of the conservation of the Cloth Halls, had never been published. The purpose of the article, apart from its historical– cognitive function, is to draw attention to legal and organisational aspects of conservation, frequently ignored and, at times, even recognised as a hindrance. The presented study demonstrates that this aspect preceded, by no means as of today, the conservation proper of the historical monument, carried out by architects, conservators, “manual” workers and representatives of other professions, whose participation is indispensable in the conservation process as a whole.
Źródło:
Ochrona Zabytków; 2001, 1; 4-18
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł

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