Autor: BRZEZIŃSKA, ANNA - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Mystification in Czech cinematography and Czech culture
Autorzy:: BRZEZIŃSKA, ANNA
Powiązania:: https://bibliotekanauki.pl/articles/628002.pdf
Data publikacji:: 2013
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: hoax, mysti cation, mockumentary, Czech culture, Oil Gobblers, Year of De-vil, Czech Dream, Jara Cimrman Lying, Sleeping, Jára Cimrman
Opis:: The article concerns the issue of mystification and hoax in Czech culture. It demon-strates historical aspects of this phenomenon and, basing on the example of various cul-tural texts, shows that the mystification as a means of artistic expression is deeply rooted in Czech culture. Surrealistic and illogical themes that are characteristic for Czech humour are used by artists, especially filmmakers, in creating successive mystifications. The article examines films such as Oil Gobblers (1988), Year of Devil (2002), Czech Dream (2004), Jara Cim-rman Lying, Sleeping (1983), in order to analyse the role of this phenomenon in both films that speak of mystification and the ones that are mystifications themselves.
Źródło:: Journal of Education Culture and Society; 2013, 4, 2; 309-315
2081-1640
Pojawia się w:: Journal of Education Culture and Society
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Atmosphere of societal anxiety and representations of the body: The image of man in surrealist works of Vítězslav Nezval in the 20th century interwar period in Bohemia
Autorzy:: Brzezińska, Anna Maria
Powiązania:: https://bibliotekanauki.pl/articles/628341.pdf
Data publikacji:: 2018
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: czech surrealism, Vítězslav Nezval, social anxiety, Absolute Gravedigger, Woman in Plural, metamorphosis,
Opis:: Aim: The interwar period in Czechoslovakia was a time of societal anxiety. The aim of this paper is to find the central themes of societal fear, as reflected in the surrealist works of Vítězslav Nezval, a czech poet. The analysis will be based primarily on the lyric poetry from the collections: Žena v množném čísle [Woman in Plural] (1936) and Absolutní hrobař [Absolute Gravedigger] (1937). Methods: The analysis is based on the Josef Vojdovík’s anthropo-phenomenological method of exploring the surrealist perceptions of the body, which is based on vertical and horizontal anthropological dimensions and phenomenological conceptions of fears. Results: Surrealist poetry and other literary works contain images of the body that are changed by fear: deformations, metamorphoses, fragmentarisations, hybridisations, expressing the body as a collage, a mosaic, an amalgam, a phantom, a grotesque, an inlay, and as lifelessness. It undergoes multiple metamorphoses, not only within its own form, but also with regard to the categories of life and lifelessness. Conclusions: The analysis leads to the conclusion, that V. Nezval’s works show a clear tendency to portray the body as an object which undergoes a metamorphosis. The body is balanced on the edge between living and dead, organic and inorganic, it is determined by time and space. It is often shown along the narrowing-widening relation, in stupor, petrification, reduced to a flat surface or miniaturised.
Źródło:: Journal of Education Culture and Society; 2018, 9, 1; 181-189
2081-1640
Pojawia się w:: Journal of Education Culture and Society
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Jan Švankmajer’s Kunstkammer: Every thing means everything
Autorzy:: Brzezińska, Anna Maria
Powiązania:: https://bibliotekanauki.pl/articles/628128.pdf
Data publikacji:: 2020
Wydawca:: Fundacja Pro Scientia Publica
Tematy:: Jan Švankmajer
kunstkammer
surrealism
Krzysztof Pomian
semiophores
cabinet of curiosities
Opis:: Thesis. Jan Švankmajer’s Kunstkammer is a project with a complex constellation of meaning that defies clear-cut categorization in the context of Pomian’s theory of semiophores. Discussed concepts. The paper describes the kunstkammer art project created by Jan Švankmajer, a Czech surrealist, in the context of Pomian’s theory of semiophores and compares it to traditional and historical equivalents, using the concepts of micro- and macrocosm, the world as a stage (Theatrum Mundi), hermeticism, and alchemy. Results and conclusion. Jana Švankmajer’s Kunstkammer should be analyzed primarily in the individual and subjective context, rather than in the social one. Originality/cognitive value of the approach. Pomian has described many examples of traditional kunstkammers, but there are also several modern collections that have not yet been described in the literature.
Źródło:: Journal of Education Culture and Society; 2020, 11, 2; 343-352
2081-1640
Pojawia się w:: Journal of Education Culture and Society
Dostawca treści:: Biblioteka Nauki

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