Temat: ideology. - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: The temple of the new faith. Film images of the construction of the Palace of Culture 1952–1955
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/923189.pdf
Data publikacji:: 2019-01-08
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish cinema
ideology
architecture
socialist realism
stalinism
symbolic dominance
Opis:: The first study of its kind, Marek Hendrykowski’s paper examines frame by frame the symbolic role of the construction of the Palace of Culture in the ideological context of the Stalinist period and its emergence into the realm of public discourse in the early 1950s.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 39-54
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Kino pod presją
Cinema under pressure
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/921196.pdf
Data publikacji:: 2016-10-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: cinema
film art
politics
ideology
political correctness
moral correctness
censorship
Opis:: The article contains a synthetic look at the issue of film censorship, taking into account its various forms. The author combines the perspective of a contemporary synchronous with the diachronic perspective, dating back to the distant origins of cinema and filmmaking, in conjunction with politics and ideology.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 19-32
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Sfera wolności. Zygmunta Mycielskiego uwagi o muzyce 1955
The sphere of freedom. Zygmunt Mycielski observations on music in 1955
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/921087.pdf
Data publikacji:: 2016-10-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: art
music
politics
ideology
social realism
freedom
ethos
Zygmunt Mycielski
Opis:: The article profiles one of the most interesting music critics of the communist period. Zygmunt Mycielski's journalism is one of the most valuable phenomena of Polish postwar musical culture. What was important for him were fixed points, imponderables keeping human thinking in check and truly creative activity in the sphere of sound. He did not share Carl Dahlhaus’ idea of the death of aesthetics, which was fashionable in the early twentieth century He was convinced that the aesthetic value of a musical work shape musical and non-musical reality, and that the microenvironment which these values form and unify remains particularly important for a man enslaved by the totalitarian system.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 259-279
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Róża Wojciecha Smarzowskiego jako medium idei
Wojciech Smarzowski’s Rose as the medium of ideology
Autorzy:: SZPULAK, ANDRZEJ
Powiązania:: https://bibliotekanauki.pl/articles/921182.pdf
Data publikacji:: 2016-10-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Wojciech Smarzowski
Rose
film and ideology
Polish film after 1989
Masuria in the film
Opis:: The text concentrates on the problem of the ideologization of artistic transmission and uses Wojciech Smarzowski film ‘Rose’ as an example. This problem is considered both on several levels: reception, above all the critical-film level, and also on the level of the work itself. The analysis reveals the impoverishment of the message by radical left-wing and also conservative ideologization is becoming apparent. Also a susceptibility of work to discourse of the political correctness is becoming apparent, in addition it is rather superficial susceptibility.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 87-96
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Dramat Andrzeja Wróblewskiego
Andrzej Wróblewski’s Drama
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/920935.pdf
Data publikacji:: 2016-11-03
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: artist
socialist realism
ideology
art
painting
abstraction
personal experience
revolution
society
war
new world
drama
Opis:: Andrzej Wróblewski (1927-1957) was one of the most important Polish modern painters of his time, closely connected both with key issues of the 20th-century European avant-garde in art, as well as socialist realism in post- war Poland. The article is a sui generis glossa to Wróblewskis retrospective exhibition “Recto/Verso” presented in Winter-Spring 2015 by the Museum of Contemporary Art in Warsaw.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 292-299
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Polish Postcommunist Cinema and the Neoliberal Order
Autorzy:: Mazierska, Ewa
Powiązania:: https://bibliotekanauki.pl/articles/919964.pdf
Data publikacji:: 2012-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Feliks Falk
Piotr Trzaskalski
Anna Kazejak-Dawid
neoliberalism
postcommunism
ideology
working class
de-industrialisation
bare life
neoliberalizm
postkomunizm
deindustrializacja
ideologia
Opis:: This essay discusses three Polish films from the last 10 years: Bailiff (Komornik, 2005), directed by Feliks Falk, Edi (2002), directed by Piotr Trzaskalski, and Silesia, directed by Anna Kazejak-Dawid, which is the first part in the omnibus film Ode to Joy (Oda do radości, 2005) of which the two remaining parts were directed by Jan Komasa and Maciej Migas. The main methodological tools are the concepts of neoliberalism and bare life. The article argues that the fall of communism led to the neoliberalisation of Polish society and the production of bare life. The aforementioned films attest to these changes and offer an assessment of them which conveys a specific ideology. By focusing on the construction of their narratives and characters, the article attempts to establish its main features and offer its explanation.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 11, 20; 53-63
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Metodologiczne problemy historii powojennego dokumentu filmowego w Polsce
The Methodological Problems of Studies on the History of Polish Postwar Documentary
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920404.pdf
Data publikacji:: 2015-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: documentary
genre
non-fiction film
editing
language of moving pictures
film history
historiography
social realism
post-war Polish cinema
Stalinism
film industry
film production
distribution
ideology
film poetics
rhetorics
Opis:: The Methodological Problems of Studies on the History of Polish Postwar Documentary The author discusses the narratives and stereotypical (ideological) point of view as a matrix for constructing an overly simple image of the Polish documentary in the postwar period (1944–1955) as shadowed in the untruth of political discourse. In Marek Hendrykowski’s opinion this particular period in Polish documentary film was much more complicated and multi perspectived (in a “dialogical” sense) as a research object posing new questions and opening new perspectives for film historians.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 249-255
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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