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Wyświetlanie 1-7 z 7
Tytuł:
Grzyby, technokulturowe hybrydy i nieorganiczni nieludzie Ekologie spekulatywne w polskich sztukach performatywnych ostatnich lat
Fungi, Technocultural Hybrids and Inorganic Nonhumans. Speculative Ecologies in Contemporary Performative Arts in Poland
Autorzy:
Chaberski, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1815475.pdf
Data publikacji:
2021-04
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
ecology
speculative gestures
assemblage
emergence
performative arts
Opis:
This article analyzes selected “speculative gestures” (Debaise, Stengers) in contemporary Polish performative arts which stage speculative ecologies. Speculative ecologies are different ways of thinking about ecology, alternative to the modern concept of nature as inert matter separated from humans and bereft of all agency. The analysis aims to unravel some nonanthropocentric modes of distributing agency between humans and nonhumans and ways of knowing they posit. The article focuses specifically on selcted hybrid projects emerging from a fusion of artistic strategies, scientific protocols and new technology design. Examples discussed here demonstrate how the initiators of such projects at the intersection of nature, culture and technology perform three types of speculative ecologies: by staging polyphonic assemblages (Lowenhaupt-Ting) as contingent encounters between human and nonhuman lifeways, by questioning received notions of natural environment, and by registering the agency of abiotic existents as proper ecological actors.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 162; 6-26
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Self-Censorship Between Self-Ridicule and Self-Reflection
Autorzy:
Jakimiak, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2050053.pdf
Data publikacji:
2022-04
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
self-censorship
theatre
performing arts
Oliver Frljić
humour
Opis:
This essay investigates the notion of humour as a tool used to highlight the acts of self-censorship in theatre and performing arts and its subversive potential. By referring to the examples from the process of working on the Imaginary Europe performance directed by Oliver Frljić, the essay problematizes the acts of self-prevention committed by artists who decide to withdraw a certain figure of speech in order not to cause harm towards minorities or underprivileged groups. I revisit theories that tackle humour and reveal its complexity (Billig, McGowan and Zupančič), and I refer to the work of artists who combine humour with self-reflection in the process of undermining and questioning theatrical hierarchies and mechanisms of power.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, 168; 200-232
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozruchy badawczo-artystyczne w sztukach performatywnych: zbliżenie na taniec, ruch i choreografię
Research-Artistic Riots in the Performing Arts: A Close-Up On Dance, Movement, and Choreography
Autorzy:
Reznik, Zofia
Brelińska-Garsztka, Paulina
Małkowicz-Daszkowska, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/1830716.pdf
Data publikacji:
2021-10
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
artistic research
performing arts
methodology
dance
case study
Opis:
The article addresses the issue of artistic research in the field of performing arts with a particular emphasis on movement, dance, and choreographic practices, set in the Polish context. The authors aim to identify and describe examples of artistic-research processes in the field defined above; to explore the specificity of AR practices and the contexts in which they are realised; to share tools, methods, and knowledge about them at the level of AR practices themselves and studies on AR. The paper is divided into 5 parts: 1) a definition of artistic research; 2) an auto-choreo-ethnographic reflection; 3) a spider-map of AR practices; 4) an in-depth analysis of three research-artistic processes (I: Przyszłość Materii (The Future of Matter) by Magdalena Ptasznik; II: Badanie/Produkcja (Research/Production) curated by Maria Stokłosa; III: a continuum of practices by Ania Nowak); 5) “interlacing” – a cross-sectional reflection. The structure of the narrative is based on two orders: a) a textual order – the main axis of the article; b) a graphic-mapping order – a complementary collection of visual-textual materials presented on the Research Catalogue platform.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 165; 123-160
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wspólny pokój. O praktyce kuratorskiej
Shared Room. On the curatorial practice
Autorzy:
Berendt, Zuzanna
Majewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2050017.pdf
Data publikacji:
2022-04
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
shared room
curating
performing arts
practice
precariat
relationality
reproductive work
Opis:
The authors of the article attempt to expand the discourse on curatorial practices in the field of performing arts by introducing the notion of shared room. By making reference to their own experience in curating, they create a metaphor which serves both as a tool for describing the precarious position of curators and for designing alternative strategies of doing this work based on the ideas of solidarity, relationality and sharing. In the first part the authors present their understanding of curatorial practice situating it in the context of those definitions of curating that they recognise as dominating in the Polish context. The second part of the article deals with four aspects of the shared room metaphor: its relational ontology; the precarious condition of its inhabitants; the strategies of sharing employed in it; and the reproductive work done in it and understood as creative practice.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, 168; 98-133
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Riots in Performing Arts Research: a Close-up of Dance, Movement and Choreography
Autorzy:
Brelińska-Garsztka, Paulina
Małkowicz-Daszkowska, Zofia
Reznik, Zofia
Hoogslag, Mark
Brombley, Tim
Powiązania:
https://bibliotekanauki.pl/articles/2164333.pdf
Data publikacji:
2022-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
badania artystyczne
artistic research
performing arts
methodology
dance
case study
Opis:
The article addresses the issue of badania artystyczne (BA; literal translation: artistic research) in the field of performing arts, with a particular emphasis on movement, dance, and choreographic practices, and set in the Polish context. The authors aim to identify and describe examples of artistic research processes in the field defined above; to explore the specificity of BA practices and the contexts in which they are realized; to share tools, methods, and knowledge about them at the level of the BA practices themselves and of studies on BA. The paper is divided into five parts: 1) a definition of artistic research; 2) an auto-choreo-ethnographic reflection; 3) a spider-map of BA practices; 4) an in-depth analysis of three artistic research processes (I: Przyszłość Materii (The Future of Matter) by Magdalena Ptasznik; II: Badanie/Produkcja (Research/Production) curated by Maria Stokłosa; III: a continuum of practices by Ania Nowak); 5) ‘interlacing’ – a cross-sectional reflection. The structure of the narrative is based on two orders: a) a textual order – the main axis of the article; b) a graphics-mapping order – a complementary collection of visual-textual materials presented on the Research Catalogue platform.
Źródło:
Didaskalia. Gazeta Teatralna; 2022, English Issue 2022; 58-94
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Władysław Hasior: od rzeźby do performansu
Władysław Hasior: from Sculpture to Performance
Autorzy:
Figzał-Janikowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1830700.pdf
Data publikacji:
2021-10
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Władysław Hasior
visual arts performance
ephemeral action
stage design
theatre of the elements
Opis:
The aim of this article is to draw attention to the theatrical and performative aspect of visual works by Władysław Hasior. The Zakopane artist is presented not only as an acknowledged sculptor, creator of assemblages and banners, but above all, as a performer, stage designer, director of a peculiar “theatre of the elements”, and the author of open-air shows with complex dramaturgy and precisely defined course. The author of the article attempts to indicate the sources of Hasior’s theatrical interests and their development. The issue of theatricality is examined in relation to the way in which the artist’s works are displayed, and to his scenographic projects or his own artistic performances. These activities reveal the Hasior’s fascination with theatrical means of expression and the idea of a collective gathering of ceremonial nature. The ephemerality of the Hasior’s open-air shows means that they have been the area least explored by researchers to date.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 165; 53-80
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cień Ameryki „Zwykła sprawa” Adama Tarna i „Dwunastu gniewnych ludzi” Sidneya Lumeta
The shadow of America. Common Business by Adam Tarn and Twelve Angry Men by Sidney Lumet
Autorzy:
Wasąg, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1953446.pdf
Data publikacji:
2021-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Adam Tarn
Common Business
1st Festival of Polish Contemporary Arts
Twelve Angry Men by Sidney Lumet
Foley Square Trial of 11 members of the Communist Party USA
Opis:
The article has an interdisciplinary character. It combines biographical, historical, literary, dramaturgical, and film themes. Adam Tarn’s Common Business (Zwykła sprawa) is a drama which undoubtedly played an important role in the period of socialist realism together with the performance directed by Erwin Axer. In the article, the significance of Tarn’s work, which was awarded at the 1st Festival of Polish Contemporary Arts in the early 1950s, is shown against the background of the cultural policy pursued in the People’s Republic of Poland. The writer’s nine-year stay in America has been presented in the perspective of the emigration-related origin of the Common Business.The proposed juxtaposition of Tarn’s debut drama and Sidney Lumet’s Oscar-winning film Twelve Angry Men (screenplay by Reginald Rose) reveals the complex political context in which each of the works appeared. The 1949 New York Foley Square Trial of 11 members of the National Board of the CPUSA (Communist Party USA), which ‘was the best known legal proceeding against a communist party’, has been indicated as the direct inspiration for Tarn’s play.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 166; 37-68
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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