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Tytuł:
Kształtowanie się współczesnej koncepcji polskiego systemu szkolnictwa muzycznego w latach 1945–1959 w kontekście dyskusji środowiskowych
Shaping the Contemporary Concept of the Polish Music Education System from 1945-1959 in the Context of Community Discussions
Autorzy:
Domagała, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/2159823.pdf
Data publikacji:
2021-01-29
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
edukacja muzyczna
szkolnictwo muzyczne
historia edukacji
system szkolnictwa muzycznego
music education
music schools
history of education
music education system
Opis:
In the period after World War II, a new three-tier organization of music education was intro-duced in Poland. In 1945, schools were divided into music schoolsoflowerdegree, middle degree schools and music colleges and academies as higher music education. There were also music appreciation schools The solutions adopted were largely based on the patterns that exi-sted in the Union of Soviet Socialist Republics. The three-tier structure enabled – according to the designers of this model – to adapt teaching to new needs and specialize depending on the student’s level of talent. However, the introduction of new organizational solutions faced dif-ficulties, some of the music community questioned the scope, pace and nature of the changes. A separate position was presented by many recognized Polish musicians and teachers. Music schools introduced the new teaching structure in a slow and often reluctant manner. As a result of the pedagogical discussion in the late 1940s and early 1950s, the Ministry of Culture and National Heritage introduced quite significant changes. Although the three-tier structure was retained, music appreciation schools were closed.In the 1950s, intensive efforts were undertaken at the Ministry of Culture and Science to analyze the problems of the Polish model of music education and prepare new structural solutions. Outstanding representatives of Polish musical life took part in these. A number of systemic difficulties were noticed, including students overburdened with studies, high drop-out rates, and artificial separation of the stages of education. New concepts for the organization of education were presented, frequently with references to the old, pre-war solutions, which were appreciated as already tested and more effective. Some outstanding musicians and teachers presented their critical standpoints in the music press. Despite the unequivocal position of many representatives of the pedagogical and music community, the authorities of the Ministry of Culture and National Heritage lacked the determination and sufficient courage to carry out a fundamental reform of the Polish model of music education. Legal acts were prepared and published in which the then current model of education was maintained. Primary music schools of the first degree were provided functions of music appreciation education, and second-degree schools were assigned professional functions.This article is the first attempt to show the circumstances of implementing a new model of music education in Poland. It shows the reaction of the pedagogical and musical community as well as the continuous structural problems. The article was prepared with the use of extensive archival sources, press articles and legal documents.
Źródło:
Ars inter Culturas; 2020, 9; 141-166
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
EDUKACJA MUZYCZNA NA ŚWIECIE W KRĘGU ZAINTERESOWAŃ CZASOPISMA „WYCHOWANIE MUZYCZNE”
TOPICS IN MUSIC EDUCATION WORLDWIDE PRESENTED IN “WYCHOWANIE MUZYCZNE” JOURNAL
Autorzy:
Grusiewicz, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/566624.pdf
Data publikacji:
2017
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
edukacja muzyczna
edukacja muzyczna na świecie
historia edukacji, czasopiśmiennictwo
czasopismo „Wychowanie Muzyczne”
music education
music education worldwide
history of education
journal publication
“Wychowanie Muzyczne” [Music Education] journal
Opis:
The author analyzes the variety of topics in music education worldwide, presented until 2016 in “Wychowanie Muzyczne” journal since it has been first released in 1957. In the enormous number of issues of the magazine, the topics were not of key impor-tance, however they played a significant role in broadening the awareness of music teachers and academics. They promoted ideas and concepts developed in different parts of the world, they showed common problems, as well as systemic, curriculum- and methodology-based differences in systems of music education across different countries. The analysis covers 215 papers on the subject. The main organizing criterion was a liter-ary genre and literary form. The papers were analyzed in the following order: literary se-ries; reprints from international journals; critical analyses using examples of foreign lit-erature; accounts of trips abroad including international conferences and symposia; papers by international authors and Polish authors living permanently abroad, including interviews with representatives of international cultural and education centres, as well as research accounts and scientific studies. The analysis also presents transformations in music education in Poland and worldwide over the past sixty years.
Źródło:
Ars inter Culturas; 2016, 5; 125-146
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
AESTHETICS EDUCATION AND ITS POSITION IN THE 21ST-CENTURY DEMOCRATIC SOCIETY
Autorzy:
Kopčáková, Slávka
Powiązania:
https://bibliotekanauki.pl/articles/566331.pdf
Data publikacji:
2019-02-05
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
art
aesthetics education
music education
education
critical thinking
democracy
Opis:
In the paper, the author considers philosophical, aesthetic and pedagogical concepts explaining the specific position of aesthetics education in the education system and its importance in developing the ability to express authentic attitudes not only in the assessment of the arts but also in social processes of a democratic society. A historical account is part of this consideration, as it gives us an overview of cultural epochs in which emphasis on the aesthetics education of a young person became a national interest or, on the contrary, it stood partly on the edge of interest. Through the ideas of important thinkers of the 20th and 21st centuries (John Dewey, Paul G. Woodford, etc.), I try to emphasize the potential of musical, artistic, literary, dramatic education in the development of critical thinking as a fundamental attribute in the education of an authentic, free- and democratically- minded person. Active reception of art and the evaluation of artistic expressions occupy an important place in the awareness of one’s position in a society that faces many civilization and political challenges, such as poverty, migration, change of cultural mechanisms, and reception habits. All this requires reflection at the level of the philosophy of education in co-operation with its related disciplines, like pedagogy, aesthetics, cultural studies, and their applied educational disciplines. The definitive recognition of a dignified status for aesthetics education is one of the ways of coping with the civilization challenges of the 21st century and of flexible re-evaluation of the changing trends in the technologyoriented society structure and the one-sided general education
Źródło:
Ars inter Culturas; 2018, 7; 249-262
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A CONTRIBUTION TO MUSIC EDUCATIONAL WORK WITH CHILDREN OF AN EARLY SCHOOL AGE
Autorzy:
Jiřičková, Jiřina
Powiązania:
https://bibliotekanauki.pl/articles/566415.pdf
Data publikacji:
2013
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
music education
early school age
piano
model situations
rhyme
Opis:
This article discusses the role of piano as a didactic aid in early education. The piano is a great aid to motivate, sparks creativity, and effectively engages children in the learning proces. A case study conducted by the author proposes different techniques of integrating the piano in the context of music lessons. The study contains a variety of musical activities and proposes specific teaching instructions to work with rhymes.
Źródło:
Ars inter Culturas; 2013, 2; 139-145
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
НОТЫ КАК СЕМИОТИЧЕСКИЙ ФЕНОМЕН В ТИПОЛОГИЧЕСКОМ АСПЕКТЕ (ОПЫТ КЛАССИФИКАЦИИ ЗНАКОВ МУЗЫКАЛЬНОГО ПИСЬМА)
NOTES AS A SEMIOTIC PHENOMENON IN THE TYPOLOGICAL ASPECT (THE EXPERIENCE OF CLASSIFICATION OF THE MUSIC WRITING SIGNS)
Autorzy:
Шип, Сергей Васильевич
Powiązania:
https://bibliotekanauki.pl/articles/566630.pdf
Data publikacji:
2016
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
музыкальное письмо
семиотический феномен
ноты
музыкальное образование
music writing
semiotic phenomenon
notes
music education
Opis:
In the article music writing is considered from a semiotic point of view, the universal typology of music writing is proposed, the specific means of musical notation inherent in classical European noteline writing and some new graphical tools of music recording are discussed, the necessity of studying the notes for the practice of music education is proved.
Źródło:
Ars inter Culturas; 2016, 5; 335-348
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka jako narzędzie poznawania artystyczno-kulturowej przestrzeni – omówienie prac „Ars inter Culturas”
Art as a Tool for Exploring Artistic and Cultural Space – a Discussion of the Works in “Ars inter Culturas”
Autorzy:
Chaciński, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/2159818.pdf
Data publikacji:
2020
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
sztuka
wielokulturowość
edukacja muzyczna
historia muzyki
literatura
sport
art
multiculturalism
music education
music history
literature
Opis:
In the current issue of the journal „Ars inter Culturas”, scholarly articles have been gathered and arranged into several thematic groups. Most of the issue is devoted to music, its analysis and to musical education, both conceptual and historical studies, as well as research into its effects. The articles in the first section are arranged chronologically, covering musical space from ancient Egypt to contemporary times. The second section includes historical research on music education, from the perspective of both Eastern European and Polish experiences. The third section maintains a multicultural profile, showing the interpenetration of various musical concepts between countries and their national adaptations.Traditionally, space is set aside in „Ars inter Culturas” for fields that round out the theore-tical area of other aspects of multiculturalism. This time, these were texts offering theological analysis as well as in teaching religious education for young people. The last part of this issue are references to other arts – ballet, design, as well as historical and contemporary interpreta-tion of literature, and sport.
Źródło:
Ars inter Culturas; 2020, 9; 5-10
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
INTERSECTIONS OF DRAMATIC ARTS AND MUSIC EDUCATION
Autorzy:
Zahatňanská, Mária
Kušnírová, Eva
Powiązania:
https://bibliotekanauki.pl/articles/566345.pdf
Data publikacji:
2015
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
dramatic education
creative drama
cross-curricular relations
intersection of dramatic art education and music education
Opis:
The contribution focuses on the possibilities of applying the elements of music education within the theory and practice of drama education in the education of undergraduate students – the future elementary and secondary school teachers. Implementation of music education to the subject of Drama education in the study programme ‘Teaching comprehensive subjects’ allows the participants: a) learn how to use the aforementioned educational art subjects as the possibility to create a positive atmosphere in the classroom by creative education; b) activate students in educational process. The theoretical part of the paper is illustrated by the examples from the educational practice compiled by the authoresses.
Źródło:
Ars inter Culturas; 2015, 4; 99-108
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
IDENTITÄT UND DIVERSITÄT EINE AUSEINANDERSETZUNG MIT KONZEPTIONELLEN BEGRIFFEN DER INTERKULTURELLEN MUSIKPÄDAGOGIK
IDENTITY AND DIVERSITY. AN EXAMINATION OF TWO CENTRAL CONCEPTS OF INTERCULTURAL MUSIC EDUCATION
Autorzy:
Barth, Dorothee
Powiązania:
https://bibliotekanauki.pl/articles/566428.pdf
Data publikacji:
2013
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Identität
Diversität
interkulturelle und multikulturelle Musikerziehung
identity
diversity
intercultural
multicultural music education
Opis:
The concept of diversity entails the development of strategies that capitalize on the diverse cultural potential of the members of a heterogeneous group and explores that potential in a constructive way. In principle, this might be a good idea but it runs the risk of binding cultural potentials within so-called multicultural (learners) groups (of pupils) to their origins/descents, thus strengthening positive racism. In contrast, the new concept of identity operates in terms of a plural or fragmented self, or a patchwork biography, in which the individual is no longer bound by the predetermined factors of one’s identity, such as gender, place of residence, profession of parents or origin/descent. Rather, one has to solve the task of constructing one’s identity over and over again throughout one’s whole life, balancing and integrating different senses of cultural belonging. This article presents both concepts referring to multicultural learners/learning groups. It also discusses whether the theoretical base of diversity and identity rule themselves out in the end or whether there are common assumptions, which reflects the precepts of intercultural music education.
Źródło:
Ars inter Culturas; 2013, 2; 63-74
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
BEITRAG ZUR MOTIVATION VON KINDERN IM GRUNDSCHULALTER IN DER MUSIKERZIEHUNG
CONTRIBUTION TO THE QUESTION OF MOTIVATION IN MUSIC EDUCATION OF YOUNGER SCHOOL AGED CHILDREN
Autorzy:
Jiřičková, Jiřina
Powiązania:
https://bibliotekanauki.pl/articles/566492.pdf
Data publikacji:
2014
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Musikerziehung
Motivation
Klavier
Frühes Schulatter
music education
motivation
piano
early school age
Opis:
Piano is one of the most important motivators in music education for the early age children. It motivates them to different musical activities in music education. The piano teacher demonstrating his/her practical abilities can be an effective stimulus for their own piano playing. This paper proposes specific exercises enabling children to gain an active knowledge of the keyboard; it also discusses different starting points for further activities in music education.
Źródło:
Ars inter Culturas; 2014, 3; 107-115
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
AN OUTLINE OF A TEACHING AID FOR SLOVAK MUSIC PEDAGOGY
Autorzy:
Kočišová, Renáta
Powiązania:
https://bibliotekanauki.pl/articles/566482.pdf
Data publikacji:
2015
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
music education
didactic interpretation of the opera
teaching aid
Eugen Suchoň
Krútňava (Katrena)
Opis:
A mission of current as well as future generations of pedagogues is to search for a balance between supranational politico-economic interests and the presentation of national historic-artistic roots. Despite the many efforts by humanists, it is still true that historic memory and veneration of national values is not a strong aspect of Slovak society. Lifelong education through art could bring a shift in the quality of appreciating cultural accomplishments. Artists and their most significant masterpieces are examples which attract attention abroad as well as at home. In contemporary music education, such development in the dissemination of information which uses new technologies as well as playful and undemanding methods enriches the teaching process with a range of teaching aids and applies an individual approach to each student in the class is expected. An example for opening such a dialogue between a teacher and a student which would allow entrance into the operatic “world” of national schools are the works of such significant personalities as B. Smetana, S. Moniuszko, F. Erkel, E. Suchoň and others. National awakening, relating to traditions, the choice of literary bases, music script, or the composer’s synthetism of these central- European music personalities, are a source of continuous analyses, discussion topics, and educational activities. Opera as an exclusive form for the exacting, so-called gesamtkunstwerk, is, in the pedagogical process, a highly demonstrative form and it is necessary to treat it didactically in such a way so that it is intelligible for younger generations, musically or otherwise gifted. The contribution presents the possibility of introducing the opera “Katrena” – a piece from the period of Slovak musical modernism - with elements of verism, Brechtian and Janáček-esque theatre – swayed by political regulations into the primary school classroom. The teaching aid – a music presentation – comprises a chronologically organised audiovisual overview of the opera. It includes a workbook by means of which teachers obtains feedback about the creativity and knowledge of their students. In this way, the audio information is transferred and intensified by other sensory information, which might bring a memory trace of higher quality. The main objective of this study is to indicate how to involve a Slovak opera – or its audiovisual recording – in teaching music at our schools. The process of involving the matter is taking place within the framework of pedagogical interpretation of a specific opera work. The efforts of the author of the study have resulted in completing a DVD containing the crucial extracts of the opera and a workbook – both representing an interlinked teaching aid for the purposes in question.
Źródło:
Ars inter Culturas; 2015, 4; 63-76
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE DEVELOPMENT OF MUSICAL PERCEPTION THROUGH PHYSICAL ACTIVITIES
Autorzy:
Nečasová, Jindra
Powiązania:
https://bibliotekanauki.pl/articles/566454.pdf
Data publikacji:
2015
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
music education in primary school musical perception
physical activities
dance choreography to the composition
music and painting
Opis:
In her paper the author deals with the use of music and movement within the school environment, for pupils of basic schools of art, as well as students of conservatories. It deals with the relationship between music and dance, with didactic principles and methodological approaches, and with the theoretical base and practical models. It briefly introduces contemporary dance choreography to the composition Paintings by Salvador Dalí composed by the author of this article, performed by the students of the Dance Conservatory of Prague and Hradec Králové Philharmonic Orchestra.
Źródło:
Ars inter Culturas; 2015, 4; 241-246
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
DIE KLAVIERMINIATUR ALS EIN AUSGANGSPUNKT FÜR MUSIKALISCHE AKTIVITÄTEN VON KINDERN IM GRUNDSCHULALTER
PIANO MINIATURE AS A STARTING POINT TO MUSICAL ACTIVITIES WITH CHILDREN OF AN EARLY SCHOOL AGE
Autorzy:
Jiřičková, Jiřina
Powiązania:
https://bibliotekanauki.pl/articles/566314.pdf
Data publikacji:
2015
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Musikerziehung
Frűherziehung
Klavier
Modellsituationen
Klavierminiatur
music education
early school age
piano
model situations
piano miniature
Opis:
This paper discusses the role of the piano as a didactic instrument for children. The piano offers a great motivational aid in music education and provides an important aid in specific musical activities designed for children. A model scenario, developed by the author, presents a wide array of piano exercises that can be adopted during music lessons. They contain progressively structured musical activities, which are playful in character as well as suggest a specific teaching pedagogy.
Źródło:
Ars inter Culturas; 2015, 4; 109-118
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MAGIA MUZYKOWANIA – PIOSENKI MARKA GRECHUTY WCIĄŻ AKTUALNE
THE MAGIC OF MUSIC-MAKING – MAREK GRECHUTA’S SONGS STILL UP-TO-DATE
Autorzy:
Piotrowska, Anna G.
Powiązania:
https://bibliotekanauki.pl/articles/566381.pdf
Data publikacji:
2017
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Grechuta
poezja śpiewana
cover
aranżacja
muzyka popularna w edukacji muzycznej
sung poetry
arrangement
popular music in music education
Opis:
Piosenki Marka Grechuty – mimo upływających lat nieustająco popularne – stanowią przykład twórczości niebagatelnej, mocno osadzonej w tradycjach kultury polskiej (m.in. ze względu na wykorzystywane w nich teksty), ale także mogą stać się potencjalnym materiałem dydaktycznym, z powodzeniem wykorzystywanym w edukacji muzycznej dzieci i młodzieży. Po pierwsze bowiem, piosenki Grechuty – będące umuzycznionymi wersjami przepięknych wierszy polskich poetów – niejednorodnie czynią bardziej atrakcyjnymi treści zawarte w tych wersach, warstwą muzyczną podkreślając ich wymowę i przekaz. Po drugie, niektóre ze swoich albumów Grechuta, bezpośrednio lub niekiedy w nieco bardziej zawoalowany sposób, kierował do młodszych odbiorców, głównie dzieci, ale też młodzieży. Po trzecie, piosenki Grechuty stanowią wdzięczny materiał do aranżacji wielogłosowych, które mogą być z powodzeniem wykonywane przez chóry – zarówno szkolne, jak i profesjonalne. Przede wszystkim jednak w twórczości Grechuty w udany sposób zostały złączone dwie stylistyki muzyczne: uznawana powszechnie za „poważną”, klasyczną oraz funkcjonującą pod szyldem „muzyki popularnej”. Wydaje się, że poprzez odwołanie się do spuścizny tego wielkiego artysty można dokonać w edukacji muzycznej rzeczy bardzo trudnej: pokusić się o wprowadzenie młodzieży w świat wyrafinowanej polskiej poezji oraz świat wielorakich brzmień instrumentalnych i wokalnych, jednocześnie nie tracąc nic z atrakcyjności – jakże lubianego przez młodych słuchaczy – repertuaru popularnego.
Marek Grechuta’s songs – still popular despite the passing years, are fine examples of great creativity, deeply embedded in the traditions of Polish culture (among others due to their lyrics). Not only do they reveal timeless values, but they also inspire new generations of composers proposing covers and arrangements of these songs thus enriching our Polish music culture. Marek Grechuta’s songs can potentially also become teaching materials in music education for children and young people. The article presents the life and career of Grechuta, indicates problems with classifying his artistic output, and highlights the importance of his albums dedicated to children and young people. Numerous covers of Grechuta’s songs are also mentioned as well as successful attempts at their polyphonic arrangements, which – as it is argued – may be treated as an interesting proposal in pedagogical work.
Źródło:
Ars inter Culturas; 2017, 6; 15-26
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fakt estetyczny jako autonomiczne doświadczenie poznawcze w badaniach nad uczeniem się muzyki (rekomendacje dla wczesnej edukacji)
Aesthetic fact as an autonomous cognitive experience in research on music learning (recommendations for early education)
Autorzy:
Trzos, Paweł Adam
Powiązania:
https://bibliotekanauki.pl/articles/566658.pdf
Data publikacji:
2020-01-10
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
uczenie się muzyki
muzyczna estetyka
wczesna edukacja muzyczna audiacja
badania edukacyjne
music learning
musical aesthetics
early music education
audiation
educational research
Opis:
Music education theorists agree that the success of music learning depends to a large extent on the quality of the educational impact at early stages of education. Early music education is therefore the stage where the identification of natural developmental potential and the development of appropriate musical competences and skills is particularly important (in terms of the professionalization of activities and their evaluation). This text raises important issues for educators concerning research on the disciplinarization of knowledge about early music education and the quality of socio-cultural practice in this field. It refers to E.E. Gordon's contemporary Theory of Learning Music and its main conceptual category - audiation. In this theoretical construction, the adopted definitions allow one to draw recommendations for general reflection on the relationship between theory and the practice of research on the autonomy of childhood experience of music and aesthetics. This reflection is inscribed in the reflection of contemporary pedagogy and strives to evaluate the basic qualities of music pedagogy (at least in the aspect of creating empirical-praxeological knowledge).
Źródło:
Ars inter Culturas; 2019, 8; 155-174
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
EBERHARD PREUßNER I JEGO WYOBRAŻENIA O ZWIĄZKACH MIĘDZY PEDAGOGIKĄ MUZYCZNĄ I PIELĘGNOWANIEM POWSZECHNEGO ŻYCIA MUZYCZNEGO
EBERHARD PREUßNER’S IDEAS CONCERNING THE RELATIONS BETWEEN MUSIC PEDAGOGY AND THE CULTIVATION OF THE GENERAL MUSICAL LIFE
Autorzy:
Richter, Christoph
Powiązania:
https://bibliotekanauki.pl/articles/566369.pdf
Data publikacji:
2015
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Eberhard Preußner
Leo Kestenberg
Die Musikpflege
wychowanie muzyczne
chór amatorski
amator muzyki
polityka muzyczna
music education
amateur choir
amateur muscian
music politics
Opis:
Since the 1930s, Słupsk-born Eberhard Preußner (1899-1964), who would later become president of the Akademie Mozarteum Salzburg, had been ranking among Leo Kestenberg’s (1882-1962) most important colleagues. From 1930 to 1943 he was the editor of the periodical “Die Musikpflege” which was changed into an official institution following the Enabling Act of 1933. This article systematically and critically pursues the question if and how this periodical, for which Preußner had been able to recruit numerous competent and high-profile authors, has contributed to supporting Kestenberg’s concept of a music-reform in its first three year’s issues before his compulsory retirement and emigration.
Źródło:
Ars inter Culturas; 2015, 4; 31-42
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł

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