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    Wyświetlanie 1-12 z 12
    Tytuł:
    The End of the 1914–1918 War in Africa
    Autorzy:
    Samson, Anne
    Powiązania:
    https://bibliotekanauki.pl/articles/888953.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    Africa
    the local voice
    Versailles peace talks
    colonialism
    Great War literature
    Opis:
    The end of the First World War in Africa occurred at different times across the continent as the German colonies capitulated and surrendered to the allied forces between 26 August 1914 and 25 November 1918. The experience of each territory was indicative of its colonial development and local conditions. As the war inched across the landscape so people moved between states of peace and conflict, all caught up in some aspect either directly or through the provision of food and other materials. This chapter explores different experiences across the continent and the legacy of the discussions at Versailles.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 83-110
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Review: Anna Branach-Kallas and Piotr Sadkowski Comparing Grief in French, British and Canadian Great War Fiction (1977–2014) (Katarzyna Więckowska)
    Autorzy:
    Więckowska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/888992.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    grief
    trauma
    French Great War fiction
    Canadian Great War fiction
    British Great War fiction
    cultural memory
    Opis:
    Comparing Grief in French, British and Canadian Great War Fiction (1977–2014) (2018) by Anna Branach-Kallas and Piotr Sadkowski attests to the widespread and continuing impact of the First World War, which it examines in a selection of British, French, English-Canadian, and French-Canadian novels written in the last forty years. Signifi cantly, in contrast to the prevailing analytical framework, Branach-Kallas and Sadkowski do not focus on literary representations of combat and front life, but on texts that depict the long-lasting aftermath of the war in order to investigate the psychological and social eff ects of the confl ict and to inquire into why the war refuses to be buried in the past. Comparing Grief explores the “changed reality” after the Great War and analyses the cultural trauma produced by the war in France, Canada, and Britain, focusing on shell-shock and the ensuing disintegration of individual identity and communal bonds.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 249-255
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Why and How Should We ‘Remember’ the Great War?
    Autorzy:
    Sokołowska-Paryż, Marzena
    Powiązania:
    https://bibliotekanauki.pl/articles/888703.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    historical distance
    belatedness
    cultural memory
    alternate history
    the Last Veteran
    Opis:
    In his alternate history novel After Dachau, Daniel Quinn envisages a chilling dystopian reality two thousand years after the Second World War. The most meaningful scene is set in a history class during which it becomes clear that for both the teacher and the students the battle of Verdun has as little meaning as the battles of Thermopylae and Hastings (120). Despite its ostentatiously implausible plot, Quinn’s novel poses the highly relevant question of the impact of an inevitable and ever-increasing temporal distance on the signifi cance of historical events for contemporary and future generations. In other words, how are societies to ‘remember’ their past if there is no one left who actually remembers it?
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 5-11
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Witnessing the Great War in Britain: Centenaries and the Making of Modern Identities
    Autorzy:
    Wilson, Ross J.
    Powiązania:
    https://bibliotekanauki.pl/articles/888880.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    commemorative practice
    mourning
    political witnesses
    moral witnesses
    social witnesses
    Opis:
    As the centenaries of the events of the Great War are commemorated in Britain, a wave of new memorials and commemorative practices have been developed. These are additions to an already well-established ‘landscape of memory,’ with memorials built in the war’s immediate aftermath across villages, towns and cities in Britain. This article examines these new sites of memory and mourning to reveal how social, moral and political identi- ties within contemporary Britain are constructed through places that enable individuals and communities to ‘bear witness’ to the conflict.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 233-248
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mobilising the Red Cross Journal: A Charity’s Periodical in Wartime
    Autorzy:
    Gehrhardt, Marjorie
    Powiązania:
    https://bibliotekanauki.pl/articles/888917.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Red Cross Journal
    Red Cross Societies
    the Great War
    relief work
    wartime propaganda
    VAD
    Opis:
    The first issue of the Red Cross Journal was published in January 1914, only eight months before the outbreak of the First World War. This article explores the impact of the war on this publication, as the work of the charity it represented dramatically expanded over the course of the conflict. How did the Journal survive the war, at a time when the Red Cross was deeply involved in supporting soldiers? This article examines the genesis of this publication and its evolving role during the war. This periodical, we argue, not only helped raise awareness of the work carried out by the Red Cross, but it also served practical purposes in the areas of training and funding. This publication reveals an increasingly critical stance towards the British Empire’s enemies in the war, as well as the need for the British Red Cross Society to foster a sense of unity amongst members posted around the world.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 13-32
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Happy is the Land that Needs No Heroes
    Autorzy:
    Coates, Donna
    Powiązania:
    https://bibliotekanauki.pl/articles/889014.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    Australian war literature
    Canadian war literature
    ANZAC
    the battle of Vimy Ridge
    cultural memory/amnesia
    Opis:
    This essay interrogates two articles by the Canadian historian Jeff Keshen and the Australian historian Mark Sheftall, which assert that the representations of soldiers in the First World War (Anzacs in Australia, members of the Canadian Expeditionary Forces, the CEF), are comparable. I argue, however, that in reaching their conclusions, these historians have either overlooked or insufficiently considered a number of crucial factors, such as the influence the Australian historian/war correspondent C. E. W. Bean had on the reception of Anzacs, whom he venerated and turned into larger-than-life men who liked fighting and were good at it; the significance of the “convict stain” in Australia; and the omission of women writers’ contributions to the “getting of nationhood” in each country. It further addresses why Canadians have not embraced Vimy (a military victory) as their defining moment in the same way as Australians celebrate the landing at Anzac Cove (a military disaster), from which they continue to derive their sense of national identity. In essence, this essay advances that differences between the two nations’ representations of soldiers far outweigh any similarities.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 111-142
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Great War Revisited: The Laughter of the Fool and the Shame of the Coward in Paul Bailey’s Old Soldiers
    Autorzy:
    Sokołowska-Paryż, Marzena
    Powiązania:
    https://bibliotekanauki.pl/articles/888847.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Paul Bailey
    Ted Hughes
    literature
    the Great War
    veteran
    crisis of masculinity
    laughter
    shame
    Opis:
    The purpose of the paper is an analysis of the representations of the cultural memory of the Great War in Paul Bailey’s novel Old Soldiers. The discussion will focus on the metaphorical representation of the futility myth (laughter) and the psychological representation of the crisis of masculinity (shame). The laughter of the fool has obvious connotations with the Book of Ecclesiastes, yet, as the analysis will prove, the depiction of the memory of the first day of the Somme battle through the prism of laughter has an important predecessor in Ted Hughes’s poetic sequence Crow. The attempts to escape the memory of cowardly conduct will be set in the context of the psychology of shame, which will allow deeper insight into the construction of the antihero in British literature about the Great War.
    Źródło:
    Anglica. An International Journal of English Studies; 2012, 21/1; 17-30
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Like being trapped in a drum”: The Poetics of Resonance in Frances Itani’s Deafening
    Autorzy:
    Šlapkauskaitė, Rūta
    Powiązania:
    https://bibliotekanauki.pl/articles/888638.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    post-memory
    deafness
    body memory
    resonance
    sensual recollection of the past
    prosthetic memories
    the Great War
    Opis:
    This paper considers how Frances Itani’s Deafening imaginatively rethinks our understanding of the Great War in the age of postmemory. Seeing as the novel is set in Canada and Europe during the First World War and takes as its protagonist a deaf woman, the poetic attention given to the senses as a horizon of phenomenological experience magnifies the moral bonds that the characters establish in defi ance of both deafness and death. Guided by the theoretical reasoning of Marianne Hirsch, Elaine Scarry, and Alison Landsberg as well as contemporary phenomenological thinking, most significantly that of Edward S. Casey, Steven Connor, Michel Serres, and Jean-Luc Nancy, this paper examines how the novel’s attentiveness to the materiality of the body in regard to the ethical collisions of sound and silence as well as life and death contributes to a poetics of resonance that generates prosthetic memories, turning the anonymous record of war into a private experience of moral endurance inscribed on the ear of historical legacy.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 201-232
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    British Film Propaganda in the Netherlands: Its Preconditions and Missed Opportunities
    Autorzy:
    Stachura, Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/888705.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    the Netherlands
    wartime propaganda
    indirect propaganda
    cinema in wartime
    The Battle of the Somme (film)
    Opis:
    British film propaganda directed at neutral countries was meant to strengthen the pro-British attitude or at least weaken pro-German sentiments in the neutral countries. Directed at the wide strata of neutral societies as well as at intellectual, military and economic elites, factual films from the battle lines were believed not only to counteract German propaganda but also to overshadow hostile actions taken by British government against economic and political freedoms of the neutrals. This article is an attempt at understanding the reasons for the eventual failure of British film propaganda in the Netherlands. While mentioning various conflict areas between the countries, it focuses on cultural entanglements and cultural networks that developed, though precariously, throughout the war. The neglect of existing connections between British and Dutch filmmakers and the hesitant if not hostile attitude of War Office Cinematograph Committee towards expensive adaptations of literary works, and feature films in general, might be perceived, the article argues, as one of the core reasons, along political and economic tensions, why Britain lost the battle for Dutch cinema audiences.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 51-81
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    World Travellers: Colonial Loyalties, Border Crossing and Cosmopolitanism in Recent Postcolonial First World War Novels
    Autorzy:
    Branach-Kallas, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/888773.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    colonial loyalties
    cosmopolitanism
    Indigenous writing
    Alan Cumyn
    Thomas Kenneally
    Gerald Vizenor
    cultural memory
    Opis:
    This article offers a comparative analysis of the representation of travelling men and women in The Sojourn (2003) by Canadian writer Alan Cumyn, The Daughters of Mars (2012) by Australian novelist Thomas Kenneally and Blue Ravens: Historical Novel (2014) by North American indigenous author Gerald Vizenor. These three novels explore the cliché of colonial loyalties, illustrating the diverse motivations that led individuals from North America and Australia to volunteer for the war. Cumyn, Kenneally and Vizenor undermine the stereotypical location of the colonial traveller in an uncultured space; in their fiction the war provides a pretext to expose imperial ideologies, to redefi ne collective identities, as well as to rethink the relationship between the local and the cosmopolitan. As a result, the First World War is reconfi gured in terms of border crossing, contact and/or transcultural exchange, which result in radical shifts in consciousness, a critique of imperialism, as well as aspirations for cultural/political autonomy.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 183-200
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “War song of America”: The Vigilantes and American Propagandistic Poetry of the First World War
    Autorzy:
    Prieto, Sara
    Powiązania:
    https://bibliotekanauki.pl/articles/888681.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    the Vigilantes
    the (US) Committee of Public Information (CIP)
    wartime propaganda
    Fifes and Drums
    American poetry
    Opis:
    When the United States entered the First World War in April 1917, the Committee of Public Information (CPI) organised several branches of propaganda to advertise and promote the war in hundreds of magazines and newspapers nationwide. One of these organisations was the group of writers known as “the Vigilantes.” This essay examines Fifes and Drums: A Collection of Poems of America at War (1917), published by the Vigilantes a few months after the American declaration of war. The discussion frames the context under which the Vigilantes conceived their poems as well as the main strategies that they employed to poetically portray the role that the United States was to play in the conflict.
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 33-49
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    How to Tell the War? Trench Warfare and the Realist Paradigm in First World War Narratives
    Autorzy:
    Löschnigg, Martin
    Powiązania:
    https://bibliotekanauki.pl/articles/888740.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    The Great War
    trench warfare
    the realist paradigm
    British Great War literature
    German Great War literature
    Edmund Blunden
    Robert Graves
    Charles Yale Harrison
    Ernst Jünger
    Ludwig Renn
    Edelf Köppen
    Opis:
    This paper will analyze how memoirs and novels of the First World War reflect the challenges which modern warfare poses to realist narrative. Mechanized warfare resists the narrative encoding of experience. In particular, the nature of warfare on the Western Front 1914–1918, characterized by the fragmentation of vision in the trenches and the exposure of soldiers to a continuous sequence of acoustic shocks, had a disruptive effect on perceptions of time and space, and consequently on the rendering of the chronotope in narrative accounts of the fighting. Under the conditions of the Western Front, the order-creating and meaning-creating function of narrative seemed to have become suspended. As I want to show, these challenges account for a fundamental ambivalence in memoirs and novels which have largely been regarded as paradigmatically ‘realistic’ and ‘authentic’ anti-war narratives. Their documentary impetus, i.e. the claim to tell the ‘truth’ about the war, is often countered by textual fragmentation and a “cinematic telescoping of time” (Williams 29), i.e. by a structure which implies that such a ‘truth’ could not really be articulated. In consequence, these texts also explore the relationship between fact and fiction in the attempt at rendering an authentic account of the modern war experience. My examples are Edmund Blunden’s Undertones of War (1928), Robert Graves’s Goodbye to All That (1929) and the novel Generals Die in Bed (1930) by the Canadian Charles Yale Harrison, as well as German examples like Ernst Jünger’s In Stahlgewittern (1920; The Storm of Steel, 1929), Ludwig Renn’s Krieg (1928; War, 1929) and Edlef Köppen’s Heeresbericht (1930; Higher Command, 1931).
    Źródło:
    Anglica. An International Journal of English Studies; 2018, 27/3; 143-161
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-12 z 12

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