Temat: ISLAMOPHOBIA - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Caricature Images for Religious Profi ling: A Multimodal Analysis of Islamophobia in Selected Press Images
Autorzy:: Zaytoon, Heba Ahmed Ragai
Powiązania:: https://bibliotekanauki.pl/articles/889006.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Islamophobia
Islam
cartoons
linguistics
depiction
decoding
Opis:: The problem of religious profi ling and the increase of animosity, exclusion and maltreatment of Muslim minorities in the West have reached an unprecedented level in a community where racism and segregation are usually denounced. The paper investigates the concept of Islamophobia as presented in 25 selected caricature images, along with their accompanying texts, chosen from magazines and specialized cartoon websites. Multimodality and its related analytic tools are utilized for making explicit the interactive messages encoded within these caricature images. The theoretical framework upon which this study is conducted incorporates Halliday’s (1978) three metafunctions, and Kress and Van Leeuwen’s (1996) adaptation of them for the analysis of images and their captions.
Źródło:: Anglica. An International Journal of English Studies; 2017, 26/2; 185-224
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Islamophobia in Early and Contemporary America: Reproducing Myths in Slaves in Algiers (1794) and Argo (2012)
Autorzy:: Selim, Yasser Fouad
Powiązania:: https://bibliotekanauki.pl/articles/888873.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Susanna Rowson
Slaves in Algiers
Argo (film)
Islamophobia
Opis:: This paper examines the representational practices in Susanna Haswell Rowson’s melodramatic comedy Slaves of Algiers, or, A struggle for Freedom (1794) and Ben Affleck’s thriller movie Argo (2012) claiming that both works, although historically distant, employ a similar repertoire of representations which repeat myths and stereotypes about the Islamic culture and people. Deploying Stuart Hall’s theory of representation and drawing on the historical and cultural contexts of the two works, the paper puts forward the argument that Islamophobia is a media-made myth which comes to the foreground in times of westernIslamic conflicts and which is regenerated through western xenophobic language and images that reiterate established cultural presuppositions.
Źródło:: Anglica. An International Journal of English Studies; 2016, 25/1; 255-269
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

Artykuł

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