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Wyświetlanie 1-15 z 23
Tytuł:
Un ruolo anomalo. La figura del flâneur nella letteratura sociologica
Autorzy:
Campa, Riccardo
Powiązania:
https://bibliotekanauki.pl/articles/638351.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
flâneur, Theory of Roles
Opis:
The figure of the flâneur is attracting growing interest among sociologists. The question that has stimulated this research is the following: which is the “role” of the flâneur in the social system? After having briefly expounded the Theory of Roles, we examine some sociological works which seem particularly useful to formulate a response. Our analysis is primarily focused on the works of Walter Benjamin, Anthony Giddens, Zygmunt Bauman, and Giampaolo Nuvolati, taken as paradigmatic cases of four possible perspectives.
Źródło:
Romanica Cracoviensia; 2015, 15, 3
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odkrywając przestrzeń, odkrywając siebie. Więcej niż „dwa” miasta Adama Zagajewskiego
Autorzy:
Fabiś, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/650247.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
identity, borderland, space, city, flâneur, Adam Zagajewski
Opis:
The article aims on presenting Adam Zagajewski’s model of describing and perceiving city and life space as well as its role in human’s life. Mostly discussed is the city of author’s childhood – Gliwice. To analyze the important role of city from the past in the writer’s life and experience of building identity author of this article use categories of topographical turn in combine with post memory statements. The last but not least point of this short consideration is to introduce another perspective of Adam Zagajewski’s essays – identity of modern flâneur.
Źródło:
Konteksty Kultury; 2014, 11, 4
2353-1991
Pojawia się w:
Konteksty Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Flâneur widziany oczyma flâneura. Próba przeanalizowania obrazu obserwatora tłumu kreowanego przez Waltera Benjamina
Flâneur seen through flâneur’s eyes. An attempt at analysing the image of the observer of crowds invented by Walter Benjamin
Autorzy:
Szurgot-Prus, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/631013.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
flâneur
Paris
modernity
experiences
the Arcades Project
Opis:
This paper discusses the figure of flâneur , the urban observer. By way of the perspective adopted by Walter Benjamin, I attempt to identify all aspects of flâneurism. What is more, I try to ascertain the existence of correlations between the writer (Walter Benjamin) and the flâneur he described.
Źródło:
Studia Europaea Gnesnensia; 2015, 12; 141-162
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Child as a Flâneur and a Voyeur: The Imaginative Space of Streets and Museums
Autorzy:
Bukhina, Olga
Powiązania:
https://bibliotekanauki.pl/articles/450734.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
children’s literature
city
flâneur
museum
teens’ literature
voyeur
Opis:
This article discusses a representation of the relationship between a child and a big city in American and European children’s and teens’ literature. In many books, a child or a teen is portrayed as a contemporary flâneur, an idle city walker. Following Eric Tribunella’s adaptation of Walter Benjamin’s definition of a flâneur to children, the article explores various book representations of the big cities as they are seen through the eyes of a child. The city dweller perceives her environment as an exciting, even though sometimes threatening, place. Acting as a flâneur and a voyeur, a child develops a complicated relationship with the streets and museums of the big city. Enormous walking (and transportation) possibilities of the city are very attractive for youngsters. The hidden wonders of the big city mesmerize the curious minds of children and teens, making them natural voyeurs. Children are capable of combining the aimless gaze of a flâneur with the precise attention of a voyeur. Often, a city becomes one of the very important characters in a book, and a child forms a partnership with the city. In spite of the notion of adults that the city is a dangerous place for children, children immensely enjoy the city spaces, streets, parks, and museums. Museums particularly work as symbolical places of safety and exploration. Contemporary children and teenagers enjoy even more freedom to be city flâneurs and voyeurs due to the newly acquired speed of movement, including the use of bikes, scooters, and public transportation. With the main focus on New York City as one of the most striking example of a big city in children’s books, the article also discusses the literary representations of other megalopolises and large cities, such as Moscow and Minsk.
Źródło:
Filoteknos; 2019, 9; 232-248
2657-4810
Pojawia się w:
Filoteknos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MIEJSCE I PAMIĘĆ W PÓŹNEJ TWÓRCZOŚCI MARKA NOWAKOWSKIEGO. PROLEGOMENA
Autorzy:
Kudyba, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/624155.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Marek Nowakowski
"antropologia knajpy"
przestrzeń w literaturze
flaneur
Opis:
Since 1990s Marek Nowakowski has systematically expanded the sphere of memoir-writing prose, which he built himself. In this prose it is spatial elements that first and foremost evoke images of the past, and a flâneur often becomes narrator. Gazing at architectural and urbanistic changes, he gives himself to memoirs. Various gastronomic establishments, understood as places of freedom, are particularly important goals of his journey to the past. Nowakowski also eagerly mentions specific individuals as well as types of their professions, which allowed for independence from the totalitarian rule of the Polish People’s Republic.
Źródło:
Colloquia Litteraria; 2015, 19, 2; 117-131
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
How Far From a 19th Century Flâneur? A Female Urban Walker in Paul Auster’s In the Country of Last Things Abstract
Autorzy:
Kula, Julia
Powiązania:
https://bibliotekanauki.pl/articles/601273.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Auster, flâneur, postmodernism, flâneuse, women, tradition, city walk
Opis:
The research paper is going to revolve around Paul Auster’s urban dystopia entitled In the Country of Last Things. Yet, my claim is that the novel may also be categorised as an American city novel in which flâneuristic account plays a significant role. The focal point of the paper is going to be the comparison between Austerian figure of the urban stroller with a traditional one as developed in the 19th century Paris. Although since then there have been numerous transformations and reformulations regarding literary representations of the city walker, I shall examine the protagonist Anna Blume in reference to features characteristic for a traditional 19th century urban stroller. Some theorists claim that women cannot be regarded as city walkers; yet, the aim of the research paper is to prove that Anna, although a female character, can be considered as a postmodern variation of a flâneur.  Auster’s fictional world might be compared to Lewis Mumford’s “theater of social action”[1] where the inhabitants’ quotidian drama is staged. This urban theater functions as fertile ground for the city walker’s observations, investigations, as well as subsequent artistic productions. A conventional flâneur is characterised as an aimless stroller for whom the very act of the ‘inspection’ of the crowd is a source of leisure. Yet, his desire is not only to experience the surroundings, but also to observe the physical construction of the city as well as its social dimension – the people around. Taking into consideration the very specificity of the flâneuristic figure, Anna Blume, despite representing the female part of society, can be regarded as a postmodern urban stroller since her only means of discovering and ‘learning’ the space is by walking along the city. Hence, the character created by Auster both diverges from the conventional image of the city walker in term of the characteristic features, and is consistent with it when the scope of the flâneur’s responsibilities is considered.[1] Mumford, Lewis. “What Is a City?” In LeGates Richard and Frederic Stout The City Reader. London: Routledge, 2011. 91-95.
Źródło:
New Horizons in English Studies; 2018, 3
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Flâneur” w piaskownicy – o doświadczeniu nawigowalnej przestrzeni w grach komputerowych
"Flâneur" in the sandbox – experiencing the navigable space in computer games
Autorzy:
Chojnacki, Marcin M.
Powiązania:
https://bibliotekanauki.pl/articles/973196.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
pleasure in video games
spatial navigation
flâneur
reactivity
Opis:
Spatiality of computer games is one of the most important features that affect the way they are received by the players. That is why it becomes a common subject of discussion among researchers involved in analyzing the properties of the medium. In this essay I will describe some aspects that may affect the player’s experience of being in an interactive environment. I will consider if it is possible to find joy in navigation through open world games and try to answer the question of whether the definition of flâneur can be applied to characterize the role of the player focused on strolling along the game world.
Źródło:
Replay. The Polish Journal of Game Studies; 2014, 01
2391-8551
2449-8394
Pojawia się w:
Replay. The Polish Journal of Game Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
Autorzy:
Pantuchowicz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/632512.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
haunting, Gothicism, Virginia Woolf, gender, flâneur, market, London
Opis:
Beginning with the theme of the location of haunting in Gothic interiors and the confusion of life and death and the “sub-central” positioning of the feminine as the hidden source of fearfulness, the paper analyzes Virginia Woolf’s “Street Haunting: A London Adventure” as an example of a narrative written from the position of the haunting in which the figure of fearful feminine is transformed into a “hauntess” participating in the public world on equal rights with others. Woolf’s text, though seemingly positing the protagonist in the position of flâneuse, in fact implicitly criticizes flâneuring as a masculine kind of looking and participating in the public space. Taking place away from home, Woolf’s strolling in the streets of London carnivalizes (in the Bakhtinian sense) the activity by way of a joyful blurring of the split between the home and the market. Transgressing what Kathryn Simpson calls “the male privilege of the flâneur” (2010: 47) and rendering the transgression as haunting, Woolf evades participation in the masculine world of traffic and exchange by way of bringing the space of the Gothic confinement, and also of entombment, to the public.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oare este posibilă flaneuza? Femininul și spațiul modernității în O fată se plimbă pe stradă de Sorana Gurian
Is the flâneuse even possible? The feminine and the space of modernity in O fată se plimbă pe stradă [A girl walks in the street] by Sorana Gurian
Autorzy:
Krupa, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/43665738.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
flâneuse
flâneur
women’s literature
modern
urban
disability
romanian literature
Opis:
Sorana Gurian’s writing records the impossibility of a discourse of one’s own and unmasks the misogyny inherent in modernity. The Romanian short story O fată se plimbă pe stradă [A girl walks in the street] (1939) offers the author an opportunity to discuss the figure of the flâneuse, who, in its relations to modernity, public space or gender, seems to diagnose the condition of women within a modernising culture. The presence of these women in the text remains closely linked to their corporeality, constantly questioned and constrained by a hostile society. This is all the more visible in the case of a young girl with mobility disabilities: a close reading highlights the narrative function of walking, a physical activity that gives a temporal and rhythmic framework to the text.
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 4; 109-120
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Las figuras del flâneur y del detective masculinos en la obra de Javier Marías y Antonio Muñoz Molina
Autorzy:
Szukała, Wiosna
Powiązania:
https://bibliotekanauki.pl/articles/2079648.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
flâneur
detective
identidad masculina
Javier Marías
Antonio Muñoz Molina
Opis:
En el presente artículo se propone examinar las figuras literarias del flâneur y de su supuesto sucesor, el detective, en la obra de dos autores españoles contemporáneos, Javier Marías y Antonio Muñoz Molina. El flâneur, identidad equívoca por excelencia, aunque originalmente identificado con el paseante burgués del París decimonónico, ha evolucionado convirtiéndose con el tiempo en una especie de detective urbano. Ambas figuras, identificadas tradicionalmente con la representación de la óptica masculina, han despertado el interés de los estudios de género. Los narradores de las novelas de Javier Marías y Antonio Muñoz Molina son héroes masculinos que se trasladan frecuentemente de un lugar a otro, viven o residen en el extranjero. Les une la afición por deambular por las calles de alguna ciudad desconocida con la sensación de desajuste con respecto a la vida prosaica del resto de sus habitantes. Otra característica que les asemeja es que, a menudo por una concurrencia de circunstancias peculiares, llegan a colaborar con instituciones secretas, desempeñando la función de detective. El objetivo de este ensayo consiste en analizar cómo estos dos autores actuales se sirven de las figuras del flâneur y del detective para construir la identidad de sus protagonistas masculinos.
Źródło:
Itinerarios; 2019, 30; 39-53
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Jak opisać miasto, które nie jest z kamienia, ale z ciała?” Doświadczenie ruchu i dotyku w lekturze dwudziesto- i dwudziestopierwszowiecznych powieści miejskich jako szczególna forma flânerie
“How can I describe a town that is not of stone but of flesh”? Experience of movement and touch in the act of reading the twentieth- and twenty-first-century city novels as a special form of flânerie
Autorzy:
Kafel, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/25133673.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Komisji Edukacji Narodowej w Krakowie
Tematy:
Stimmung
mood
atmosphere
geopoetics
flâneur
urban space
nastrój
geopoetyka
przestrzeń miejska
Opis:
Nawiązując do przedstawionej w 2011 roku przez Hansa Ulricha Gumbrechta koncepcji „czytania nastrojów”, autorka artykułu stawia tezę, iż możliwy jest odbiór literatury w sposób uwzględniający doznania taktylne i kinetyczne. Kategoria nastroju wraz z instrumentarium z obszaru geopoetyki w nieoczekiwany sposób zyskały na przydatności w 2020 roku, w obliczu wywołanych pandemią COVID-19 zmian w życiu mieszkańców miast. Lektura „ze względu na nastrój” dwóch narracji o mieście – Pani Dalloway Virginii Woolf oraz Londyn NW Zadie Smith – pozwala wnioskować o słuszności postawionej tezy.
With reference to the concept of „Stimmung-oriented reading” presented in 2011 by Hans Ulrich Gumbrecht, the author of this article advances a thesis that literature can be experienced in a way that includes such sensations as touch or movement. Category of Stimmung and instruments of geopoetics unexpectedly gained in usefulness in 2020, in terms of unprecedented changes in everyday lives of today’s city dwellers caused by COVID-19 epidemic. „Stimmung-oriented reading” of two city novels – Mrs Dalloway by Virginia Woolf and London NW by Zadie Smith – proves the thesis correct.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2022, 10; 206-219
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matošev Cvijet sa raskršća – alegorijom do konfiguracije sebstva
Matošʼs Cvijet sa raskršća [Flower from the Crossroads] – Through Allegory to the Configuration of Self
Autorzy:
Pšihistal, Ružica
Powiązania:
https://bibliotekanauki.pl/articles/635780.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Cvijet sa raskršća
self
allegory
flaneur’s subjectivity
Opis:
Flower from the Crossroads (1902) belongs to the group of Matoš’s symbolistic novellas, rendered by the symbolically coded title, teleogenetic plot, characters as personified abstractions, motive topography (path, crossroads, garden) and especially the name of the protagonist (Solus). The name Solus, as an autofictional figure, contains its own glossary and reading instructions towards the solipsistic narrative matrix, which is supported by the diegetic level of the story through unusual events bordering dream and reality. With the help of the basic guidelines of Paul Ricoeur on storytelling as a hermeneutical mediation of the self and narrative analysis of the story, the main question of the allegorical interpretation in this study is: which model of self is offered by the narrative identity of Solus?
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Iskustvo Beograda Augustina Tina Ujevića
Augustin Tin Ujević’s Experience of the Belgrade
Autorzy:
Nowak-Bajcar, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/636032.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
flaneur figure
walking; perception of urban space
inclusion and exclusion
Opis:
The subject of the analysis in this article are the texts of Augustin Tin Ujević created during his stay in Belgrade. The way of experiencing this city by the poet is reflected through the relationship between the subject and the urban space, through the language of the lyrical expression and through poetics. The interpretive key to its reading is the flaneur figure, treated not as a prototype, but as a reference point.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 145-157
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Un flâneur al pascolo. Gianni Celati e l’esperienza dell’ambiente
A grazing Flâneur. Gianni Celati and the experience of environment
Autorzy:
Brysiak, Anna Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/43665611.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ecology
environment
flâneur
landscape
melancholy
nature
non-place
Po Valley
Opis:
The essay aims to analyze the writings of Gianni Celati and his way of ‘re-narrating’ and ‘re-mapping’ the environment in contemporary times, focusing on two trilogies, namely Narratori delle pianure (1985), Quattro novelle sulle apparenze (1987) and Verso la foce (1989), as well as on the collections of short stories Un eroe moderno (2008), Il benessere arriva in casa Pucci (2008), and Selve d’amore (2013). The paper discusses how the themes addressed by the author, who assumes the role of a flâneur of postmod- ernism, are a way to express his continuous nostalgia for the naturalness, simplicity, and originality of living and narrating.
Źródło:
Studia Romanica Posnaniensia; 2022, 49, 3; 93-104
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filozofia postrzegania. Początki literackie Bolesława Prusa w świetle psychologicznych dociekań Hipolita Taine’a
A Philosophy of Perception. The Early Works of Bolesław Prus in the light of Hippolite Taine’s Psychological Inquiries
Autorzy:
Jauksz, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1041190.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
psychology
city
flâneur
realism
modernism
experience
narration
literature of the nineteenth century
Opis:
The article’s aim is to present Bolesław Prus’s [Aleksander Głowacki’s] early literary endavours in the light of the reception of Hippolite Taine’s psychological studies at the turn of the sixties and seventies of the nineteenth century. The Author challenges the common conviction of the fact that Taine’s work has not been a strong point of reference for Prus before 1880 and shows how the strategies of gaining knowledge described by the French philosopher are reflected in the structure and peculiar fragments of Prus’s Warsaw sketches. The syncretism of those literary pieces, that join Prus’s column writing style with journalistic interventionism on the one hand and romantic musings of the literary wanderer, a figure at the core of the stories, on the other allows to show writer’s indecisiveness as a sign of positivistic doubt in approachableness of the nature of reality and of every singular experience.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 185-207
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
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