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    Wyświetlanie 1-4 z 4
    Tytuł:
    Gottfried Benns Poems
    Autorzy:
    Ososinski, T.
    Powiązania:
    https://bibliotekanauki.pl/articles/702711.pdf
    Data publikacji:
    2005
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    BENN GOTTFRIED - RECEPTION OF ANTIQUITY
    Opis:
    Some poems by the German poet Gottfried Benn, mostly based on ancient Greek motifs, are printed here in Tomasz Ososinski's translation.
    Źródło:
    Meander; 2005, 60, 4; 496-502
    0025-6285
    Pojawia się w:
    Meander
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Möglichkeiten der intertextuellen Interpretation von Gottfried Benns Gedichten
    Autorzy:
    Esselborn, Hans
    Powiązania:
    https://bibliotekanauki.pl/articles/700323.pdf
    Data publikacji:
    2013
    Wydawca:
    Stowarzyszenie Germanistów Polskich
    Tematy:
    Gottfried Benn, poems, intertextuality, modernism, German poetry
    Opis:
    Benn‘s manifold and excessive intertextuality can be interpreted as his way of writing modern poetry. In comparison with traditional “Erlebnislyrik” he achieves modernity through an alienation of the world using the terminology of positivist medicine in his expressionistic period. Later, face to the disoriented Weimar society he, like many contemporaries, is clinging to the old meanings and forms of myth. During the 50ies he gets involved in the new perception of phraseology of mass media and the appeal of modern everyday life. The return to the lyrical tradition during the 30ies and 40ies is a well-directed borrowing to confirm his own way under the threat of the Third Reich. Thus Benn creates his modern poetry by referring to the insights, experiences, and expressions of other authors that transgress the existing limits in literature and poetry.
    Źródło:
    Zeitschrift des Verbandes Polnischer Germanisten; 2013, 2, 4
    2353-656X
    2353-4893
    Pojawia się w:
    Zeitschrift des Verbandes Polnischer Germanisten
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Ein Schriftsteller, der politische Gegenstände in sein künstlerisches Schaffen einbeziehen will, muß an der Politik gelitten haben” Klaus Mann und die Politik. „Mephisto – Roman einer Karriere” oder Karriere eines Romans
    “Ein Schriftsteller, der politische Gegenstände in sein künstlerisches Schaffen einbeziehen will, muss an der Politik gelitten haben”. Klaus Mann and the politics. “Mephisto – career of a novel” or a novel of career
    Autorzy:
    Gołaszewski, Marcin
    Ligocki, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/967450.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    The 3rd Reich
    irrationalism
    Klaus Mann
    exile
    Mephisto
    Gottfried Benn
    freedom of art
    Opis:
    The novel "Mephisto" is one of the most well-known texts by Klaus Mann. Its fame results not only from its literary virtuosity, but also and primarily from the enormous media attention which was caused by the novel’s publication. The decision of the Federal Constitutional Court, in which it dealt with the relationship between freedom of art and other constitutionally guaranteed rights of individuals, launched the unprecedented career of this novel. This article describes Klaus Mann’s political views and their development in the 1920s during the time when the National Socialist movement was strengthening and the writer made the decision to emigrate. The essay deals with the circumstances of creating the novel considering both biographical and political issues. The novelist is described from the perspective of the reality of the 1930s during the National Socialist regime and the time after his emigration. The concern of the article is not a literary analysis of the novel, but to take a look at the novelist’s development up until the moment of finishing his work as a protest against National Socialism. Another goal of the essay is to analyze the decision of the Federal Constitutional Court, which regards the balance between freedom of art and other basic rights. Considering the synergy of both methodological approaches and the interdisciplinary view on the problem, the article represents a novel attempt to give a complex view on the relationship between art (literature) and the reality of a totalitarian state and between the relationship art–state in the conditions of a democratic state.
    Źródło:
    Acta Universitatis Lodziensis. Folia Germanica; 2015, 11; 121-146
    2449-6820
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Germanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gottfried Benn und die doppelte Staatsgründung 1949 – zu ausgewählten Prämissen seines schwierigen Verhältnisses zu Staat an sich und zum bundesdeutschen (Teil-)Staat
    Gottfried Benn and the formation of two German states in 1949: selected aspects of his complex attitude to the state as such and to West Germany
    Autorzy:
    Walkowiak, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/927463.pdf
    Data publikacji:
    2017-04-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    History of Germany
    issues of the nation and of the state
    Protestant ethics
    expressionism
    historiosophy
    Nietzsche’s philosophy
    the Nazi Germany
    West Germany
    Opis:
    The paper is mainly concerned with Gottfried Benn’s complex attitude to the state and history. By means of introductory prefigurations, such as existential tensions related to the conflict between Protestant ethics and modern aesthetics, there emerges Benn’s difficult and complex relation to the state as such, seen as a product of history, and to its particular examples, starting from the Second Reich until the initial phase of West Germany. Friedrich Nietzsche’s philosophy, and in particular the philosophy of art, is of great importance in this context. This issue is discussed using Benn’s key works such as Roman des Phänotyp or Doppelleben. Benn’s literary and life self-creations played a vital role in his relations with the political reality and the state, which is discussed at the end of this analysis. His ambivalent relation to early West Germany has a strong biographical basis, i.e. his involvement with the history of the Nazi Germany on the one hand, and on the other – the period of his literary fame at the end of his life.
    Źródło:
    Studia Germanica Posnaniensia; 2016, 37; 263-276
    0137-2467
    Pojawia się w:
    Studia Germanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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