Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "TRANSDISCIPLINARITY" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 35
Tytuł:
Interdisciplinarity and Transdisciplinarity - Principles of Development of Doctoral Studies
Autorzy:
Kosová, Beata
Hanesová, Dana
Powiązania:
https://bibliotekanauki.pl/articles/1963641.pdf
Data publikacji:
2020-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
interdisciplinarity
transdisciplinarity
doctoral studies
Opis:
In future, changes in science and society will increasingly demand interdisciplinarily prepared professionals and researchers. Inter/transdisciplinarity has been worked on theoretically and scientifically examined. This review study shows how both approaches are explained, how they are put into practice in doctoral studies, the results of the interdisciplinary approaches applied, but also their limitations and barriers.
Źródło:
The New Educational Review; 2020, 61; 26-37
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On inadequacies in transferring concepts from one to another (linguistic sub)discipline
Autorzy:
Dressler, Wolfgang U.
Powiązania:
https://bibliotekanauki.pl/articles/2135367.pdf
Data publikacji:
2016-08-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
interdisciplinarity
language acquisition
morphology
transdisciplinarity
Opis:
The paper discusses several methodological problems in the necessary (mostly metaphorical) transfer of concepts from one discipline (or subdiscipline) into another one, especially when interdisciplinary research demands mutual understanding in terms of translation and correspondence of concepts. After differentiating between multidisciplinarity, interdisciplinarity and transdisciplinarity, the first is rejected and it is pleaded that the second and third should be combined. Several adequate and inadequate transfers of concepts into linguistics are dealt with, especially in the areas of morphology and language acquisition. Successful transfer is characterised by the formal transfer of new terms and their easy adaptation to already existing linguistic conceptions, especially between subdisciplines. Most often, further important differentiations of a concept cannot be transferred from the original discipline but must be added as enrichments within linguistics itself. This may lead to a split-up of concepts in different subdisciplines of linguistics. The concepts discussed are regression, self-organization, complexity, transparency vs. opacity, figure and ground, top-down processing, default, input, grammaticalisation.
Źródło:
Yearbook of the Poznań Linguistic Meeting; 2016, 2, 1; 29-48
2449-7525
Pojawia się w:
Yearbook of the Poznań Linguistic Meeting
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On inadequacies in transferring concepts from one to another (linguistic sub)discipline
Autorzy:
Dressler, Wolfgang U.
Powiązania:
https://bibliotekanauki.pl/articles/1152380.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
interdisciplinarity
language acquisition
morphology
transdisciplinarity
Opis:
The paper discusses several methodological problems in the necessary (mostly metaphorical) transfer of concepts from one discipline (or subdiscipline) into another one, especially when interdisciplinary research demands mutual understanding in terms of translation and correspondence of concepts. After differentiating between multidisciplinarity, interdisciplinarity and transdisciplinarity, the first is rejected and it is pleaded that the second and third should be combined. Several adequate and inadequate transfers of concepts into linguistics are dealt with, especially in the areas of morphology and language acquisition. Successful transfer is characterised by the formal transfer of new terms and their easy adaptation to already existing linguistic conceptions, especially between subdisciplines. Most often, further important differentiations of a concept cannot be transferred from the original discipline but must be added as enrichments within linguistics itself. This may lead to a split-up of concepts in different subdisciplines of linguistics. The concepts discussed are regression, self-organization, complexity, transparency vs. opacity, figure and ground, top-down processing, default, input, grammaticalisation.
Źródło:
Yearbook of the Poznań Linguistic Meeting; 2016, 2, 1
2449-7525
Pojawia się w:
Yearbook of the Poznań Linguistic Meeting
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Entrepreneurship in Sport: Sport in Business, Using Professional Football as an Example
Autorzy:
Kowalski, Wojciech Szymon
Powiązania:
https://bibliotekanauki.pl/articles/2234032.pdf
Data publikacji:
2022-12-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
entrepreneurship
football
sports analytics
transdisciplinarity
Opis:
The issue of entrepreneurship in sports joins the more general trend of catching up with the long Renaissance period of “reflecting” on the character of the professional sportsman (athlete), so peculiarly overlooked, and one of the main protagonists of the culture of antiquity, alongside the artist or philosopher. The author of the article adopts the convention of the ‘corporate athlete’, for which he sees a contemporary exemplification in football, the most popular sport. The examples cited from the economic history of football, preceded by an outline of the basic categories of entrepreneurship, are an attempt to show the essence of an economic, two-way view of these issues. The description of the institutionalisation of analytics and football’s ‘information bank’, highlights the effectiveness of an interdisciplinary approach to entrepreneurship in sport. In contrast, the characterisation of the re-engineering carried out at FC Barcelona is a case of an approach that treats sport as a natural economic environment. Providing a wholesome, inspirational building block, grounding some elements of management and entrepreneurial.
Źródło:
Studia Historiae Oeconomicae; 2022, 40, 2; 21-52
0081-6485
Pojawia się w:
Studia Historiae Oeconomicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Katapulta, czyli przygody polonistyki niezdyscyplinowanej
The catapult, or adventures in undisciplined Polish philology
Autorzy:
Nawarecki, Aleksander
Powiązania:
https://bibliotekanauki.pl/articles/1038477.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
catapult
transgression
Polish philology
interdisciplinarity
transdisciplinarity
Opis:
This article is about the possibilities of transdisciplinary research and was written from the perspective of the specialist in Polish philology. The paper also refers to proposals presented at the 12th Convention of Specialists in Polish Studies [Zjazd Polonistów] (2011) and the volume Nowa humanistyka (New Humanities) (2017). These texts postulated transforming the specific “identity” of Polish philology into cultural studies or anthropology of literature and an attempt to “build bridges” with other specializations so far falling within the paradigm of interdisciplinarity. The author proposes a better way to cross the traditional divisions between the humanities and sciences and presents the term “transdisciplinarity”, which is somehow connected to the metaphor of “jumping over the wall”. Consequently, he proposes the figure of the catapult, which is used in poetics, is derived from the military machine, and is now understood as a rescue launcher. Thinking in terms of catapult assume a ferocity and the risk of entering foreign territory, the need to enter into a direct, concrete and difficult relationship with another world (of matter, laws, methods and problems).
Źródło:
Przestrzenie Teorii; 2020, 34; 209-222
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wiedza naukowa i przedteoretyczna w perspektywie nauk rekonstrukcyjnych Jürgena Habermasa
Autorzy:
Bonecki, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/637671.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
reconstructive science, knowledge, critique, culture, transdisciplinarity
Opis:
The point of departure of this paper is Jürgen Habermas concept of knowledge constitutive interests and its further elaboration in the so-called reconstructive sciences. The reconstructive knowledge encompasses descriptive empirical statements, relative normative statements following from explication of cultural beliefs, and normative statements raising universal validity claims. The analysis of such model of knowledge creation leads to a conclusion that the responsibility of contemporary expert cultures is to mediate between scientific research, common-sense cultural beliefs, and moral or legal assumptions that are recognized as justified and valid
Źródło:
Principia; 2012, 57
2084-3887
Pojawia się w:
Principia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Conservation-restoration and conservation science - the challenge of transdisciplinarity
Autorzy:
Noll-Minor, Mechthild
Powiązania:
https://bibliotekanauki.pl/articles/113972.pdf
Data publikacji:
2019
Wydawca:
Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
Tematy:
transdisciplinarity
monitoring
quality assessment
mural painting
sepulchre
Opis:
Transdisciplinarity has shaped the development of both conservation science and conservation-restoration. The history of conservation science demands the commitment of all involved specialists to follow a common vision in the field. The present article highlights some key lessons to assist in closing the gap between the promotion of high-level research projects and the development and assessment of proficient professional practice in conservation science and conservation-restoration. The necessary framework conditions should also be brought to the attention of responsible politicians. Reflecting on conservation theory and practice “at the turn of the millennium” I propose to take a closer look at interdisciplinary work devoted to maintenance of Cultural Heritage since the beginning of the 20th century.
Źródło:
Ochrona Dziedzictwa Kulturowego; 2019, 8; 223-238
2543-6422
Pojawia się w:
Ochrona Dziedzictwa Kulturowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Granice wiedzy o literaturze. Słowo o kilku nowych ujęciach interdyscyplinarności (z dodatkiem jednego przykładu)
The limits of literary knowledge. On some new theories of interdisciplinarity (including one example)
Autorzy:
Gleń, Adrian
Powiązania:
https://bibliotekanauki.pl/articles/445450.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
interdisciplinarity; transdisciplinarity; context; limits of literary knowledge
Opis:
The paper consists of the review of a number of academic approaches to interdisciplinary research as represented by the Polish theorists of literature (Andrzej Hejmej, Michał P. Markowski, Ryszard Nycz). On the example taken from Tadeusz Nowak’s novel A jak królem, a jak katem będziesz, the author attempts to identify the nature of the close relations between anthropological and literary discourses, where the border line between them lies, and, consequently, what benefits for literary studies stem from anthropological readings.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2015, 3; 80-90
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(„Wędrujące pojęcia”. Koncepcja Mieke Bal – przykład inter- czy transdyscyplinarności?
Autorzy:
Tabaszewska, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/631115.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
INTERDISCIPLINARITY
TRANSDISCIPLINARITY
VISUALITY
IMAGE
MISE-EN-SCENE
Opis:
The notions of inter- and transdisciplinarity represent categories which the humanities frequently resort to in the discourse, but which remain difficult to define.  The attempts to do so are most often associated with subscribing to one of the possible models of interpreting relationships between individual disciplines of science. Mieke Bal’s concept of transdisciplinarity, which this paper discusses, envisages a framework where the privileged form of formulating scientific concepts would be in research practice that is rooted not only in the methodologies of individual sciences but most of all in the everyday practices and experiences.   
Źródło:
Studia Europaea Gnesnensia; 2013, 8; 113-130
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On navigation as a scientific discipline
Autorzy:
Walczak, A.
Powiązania:
https://bibliotekanauki.pl/articles/135164.pdf
Data publikacji:
2016
Wydawca:
Akademia Morska w Szczecinie. Wydawnictwo AMSz
Tematy:
navigation
safety
transdisciplinarity
science
classification of sciences
Opis:
The author continues considerations aimed at justifying the establishment of navigation as a scientific discipline, which began in his article included in the collective work titled Admiralski farwater (Walczak, 2015b) (Admiral’s Fairway), and presents the subject and scope of navigation and sets forth other arguments supporting the idea. The author provides further arguments for the draft classification in which navigation would be an independent discipline of technical sciences, indicating the transdisciplinary nature of navigation within a framework of strict relationships with other domains of science in various fields of knowledge.
Źródło:
Zeszyty Naukowe Akademii Morskiej w Szczecinie; 2016, 46 (118); 108-111
1733-8670
2392-0378
Pojawia się w:
Zeszyty Naukowe Akademii Morskiej w Szczecinie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Płynność – od Heraklita do Baumana
Liquidity – from Heraklit to Bauman
Autorzy:
Błaszczak, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1039334.pdf
Data publikacji:
2019-12-06
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
liquidity
transdisciplinarity
aesthetic categories
performance
variability
multiplicity
amorphism
Opis:
The text concerns liquidity understood as an extremely extensive category containing the aspect of changeability and blurring boundaries. It covers an extremely wide spectrum of phenomena. Liquidity is a physical category that refers to the element of water and the senses of touch and taste. It became extremely popular in sociology as an epistemological category thanks to Zygmunt Bauman. This category should be applied much more widely in analyzing phenomena in the field of literature, art, theater, performance, but also going beyond practical analytical use and transferring this concept to the level of theory. The term „liquid” refers to many associations, which in turn allow us to recall different orders and perspectives, at the same time incorporating the current argument into a broader discourse on the moving, fluid nature of the concepts of „wandering” between disciplines. These considerations are also part of the author’s concept of amorphous aesthetic categories, which include liquidity.
Źródło:
Przestrzenie Teorii; 2019, 31; 109-134
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Grounded Theory and Autopoietic Social Systems: Are They Methodologically Compatible?
Autorzy:
Mitchell, Richard C.
Powiązania:
https://bibliotekanauki.pl/articles/2138250.pdf
Data publikacji:
2007-08-15
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Autopoietic theory
Grounded systemic theory
Theoretical codes
Transdisciplinarity
Opis:
The paper offers a secondary analysis from a grounded theory doctoral study that reconsiders its “grounded systemic design” (Mitchell, 2005, 2007). While theorists across multiple disciplines fiercely debate the ontological implications of Niklas Luhmann’s autopoietic systems theory (Deflem 1998; Graber and Teubner 1998; King and Thornhill 2003; Mingers 2002; Neves 2001; O’Byrne 2003; Verschraegen 2002, for example), few investigators have yet to adopt his core constructs empirically (see Gregory, Gibson and Robinson 2005 for an exception). Glaser’s (1992, 2005) repeated concerns for grounded theorists to elucidate a “theoretical code” has provided an additional entry point into this project of integrating grounded theory with Luhmann’s abstract conceptual thinking about how global society operates. The author argues that this integration of methodology and systems thinking provides an evolution of grounded theory – rather than its ongoing “erosion” as Greckhamer and Koro-Ljungberg (2005) have feared – and a transportable set of methodological and analytical constructs is presented as a basis for further grounded study.
Źródło:
Qualitative Sociology Review; 2007, 3, 2; 105-118
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transdziedzinowość – retoryczność – cyfryzacja. W stronę tekstów transdziedzinowych i eksplozji strukturalnej
Transdisciplinarity – rhetoric – digitization. Towards trans-domain texts and a structural explosion
Autorzy:
Szczęsna, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1038541.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
transdisciplinarity
rhetoric
digitization
transgression culture
digital art
comparative studies
Opis:
The article analyses the agency of transgression and transcendence at the domain level. It characterizes the specificity of this process and points to factors that influence its intensification (especially the development of digital technologies). The text presents the effects of this process – the impact on the way cultural texts and their structures exist. The article examines the rhetorical dimension of a trans-disciplinary nature, the effect of which is the creation of trans-disciplinary texts. It proves the thesis that in the interaction between disciplines a structural explosion takes place, which leads to the creation of new textual figures and structures and the formation of new types of texts. These issues are illustrated using specific examples of trans-disciplinary texts.
Źródło:
Przestrzenie Teorii; 2020, 34; 223-244
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sekcja 2. Performowanie relacji. Transdyscyplinarność współczesnych działań artystycznych. Wstęp
Section 2. Performing relationships. The transdisciplinarity in contemporary artistic practices. Introduction
Autorzy:
Zaluski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/424373.pdf
Data publikacji:
2016
Wydawca:
Akademia Sztuk Pięknych w Gdańsku
Tematy:
performowanie relacji; transdyscyplinarność;
performing relations; transdisciplinarity; contemporary artistic practices
Opis:
In recent years transdisciplinary tendencies have been growing increasingly stronger in Polish culture. They can no longer be reduced to intermedial or transmedial practices within the field of visual arts. Rather, they consist of transgressing and extending the borders of different fields of cultural production and their respective institutional circuits. Visual artists have been trying to enter the field of movie production and use the professional work conditions it offers together with their specific sensibilities, ways of thinking and habits. Another important factor is distribution within the movie industry field – an opportunity to reach a different and potentially larger audience than the one that visits art galleries and museums. This trend which was described – in a somewhat exaggerated manner – as “the cinematographic turn” in Polish contemporary art is really one part of a more general phenomenon. A few years ago “the performative turn” was announced. A bit later it was followed by “the audio turn”. Today it is probably the right moment to start a discussion about an analogical “theatrical” or “choreographical” turn. The point is, however, to recognise that all these “turns” in visual arts are elements of a more comprehensible configuration and they develop according to similar lines. The transdisciplinary movement has also occurred in other fields of cultural production. It can be observed in the field of literature, theatre, music or dance, all of which not only appropriate selected elements from the field of visual arts – e.g. materiality, iconicity, performance, multimedia installations, conceptual and documental dimensions, cognitive and generative protocols, artistic and social actions etc. – but also penetrate further and further into its institutional spaces and circuits. The development of such transdisciplinary tendencies is conditioned – on various levels – by a series of factors: starting form the logic characteristic of visual arts – the one of expansion, self-redefinition and appropriation of the outside – through transdisciplinary studios at art schools, the changing of identities and the tasks of cultural institutions or the criteria of grant programmes, to the general transformations in the forms of labour and modes of production under capitalism. Obviously, there has already been a history – manifold histories – of such exchanges and they are not absolutely new or without precedence. What seems to be new, at least in Poland, is the co-appearance and growing intensity of transdisciplinary and “transinstitutional” practices in various fields of cultural production. Transdisciplinarity can be the main purpose of singular projects or a basis for taking up other issues – a basis for performing relationships between a whole set of elements: body, movement, time, space, habit, affect, sight, hearing, mind, object, sign, discourse, history, culture, production and politics. The common ground of texts gathered in this section is the motif of creating or “performing” relations. They do not exhaust the subject identified here nor even present its full complexity. They rather provide a number of case studies which indicate some more general outlines of the transdisciplinary and transinstitutional logic that governs the field of contemporary cultural production. We hope that the section will contribute to wider discussion on the subject. Ula Zarek defines dance as an “art of relationships” and shows how contemporary choreographic work goes beyond “pure dance” and approaches the field of visual arts and performance art. Using phenomenological and aesthetic concepts of bodily intentionality and the thinking, sentient soma as well as a theoretical reflection on dance, which is becoming increasingly present in Poland, the author analyzes a series of projects based on improvisation – the main method of experimental and cognitive acts in contemporary dance. She also indicates that transdisciplinary practices draw on both the field of “performative arts”, which is often described in Polish with the word “performans”, and the tradition of “performance art”, which is in turn referred to with the original English term. Similar issues are taken up by Katarzyna Słoboda, who presents from the perspective of a curator and dance researcher, the objectives and course of the project Frames of reference. Choreography in the museum. The case study becomes an occasion for general considerations of dance as a way of exploring affective relations, which are an important aspect of contemporary capitalism and its production culture. The analysis touches upon such subjects as choreographic scores, improvisation as an act of coming into relationship with a context, and the presence of the viewer-participant at the site of the creative process: in the space of choreographic work and production. In this space the border between workday movement and dance becomes highly uncertain. Piotr Olkusz presents the project Avant-Garde and social realism, developed as a result of institutional co-operation between The Kazimierz Dejmek New Theatre and The Museum of Art in Lodz. It was intended to explore the relation between certain aspects of social realism and the ideas and practices of the Avant-Garde. It included transdisciplinary practices that led to the interpenetration of theatre and visual arts and, at times, to the creation of a “total performance beyond all genre”. However the project was not centred on the historical past. It was rather meant to examine the inheritance of the Avant-Garde and social realism and check if within it there remained anything alive, worth taking up and updating. It was above all to raise a question about the contemporary place, role and mutual relationship of experimental and socially engaged art. The presence of visual arts themes and practices in the field of theatre is the frame of Katarzyna Urbaniak’s text. The author uses contemporary theories of things and objects to examine the status of Jerzy Grzegorzewski's scenographic objects. She analyses, on the one hand, past agency and performativity of “ready made” objects that co-acted on the stage with human actors, and on the other hand, the place of the objects in the theatre which turn into a collection and an archive. Two difference projects during recent years aimed at presenting the archive – in the form of a book and a hipertext website – change the status of the items it includes: they displace them out of the contexts of the spectacle and actors play and puts them into a space in which they become closer to artistic objects or biographical and cultural traces. In both cases the scenographic objects turn into memory afterimages of Grzegorzewski’s theatre. “The turn to things” also sets a theoretical frame for Joanna Glinkowska’s text. Her analysis concerns the exhibition Things, organised as an artistic project at the Museum of Archaeology and Ethnography in Lodz. In accordance with the concept designed by artist-as-curator Agnieszka Chojnacka, the project participants presented or created their artistic objects in relation to the exhibition space and narration of the museum’s permanent display. Glinkowska tries to show how those artistic objects acted and performed in relation to one another. She also wonders if Things are a sign of a wider tendency on the part of Polish contemporary art to penetrate into the field of ethnography.
Źródło:
Sztuka i Dokumentacja; 2016, 14; 114-116
2080-413X
Pojawia się w:
Sztuka i Dokumentacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Travelling with Darwin and Humboldt. A Transdisciplinary Educational Experience
Autorzy:
Martín Ezpeleta, Antonio
Echegoyen-Sanz, Yolanda
Powiązania:
https://bibliotekanauki.pl/articles/628048.pdf
Data publikacji:
2019
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
transdisciplinarity
outdoor education
emotional learning
scientific travelers
preservice teachers
Opis:
Aim. This research aims to confirm that transdisciplinary projects can be very adequate to develop content and competencies traditionally assigned to Sciences and Arts in higher education, exploring the possibilities of outdoor education. Methods. The subjects of the study were one hundred alumni of two different courses “Natural Sciences for Teachers” and “Literary Training for Teachers” at a Spanish university. An educational experience around the phenomenon of scientific travelers was developed, focusing on Charles Darwin and Alexander von Humboldt and the literary genres of travel journals and letters. The main activity contained three phases, including indoor and outdoor education, in which both subjects tackled the same 6 educational topics from a different perspective. After different individual and group activities around those topics, alumni from both subjects merged at a natural environment where a scientific-literary tour took place. At the end of the academic year, an assessment questionnaire with open and closed questions was filled out by all participants. Results and conclusion. After the analysis of all the collected data, we can deduce that the experience was a success. The students appreciated aspects like the setting in which the experience took place, the possibility of interacting with alumni from different courses and the integration of Sciences and Arts. Thus, we have demonstrated that the same activities can be implemented in prototypical subjects of Sciences and Arts and that outdoor education is an ideal resource to achieve a holistic pedagogy engaging the sensory and emotional facets of learning.
Źródło:
Journal of Education Culture and Society; 2019, 10, 2; 111-125
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 35

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies