Autor: Miklas-Frankowski, Jan - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Dimdim i yakidasi. Doświadczanie Trobriandów w Seksie, betelu i czarach Aleksandry Gumowskiej
Autorzy:: Miklas-Frankowski, Jan
Powiązania:: https://bibliotekanauki.pl/chapters/2010789.pdf
Data publikacji:: 2017
Wydawca:: Ośrodek Badawczy Facta Ficta
Opis:: The chapter Dimdim i yakidasi. The Trobriandian Experience in Sex, betel and magic by Aleksandra Gumowska by Jan Miklas-Frankowski attempts to analyse Anna Gumowska’s reportage book Sex, betel and magic—including the category of the experience of the Other. In 2012, Gumowska travelled to Trobriand Islands—one of the outermost regions inhabited by humans and at the same time the most known part of Antipodes, thanks to the canonical explorations and books of Bronislaw Malinowski. On the one hand, Sex, betel and magic follows the footsteps of the father of the modern anthropology and answers whether Malinowski’s pessimistic prognosis was fulfilled, yet, on the other hand, the book attempts to describe the experience of the contemporary islanders’ community. The author of this empathic anthropological reportage, thanks to her perceptive and sensitive participation, convinces her reader that she indeed speaks from “the position of the Other”.
Źródło:: Wykluczenia; 179-190
9788394292355
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Katastrofizm Czesława Miłosza
Czesław Miłoszs catastrophism
Autorzy:: Miklas-Frankowski, Jan
Powiązania:: https://bibliotekanauki.pl/articles/901881.pdf
Data publikacji:: 2014
Wydawca:: Gdańska Wyższa Szkoła Humanistyczna
Tematy:: Czesław Miłosz
catastrophism
Polish literature (20th c)
katastrofizm
literatura polska XX w.
Opis:: This article is an attempt to look at Miłosz’es catastrophism from the side that has usually been ommitted in research so far – Miłosz’es own attitude to catastrophism – his individual characteristic. It the reconstruction I used Miłosz’es statements about catastrophism from The Land of Ulro, The Witness of Poetry, Native Realm, from conversations with Renata Gorczyńska („World Traveler”) as well as from a polemic article „Death to Cassandra” from 1945. According to Miłosz catastrophism has a planetary scale. It is the end of one world and civilization and the beginning of a new unknown, global world. Diagno-sis of XX century in his opus magnum The Land of Ulro indicates it’s decadent critical character. Civilization and society have been deprived of life-giving „onto-logical ground” and last only thanks to a phenomenon called by Miłosz „the law of delay”. Though, as per Miłosz, catastrophism is not a hopeless vision. The catastro-phe is necessary to let the broken down world be reborn and return to order. In the conclusion to The Land of Ulro author admits that from Oscar Miłosz he inherited faith (…) in a distant happy era of humanity reborn. And in his last Harvard lecture On Hope Miłosz announced that humanity will enter a new, regenerating dimen-sion, regaining it’s historical awareness and will begin learning of its past, contem-plating cultural heritage left behind by past civilizations and generations.
Źródło:: Studia Gdańskie. Wizje i rzeczywistość; 2014, 11; 61-72
1731-8440
Pojawia się w:: Studia Gdańskie. Wizje i rzeczywistość
Dostawca treści:: Biblioteka Nauki

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