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Wyszukujesz frazę "transmediation" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Transmediation od Spatial Characteristics – Mervyn Peake’s Gormenghast Series and Philip Cooke’s Gormenghast: A Board Game set in the World of Mervyn Peake
Autorzy:
Mochocka, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/578836.pdf
Data publikacji:
2017
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
paratextual board games
transmediation
Peake
Gormenghast
storyworld
Opis:
The text discusses notable spatial characteristics of the storyworld created in Mervyn Peake’s Gormeghast literary series and relates them to the mechanics used in a paratextual board game designed by Philip Cooke. Spatiality is crucial in Peake’s series, thus allowing for a specific relationship between literary pre-text and the board game as a medium that allows participation. The text thus tries to answer the questions how the Gormenghast storyworld utilises spatial categories, how the spatiality of the novels represents certain “transfictional affinity” with board games, and how the board game utilises game mechanics to convey the affect and pathos of the pre-text.
Źródło:
Zagadnienia Rodzajów Literackich; 2017, 60, 3 (123); 111-126
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Barva, jas, kontrast. Ilustrace Erbenovy Kytice jako interpretace; ukázka z většího celku
Colour, Brightness, Contrast. Illustrations of Erben’s Kytice as Interpretations; sample of a comprehensive tex
Autorzy:
Jedličková, Alice
Powiązania:
https://bibliotekanauki.pl/articles/30148698.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ballad
book illustration
cultural tradition
transmediation
intermedial approach
Opis:
The paper is a sample of the author´s current intermedial research into the illustrations of Karel Jaromír Erben’s volume of ballads Kytice (1853). Visual transmediations of a literary pretext may be understood as interpretations sui generis: while illustrations reveal the individual attitude of the visual artist, the illustrated book bears traces of the conditions in which it was published. In case of a classical work such as Kytice, numerous illustrated editions inevitably reflect also the concept of cultural tradition in the period concerned. Relevant social, creative and spiritual problems and needs of the time may be projected onto the illustrations resulting in a meaning-making process related to and parallel to the textual one. The focus of this enquiry is expressed by the optical categories of colour, brightness, and contrast as related to the visual representations and traits of the pretext. Featured illustrators: Zdeněk Sklenář, Alén Diviš, Helena Konstantinová.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 209-231
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ballads and Legends: Media Transformations of Canonical Narratives in Polish and Czech Culture
Autorzy:
Jedličková, Alice
Kos, Matěj
Powiązania:
https://bibliotekanauki.pl/articles/15582246.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
canonical narratives
popular culture
intermediality
transmediation
media modality
Opis:
The paper presents a comparative interpretation of recent Czech and Polish transmediations of canonical literary texts and architexts: ballads by K. J. Erben and Polish legends and folk tales, which are generally regarded as representations of both timeless and historical national values. The theoretical framework is built upon the theory of intermediality introduced by W. Wolf and I. O. Rajewsky, the concept of media modalities developed by L. Elleström, and current multimodal research represented by J. Bruhn and others. The transmediations (a film, a crowdfunded comic book, a series of short films employed as online advertisements) are not only subject to analysis of media-specific strategies involved in the artistic transformations; the authors´ motivations, the economic conditions under which the examined media products were made, and the modes of their distribution and participation in cultural communication are taken into account as well. The results of the analysis illuminate the strong influence of the multimedia environment, of the generic frames of individual media and the strategies that authors of the transmediations use to attain success with audiences
Źródło:
Poznańskie Studia Slawistyczne; 2022, 23; 167-192
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Comparative Analysis of Media. The Transformation of Relations between Script and Image − from Analogue Media to Interactive Environment
Autorzy:
Smaga, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1187008.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
comparative literature
applied graphics
comparative media
studies
intermediation
hypermediation
transmediation
Opis:
A digital communiqué operates with GUI not to depict, describe or structure the meanings but, above all, to transfer them. At the moment of clicking, that is, when a specific question is being asked by the user (customer), specific semiotically varied content is downloaded and displayed on the screen in accordance with the pre-designed, graphic template. Thus, graphical interface treats writing and image on the one hand as heterogeneous units – stored in databases, in a way that makes them quick and easy to find; on the other hand – heteronomous, that is, affecting each other at the level of presentation and manipulation of the message. Graphical edition skillfully combines the expectations of recipients concerning the access to the message: on the one hand – precise (along the lines of the language), on the other – economic, reducing (iconic), and it merges in this way two structures of reception, considered in our culture to be different. Pragmatic functionality of digital message is understood as accurate and synthetic mediation, which results in further analogous features from the level of semiotics and semantics, where the highlighted three planes of the communiqué circulate in the feedback loop.
Źródło:
Załącznik Kulturoznawczy; 2017, 4; 251-263
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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