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Tytuł:
Pirania i harpia – metafory kobiecości w felietonach Małgorzaty Domagalik
Pirania and harpia – metaphors of femininity in Małgorzata Domagalik’s columns
Autorzy:
Majewska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/40248411.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
the metaphor
piranha
harpy
the column
Małgorzata Domagalik
Opis:
The aim of this paper is to examine the metaphors referring to women in Małgorzata Domagalik’s columns. The columnist shows two types of female personalities: pirania (the Piranha) and harpia (the Harpy). The author discusses how Domagalik transforms the stereotype of women using the metaphors in question. Piranhas are very insecure women who hate everything that is different, whereas harpies are extraordinary, unorthodox, and demanding a lot fromthemselves and from others. The methodological structure is based on linguistic and cultural analysis of metaphors present in Małgorzata Domagalik’s columns.
Źródło:
Białostockie Archiwum Językowe; 2022, 22; 203-221
1641-6961
Pojawia się w:
Białostockie Archiwum Językowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafora ruchu i jej urzeczywistnienie w muzyce przestrzennej XX wieku
The Metaphor of Movement and Its Materialisation in Twentieth-Century Spatial Music
Autorzy:
Dąbek, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2176094.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Spatial music
spatiality
the metaphor of movement
carnality
musical experience
Opis:
The article concerns the issue of experiencing spatial music. While discussing movement and space in music, Bohdan Pociej draws attention to two types of the spatiality of a musical work: the “inner” and “outer” spatiality.The first one comes from the nature of the sound material and the interaction of elements, it stays in the sphere of impressions, metaphors. The second one involves the physical parameters and the actual performance of the piece. The author notes that the works of composers of the 20th century tend to break through from the internal space, transforming it into the external one. The issue of the body as a centre is present in the works of Edmund Husserl, Yi-Fu Tuan, Edward Hall, and others. The metaphor of movement – concerning language and music – has become the subject of cognitive science. In the context of spatial music, the metaphorical level is combined with the physical level. During the performance of a composition, the listener may be have various relations with sound sources but always locates them concerning the location of their own body, which they treat as the centre. The two basic types of outer spatiality – the perspective of the observer and the perspective of the participant – correspond to the types of understanding of the metaphor of movement in music (internal spatiality) proposed by Steve Larson and Mark Johnson.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47); 177-196
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Metaphor of Movement and Its Materialisation in Twentieth-Century Spatial Music
Autorzy:
Dąbek, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/2176273.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Spatial music
spatiality
the metaphor of movement
carnality
musical experience
Opis:
The article concerns the issue of experiencing spatial music. While discussing movement and space in music, Bohdan Pociej draws attention to two types of spatiality in a music work: the ‘internal’ and ‘external’ spatiality. The former derives from the nature of the sound material and the interaction of elements; it remains in the sphere of impressions and metaphors. The latter involves the physical parameters and actual performance of the piece. I demonstrate that the works of twentieth-century composers tend to break through from the internal space, transforming it into the external one. The issue of the body as a centre is present in the works of Edmund Husserl, Yi-Fu Tuan, Edward Hall, and others. The metaphor of movement in language and music has become the subject of research in cognitive science. In the context of spatial music, the metaphorical level coexists with the physical level. During the performance of a composition, listeners may enter into various relations with sound sources but always locate them with reference to their own bodies, which they treat as the centre. The two basic types of external spatiality – the perspective of the observer and the perspective of the participant – correspond to the two ways of understanding the metaphor of movement in music (internal spatiality) proposed by Steve Larson and Mark Johnson.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47) ENG; 177-195
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Concept of Subjectivity in the Light of Józef Tischner’s Thought
Autorzy:
Wielecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/29433389.pdf
Data publikacji:
2022
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Józef Tischner
person
subjectivity
agency
the agathological horizon
the drama of subjectivity
the metaphor of the face
Opis:
Reverend Józef Tischner was undoubtedly one of the most outstanding Polish philosophers of the second half of the twentieth century. What we owe to this student of Roman Ingarden is the flourishing of phenomenology and the philosophy of dialog not only in our domestic philosophical, but also sociological, psychological, and anthropological thought. His philosophy of drama is an original and very important current, which is enriched not only by the “Queen of the Sciences” but also offers great support to the related sciences, particularly sociological sciences. Within them, subjectivity is an extremely important subject of contemplation. This article is a sketch of the analysis of the benefits that a sociologist, researcher of subjectivity, can derive from reading Józef Tischner’s works.
Źródło:
Philosophy and Canon Law; 2022, 8, 1; 1-16
2450-4955
2451-2141
Pojawia się w:
Philosophy and Canon Law
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Harpun, pan mysz i Arnold Mocny – przykłady metafor męskości w felietonach Małgorzaty Domagalik
Harpun (Harpoon), pan mysz (mister mouse) and Arnold Mocny (Arnold the Strong) – Examples of Metaphors of Masculinity in Małgorzata Domagalik’s Columns
Autorzy:
Majewska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/35150439.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
the metaphor
Harpoon
mister mouse
Arnold the Strong
the column
the types of masculinity
Małgorzata Domagalik
Opis:
The paper presents the feminist and the traditional metaphors of masculinity using examples from Małgorzata Domagalik’s subjective texts. The columnist shows three types of male personalities: Harpun (Harpoon), pan mysz (mister mouse) and Arnold Mocny (Arnold the Strong). Harpoon is a weapon in the fight against stereotypes whereas mister mouse is man out of his depth, who doesn’t show any traditional masculine traits. On the other side Arnold the Strong is a personification of male strength. The methodological structure is based on a linguistic and cultural analysis of metaphors shown in Małgorzata Domagalik’s columns.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2022, 29, 2; 137-151
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Economic Identities: Four Paths Out of the “Iron Cage”
Autorzy:
Morawski, Witold
Powiązania:
https://bibliotekanauki.pl/articles/465550.pdf
Data publikacji:
2016-12-15
Wydawca:
Akademia Leona Koźmińskiego w Warszawie
Tematy:
instrumental rationalism
metaphor of the “iron cage”
Opis:
This paper discusses ways out of an approach adopted in the late nineteenth and early twentieth centuries, which I refer to as instrumental rationalism (pl. racjonalizm instrumentalny). It was to determine, inter alia, the place occupied by humans within an organization construed as a machine in the self-proclaimed modern era. It is one in which the substance of what we refer to as “here and now” is determined by rationality, functionality, utility, usability, effectiveness and effciency. This approach was best captured by Max Weber’s metaphor of the “iron cage” (German “Stahlhartes Gehause”, translated as “iron cage” by Talcott Parsons), although Weber himself refers to “like a light cloak, which can be thrown away any moment [...] shell as hard as steel” (Weber, 1994, p. 181).
Źródło:
Journal of Management and Business Administration. Central Europe; 2016, 4; 2-9
2450-7814
Pojawia się w:
Journal of Management and Business Administration. Central Europe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wyrażenia językowe związane z pojęciem zagrożenia wśród słów dnia z roku 2017 – analiza semantyczna
Autorzy:
Szymańska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/474139.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski i Uniwersytet Rzeszowski
Tematy:
“Word of the day”, conceptual metaphor, notion of danger
Opis:
The article presents conclusions from a semantic analysis of a set of linguistic expressions belonging to units selected in the project “Word of the day”, meaning words with the highest relative turnover in particular days of 2017. This collection includes language expressions related to the notion of danger and insecurity. The study is a proposal to look at this group of linguistic expressions from a cognitive perspective, which allows to capture certain common features in the way of perceiving and depicting elements of reality described by them. Referring, inter alia, the cognitive theory of conceptual metaphors and terms, such as profiling, presents some common elements present in the structure of the meaning of the majority of analyzed lexical units. In this way, an attempt was made to reconstruct imaginary patterns a ecting the way of presenting various kinds of threats in press releases.
Źródło:
tekst i dyskurs - text und diskurs; 2018, 11; 477-485
1899-0983
Pojawia się w:
tekst i dyskurs - text und diskurs
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czcigodne jarzmo metafory. Kilka uwag na marginesie Platońskiej paraboli jaskini
The Honorable Yoke of Metaphor: Some Remarks Inspired by Plato’s Allegory of the Cave
Autorzy:
KOT, Dobrosław
Powiązania:
https://bibliotekanauki.pl/articles/1046881.pdf
Data publikacji:
2020-01-12
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
światło, prawda, dobro, sens, metaforyka światła, pozaświatowość światła, aletheia
light, truth, the good, meaning, the metaphor of light, transcendent nature of light, aletheia
Opis:
Nie ma chyba w filozofii silniej zakorzenionej metafory niż światło, mające wypowiadać prawdę, poznanie, sens. U Platona jest ono niezbędnym łącznikiem między tym, co widziane, a widzeniem samym. Łącznik ten Platon nazywa jarzmem. Hermeneutyczny namysł nad tą metaforą rodzi wiele pytań, z których bodaj najważniejsze, a na pewno najbardziej niepokojące brzmi: czy to wszystko, co wiemy i przeczuwamy na temat prawdy (poznania, idei Dobra itd.), wynika z wiedzy o tych doniosłych sprawach, czy też jest konsekwencją pieczołowitej i szczegółowej analizy samej metafory światła? Innymi słowy: ile wiemy o prawdzie samej, a ile o tym, jak działa światło? Być może napięcie w jarzmie pomiędzy prawdą a światłem nie okaże się tak radykalne i aporetyczne, jak w wypowiedzianej właśnie alternatywie. Zapewne warto jednak zobaczyć, co sama metaforyka światła wnosi do naszego rozumienia prawdy, przyglądając się metaforze można bowiem dostrzec fundamentalne aporie i napięcia. W artykule analizowana jest między innymi pozaświatowość światła. W filozofiach tak od siebie różnych, jak platonizm, fenomenologia transcendentalna czy filozofia spotkania, ujawnia się pewien wspólny wzór: wszędzie tam, gdzie wykorzystana zostaje metaforyka światła, światło umiejscowione zostaje – na różne sposoby – poza światem. Takim źródłem sensu może być idea Dobra, ale też transcendentalne Ja czy Buberowskie Ty. Poprzez przywołanie rozważań Heideggera o alethei autor dochodzi do kolejnego problemu: w świetle nie widać ciemności. Czy to stwierdzenie odnosi się do natury tego, co ciemne (np. zła), czy też jest tylko i wyłącznie grą językową, ważną jedynie w ramach metafory światła? Wszystko to prowadzi do pytań o niezastępowalność metafory światła w myśleniu filozoficznym.
Apparently there is no metaphor more firmly established in philosophy than that of light which denotes truth, cognition, and meaning. In Plato, light is the bond that yokes together visibility and the faculty of sight. A hermeneutic analysis of the metaphor of ‘yoke’ engenders numerous issues, and the most important among them, as well as the most disturbing, is whether all we know and intuit about truth (or about our cognition, the idea of the Good, etc.) results from our knowledge of these important concepts, or rather it is a consequence of a thorough and detailed analysis of the metaphor of light itself. In other words, how much do we know about truth as such, and how much of this knowledge is our insight into the workings of light? Or is it rather the case that the tension between truth and light, the tension within the ‘yoke’ Plato refers to, does not prove as radical or aporetic as the initial alternative would suggest? Regardless of how we answer this question, it is indubitably worthwhile examining what the metaphor of light introduces into our understanding of truth, since an analysis of the metaphor in question may bring out the fundamental cognitive aporias and tensions we experience. The article analyzes, among others, the transcendent nature of light. Philosophies as diverse as Platonism, transcendental phenomenology, and the philosophy of encounter manifest a uniform approach to the understanding of light and tend to perceive its source outside the visible reality, whether they locate this source in the idea of the Good, in the transcendental ego or in Buber’s ‘Thou,’ thus considering each of them, respectively, a source of meaning. Heidegger’s considerations of the truth (aletheia) make the author confront another problem, namely, that of light obscuring darkness. However, does the issue in question concern the nature of the dark (e.g. evil) as such, or rather, does it manifest merely a language game valid within the scope of the metaphor of light? All these ideas prompt the conclusion about an irreplaceable status of the metaphor of light in philosophical thinking. Translated by Dorota Chabrajska
Źródło:
Ethos; 2017, 30, 3 (119); 77-92
0860-8024
Pojawia się w:
Ethos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mediacja w świetle symbolicznego interakcjonizmu
Mediation in the light of symbolic interactionism
Autorzy:
Dragon, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/431590.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Zielonogórski. Oficyna Wydawnicza
Tematy:
mediacja
interakcjonizm symboliczny
metafora teatru
sprawiedliwość naprawcza.
mediation
symbolic interactionism
metaphor of the theatre
restorative justice
Opis:
In this paper the author presents an analysis of mediation in symbolic interactionism perspective, showing how in this trend the creativity of individuals is emphasized in the world of social meanings. The author shows the common elements of the mediation process and the counselling situation understood as a special experience. The paper indicates the “role” as a concept of an orientating function in an interaction. Drawing inspiration from Erving Goffman’s metaphor of the theatre, mediation participants are shown as actors of the social stage and an original theatre metaphor, applied to the mediation situation, is proposed. The author shows the dramaturgy of the mediation table, which constitutes the drama of the victim and the offender linked together by participating in the same process at the same time. Just as in a drama, there are actors, a common stage, an audience and a backstage, and the action happens according to the script. Demonstrating a different from the presented so far image of mediation helps to show its interactive and creative nature, as well as to draw attention to other-than-legal aspects of mediation in criminal cases. The presented vision of mediation reveals that the settlement written by the parties is not the only benefit of using this procedure, which, in contrast to the court trial, focuses not only on facts but also on relationships and interests of the parties. Looking at the process of mediation through the prism of a metaphor of the theatre may become a recommendation for practice, revealing the possibility of a mediator’s interference in the process, serving as inspiration and raising awareness and openness to the philosophy of restorative justice.
Źródło:
Dyskursy Młodych Andragogów; 2014, 15; 141-153
2084-2740
Pojawia się w:
Dyskursy Młodych Andragogów
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The metaphor of ‛theatrum mundi’ in the theatre of the absurd: The dramas of Tymoteusz Karpowicz
Metafora «theatrum mundi» w teatrze absurdu na przykładzie twórczości Tymoteusza Karpowicza
Autorzy:
Karonta, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2088214.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish 20th-century drama
Poland's theatre of the absurd
the metaphor of theatrum mundi
Tymoteusz Karpowicz (1921–2005)
teatr absurdu
metafora theatrum mundi
Tymoteusz Karpowicz
Dziwny pasażer
Charon od świtu do świtu
Kiedy ktoś zapuka
Człowiek z absolutnym węchem
Przerwa w podróży
Opis:
This article tries to outline the history of the theater of the absurd in Poland by focusing on the metaphor of theatrum mundi (a device which is characteristic feature of this type of drama) and its use by Tymoteusz Karpowicz in his dramas Dziwny pasażer [A Strange Passenger], Charon od świtu do świtu [Charon from Dawn to Dawn], Kiedy ktoś zapuka [When Somebody Knocks], Człowiek z absolutnym węchem [The Man with an Absolute Sence of Smell], Przerwa w podróży [A Break in a Journey]. This metatheatrical device enables the dramatist to create a world of playacting for its own sake, a world without God, with characters unable to look beyond the exigencies of their role and thus to express his disenchantment with the 20th century and his estrangement from the post-World War II reality. It also enables him to explore the mechanisms of theatrical performance and the role of language in the creation of reality.
Źródło:
Ruch Literacki; 2019, 6; 631-646
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Językowe wyznaczniki eseju jako gatunku wypowiedzi
Lingual determinants of the essay as the species of the statement
Autorzy:
Kuźnik, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/38432497.pdf
Data publikacji:
2015
Wydawca:
Akademia Humanistyczno-Ekonomiczna w Łodzi
Tematy:
esej
gatunek wypowiedzi
tekst
ramka tekstowa
dyskurs
tytuł
podtytuł
nadawca
odbiorca
interakcja
zaimek osobowy
zaimek dzierżawczy
metafora
spójność strukturalna gatunku
teza
punkt
the essay
the species of the statement
the text
the textual frame
the discourse
the title
the subtitle
the sender
the recipient
the interaction
the personal pronoun
the possessive pronoun
the metaphor
the structural cohesion of the species
the thesis
the point
Opis:
Polskie słowo esej pochodzi od angielskiego słowa essey i oznacza szkic literacki. Autorem eseju jest osoba z kręgu nauk humanistycznych, która podejmuje polemikę z konkretnymi problemami, zagadnieniami, tropami ideologicznymi, na które z powodów osobistych chcę zwrócić uwagę. Autorzy pojawiają się w tekście najczęściej za pomocą czasowników w pierwszej osobie liczby pojedynczej w czasie przeszłym lub teraźniejszym. W swojej narracji nie zapomina o przejściu czytelnika od „ja” do „my” w dalszej części tekstu. Eseista zaznacza także obecność czytelnika w tekście za pomocą zaimków osobowych i dzierżawczych oraz stosując różne formy zwracania się. Nadawca i odbiorca pozostają we wzajemnym oddziaływaniu, w którym rola eseisty polega na przekazaniu subiektywnego punktu widzenia i zachęceniu czytelnika do refleksji. Z drugiej strony rolą odbiorcy jest krytyczne podejście i przyjęcie postawy wobec poruszanych kwestii. Bardzo ważnym elementem w strukturze każdego gatunku prasowego jest tytuł, który ma za zadanie zachęcić czytelnika do przeczytania i streszczenia tekstu. Te dwie funkcje można zrealizować za pomocą metafor i podtytułu. Korzystając z tytułów, autorzy mogą prowadzić z czytelnikiem różne gry intertekstualne i metatekstowe. Ramki tekstowe są podstawowym elementem integralności strukturalnej gatunku. Początek wystąpienia stanowi wprowadzenie czytelnika w tematykę eseju, która może być wyrażona bezpośrednio lub może być jasna po zapoznaniu się z kontekstem. Zakończenie eseju stanowi podsumowanie rozważań: tezy, puenty lub opinii polemicznej, które nie wyczerpuje treści tematu, pozostawiając miejsce na własne wnioski czytelnika. Esej jest gatunkiem wypowiedzi, w którym wyraźnie zaznacza się subiektywne podejście do poruszanego tematu. Wybrane zagadnienia są szczegółowo analizowane, a ostateczna ocena pozostawiana jest odbiorcy.  
The Polish word esej comes from the English word essay and means literary sketch. The author of the essay is a person from the circle of humanities who undertakes the polemic with concrete problems, issues, track of ideologies, which for some personal reasons, I want to pay attention to. The authors mostly appear in the text by using verbs in the singular first person in the past or present tense. In his narrative he or she does not forget about the reader moving from I to we in the further parts of the text. The essayist also marks the presence of the reader in the text by using personal pronouns and possessives, and by the use of various forms of address. The sender and receiver are in mutual interaction, in which the essayist’s role rests on transmission of the subjective point of view and encouragement the reader to reflection. On the other hand the receiver’s role is the critical approach and assume an attitude to the raised issues.  A very important element in the structure of every press species is title, which is designed to encourage the reader to read and summarize text. These two functions can be implemented with the use of metaphors and subtitle. Using the titles authors can play different intertextual and metatextual games with the reader. Text frames are a fundamental element of the structural integrity of the species. The beginning of the speech is the introduction of the reader to the subject of the essay, which can be expressed directly or can be clear after reading the context. The ending of the essay is a summary of considerations: thesis, punch line or polemical opinion, which does not exhaust the content of the subject, leaving space for the reader’s own conclusions. The essay is a genre of expression, in which theessay is clearly marked subjective approach to the addressed subject. Selected issue are accurately analyzed, and a final assessment is left for the recipient.
Źródło:
Językoznawstwo; 2015, 9; 141-160
1897-0389
2391-5137
Pojawia się w:
Językoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ściana Płaczu: Władysław Broniewski i Jerzy Ficowski. Interpretacja porównawcza: egzemplifikacja
The Wailing Wall: Władysław Broniewski and Jerzy Ficowski. The comparative interpretation: exemplification
Autorzy:
Kuczyńska-Koschany, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2050881.pdf
Data publikacji:
2021-12-11
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comparative interpretation
interpretational hypothesis
interpretational dominant
the axis of the interpretation
Władysław Broniewski
Jerzy Ficowski
The Wailing Wall
theme
topic
the great metaphor
interpretacja porównawcza
hipoteza interpretacyjna
dominanta interpretacyjna
oś interpretacji
Ściana Płaczu
temat
topos
wielka metafora
Opis:
W artykule przypomniano reguły, jakimi rządzi się interpretacja porównawcza. Autorka odnosi się do dotychczasowych ustaleń metodologicznych i metodycznych, przede wszystkim Bożeny Chrząstowskiej, oraz stosuje przyjęte zasady w praktyce (rozszerzając pole o temat i topos). Szkic jest próbą interpretacji porównawczej dwu wierszy polskich poetów - Władysława Broniewskiego (1897-1962) i Jerzego Ficowskiego (1924-2006) – na temat jerozolimskiej Ściany Płaczu.
The article reminded about the rudiments that rule the comparative interpretation. The authoress refers to previous methodological and methodical arrangements, especially Bożena Chrząstowska’s, and uses the adopted rudiments in practice (expanding the area with theme and topic). The sketch is an attempt of comparative interpretation of two poems written by polish poets, Władysław Broniewski (1897-1962) and Jerzy Ficowski (1924-2006) – which are about Jerusalem Wailing Wall.
Źródło:
Polonistyka. Innowacje; 2021, 14; 101-112
2450-6435
Pojawia się w:
Polonistyka. Innowacje
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Метафора в образном строе „Псалтири” (по синодальному переводу)
The metaphor in the figurative system of the Psalter (according to the Synodal translation)
Autorzy:
Sklârevska, Galina N.
Powiązania:
https://bibliotekanauki.pl/articles/1203031.pdf
Data publikacji:
2020-12-19
Wydawca:
Uniwersytet Opolski
Tematy:
metaphor
figurative system of the Psalter
Opis:
The article gives a brief understanding of the metaphor within the modern theory of conceptual metaphor, as well as puts forward arguments substantiating semantic, syntactic and structural differences between the metaphor and the comparison. This is indeed important for the study of the figurative system of the Old Testament, since in translation many metaphors are given in the form of comparison. At the root of any metaphor lies the sense of analogy, which makes one look for links between most distant entities and not just between objects of the sensually perceived world, but also between concrete objects and abstract notions. A systematic analysis of the metaphor (based on texts of the modern Russian language) has shown that such links are formed in strictly defined directions. Moreover, they are countable and quite concrete as in the following pairs: object→object; object→man; object→physical world; object→psychic world; object→social world; object→abstraction; animal→man; man→man; physical world→psychic world. The extensive material analyzed in the article demonstrates that the Psalter, with all its semantic and stylistic sophistication and remoteness of biblical notions from modern ones, makes use of the same laws of metaphorization as we do today except for one crucial circumstance: anthropocentricity of the modern times is substituted with theocentrism, thus making the central object of the metaphor not man, as in modern languages, but God: But You, O LORD, are a shield for me; His wrath is kindled; Grace is poured upon Your lips; It is God who arms me with strength; The LORD my God will enlighten my darkness and so on.
Źródło:
Stylistyka; 2020, 29; 165-177
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Słowa w natarciu. Metaforyka militarna w dyskursie politycznym
Autorzy:
Pacuła, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/643380.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
language of the politics
metaphor
military vocabulary
Opis:
This article looks at the language of politics. The author shows the military lexis which ish journalistic texts and statements of very politicians. According to the author this vocabulary used in the contemporary political discourse. He claims that this vocabulary carries a specific vision of the world: it metaphorically presents the policy as the war, political activists as members of the army, practicing the politics as the implementation of war strategies.
Źródło:
Zeszyty Prasoznawcze; 2012, 55, 3; 35-62
0555-0025
2084-3836
Pojawia się w:
Zeszyty Prasoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Warfare Metaphor and its Functional Aims in an Actual Armed Conflict – the Forty-Four Day War
Autorzy:
Muradian, Gaiane
Powiązania:
https://bibliotekanauki.pl/articles/2231695.pdf
Data publikacji:
2022-10-06
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
the forty-four day war
news media
multimodality
warfare metaphor
metaphor framing
recontextualization
Opis:
The present case study in general and the multimodal analysis of the warfare metaphor in particular tend to focus on the prevalence of metaphor framing related to news schemas documented over the period of the forty-four days of an actual war - the 2020 Nagorno-Karabagh war. Certain questions (Why was the warfare metaphor so widely used in this forty-four day war? How and in what ways did this type of metaphor realize its functional aims?) are addressed in the present case study by analyzing theoretical and empirical data on the subject and by advancing my own account of the functions of the warfare metaphor in war discourse presented in mass-mediated communication. Metaphor framing and its effects usually depend on words (the linguistic or verbal metaphor), however, such effect also depend on multimodal representations of the verbal metaphor, namely on the visual image. I therefore argue that metaphor framing and metaphor effects should be examined and explicitly described within the frames of multimodal analysis which can disclose how the convergence of verbal and the visual metaphor affects rhetorical war situations and increases the audience’s reception of the message of the war. Hence, this case study will show that the wartime metaphor, with the application of multimodality, conveys information of the war and impacts public opinion, thus striving to achieve positive outcomes. The results show that metaphor framing and the given type of metaphor is encountered in actual war to draw and capture public attention through emotionally charged multimodal devices aimed at informing and impacting public opinion, thus persuading and motivating the world to take urgent steps to stop the further escalation of the conflict. The usage of such metaphor framing closely connected with the context of war might result in certain outcomes illuminating that the warfare metaphor contributes to the understanding of complexities and abstractions of war discourse at large.
Źródło:
Academic Journal of Modern Philology; 2022, 15; 225-234
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Speculum animae. Metafore catottriche nei racconti di Stefan Grabiński
Speculum animae. The metaphors of reflection in Stefan Grabiński’s short stories
Autorzy:
De Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/28409312.pdf
Data publikacji:
2017
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Stefan Grabiński
The double
Mirror
Metaphor of reflection
Opis:
Through an analysis of several short stories by Stefan Grabiński, the article aims to show that his narrative is based on the principle of a metaphorical mirror, which exposes the dual nature of the world: matter and spirit, good and evil, world and afterworld, inner reality and outer reality. The reflected image of the world does not coincide with the real one. That image in the mirror is beyond human reason and appears as a terrifying truth and as the profound chaos of the soul. Grabiński develops the doubling of reality, which is present – with different meanings – not only in philosophical, religious, psychological and psychoanalytic thought, but also in the field of the paranormal and of parapsychology, through the theme of the double.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 54-67
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Русская классика на киноэкране: в поисках художественного смысла (Катерина Измайлова Н. С. Лескова в киноверсии Р. Балаяна)
Russian Classics on Screen: In Search of Artistic Meaning (Leskov’s Katerina Ismailova in Balayan’s Film Adaptation)
Autorzy:
Ситникова, Вера
Powiązania:
https://bibliotekanauki.pl/articles/968711.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
metaphor
the author’s position
image
film adaptation
Opis:
The paper tackles the problem of trivialization in a screen adaptation, taking as an example Nikolai Leskov’s sketch ‘The Lady Macbeth of Mtsensk’ and Roman Balayan’s 1989 film based on it. The author focuses on biblical contexts and contrasts the tone of the ending in the text with that on screen: while the literary Katerina remains unable to repent and ready to murder, the scenery toward the end of the film is surprisingly serene. In particular, the director’s treatment of the motif of ringing bells (symbolizing man’s separation from God) reveals an ideological difference between Balayan and Leskov. The author finds Balayan’s version more of a love drama than a tragedy of the death of a human soul. The film, she claims, even if not essentially distorting the meaning of the sketch, downplays and impoverishes Leskov’s semantic palette and simplifies the complex character created by the writer.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 75-83
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Co kryje się w umyśle seryjnego mordercy? Rozważania w kontekście powieści Borisa Akunina Dekorator
Autorzy:
Letka-Spychała, Olga
Powiązania:
https://bibliotekanauki.pl/articles/953245.pdf
Data publikacji:
2020-12-08
Wydawca:
Wyższa Szkoła Gospodarki w Bydgoszczy. Wydawnictwo Uczelniane
Tematy:
mind style
conceptual metaphor
the decorator
boris akunin
jack the ripper
Opis:
The main aim of this paper is to answer the question which appears in its title. In order to do so, I analyse the mind style of the eponymous character from Boris Akunin’s book The Decorator (1999). The notion of mind style coined by Roger Fowler relates to a unique correlation between certain linguistic constructions (metaphors, transitive patterns, underlexicalization) and their role in projecting particular world-views. The analysis shows that in the case of Akunin’s hero, who is inspired by the legendary Jack the Ripper, it is metaphors that serve the function of “consistent structural options”. They demonstrate how the murderer conceptualizes and interprets such concepts as MURDER, MURDERER, BODY and BEAUTY.
Źródło:
Heteroglossia- studia kulturoznawczo-filologiczne; 2020, 10; 9-26
2084-1302
Pojawia się w:
Heteroglossia- studia kulturoznawczo-filologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między konwencją a inwencją. Osobliwości językowe w listach abpa Adama Sapiehy skierowanych do prymasa Augusta Hlonda
Between convention and invention. Language peculiarities in the letters of archbishop Adam Sapieha adressed to primate August Hlond
Autorzy:
Sieradzka, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/1044726.pdf
Data publikacji:
2018-01-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
The stylistic features of the language
the phraseologies
the phraseological contaminaction
phraseological modifications
idiolectic metaphor
Opis:
In this text the stylistic features of Polish letters of Archbishop Adam Sapieha addressed to the Primate August Hlond. To these letters, the author arrived, by inquiring in Archdiocesan Archives in Gniezno. The relevant subject of the article is five puzzling expressions in terms of usage, meaning and construction. The first example: a coterie is a single lex, the other four: real rape, journalistic nerve, thick gloves and operettas performances are constant expressions. As demonstrated by the analysis of the occurence of words and the analysis of expressions, the word coterie reveals the pejorative relation of the speaker to the circumstances described. The expression of real rape is an idiolectic metaphor and the expression of journalistic nerve is a phraseological modification. The phrase to put thick gloves as well as the expression of operetta performances are contaminations. They prove the existence of Sapieha’s individual language and the efforts of the sender of the letters to make the word and its meaning as complete as possible.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2017, 24, 2; 233-244
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Machiavelli’s The Prince: How to Refute Virtue Ethics in Three Steps
Autorzy:
Stoškus, Mindaugas
Powiązania:
https://bibliotekanauki.pl/articles/22766419.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Niccolò Machiavelli
The Prince
virtues
vices
fox metaphor
Cicero
Opis:
This article examines Niccolò Machiavelli’s account of virtues in his famous work The Prince. The Italian philosopher uses three different stages or steps of argumentation. All these steps are analyzed in this paper. It is argued that in each step, Machiavelli makes partial conclusions which are neglected in the next step. In the last step, Machiavelli concludes that not only some virtues lead to failure, but all virtues are harmful to a successful leader. Instead of an honest and just way of acting, Machiavelli proposes the slyness of a fox – the most effective and successful way of acting. Cicero’s De Officiis effectively helps to understand the radicality of Machiavelli’s account of virtues. Cicero’s work enables one to explain all the central metaphors and analogies used in Machiavelli’s The Prince. Comparing Cicero’s and Machiavelli’s radically different accounts of the same virtues and vices shows that Machiavelli changed the traditional understanding of virtues, thus refuting traditional moral and political philosophy.
Źródło:
Studia Philosophiae Christianae; 2023, 59, 1; 31-47
0585-5470
Pojawia się w:
Studia Philosophiae Christianae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cognitive-methodological functions of metaphors
Autorzy:
Hetmański, Marek
Powiązania:
https://bibliotekanauki.pl/articles/2188169.pdf
Data publikacji:
2021-11-30
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
metaphor
conceptual metaphor theory
embodied metaphors
embedded metaphoricity
heuristics and the methodology of metaphors
scientific discourse
Opis:
The paper analyzes the cognitive functions of metaphors present in both colloquial and scientific discourse. First, presented is the history of research into linguistic metaphors, followed by a discussion of the psycholinguistic turn towards metaphors as thought schemas (George Lakoff and Mark Johnson), as well as metaphoricality embodied in gestures, images and behaviors and their socio-cultural contexts. Based on the analysis of metaphors in the natural sciences, mainly in physics (Max Black, Mary Hesse, Thomas Kuhn) as well as in psychology (Douwe Draaisma), the heuristic and methodological functions of metaphors in science are discussed. Finally, on this basis, a general model of the cognitive functions of metaphor is constructed in which, apart from the cognitive communicative functions, emphasized are also the pragmatic aspects of metaphorical thinking.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2021, 11, 1; 93-109
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The metaphorization phenomenon in the English literature texts. Actualization of the time concept through the metaphorical realization process
Autorzy:
Liulka, Olexandr
Powiązania:
https://bibliotekanauki.pl/articles/951102.pdf
Data publikacji:
2019
Wydawca:
Wyższa Szkoła Gospodarki Euroregionalnej im. Alcide De Gasperi w Józefowie
Tematy:
metaphor, metaphorization metaphorical realization
the TIME concept
English literature
Opis:
This article is a result of the analysis of metaphorization process and actualization of the TIME concept in the English literature texts. The analysis has been made from different perspectives such as: historical, lexical and semantic. All the results of the article are closely related to our dissertation and based on many scientific works dedicated to the similar linguistic topics. Purpose. The purpose of the article is a more precise study of the TIME concept and its metaphorization in the English literature texts. It is very important to understand the historical formation of the process as well as its correlation with lexical and semantic aspects of the linguistic. Methods. The first method of the research is the comparative analysis of different linguists’ statement about such a phenomenon as metaphor or metaphorization. The second method is the descriptive analysis of the historical background of the TIME concept formation. The third method is the analysis of the English literature texts in order to find some lexical, semantic, stylistic, pragmatic, syntactic, linguistic and psycholinguistic patterns for the TIME concept metaphorization in this kind of texts. Results. Specific metaphor properties are the reason why a very important role in a language is dedicated to the metaphor. Language embodiment of new concepts and a creation of new linguistic manners is a direct consequence of the metaphorization process. Certain linguistic forms are a place of a realization of cognitive reality images. These images are based on a metaphorical transference. The development of the TIME concept part named as time calculation had started in early English period (XIV – XV centuries). The TIME concept has been The metaphorization phenomenon in the English literature texts. Actualization of the time concept through the metaphorical realization process metaphorically realized very differently. The metaphorization depends on the period of the English history. Modern metaphorical realization of the TIME concept has changed many times but the basic metaphorical associations remained non deformed. There are prepositions which classified by the agentic / non-agentic feature. It’s been made in order to understand time properties and in order to find correlation between the TIME concept and other aspects of the textual reality. The analysis of the chosen material has led to the distinction of five predicate groups such as: activity, location, status, quality and process. The classification of the prepositions was made in the research. They were distinguished according to the predicates. As a result models of the TIME concept description have been made. It proofs the fact that the TIME concept might be realized as the agentive, objective and dative. The using of the ‘time’ lexeme as a living initiator of the action is syntactically reasoned. This action causes the personification of time in the English culture.
Źródło:
Journal of Modern Science; 2019, 42, 3; 109-129
1734-2031
Pojawia się w:
Journal of Modern Science
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An organization on the edge of chaos: the origins of the metaphor and its impact on the theory and practice of strategic management
Autorzy:
Mesjasz, Czesław
Powiązania:
https://bibliotekanauki.pl/articles/419857.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Ekonomicznego we Wrocławiu
Tematy:
organization on the edge of chaos
dead metaphor
strategic management
Opis:
The notion “edge of chaos” coined in complex systems studies has become a part of the vocabulary of modern management theory and practice. This utterance is especially significant since it has been applied in management as a metaphor associated with innovativeness and creativity. The aim of the paper is to study what are the consequences of the fact that this term is applied in management as a dead metaphor, i.e. it is decoupled from its initial meaning. A deepened analysis of the interpretations and misinterpretations of the term “organization on the edge of chaos” applied in strategic management is presented.
Źródło:
Nauki o Zarządzaniu; 2019, 24, 2; 3-8
2080-6000
Pojawia się w:
Nauki o Zarządzaniu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miroir en cuivre et plaque daguerrienne : autour de Salammbô de Gustave Flaubert
Copper mirror and daguerreotype plate: around Gustave Flaubert’s Salammbô
Autorzy:
Kocik, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/483679.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
copper mirror
daguerrotype
epistemic metaphor
Salammbô
the City of Copper
Opis:
The paper brings a motif of Salammbô’s preparations undertaken prior encountering Mathô. The scene becomes a motive for analysis of the paradigm of relation between a copper mirror and a daguerreotype plate. Both artefacts are made of the same matter. Being tools for discovering reality and outpouring into an imaginary world at the same time, both provide special dimension to the visual experience. Finally, both are epistemic metaphors. Since second half of 19th century copper finds a new place in mythology of the industrial object. Vast presence of copper in Flaubert’s Carthage impacts historical and oriental picturesqueness. Does Carthage resemble the legendary City of Copper?
Źródło:
Quêtes littéraires; 2015, 5; 55-64
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metaforyka troski o siebie w Żywocie człowieka poczciwego
The metaphoricity of „the self care” in Żywot człowieka poczciwego [The life of a humble man]
Autorzy:
Maliszewski, Bartłomiej
Powiązania:
https://bibliotekanauki.pl/articles/1364854.pdf
Data publikacji:
2019-12-19
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
Mikołaj Rej
metafora
pareneza
troska o siebie
metaphor
parenesis
the care of the self
Opis:
Celem pracy jest analiza przenośni i analogii, które w Żywocie człowieka poczciwego służą postulowaniu troski o siebie (zalecaniu roztropnego naśladownictwa, wyzbywania się dostrzeganych wad). Omawiając metafory i analogie, zwracamy uwagę na ich funkcję poznawczą (metafora jako środek ujmowania abstrakcyjnych tematów), perswazyjną (przenośnia jako środek wpływania na postawę odbiorcy) oraz kulturotwórczą (metafora jako utrwalany wskaźnik dawnych realiów i świata wartości nadawcy).
The aim of the study is to analyse the metaphors and analogies which are used in Żywot człowieka poczciwego [The life of a humble man] to postulate the self care (recommendations concerning sagacious emulation, getting rid of finding vices). While discussing the metaphors and analogies, we pay attention to their cognitive function (the metaphor is perceived as a means of capturing abstract themes), the persuasive function (the metaphor is seen as a means of influencing the addressee) and the culture-forming function (the metaphor is viewed as a recorded exponent of the past reality and the addresser’s world of values).
Źródło:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego; 2019, 5; 225-239
2450-3584
Pojawia się w:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
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