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Tytuł:
THE MURDERS IN THE RUE MORGUE: NEUROSIS1
Autorzy:
Langhoff, Darius
Powiązania:
https://bibliotekanauki.pl/articles/444548.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
crime story
psychology
neurosis
reinterpretation
E.A. Poe
Opis:
The article deals with E.A. Poe’s story The Murders in the Rue Morgue which centers on a mysterious murder case. Several acknowledged critical appreciations of the tale are presented and reevaluated. The paper endeavors to uncover inconsistencies in the traditional critical appro- aches as well as to unveil Poe’s sporadic literary incongruities embedded in the text. Stress is laid on the contrast between the traditional psychoanalytical readings of the story and the views of modern psychology and psychiatry. The article is intended to shed an alternative light on possible interpretations of the tale written by the 19th century pioneer in the field of the detective story and novel.
Źródło:
Acta Neophilologica; 2008, X; 161-168
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE FALL OF THE HOUSE OF USHER - SCHIZOPHRENIA
Autorzy:
Langhoff, Darius
Powiązania:
https://bibliotekanauki.pl/articles/444319.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
modem psychiatric reinterpretation, schizophrenia,
hypochondriasis,
melancholia,
architectural representation of a mental state and change
Opis:
E.A. Poe’s tale The Fall of the House of Usher features twins Roderick and Madeline who suffer from serious physical and nervous maladies. Manifestations of their mental disorders are juxtaposed in the article with the discoveries of modern psychiatry and neurology, revealing surprisingly many parallels with the clinical symptoms of schizophrenia and other related illnesses. The author of the story himself makes an impressive comparison between the characters’ split minds and the cleft in their mansion’s wall, which disrupts the architectural harmony and continu- ity of the edifice.
Źródło:
Acta Neophilologica; 2009, XI; 119-127
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cyprian Norwid w rytmach rockowych
Cyprian Norwid in Rock Rhythms (transl. by Jan Kłos)
Autorzy:
Bodusz, Marek
Powiązania:
https://bibliotekanauki.pl/articles/2117112.pdf
Data publikacji:
2010
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
art-rok
audiowizualny typ kultury
literackość muzyki – muzyczność literatury
styl
brzmienie muzyczne
reinterpretacja
epoka płynnej nowoczesności
kolaż
art-rock
audiovisual type of culture
literary character of music – musical character of literature
style
musical sound
reinterpretation
epoch of fluid modernity
collage
Opis:
This text shows various strategies and Norwid's texts and styles in rock music. The space of analytical considerations here is filled with structural and semantic analyses concerning rock compositions, whose style and semantics are defined by relations with the works of the author of Vade Mecum. Now the definion of the mutual relations between the literary codes of tradition and their application in the rock version provide an opportunity to grasp and present the function and semantic effects of the bond between a textual passage and its new context My intersemantic strategy of the inspection of literary texts (rock text/ Norwid's text) is made concrete in the presented interpretative variants – specific proposals to read out the scripts of the literary “game” projected by contemporary artists: Czesław Niemen, Stan Borys, Maciej Maleńczuk, and Anja Ortodox.
Źródło:
Studia Norwidiana; 2010, 27-28; 101-114
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motywy angelologiczne w poezji Zbigniewa Herberta
The Angelic Motives in the Z. Herbert’s Poetry
Autorzy:
Pyczek, Wacław
Powiązania:
https://bibliotekanauki.pl/articles/26850621.pdf
Data publikacji:
2010
Wydawca:
Akademia Zamojska
Tematy:
Herbert
angelic motives
cultural context
literary tradition
reinterpretation of myths
poetic imagination
motywy aniołów
kontekst kultury i tradycja literacka
reinterpretacja mitów
poetycka wyobraźnia
Opis:
Artykuł stanowi próbę syntetycznego przeglądu oraz interpretacji motywów angelologicznych uobecnionych w poezji Zbigniewa Herberta. Kreacje anielskie autora Pana Cogito ukazane zostały w szerszej perspektywie kulturalnej. Przede wszystkim przywołano tu kontekst tradycji literackiej, a zwłaszcza literaturę epoki romantyzmu oraz współczesną. Ważnym układem odniesienia jest także rzeczywistość sztuki, filozofia czy teologia. Te przedstawienia aniołów bardzo mocno wpisują się w podstawowe paradygmaty estetyczne i moralne eksponowane przez poetę. Autor Rovigo dokonał w swym dziele swoistej reinterpretacji ustalonych przez tradycję kulturową sposobów odczytywania obrazów i funkcji postaci anielskich poprzez zdecydowane wpisanie bytów subtelnych w obszar zdehumanizowany i naznaczony pierwiastkiem tragizmu. Autor artykułu starał się pokazać, jak motywy angelologiczne determinują poetycką wyobraźnię Herberta.
The article is an attempt at a synthetic review and interpretation of the angelic motives present in Zbigniew Herbert’s poetry. The angelic creations of the author of “Mr Cogito” are presented in a broader cultural perspective. First of all, the context of the literary tradition was referred to especially of the Romantic and contemporary literature. An important reference point is also art, philosophy and theology. The presentations of angels are very strongly embedded in the basic aesthetic and moral paradigms exposed by the poet. The author of “Rovigo” has attained in his works a peculiar reinterpretation of the ways of handling of angelic images ad their functions by placing the subtle creatures in a resolute manner in the dehumanized realm, marked with the tragic note. The author of the article attempted to show how the angelic motives determine Herbert’s poetic imagination.
Źródło:
Facta Simonidis; 2010, 3, 1; 265-286
1899-3109
Pojawia się w:
Facta Simonidis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The theater of Jan Klata. Struggling for a new audience
Autorzy:
Konopko, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/628503.pdf
Data publikacji:
2010
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Jan Klata, Polish theater, engaged theater, political theater, social theater, new audience, reinterpretation of classical dramas, pop culture, Polish Catholicism, national myths and symbols
Opis:
This short text presents the characteristics of theater works by the director, Jan Klata. I attempt to investigate the changes in contemporary Polish theatrical language. The evolution of theater perception, the expressive aesthetics of Klata’s performances and topics that began the fight not only over the new theater that would be a place of socio-political discourses but also for the new audience. In the introduction I present J. Klata and describe the circumstances that accompanied his theater debut. Thereafter, referring to J. Klata’s staging of classical works, I point out the characteristics of his theater and describe how the phenomenon of reinterpretation functions in contemporary theater. I then try to question the explicit labeling of J. Klata’s works as “post drama theater” or “political theater” by paying special attention to analyzing the director’s works in a social context. This political and social background of J. Klata’s performances contributes to the fact that his work is perceived as one of the leading examples of “engaged theater”. The staging means of expression applied by the director and his often radical interference in the texts of works from the literary canon have encouraged younger directors to make their own daring experiments . What was perceived as “revolutionary” and controversial at the time of J. Klata’s debut, today, only seven years later, has become standard in Polish theater.
Źródło:
Journal of Education Culture and Society; 2010, 1, 2; 125-138
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ostatnia książka Józefa Turka
The Last Book by Józef Turek
Autorzy:
Hajduk, Zygmunt
Powiązania:
https://bibliotekanauki.pl/articles/2012830.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
dane doświadczenia
empiryczna i filozoficzna interpretacja
teoria naukowa
reinterpretacja
experience data
empirical and philosophical interpretation
scientific theory
reinterpretation
Opis:
The paper brings a concise analysis of the content contained in the book. Considerations concern the metascientific theory of philosophical cosmology, especially the relations between natural sciences and the so called classical philosophy of nature. Procedures of philosophical interpretation of scientific facts are postulated to ensure methodological and epistemological correctness of all philosophical theses. Basic operations in this branch of philosophy include conceptualization, defining, inferring especially in the form of explaining and justifying. Such cognitive operations constitute the whole process of interpretation, insists Joseph Turek.
Źródło:
Roczniki Filozoficzne; 2011, 59, 2; 31-41
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
New material and reinterpretation of the Late Cretaceous eutherian mammal Paranyctoides from Uzbekistan
Autorzy:
Averianov, A.O.
Archibald, J.D.
Powiązania:
https://bibliotekanauki.pl/articles/22276.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Paleobiologii PAN
Tematy:
reinterpretation
Late Cretaceous
Cretaceous
paleontology
eutherian mammal
mammal
Mammalia
Eutheria
Paranyctoides aralensis
Turonian Bissekty Formation
Uzbekistan
Opis:
Paranyctoides aralensis, based on a partially known set of lower postcanines from the Turonian Bissekty Formation of Uzbekistan, is proposed to be a junior subjective synonym of Sailestes quadrans, itself based on an M1 from the same stratigraphic unit. As a result, the latter taxon is recombined as Paranyctoides quadrans comb. nov. Based on newly col− lected or recognized specimens, we show that this species has four lower incisors, including a procumbent i1 and a rela− tively small i4, as well as five double−rooted premolars, the smallest of which (p3) can be lost ontogenetically. The p5 of this species is premolariform, rather than molariform as previously thought based on an erroneous identification, and re− sembles North American species of Paranyctoides in the presence of a small, cingulid−like paraconid and a distal talonid cusp, as well as the absence of a metaconid. The lower molars of Paranyctoides are unique among Late Cretaceous eutherians in having a larger, lingually placed paraconid. Paranycoides probably is the sister taxon of the Late Cretaceous Zhelestidae.
Źródło:
Acta Palaeontologica Polonica; 2013, 58, 1
0567-7920
Pojawia się w:
Acta Palaeontologica Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nazwy własne w przekładzie. Zarys problematyki
Proper Names in Translation. An Outline of Key Topics
Autorzy:
Wolnicz-Pawłowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/911070.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
proper names
translation
chronology
adaptation
adideation
reinterpretation
transposition
Opis:
The article briefly presents the history of the absorption of foreign proper names by the Polish language. The introduction outlines the key properties that differentiate proper names from common names. Then the three chief periods in the history of Polish are presented, along with their typical, dominant ways of absorbing proper names. These periods coincide with the periodization proposed by Z. Klemensiewicz (Old-Polish, Middle-Polish, New-Polish periods). The author discusses finally the main modes of absorbing proper names: phonetic-morphologic adaptation (e.g. Piotr, Agnieszka, Szymbark), adideation and reinterpretation (e.g. Bakchus – Beczkoś), translation (e.g. Felix – Szczęsny, Parva – Mała), transposition (e.g. Milano, Trier, Inez). 
Źródło:
Poznańskie Spotkania Językoznawcze; 2014, 27; 201-214
2082-9825
2450-0259
Pojawia się w:
Poznańskie Spotkania Językoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Slash. Uri Caine’s Mahler
Autorzy:
Poprawa, Adam
Powiązania:
https://bibliotekanauki.pl/articles/780173.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Uri Caine
blurred genres
reinterpretation
Jewish cultural tradition
Opis:
In recent years, artistic projects combining a wide array of musical styles, such as jazz interpretations of classical music or orchestral arrangements of rock songs, have enjoyed considerable popularity. As their authors were focused mainly on sales profits, the artistic value of their works was often highly disputable. Nevertheless, some outstanding achievements in that field have also been made, among them reinterpretations of classical repertoire - Bach, Beethoven, Mozart, Schumann, and, above all, Mahler - by American pianist Uri Caine. He recorded several CDs containing new versions of Mahler’s entire works or their excerpts. Sometimes Caine’s music moves far away from the originals, though such artistic experiments are always well-grounded and aesthetically convincing. Caine’s reinterpretations of Mahler have also some (auto)biographical overtones.
Źródło:
Interdisciplinary Studies in Musicology; 2014, 13; 183-188
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries
Autorzy:
Popłońska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/653571.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Irene Adler
Sherlock Holmes
adaptation
appropriation
reinterpretation
transmedia fandom
fan fiction
Opis:
One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene Adler, the most recognisable female character from the Sherlock Holmes canon. Although we are not given much information on her in the original story and she hardly speaks in her own voice, for the community of readers she has become the most significant woman that Sherlock Holmes had ever encountered. Thus, the creators who adapted her for the screen also treated the heroine of “A Scandal in Bohemia” symbolically, allowing themselves to freely portray her presence in their versions of the story. For certain reasons, Irene Adler has been interpreted in pop-culture differently at various times: as the woman who beat Holmes with her wit, the detective’s romantic interest, his nemesis or a femme fatale figure. This tendency seems to be pushed to the extreme recently and the adaptations of the heroine in question gravitate towards a sexually confident, overtly self-aware, as well as dominant (both sexually and mentally) rival to Holmes. The idea behind this paper is to investigate the transformation of Irene Adler’s character from the originally debatably scandalous adventuress to her modern portrayal as a dominatrix in the BBC miniseries, Sherlock. Hence, I will concentrate on this most recent take on the woman in the episode “A Scandal in Belgravia,” attempting to analyse in what ways the creators of the show go back to the roots and succeed in capturing the essence of Irene Adler’s figure, and conversely – in what measure does this adaptation epitomize the changes done to the character over the years of reinterpreting and diverting from its literary counterpart.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries
Autorzy:
Popłońska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/24987870.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Irene Adler
Sherlock Holmes
adaptation
appropriation
reinterpretation
transmedia fandom
fan fiction
Opis:
One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene Adler, the most recognisable female character from the Sherlock Holmes canon. Although we are not given much information on her in the original story and she hardly speaks in her own voice, for the community of readers she has become the most significant woman that Sherlock Holmes had ever encountered. Thus, the creators who adapted her for the screen also treated the heroine of “A Scandal in Bohemia” symbolically, allowing themselves to freely portray her presence in their versions of the story. For certain reasons, Irene Adler has been interpreted in pop-culture differently at various times: as the woman who beat Holmes with her wit, the detective’s romantic interest, his nemesis or a femme fatale figure. This tendency seems to be pushed to the extreme recently and the adaptations of the heroine in question gravitate towards a sexually confident, overtly self-aware, as well as dominant (both sexually and mentally) rival to Holmes. The idea behind this paper is to investigate the transformation of Irene Adler’s character from the originally debatably scandalous adventuress to her modern portrayal as a dominatrix in the BBC miniseries, Sherlock. Hence, I will concentrate on this most recent take on the woman in the episode “A Scandal in Belgravia,” attempting to analyse in what ways the creators of the show go back to the roots and succeed in capturing the essence of Irene Adler’s figure, and conversely – in what measure does this adaptation epitomize the changes done to the character over the years of reinterpreting and diverting from its literary counterpart.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 41-49
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Women and Intertextuality: On the Example of Margaret Atwood’s The Penelopiad
Autorzy:
Lisowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/24987865.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
intertextuality
feminist literary criticism
arachnology
reinterpretation
humour
Opis:
The aim of the study is to consider feminist retellings of myths and legends. As an example, Margaret Atwood’s book The Penelopiad is analyzed. The interpretation is situated in a broader context of intertextual practices characteristic of the feminist vision of literature. I present the ideas which Atwood shares with authors engaged in women’s movement. Among these there is Atwood’s understanding of intertextuality (noticeable especially in The Penelopiad). Bibliographical basis of the study comprises books which are fundamental to feminist and gender criticism (e.g. Poetics of Gender, ed. by N. Miller, New York 1986; S. M. Gilbert, S. Gubar The Madwoman in the Attic. The Woman Writer and the Nineteenth- Century Literary Imagination, New Haven and London 1984). What is more, the study refers to the books which allow considering the notion of intertextuality (G. Allen, Intertextuality, London and New York 2010, J. Clayton. E. Rothstein (eds.), Influence and Intertextuality in Literary History, Wisconsin 1991) and connecting the interpretation with the problems crucial to contemporary literary studies (L. Hutcheon L. A Poetics of Postmodernism. History, Theory, Fiction, New York and London 1988, B. Johnson, A World of Difference, Baltimore and London 1989).
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 18-27
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Women and Intertextuality: On the Example of Margaret Atwood’s The Penelopiad
Autorzy:
Lisowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/653583.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
intertextuality
feminist literary criticism
arachnology
reinterpretation
humour
Opis:
The aim of the study is to consider feminist retellings of myths and legends. As an example, Margaret Atwood’s book The Penelopiad is analyzed. The interpretation is situated in a broader context of intertextual practices characteristic of the feminist vision of literature. I present the ideas which Atwood shares with authors engaged in women’s movement. Among these there is Atwood’s understanding of intertextuality (noticeable especially in The Penelopiad). Bibliographical basis of the study comprises books which are fundamental to feminist and gender criticism (e.g. Poetics of Gender, ed. by N. Miller, New York 1986; S. M. Gilbert, S. Gubar The Madwoman in the Attic. The Woman Writer and the Nineteenth- Century Literary Imagination, New Haven and London 1984). What is more, the study refers to the books which allow considering the notion of intertextuality (G. Allen, Intertextuality, London and New York 2010, J. Clayton. E. Rothstein (eds.), Influence and Intertextuality in Literary History, Wisconsin 1991) and connecting the interpretation with the problems crucial to contemporary literary studies (L. Hutcheon L. A Poetics of Postmodernism. History, Theory, Fiction, New York and London 1988, B. Johnson, A World of Difference, Baltimore and London 1989).
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zabawy znaczeniem w felietonach Tomasza Olbratowskiego
The play on meaning in Tomasz Olbratowski’s radio segments
Autorzy:
Gaze, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/966970.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
radio segment
meaning
alliteration
etymological reinterpretation
the change of the graphic form
felieton
znaczenie
aliteracja
reinterpretacja etymologiczna
zmiana formy graficznej
Opis:
Celem artykułu jest opisanie kilku mechanizmów językowych, które wykorzystał Tomasz Olbratowski w felietonach, komentujących aktualne wydarzenia w Polsce. Do gier, które zasadzają się na zabawie znaczeniem, należy zaliczyć: reinterpretację etymologiczną, ze szczególnym uwzględnieniem komizmu opartego na skrótowcach, zmianę formy graficznej i aliterację głoskową.
The aim of the article is to describe a few language mechanisms used by Tomasz Olbratowski in a series of radio segments commenting the current events in Poland. Among the described mechanisms there are: etymological reinterpretation (especially humor based on abbreviations), the change of the graphic form of a word, and alliteration.
Źródło:
Acta Universitatis Lodziensis. Kształcenie Polonistyczne Cudzoziemców; 2014, 21
0860-6587
2449-6839
Pojawia się w:
Acta Universitatis Lodziensis. Kształcenie Polonistyczne Cudzoziemców
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konferencja naukowa „I wojna światowa w literaturze i innych tekstach kultury. Reinterpretacje i dopełnienia”
The Conference World War I in literature and other texts of culture. Reinterpretations and supplements
Autorzy:
Jamrozek-Sowa, Anna
Powiązania:
https://bibliotekanauki.pl/articles/451055.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
conference
World War I
reinterpretation
supplement
konferencja naukowa
I wojna światowa
reinterpretacja
uzupełnienie
Opis:
The article includes conference report World War I in literature and other texts of culture. Reinterpretations and supplements, organized by the Institute of Polish Philology at the University of Rzeszów, which was held on 17-18 November 2014.
Źródło:
Tematy i Konteksty; 2015, 10, 5; 436-439
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 39

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